PERSONAL
COMPUTER
WORLD
GROUP TESTS
SLIMLINE PCS
170 STYLISH SYSTEMS
If you have a PC in your living room,
the last thing you want is a hulking
great beige thing dominating one
corner, but there are some small,
neat and stylish systems out there
186 HOW WE DID THE TESTS
187 PERFORMANCE RESULTS
190 TABLE OF FEATURES
193 EDITOR’S CHOICE
GRAPHICS CARDS
194 PIXEL PERFECT
Gamers want the best and fastest
graphics cards, so we put 14 of
them to the test to find out which
offers the most in terms of
performance, features and value
for money
205 FSAA EXPLAINED
206 HOW WE DID THE TESTS
208 PERFORMANCE RESULTS
210 TABLE OF FEATURES
213 EDITOR’S CHOICE
WEB IMAGE EDITING
218 INTERNET IMAGE
Getting pictures and animations
onto a website needs a different set
of skills to image-editing for paper,
but there are packages to help
223 COMPRESSION AND
FILE FORMATS
226 SHAREWARE AND PLUG-INS
233 TABLE OF FEATURES
234 EDITOR’S CHOICE
HARDWARE
72 PANRIX MAGNUM MAX 1G
A 1GHz PC that excels in all areas
73 MESH MATRIX 1.1 GT PRO
The fastest machine on the market
74 SYSTEMAX D700 RV PRO
Powerful Duron machine
78 HI-GRADE ULTIS PV3 700A
Well built, Celeron-sporting system
79 SONY VAIO PCG-Z600NE
A notebook with the Sony magic
82 SONY VAIO PCG-SR1K
Floppy-less ultra-portable
84 SAMSUNG IZZI-PRO SWIVEL
Hefty CE device
86 DELL INSPIRON 5000E
Fast SpeedStep notebook
87 IBM I SERIES THINKPAD
Budget notebook
PERIPHERALS
92 HERCULES 3D PROPHET II MX
Punchy value graphics card
93 SONY CYBER-SHOT DSC-F505V
A digicam for pro photographers
96 CREATIVE WEBCAM GO PLUS
Super-specced webcam
SAMSUNG SYNCMASTER SM179MP
LCD monitor with TV tuner
98 PANASONIC LF-D201 DVD-RAM
A DVD drive to change your life
lOI POLAROID SVGA 238
Full-featured projector
NEC MULTISYNC VT540G
Quality projector
103 MSI K7T PRO
Duron-supporting motherboard
106 XEROX DOCUPRINT M750
Budget printer
NEC MULTISYNC FP1370
Great CRT monitor
108 SEAGATE CHEETAH X15 ENTERPRISE
Super fast hard drive
no KYOCERA FS-1000
Eco-friendly printer
SOFTWARE
118 MACROMEDIA FLASH 5
Web animation at your finger tips
120 MICROSOFT VISIO 2000
Versatile diagramming software
123 MICROSOFT AUTOROUTE GB 2001
Route-finding package
124 STEINBERG CUBASE VST 5.0
Industry-standard music software
129 WEB TRAFFIC MAXIMIZER
Getting your site on search engines
BUSINESS
130 RICOH AFICIO AP2100
Work horse printer
131 DELL POWERAPP.WEB 100
Lean, pared-down server
Personal Computer World • October 2000
VI TPT
I
| 1 L H a I
t
\ % K I
237 MONITORS
In the second of our new 16-page
in-depth section, David Fearon
investigates monitors. He charts
their progress from theearlydays,
explains CRT and LCD technology,
and helps you get the best out of
your screen in three workshops
COMPETITION
458 WIN A 700MHZ PANRIX PC
Looking for an Athlon PC? Now's
yourchanceto win onein this
month's competition
Esnnn
136 3D MODELLING WORKSHOP
Create your own world with a free
copy of trueSpace 3/SE on this
month's cover disc and three
workshops to guideyou through
putting scenes together and
building models
146 X86 PROCESSORS
All you wanted to know about chips
and more. Gordon Laing
investigates the d ifferent processors
availableand explains some of the
terms and acronyms behind the
technology
156 MOBILE COMMERCE
Promises, promises promises...
mobile commerce is struggling to
live up to the hype
164 THE SENX MACHINE
Bringing senses to your PC
167 TELEPORTATION
Sciencefiction no longer
14 TRUESPACE 3/SE &
TAXCALC 2000 LITE
Thismonth'sCD-ROM hasfull
versions of trueSpace 3/SE, a 3D
modelling package; TaxCalc 2000
Lite to help you fill in your tax
return; M YOB 6, HoTMetaL Pro 4,
and much much more
DVD-ROM COVER DISC
If you've picked up this month's
DVD-RO M issue, turn to page 19 to
find out what extras are included.
Each month onlya limited number
of issues will carry a DVD-ROM , so
turn to page 10 for details of how
to subscribe to this special edition
or buy the DVD-ROM separately
HANDS ON
257 CONTENTS
258 QUESTION TIME
261 WORKSHOP: WORD
Using templates for that pro look
265 WINDOWS
Times are achangin' with TouchPro
268 WINDOWS 2000
W here's the I R support for Palms?
270 WINDOWS NT
Add a second CPU to a workstation
272 UNIX
XFceand Linuxdesktops
276 HARDWARE
Overclocking a graphics card
280 OFFICE APPLICATIONS
Unformatted text and scrolling axes
282 DATABASES
I nvestigati ng the case of d i rty d ata
284 SOUND
Changing thetunein Windows
286 GRAPHICS & DTP
Quark tables made simple
288 3D GRAPHICS
Skinning a 3D object
291 VISUAL PROGRAMMING
M icrosoft's .N ET Framework
294 WEB DEVELOPMENT
A sneak preview of ASP+
297 ECOMMERCE
'Pro' webshops drive us wild
299 pda
A helping handheld for refugees
303 NETWORKS
Installing SAN -ity to your system
25 DIAL-UP TRIALS
Dial-up chaos signposts ADSL;
DVD-RAM to thefore; Windows
M E launches amid new email
security scare; Special report on
mobile screens and processors
BMEnnmsnim
452 PREVIEWS
453 GAMES
DeusEx, Grand Prix 3, Motocross
Madness 2, Dino Crisis
457 BRAINTEASERS AND CROSSWORD
459 FLASHBACK
460 RETRO
The Acorn Atom
EDITORIAL
10 CONTACT US
11 INDEX OF ADVERTISERS
57 INSIDE INFORMATION
59 STRAIGHT TALKING
60 BUSINESS MATTERS
62 404 NOT FOUND
66 LETTERS
133 BEST BUYS
306 READER OFFERS
437 MICROMART
451 BUYING ADVICE &
BUYERS’ CHARTER
Personal Com puter World • October 2000
As long as there's healthy competition, the future of the virtual 3D market should be groundbreaking
Thethird dimension
If you read thegraphics card
group test in this month's issue
(pl94), you'll find that thenext
generation of 3D accelerators
arewell and truly with us,
producing the kind of images
that you would haveneeded a
C ray su percomputer for not too
many years ago. It seems as if theracefortheultimate
graphics solution isgetting as cut-throat as theracefor
thefastestCPU.
With nVidia selling its GeForce2 GTS chip to just
about every potential graphics board manufacturer, it's
hard to imaginethat it won't becomethemost prevalent
graphics chipset in themarket.Obviouslythere'sstill
competition from the I i kes of ATi , Matrox and 3dfx, but
themarket has shrunk substantiallyoverthepast couple
of years. It wasn't too long ago that you would have seen
graphics chips from S3, Cirrus Logic, Number 9, Tseng,
Rendition, and Trident in agraphicscard grouptest.
Most of these used to work in thesame way as nVidia,
producingchipsetsand sellingthem to board
manufacturers, but now they're rarely heard of.
With graphics cards there's generally one
winner and lots of losers. S3 was big back in
thelate486 days when it released theVision
968 chipset, which wipedthefloorwith every
other graphics card on themarket. Sadly for
S3, however, it wasn't long before Matrox changed the
faceof thegraphics card market forever with therelease
of theMillennium.Thiswasan incredibly fast and well-
featured card that was second to noneat thetime, but it
wasn't until 3D graphics becamean issuethat things
started to get real I y i nteresti n g.
Theinitial crop of 3D accelerators werenothingto
writehomeaboutand it wasn't until 3dfx released its
Voodoo board that 3D games started to come i nto thei r
own. 3dfx followed theVoodoo with theVoodoo2 and
every graphics card manufacturer worth its salt produced
boards based on that. Theproblem with theVoodoo
boards was that they were add-on cards that still needed a
standard graphics card to run 2D applications.
Eventuallyall themajorcard manufacturers realised
that thefutureof PC graphics was 3D, and the race to
producethede facto 3D graphics chip began. Duringthis
timewesaw 3dfxbuySTB and start to produceitsown
cards rather than selling its bare chips. S3 applied a
similar model buying D iamond. Unfortunately S3 was
unableto produceagroundbreakinggraphics chipset in
its new guise and has faded intothebackground,
although it'sstill producing decent mobile3D chipsets.
Even though nVidia is probablythe biggest name in
3D graphics at the moment it's also the newest. When
nVidia released theTNT andTNT2 chipsets it shifted the
balance in themarket, but when it released thefirst
GeForce256 chip it redefined it. Eversincethen theother
manufacturers have been playing catch-up, and it'sonly
ATi that hasfinallycomeup with an equally excel lent
product. Theamazing thing about nVidia isthat it had
already superseded theGeForce256 with theGeForce2
GTS beforeany competition started to rear its head. It's
therefore hard to believethat nVidia doesn't already have
its next tru mp card u p its si eeve.
Of course, nVidiadoeshaveotherthingson itsmind
with the release of theM icrosoft X-Box drawing ever
closer. Rather than fearingthereleaseof thenew console
as competition to its PC gaming cards, nVidia is
Major card manufacturers realised the FUTURE
OF PC GRAPHICS WAS 3D and the race to
produce the de facto graphics chip began
producing thegraphics solution for M icrosoft's new
baby. This is another shrewd movethat will no doubt net
thecompany a tidy profit as well as much kudos.
Whether theM icrosoft deal will help makenVidiathe
dominant player in 3D graphics remains to be seen,
although it'sworth remembering that ATi isstill the
number onesupplier of graphics chips in theworld and
it's not likely to let go without afight. That said, much of
AT i 's market share i s i n the bu si n ess i ntegrated graph i cs
arena, whereas nVidia has concentrated on thehigh-end
market that yields high-profilebut lower market share.
Ultimately, nVidia has pushed the boundaries of 3D
graphics further than ever beforeand shaken up what's
left of thecompetition to do thesame. As long as the
market remains healthy with somesemblanceof
competition, we should continueto enjoy ground¬
breaking developments in
thevirtual 3D world.
Riyad Emeran, Editor
Personal Computer World • October 2000 •
PERSONAL
COMPUTER
WORLD
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|1 • Personal Com puter World • October 2000
Index of advertisers
1 ADVERTISER
TELEPHONE
PAGE
Ace Quotes*
see advert
180-181
Acer
see advert
148-149
AJP
020 8208 9755
174-175
Amazon
see advert
8
AO pen
see advert
29
r
see advert
75
Buy.com
see advert
104-105
c
Cambridge ISDN
01223 495929
166
Carrera
020 8307 2900
183, 185
Compaq*
0990 232425
132-133
Connect 25
see advert
130
Corel
see advert
36
Crucial Technology
0800 013 0330
161
Dabs Direct*
0800 674467
308, 309-324
Dakota Computer
Solutions
020 8452 8400
122
Dan Technology
020 8830 1100
21-23
Dell
01344 724872
IFC-5, 49-55, 94-
95,178-179,264
E
Elonex
0500 524 444
97,99,229
Epson
0800 220546
144-145
G
Gateway 2000
see advert
12-13, 76-77
Grey Matter
01364 654 100
305
H
Hansol
01252 360400
255
Hewlett-Packard
0990 474747
38-39
Hi-Grade Computers
020 8532 6123
80-81, 83, 85
IBM*
see advert
100-101
liyama
see advert
248
Just Projectors
see advert
129
K
Keyzone
020 8900 1525
11, 44, 45
| ADVERTISER
TELEPHONE
PAGE
Lapland
Leonardo Computer
01256 867 700
154-155
Systems
0118 9269400
301
Line One
see advert
56
Logitech
020 8308 6582
121
M
M atrox
01753 665544
69
M esh Computers
020 8208 4706
31-35,43,236
Moonfruit
see advert
58
M usicM aker
see advert
256
Panrix
0113 244 4958
188-189
QDI Computers
01753 554 004
18
s
Sage
0800 447777
165
Seiko
see advert
109
Silicon River
see advert
293
Simply Computers*
020 8523 4002
341-356
SmartCertify
0800 279 2009
290
Software Warehouse*
01675 466 467
373-436
Sony
see advert
63
Sony
see advert
168-169
Taxan
01344 484646
247
Technomatic*
0990 559944
325-340
Time
01282 777111
111-117, 125-127,
162-163,214-217,
231,235,275
Tiny Computers
01293 821333
88-91, 107
u
Unwired Solutions
see advert
301
V
Viglen
020 8758 7000
OBC
w
Watford Electronics*
0800 035 5555
357-372
Westlakes
020 8902 2392
279
Xerox
see advert
41, 64-65
* Inserted cards, catalogues, pre-printed adverts and sections
Personal Com puter World •
October 2000
WELCOME TO THE OCTOBER 2000 PERSONAL COMPUTER WORLD COVER DISCS
October COVER DISCS
GAMES f [library ENTERTAINMENT INTERNET
elcome to the 0 ctober Personal C omputer W oriel
cover disc. This month's line-up includes one of the
world's favourite 3D modelling and animation packages -
trueSpace 3/ SE. For small businesses, there's a full and
unrestricted copy of the award-winning M YO B (M ind Your
0 wn Business) Accounts version 6. You'll also find the
brand newTaxCalc 2000 Lite from Which?, an invaluable
helping hand for those who need to send in a Self
Assessment tax return. There's also one of the best-known
web authoring packages, HoTMetaL Pro v4, which comes
complete with a great set of web utilities for creating Java
applets, animated gifs and much more. And if you want to
give your PC a health check, C hecklt 5 will do just that.
There are other great programs too, including M icrosoft's
brand new Internet Explorer v5.5, and much more.
For help on using the PC W cover disc please see page 16.
trueSpace 3/SE
3D tools for creative minds
O ne of the most intuitive 3D
modelling and animation tools
availablefor Windows, trueSpace
3/SE lets you create whatever your
mind's eye can visualise.
N ew features in version 3 give
you unprecedented power and
control, all seamlessly integrated in
the design environment. trueSpace
3/SE gives you the too Is to create
3D characters and worlds your way,
faster and easier.
Check out this month's
workshop on page 136, where David
Fearon takes you step by step through
putting together scenes and building
models with trueSpace 3/SE.
Character building:
create your own
animated world
Upgrade to even more power in trueSpace 4
The latest in Caligari's flagship line of trueSpace products is trueSpace 4.
Users love it. The press loves it. You can love it too - for an amazing
low price available only to Personal Computer World readers.
trueSpace4 has all the new features introduced in trueSpace 3, plus
new high-end features like Bones, NURBS,
Function Curves and Scripting. A brand new
hybrid renderer allows you to create the ultimate
in realism. The Tenderer alone is worth as much
price, considering its top-end features and third-party
plug-ins.'
Now you can have your own copy of trueSpace4 - for a price that
will amaze you!
If creating was a breeze with trueSpace 3/SE, we promise that the
capabilities of trueSpace 4 will blow you away. Plus, it comes with
Caligari's unconditional guarantee: if it doesn't revolutionise the
way you work with 3D graphics, simply return it within 30 days for
a full refund.
You can have all this power for only £245! (£295 inc VAT and
delivery).
To order, contact Caligari on tel: 01752 895 100,
fax: 01752 894 833 or ttps://forms.caligari.com/store/uk/pcw.
Please quote Code 009CU WO Rl.
Remember, this offer is available only to Personal Computer
World readers!
What are you waiting for? Order by 31 October 2000.
FULL VERSION
as the full version of trueSpace 4, and we are
offering it to you for a low upgrade price!
The Washington Post (July 1999) said that:
'trueSpace 4 costs far less than H ollywood-style
3D software but still has amazing powers. Once
mastered, trueSpace 4 is an invaluable resource
for the designer and the animator.'
TV Technology commented that trueSpace 4
'should sell for several times its $595 (£372)
• Personal Computer World • October 2000
TaxCalc 2000 Lite_ full version*
Ur riJ M4Jf
■ . . ..
□a
per cent of incorrect
tax calculations by
the Inland Revenue,
you could use TaxCalc
2000 Lite to make
sure you're paying the
right amount of tax
Which? Software, publisher of the best¬
selling TaxCalc 2000 personal tax program,
has launched TaxCalc 2000 Lite. This
enables taxpayers filling out basic Self
Assessment forms to complete their tax
returnsquicklyand accurately, without
making any potentially costly mistakes.
Since filling out a Self Assessment Return is
even more complex this year (with a
calculation sheet running to 29 pages,
rather than an average of five pages in
1999) , it makes sense to get some
independent help to make sure that you're
not paying too much tax.
Covering the requirements of most tax
payers required to submit an annual return,
this great new software package is filled
with features that will make completing
this year's tax return easier than ever.
Once you've completed your return,
TaxCalc Lite will also enableyou to
either print out a tax return document,
or to use the online filing system to send
back your return directly to the Inland
Revenueover the Internet. The Revenue
launched this service at the beginning of
July, and if you use it to send back your
return and payyourtaxbill electronically,
you can claim a £10 taxdiscount.
Even if you ha veal ready submitted your
return or used an accountant to do it, the
TaxCalc Lite program will allow 98 per cent
of Self Assessment taxpayers to check the
Inland Revenue's (or your accountant's)
calculations. The Revenue's publicised
accuracy level currently stands at 77 per
cent, meaning that almost one in four
could be wrong, so almost a quarter of
taxpayers could potentially save money off
their tax bills.
Also included ontheCD isa
comprehensive user manual in Adobe
Acrobat format (the reader can be installed
fromthedisc); plus 30 useful Inland
Revenue booklets and leaflets to help you
with your tax matters.
The Inland Revenue leaflets (Adobe
Acrobat Reader required) include:
SA/BK8 - Self Assessment. Yourguide
CGT1 - Capital GainsTax. An introduction
CW LI - Starting your own business?
CWL2 - N I Contributions for self-employed
people
IR87- Letting and your home
IR110- A guidefor people with savings
IR120- You and the Inland Revenue
IR121- Incometaxand pensioners
IR125- Using your own car for work
IR145 - Low interest loans provided by
employers
IR161 - Taxrelief for employees' business
travel
IR172- Incometaxand companycars
Inland Revenue help sheets include:
IR203- Car benefits and car fuel benefits
IR204- Lump sums and compensation
payments
IR206- Capital allowances for employees
and officeholders
IR208- Payslipsand coding notices
IR211 - Employment - residence
and domicile issues
IR222 - Howto calculate your
taxable profits
IR227- Losses
IR229- Information from your
accounts
IR281 - H usband and wife,
divorce and separation
IR283- Private residence relief
H elp for small-business expenses
IR284- Shares and Capital GainsTax
IR285 - Share reorganisations, company
takeovers and Capital GainsTax
IR289- Retirement relief and Capital
GainsTax
IR300- Non-residents and investment
income
IR320- Gains on UK life insurance policies
Inland Revenue notes include:
SA103 - Notes on self-employment
SA108 - N otes on capital gains
SA109 - N otes on non-residence
TaxCalc versions
• TaxCalc 2000 Lite covers only thefollowing
schedules:
• TheSA 100 (the eight-page core Return)
• Employment supplementary pages
• Self-employment supplementary pages
• Share schemes supplementary pages
You will need to upgrade to TaxCalc Standard
if your income involves:
• Partnerships
• Land and property
• Foreign income
Trusts
• Capital gains
• Non-residence
See cover disc for details on howto upgradefrom
TaxCalc 2000 Lite to the Standard version.
Personal Computer World • October 2000 •
> 1 »
v^i
' PtIIV a / 1
ip*
4
rrJi
V.
GAMES
APPLICATIONS
LIBRARY ENTERTAINMENT INTERNET
MYOB version 6
FULL VERSION
MYOB (M ind YourOwn Business) is the
world's leading accounting and financial
management package for small businesses.
Thousands of growing businesses, from
florists to advertising agencies, are now
experiencing the many benefits of using
M YO B and entrusting the mechanics of
their cashflow, budget analysis and VAT to
this superb software solution. MYOB is
packed with features and it's easy to use.
I n our August group test covering
accountancy software M YO B received a
Highly Commended award. The package is
easy to set up and use. After you've loaded
up, the Command Centre gives you access to
the software's main functions. Entering
transactions is straightforward, for example
paying a supplier is just a case of writing an
on-screen cheque- and whileyou arefilling
outthechequeyou can create new suppliers.
Creating invoices is similarly clear and
straightforward and they can be batched
readyfor printing. The reporting function is
excellent, with M YO B ableto export reports
asa web pageand OfficeLink software
allows you to pipe reports to M icrosoft
Excel. Word and WordPerfect can also be
used for word-processing functions.
The customer and supplier databases
enableyouto keep records of invoices as
well as attach notes about conversations.
M YOB's features include:
• Nominal ledger
• Chequebook
• Flexible invoicing
• Records and analyses sales
• T racking debtors and identifying slow
payers
It's easy to keep
track o f all your
finances with
MYOB 6
• Automatically creates and tracks
purchase orders
• Records creditors and reminds of
expiring discounts
• H andles quotes and estimates
• Flexible stock management
• Comprehensivefinancial and
management reporting
• Report customiser
• Job management
• Electronic card file with contact
management
• Custom forms designer
• To do' list
• I nteracti ve cash f lo w fo r ' W hat If?'
analysis
• OfficeLink/ Script/ Link
• VAT reports
• Clear bank account reconciliation
Special offer
Personal Computer 1/1/ orld readers can upgrade
to the latest version
ofM.Y.O.B.ataspecial
discount price (a
saving of £100). You
can find detailsofthe
special upgrade offer
ontheCD.
Using the cover disc
ThePCI/l/ cover disc uses a web-browser-style
interface. As well as cutting the time needed for
development, content designed forthe web can be
easily ported to thedisc (and vice versa).
Compatibility issues are reduced as your
browser has been installed to work on your
individual PC. However, to get full functionality
from it, you will need to use M icrosoft Internet
Explorer (version 4 or later). This is because we use
a special ActiveX plug-in that allows usto install
software directly from the browser, without all the
normal options, dialogs and security warnings.
U nfortunately, N etscape doesn't properly
support this software. Fornon-M icrosoft users,
we've included a small installer that will run when
you insert thedisc, or when you run the program
PCW.EXEintherootofthedisc. Of course, you
can still launch the main browser to read all about
thesoftwareon this month's disc.
IMPORTANT
Please notethat we cannot give support on
individual programs contained on this disc.
If you have problems running thedisc or any
of its content, please follow these guidelines:
• Faultydisc (ie, thedisc is physicallydamaged and
will not load) - return thedisc fora replacement to:
PCW October cover disc, TIB pic, HelpLine Returns,
Unit 5, Triangle Business Park, Pentrebach, M erthyr
Tydfill, M id Glamorgan CF484YB, quoting ref
'PCW Vol 23 No 10'
•You have problems installing/ running the
software. CheckthesupportpageontheCD, orthe
supportwebsiteatwww.pcw.vnunet.com/cd.You
should also check the manufacturer's website
• For general difficulties call 01685 354726
• If you're still stuck, drop usan email at
pcwcd@vnu.co.uk- we may be ableto help.
• Personal Computer World • October 2000
HoTMetaL Pro 4 FULL VERSION
A imtech's Jamba PE is an added extra
Important
HoTMetaL Pro 4 (DVD users only)
You may experience problems installing
HoTMetaLdirectlyfromtheDVD (if you
see an error message 'Cannot find
C:\Windows\conagent.exe'). You can
get round this byfirst copying the
installation folder to your hard disk,:
Drag (copy) the\software\hotmetal\
folder from the DVD onto your
Windows desktop. Open thefolderand
double-click thefile setup.exe (DON'T
run it from the W indows Start button) .
The installation folder is quite large
(380M B), so you will need sufficient disk
space. However, you can delete the
folder immediately after installation.
Competition and upgrade offer
Howto register
Before you can start exploring the powerful
features of HoTM etal Pro 4, you must
register your software at www.hotmetalpro.
com/ register/ special.htm . You will need to
quote thefollowing 12-digit product ID
number: 233040335001. (If you 're ready
to, you can also upgrade to version 6 at this
site- there's a link on the disc.)
Installing HoTMetaL
To Install HoTM etal Pro 4 , shutdown all
applications (including the disc's browser).
Next, start the INSTALLATION WIZARD,
by launching the file: [CD :]\ Software\
H oTM eTaL\ Setup.exe
NOTE: the HoTMetaL Power Tools
installer can also be found in this folder.
Once the Installation Wizard has start¬
ed, follow the on-screen instructions.
N ote that H oTM etaL Pro 4 comes with
some useful extra programs, including:
• Ulead Photoimpact Special Edition
• Ulead GIF Animator 1.5 Full Version
• Ulead WebExtensions
• Ulead SmartSaver 2.0 Full Version
• Aimtech Jamba PE
• Platinum VRCreator, and
• Acadia Infuse Scriptbuilder
NOTE: Skip installation of Internet
Explorer. There's a copy of the latest version
of I nternet Explorer elsewhere on this d isc.
Thesameappliesto AdobeAcrobat Reader.
SoftQuad's powerful software has been at
the forefront of web authoring for many
years. Version 4 introduces a new Wysiwyg
user interface that's designed to be as
accessible to newer web developers as
well as to professionals. HoTMetaL
produces code that conforms tightly to
the standards, while offering support for
a wide range of technologies, including
ActiveX, Java, dynamic HTM L and
cascading stylesheets.
You will need to visit SoftQuad's spe¬
cial PCW web page to register your copy of
H oTM etaL Pro 4. Registration is free and
will only take a few minutes of your time.
As well asthefull and unrestricted version 4, we've
included a fullyfunctional trial version of the latest
H oTM etalLPro 6 that you can use for 30 days.
H ere are just some of the new features in version 6:
• Improved sourceeditingand authoring aids
• Enhanced FTP and remote file-editing features
• Improved asset manager
• Comprehensive extensibility and customisation
• Comes with more than 8,000 images in the Asset
Library, WS_ FTP Pro 6.02 full version, and HTM L
^JavaScript self-studytraining tools
Answer thefollowing three questions and you
could WIN oneofthreecopiesof HoTMetaL Pro 6
for FREE:
1. Who publishes HoTMetaL Pro?
2. Which image editor is included with HoTMetaL
Pro 6?
3. What does CSS stand for?
Send your entries to:
HoTMetaL competition,
c/o Personal Computer World,
32-34 Broadwick Street, London W1A 2H G
PCW October 2000 HoTMetaL Pro 6 competition entry form
Name:
Email address:
Daytime telephone number:
Address:
1. HoTMetaL Pro is published by: .
2. The image editor included with HoTMetaL Pro 6 is: .
3. CSS stands for: .
•P lease tick here if you DO NOT want to receive information about other products and
services from VNU B usiness P ublications Ltd □
•P lease tick here if you D O want your details to be passed on to other
carefully selected companies for marketing purposes □
Personal Computer World • October 2000 •
l hC^ A. YfllA . h\\ i \Mii >V ^W'TkJIf
F&n r i v _ *. sgT^r^ * -v1^ *
GAMES
iwIM
LIBRARY ENTERTAINMENT INTERNET
Checklt... IE5.5... Media Player... DisplayMate...
Checklt 5
Thefull version of Checklt 5 will test your
hardware, discover any hidden conflicts and
report detailed system information.
Checklt is a powerful 32bit W indows
diagnostic utility. It helps you pinpoint
problems, test system components, locate
system conflicts, and restore Windows'
Registry and system files.
Thefirsttimeit runs, Checklt performs a
multi-step collection process that gathers
hardware configuration information and
performance data. The Snapshot is a way of
recording this information for use in future
comparisons. In future, when the software
checks out your system, if you get anything
less than asmileyface, you've probably got
cause for concern. Checklt will then help
you to try and identify what's preventing
your PC from working at 100 per cent
efficiency. And if you just want to see how
fast the various bits of your system can go,
Checklt includes benchmarking.
Internet Explorer 5.5
The newest version of Internet Explorer
includes improved support for DHTM Land
CSS, giving web architects greater control
over browser appearance and behaviour.
You'll also enjoy the ability to preview web
pages as they'll appear when printed. Web
architects will appreciate the greater control
over browser appearance and behaviour,
including enhanced frames, element
behaviours, vertical text layout and more.
NOTE: M icrosoft will not provide
support on this installation.
W indows M edia Player 7
M icrosoft's brand new Windows Media
Player 7 (pictured top right) comprises seven
features in a singleapplication: CD player,
audio and video player, media jukebox,
media guide, Internet radio, portable device
musicfiletransfer, and an audio CD burner.
These software programs are combined into
one easy-to-use application.
NOTE: Media Player should NOT be
used on computers running W indows 95 or
NT4. M icrosoft will not providesupporton
this installation.
DisplayMate (demo edition)
Tuneup software for your monitor.
DisplayM ate will help optimise your
monitor to deliver the best possible image
and picturequality. It guides you step by
step through setting up and tuning all of the
parameters, controls, and adjustments of
thedisplayand its adaptor. If you wish you
can copy D isplaymate to your hard d isk ( it's
in the\Software\ Essentials folder) or run it
directly from the CD.
See also this month's pcwexpert on
monitors (page 237). David Fearon
explains how to set up your monitor with
DisplayM ate.
What's on the DVD
The programs referred to below can all be
found on the DVD edition of Personal
Computer World, available every month from
main newsagents or by subscription. You'll
find details in the Subscription section of
theCD.
The DVD includes everything on the
CD-ROM , plus all these great full-version
packages described below, sixmonths
worth of PCW group tests, and the new
Essentials section packed with more than
50 utilities, add-ins and demos. Finally,
there's a selection of nine of the best
playablegamesdemos.
Sun StarOffice version 5.2
Building on a history of 15 years of
continuous innovation, StarOffice 5.2
incorporates more than 200 new or
enhanced features. And, uni ike some office
suites, StarOffice 5.2 can be used on just
StarO ffice is a complete office suite
about any O S. You get instant access to
open, modify and even save as M icrosoft
Office files.
StarOffice 5.2 includes a rich set of
productivity tools from spreadsheet to word
processor, presentation graphics, drawing,
image editing, HTM Leditorand database,
plus email, newsreader, and scheduling and
task management tools.
Best of all, StarOffice 5.2 isfree.
Sun's powerful, cross- platform suite
delivers seamless access to a variety of office
productivity applications freeof charge. A
global, fully-featured suite, StarOffice 5.2
integrates the toolsthat today's businesses
need to effectively createdynamic and
professional documents, exchangefiles
with M icrosoft Office, and surf the Internet.
1 _ 1
PCW COVER DISCS BROUGHT
TO YOU IN ASSOCIATION WITH:
LINEONE
Personal Computer World • October 2000 •
?>'« i4 V? r > // i
•h
l \
GAMES
APPLICATIONS
LIBRARY ENTERTAINMENT INTERNET
What's on the DVD
0 n the DVD you'll find the latest
version of StarO ff ice for Windows
(95/98/NT); Linux; and Solaris (Intel).
NOTE: During our tests we came across
so me script problems with Schedule Server
installation supplied to usfrom Sun M icro-
systemsthat wewereunableto resolve. We
will includean update on next mo nth's disc.
Full instructionsfor installing H oTM etaL
Pro 4 from the DVD areonpl7.
SoftKey Key Photos
Key Photos is a collection of 2,100 royalty-
free photos in 88 categories, covering
everything from agriculture to wolves, and
from office buildings to transport.
You can browse the photos with Power-
Album, which allows you to add yourown
images and searchable descriptions. Click
M 0 RE to view the PowerAlbum manual
(you'll need Acrobat Reader), or IN STALL
to copy PowerAlbum to your hard disk.
SoftKey allows easy browsing of photos
Linux Special
Here's your chance to check out three
complete Linux installations, from
M and rake, Phat and Armed.
Linux Mandrake 7.1
This latest version of Linux M andrake is a
complete, preconfigured graphical Linux
operating system. It's easy to install, easy to
use and stable. The graphical interfaces
KDE, Gnome, AfterStep, W indow M aker,
IceWM and so on are fully integrated, fully
compatible with Red Hat applications.
NOTE: We've provided Linux M andrake
as two ISO 9660 imagefiles that you must
burn onto two CD-Rs in order to install (so
you'll need a CD-R burner). We've included
instructions on howto do thisonthedisc.
Armed Linux Beta 1.1
A Linux workstation OS that installs under
M icrosoft W indows 95 or 98. Armed Linux
is for first-time users and people who need
Linuxas a secondary operating system.
Phat Linux v3. 2
This has a W indows-based install, so you
L inux M andrake 7.1 is very easy to use
don't need to repartition your hard drive. It
comes bundled with X-W indows, KDE,
Gnome, Enlightenment, theApache Web
Server, a DOSemulator, sound programs,
image editors and more.
NOTE: Wecannotsupportthis
software in anyway, and we strongly
recommend that you research each onefully
before installing, by visiting the respective
websites where you will find updates and
add-ins, as well as plenty of help and advice
from the publishers and users.
While every ef f o rt h a s b een m a d e to
provide useful and accurate information
on these products and their installation,
VNU cannot beheld responsibleforany
inaccuracies in the text or damage that
may result from running this software.
BeOS 5 Personal Edition
Thanks to the new Version 5, you can now
install BeOS as a file within Windows. No
repartitioning is necessary, and launching
BeOS 5 is as simple as double-clicking an
icon on your desktop.
PCW group tests
Yo u ' ve got access to mo re than six mo nths
of product testing from the pages of PCW .
Desktop PCs, anti-virus software, CD
writers, databases, digital cameras, DTP
software, hard drives, image editors,
monitors, motherboards, notebooks,
PDAs, printers, visual programming
software, and webcams are included.
The group tests are presented as Adobe
Acrobat files to preserve the original
layouts. You can browse or search each
feature, copy text from the documents, or
print them out for reading or reference.
Games demos
Vampire
Live as the undead: asChristof, a vampire of
the Brujah Clan, you must fight and feed on
the blood of mortals, while hiding your
vampiric powers and controlling the urges
of the beast within you. Masquerade's
powerful 3D engine- dramatic lighting, fog
effects and gorgeous textures - bring life to
the mediaeval settings, and Gothic realism
to the cities of London and N ew York.
Homeworld (new demo)
This updated Homeworld demo includes
the game's first two missions and a step-by-
step tutorial.
In thefirst mission, command the
massive mothership to begin construction
of yourfleet. In mission two, learn to engage
enemy craft in the unique 3D battlefield of
deep space. Each victory brings you closer
to H iigra, your homeworld.
Star T rek: N ew W orlds
This presents the Star T rek universe as never
seen before. Setintheyear2292,thegame
chronicles the challenges and adventures of
a small group of colonial officerson the
surfaces of new alien worlds.
Motocross Madness 2
Thetrial version features both a stunt
quarryfor freestyle competition and a
N ationals track for intense motocross
racing, as well as two of the game's 16-plus
bikes, and two racing skins. This version has
single and multiplayer options, with
multiplayer matchmaking for up to eight
racers availableonZone.com (seealsoour
review on page 455).
Practice some body-bending motocross
Dino Crisis
Ported from the PlayStation to the PC, Dino
Crisis, from Capcom - creators of Resident
Evil - pits you against some of the most
ferocious predators that roamed the earth
(see our review on page 456).
Starting the DVD-ROM
The DVD should auto-start, just like the CD.
If it doesn't, double-click the DVD-RO M
icon in My Computer or, alternatively, run
the file PCW. EXE on the root of the DVD.
Check out the support website at
www.pcw.vnunet.com/cd for late-breaking
news on the programs on the disc.
YJ • Personal Computer World • October 2000
contents
NEWS
26
New email threats.
Windows M E and
Win2K update ship
27
Toll-free snarl-ups
28
Death of the VCR
30
ADSL home at last
40
New Apples
ANALYSIS
37
Software sales go
soft
38
Boffins emerge
44
Bluetooth fears
46
Three page special
report on low-power
chips and screens
D ial-up jams and free U S calls
signpost AD SL for the future
Computing lurched into
the 21st Century last
month as ADSL moved out of
its trial phase and into homes
and offices- while some of
the new unmetered dial-up
services buckled under huge
demand (seepage27).
The snarl-ups were blamed
on heavy users hogging lines,
but the real culprit was the
dial-up system itself. The
lesson was clear: we have to
move on, whether it is to
ADSL or cable (see page 30).
BTOpenWorld, EasyNet
and Demon areamong
several companies offering
A D SL - see vnunet. com fo r the
Dead heat at GHz-plus
We got to test Intel's
latest 1.13GHz Pill
just before we went to press.
It lets Intel claim to have the
fastest x8 6 processor, but our
results show users would see
little difference in comparison
with AM D's l.lGHzAthlon -
even with the Pill using
expensive RAM BUS memory.
And finding systems using
the Pill will be tricky: it will be
available in limited quantities,
writesjason Jenkins.
Wetested it with 256M B of
PC800 RAM BUS and a 64MB
3D Prophet II graphics card on
an Intel VC820 board. For
comparison we used an
Athlon in a M esh M atrixl.l
GT PRO using 256MB PC133
SDRAM and the Prophet II.
The scores were (Athlon in
brackets): 205 (204) in
SYSmark2000; 7,265 (7,261)
in 3DM ark2000; 118.7fps
(115.2fps) in Q uake III; and
23 minutes 2 seconds (21
minutes 11 seconds) for our
test scene in 3D Studio Max.
Meanwhile, anon-games
application that mayhelp
create a mainstream market
for lGHz-plus chips has
finally emerged, writesClive
Akass. A video-conferencing
system developed jointly by
Picturetel and Intel is said to
p ro vi d e j er k-f ree f u 1 1 -sc reen
video at 256Kbits/sec.
Tim Duffy, Picturetel'svp
o f co n f eren c i n g p ro d u ct s,
says it will be implemented in
software when processing
speeds get fast enough. See
picture on page 30.
• IBM has confirmed that it
will launch notebooks using
Tra n sm et a ' s b a ttery-sa vi n g
Crusoe chips. Special reports on
powersaving- pp46,41 ,48.
• A thlon reviewed ... page 7 3 .
21st century storage
The month's other big event was Panasonic's release of a 4.7GB
DVD-RAM drive that sets a benchmark for next-generation
storage. R iyad E meran argues (p28) that one version will
supersede the venerable video cassette and its PC -based sibling
( review p98) already looks like a must-have at £319 ex VA T.
latest on deals. Business rates
arearound £90 a month fora
basic 512/256K business link,
plus installation charges.
Prices vary according to
service guarantees and line
contention ratios (ie, the
number of sharers).
Homeconnectionswill be
available shortly for around
£40 exVAT a month. But
many poorer users may get
ADSL by sharing links.
Until usage patterns settle,
even ISPs will not know what
effect contention ratios,
which vary between 20 and
70 to one, will have. Usage is
almost impossibleto predict
with content, demographics,
technologyand even modes
of human interaction all
changing at once.
There is sureto bea shift of
voicecallsto thenet using
Voice-over-IP services such as
Go2Call and Net2Phone.
MSN is offering free PC-to-
phonecallsto theUS. Nick
Babaian, MSN business
development manager,
believes VoIP could takea
big chunkofthe market.
There are always going to be
paid-for routes because of
regulated markets,' hesaid.
And for my NeXt trick...
T he most stylish machine
of the month has to be the
new G 4 cube, which was
unveiled by Apple head
honcho Steve Jobs. But...
er... haven't we seen
something like this before?
Well, there was the NeXt
cube (inset), launched in
1988 and still looking
great after all these
years. T he head of NeXT
at the time was a certain
Steve Jobs.
• Apple gives PC vendors a
thing or two to think about -
page40.
EJ
Personal Computer World • October 2000 •
1
3orn sites are
topforfraud
Pornography sites attract the
highest levels of onlinefraud
and UK credit-card firms have
told them to clean up their act.
Under a scheme launched
by credit companies in April
the sites facefines of up
to approx£3,000 a month if
more than two per cent of
their card transactions are
fraudulent. However Visa
now imposes fines of up to
around £60,000 a month if
fraud levels go above seven
percent.
Fraud accounts foran
estimated 0.16 per cent of
credit-card transactions
worldwide- considerably less
than thefour per cent average
on the Internet. In Britain this
means a loss of £7 m a year.
VNUNET.COM
N ot so safe
Two out of three PC
passwords can be easily
cracked, according to new
research by credit-card giant
Visa. Morethanfouroutof
10 people use their birth date,
sportsteam orthenameofa
pop star. 0 ne in five use their
own name.
The easily cracked
passwords are used to get
online bank details or to
eshop as well as to get into
their PCs, the company says.
Ball-free mice
Fujitsu Takamisawa, like
Apple, hasjust launched a
new range of optical mice
with a four-way switch scroll
button that is said to be ideal
in dusty areas and schools,
where mouse trackballs tend
to get lost, www.fteu.com
For more on Apple see p40.
Security flaws dig deeper
Just clicking on an email can be worse than Love Bug, warns Microsoft
Microsoft has issued a
flurryofwarnings
about security flaws,
including two gaping holes
that, if exploited, could make
the Love Bug look positively
cuddly. Both can betriggered
simply by downloading email
- most email viruses require
you to open an attachment.
One involves an unchecked
buffer that parses email
headers. A long bogus date
can crash the email client
and send excess data,
which maybemaliciouscode,
into memory where it might
be executed.
In a security notice Micro¬
soft said thecodecould do
anything you can do at the
keyboard 'including reformat¬
ting the hard drive, communi¬
cating with an external website,
or changing data'.
TheArgentinian security
firm Underground Security
Systems Research, which
discovered the vulnerability,
said it constituted 'a new
generation of virus'.
OutlookunderWindows
2000 and 0 utlook Express,
which is bundled with
Internet Explorer, are both
affected. M icrosoft advises an
upgradeto either IE 5.01
Service Pack 1 or IE 5.5. There
is also a fixin Win2K Service
Release 1 (see below).
The second flaw, found
by Bulgarian coder Georgi
Guninski, can betriggered by
opening a rogue web page as
well asimpleemail. It tells the
target computer to download
Visual Basiccodefroma
remote machine. A second
email can then tell the
machineto run thecode
within M icrosoft Access and it
can again do virtually anything
an authorised user can do.
M icrosoft says you can set
an administrator password
fo r Access th at th ro ws u p a
prompt before the rogue
code is executed.
www.microsoft.com/technet
/security/ current. asp
T his watch was produced
by version 2.0 of the
programmable M ental
R ay rendering software
3D Studio MAX that is
now being shipped by
.D iscreet, a division of
A utodesk. It costs from
£1,945 and requires
3D Studio M ax R 3.1.
www.discreet.com
M icrosoft reglazes Windows
Microsoft is releasing
revamps of both its
consumer Windows 9xand
corporate Windows 2000
products.
WindowsM illennium
Edition (ME) will ship on 13
September, initially for £39.99
inc VAT as an upgradefor
Windows98or98SE-or
£79.99 after 31 December.
Windows 95 or 3.1 users
will have to buythefull
package at £149.99. But as
support forthelatest
hardware is a major reason
for buying M E, they have less
reason to upgrade. Also old
machines might not run to the
minimum spec, which
includes a 150M H z Pentium,
32MB of RAM, and 295MB
free hard-disk space.
The relatively low upgrade
price may reflect the fact that
few people upgraded from
Window 95 to 98 - at least,
not officially.
Win2K product manager
Neil Laver said reasons for the
upgrade included greater
reliability, system rollback
after unsatisfactory changes,
a better 'user experience',
better multimedia support
like the new M edia Player, and
Internet Explorer 5.5.
The9xand 2K/NT lines will
converge next year in a
product codenamed Whistler,
part of M icrosoft's emerging
.NET architecture.
Meanwhile sales of
W indows 2000 are expected
to rise with the release of
Service Pack 1, a packet of
fixes for the Professional,
Server and Advanced Server
editions. It is available on CD
orasan 83M B download
from the M icrosoft site.
DataCentre, thefourth
component of Windows 2000,
which is designed to compete
with Unixin high-end data
systems, should be also avail¬
able bythetimeyou read this.
• Personal Computer World • October 2000
Short stories
Toll-free surfers beached
Service providers began to
backpedal on unmetered
deals last month as surfers,
freed from time restraints,
clogged lines and left
business models in shreds.
Breathe.com infuriated
many by barring 500 people
who had allegedly been
'hogging the line'. Among
them was reader Robin
Downs, who told PCW that at
no pointwashemadeaware
of 'anyover-useoftheservice'.
Breathe.com said that it
had 'removed a minorityof
users whose usage was
extreme' (forthefull statement
s eeLetters, page66). Their £50
subscription was refunded.
LineOne, meanwhile,
announced that it was
stopping its unmetered
service, using thetelco Quip,
in September because high
demand made it too costly to
run. Instead it will offer BT's
more expensive Surftime deal.
One user, Brendan
Crawford, of Stirling, said: 'I
was disgusted. They sent me
an email about it at 1.57am
onaSundaymorning.
Basicallytheyhaveshut it
down because it was too
successful.'
Users will get £20 worth of
free calls with Quip to cover
the cost of a box they had to
buy when they signed on.
'Personally, I'd rather have
the money,' said Crawford.
Virgin announced that it
was delaying its unmetered
plans until it was sure it could
offer a good deal.
M ost unmetered service
providers reserve the right to
bar users and impose time
limits if lines become clogged.
M any cut users off after two
hours whether theline is
active or not.
This does not stop the
popularityofwhat, for most
users, currently is the nearest
they can get to an always-on
service. Thomas Hill, who
was one of many complaining
of delays in the rollout of
ca b I e o p era to r N TL' s servi ces,
reported that he had finally
got a connection and that it
seemed to be faster than
using a BT line.
He said the unmetered
saga shows that providers
had notdonetheir
homework properly. 'If you
want to know how many
peoplewantto [use such a
service] ...takea number and
multiply it by 100 and you
won't even be close.'
TOMBOLA.COM
Addicts of the kind of B ingo
competitions run by the
tabloids will be attracted to
www.tombola.com, which
offers up to £10,000 in prizes a
week with a maximum £5,000
jackpot ... and it is free to play.
The five-minute games can
be played daily. Managing
director Phil Cronin says he
makes his money from
advertising and promotion.
SQUASHED 3D
An algorithm for geometry
compression with an efficiency
12 times that of MPEG 4 has
been developed by researchers
at Bell Labs' Mathematical
Sciences Research Center and
Caltech's Computer Science
Department in the US.
It will allow 3D virtual
objects to be displayed and
manipulated across the web,
according to researchers.
D igital geometric data
represents objects as meshes of
triangles and can be used for
animations and video games.
Here comes the Sun
The network computer
never died, it was
renemed an information
appliance. This is Sun's
latest SunRay 150, a
desktop terminal with
15in flat-panel display
activated by a smart card.
All information is held on
the server so you can use your
smart card to
bring up
your
personal
setup on any
Sun Ray on the system.
Details are at www.sun.co.uk.
'Poached' Red Herring threatens small fry
Two British sister IT
companies have been
ordered not to use their names
by a large US magazine.
All threeincludethewords
Red Herring, a phrase
stemming from thetime when
poachers dragged a specimen
of the said fish to leave a false
trail for tracker dogs.
Now David Jeffrey, who
once worked with web
pioneerTim Berners-Lee at
Cern, finds himself accused of
poaching the namefor his
two companies Red Herring
Ltd and Red Herring
Communications Ltd.
He set up his first Red
Herring company in 1996,
two years after the magazine
wasfounded, but at a time
when it was barely known in
Britain. Hiscompanieshold
the U K trademark for Red
Herring for use in their
web, consultancyand
support work.
ThemagazineRecfH erring ,
however, has warned him to
'cease and desist' from using
thenameorfacecourt
action. In April, thetinyOld
Pulteney distillery in Wick,
Caithness, which has a strong
herring fishing tradition, had
to change thenameof its
newsletter after receiving a
similarthreat.
ItseemsRedHerr/ngthe
magazine wants to promote
sales in Britain and it is
applying for an EU
trademark. Jeffrey says he
will oppose this.
No-oneatthe magazine
Red H erring was resp o n d i n g to
emails.
'W hat do you mean, I should
have used cod?'
fe _ X
Personal Computer World • October 2000 •
Short stories
WEB NAMES BOOST
C hoices for website names
should be much wider early
next year following the
approval of a plan to extend
the number of permitted
suffixes beyond the existing
seven: .com, .org, .net, .edu,
.int, .mil and .gov.
No decision on which
suffixes will be adopted will
be made by the Internet
Corporation for Assigned
N ames and Numbers (Icann)
until 20 November. Requests
include .shop, .store, .travel,
.news, .tel, .web, .union,
.museum, .bank and .sex.
OPEN IPV6
0 pen-source operating system
FreeBSD has been upgraded to
include improved security and
networking features - including
support for the next-gener¬
ation Internet protocol IPv6.
Users include Sony,
Hotmail, MP3.com, UUnet,
ClaraNetand France Telecom.
VNUNET.COM
CHILD AID
Ko-Rec-Typeis paying
ChildLine £1 for every laser-
toner or inkjet cartridge (one
with an attached printhead)
it receives for recycling. The
company provides collection
bins and freepost envelopes.
The recycling hotline is
0800 056 2416.
PARKING OFFER
BCP is offering discounted
parking at airports through its
site at www.bcponline.co.uk.
Be warned... 'discounted' does
not mean cheap.
RIP LIVES
The Regulation of Investigatory
Powers Bill has passed into law
but it will be some time before
provisions for some of its
measures, like email
surveillance, are in place, the
Home Office says.
BAN LIFTED
The U S has relaxed its ban of
exporting encryption
technology to Europe,
Australasia, and Japan.
Industry has argued that it was
holding back ecommerce.
DVD-RAM recorders could take over our living rooms, says Riyad Emeran
VCR is dead, long live VDR
With the audio cassette
finally starting to see
extinction through mass
adoption of M iniDisc and
solid-state music devices, it
looks like the VHS video
cassette's number could also
capabilities in its next-
generation DVD-ROM and
DVD-Video players. This vision
becomes more believable
when you consider that
Hitachi was showing off a
DVD-RAM camcorder at last
year's Comdex exhibition in
Las Vegas, with Panasonic also
working on a similar device.
Theonlythingthat
could throw a spanner
in the works is the
impending launch of
DVD+RW. Philips
claims that DVD +RW
iscompatiblewith all
existing DVD products,
but as we have yet to
see a single unit based
on thetechnology,
DVD-RAM definitely
looks the stronger
contender.
Of course, there is another
issueto consider with digital
recording and that's digital
copyright. There's not much
point having a digital video
recorder if you're still having
to record from an analog TV,
but thechancesof being
allowed to record from digital
TV are pretty slim since you'll
be making a perfect digital
copyoftheoriginal. Panasonic
says that this issue is currently
under discussion. That said,
regardless of what the original
source is, theDMR-ElOis
likely to knock even the best
VHS VCR into a cocked hat.
ThepriceoftheDM R-E10
isaround £1,500 injapan,
but it is not expected to
launch in the U K until next
year. However, Panasonic has
launched a 4.7GB DVD-RAM
drivefor PCs at just £299 ex
VAT (see review page 98) .
beup soon. The VCR has
been with us for over 20 years
and, although DVD players
have started to take over as
the preferred medium for
watching movies, many VCR
users won't take the DVD
plungedueto its lack of a
recording facility.
Panasonic is set to change
the shape of consumer video
recording with the
release of its DM R-
E10 DVD-RAM video
recorder. Although
Pioneer released a
consumer DVD
recorder several
months ago, it was
based on DVD-RW
media that is
currentlyonlyused by
the Pioneer player
itself. DVD-RAM , on Snapped.
theotherhand, is
alreadyan established media
with manyPC users adopting
it for high capacity backup
and storage.
The beauty of the DM R-
E10 is that it uses exactly
the same discs as the PC
devices, making it easyto
record footage, transfer it
to your PC for editing and
then return it to the player
for viewing.
The DM R-E10 will accept
both theolder 2.6GB per side
DVD-RAM discs and the new
4.7GB persidediscs. Double¬
sided discs can be used, but
as there is only one laser in the
device the media will have to
be ejected and flipped when
„ Hitachi's DVD Camcorder
the end of a side is reached.
The player incorporates an
M PEG2 encoderand thebit
rate can be altered to increase
either the video qualityorthe
length of recording.
Panasonic feels that
DVD-RAM isthefutureof
recordable media and is
including DVD-RAM read
1¥U ISAM
4-7.
U ■ Uk
0 pen and shut case... single-side
4.7GB discscannow be removed from
their cartridges. But double-sided 9.4GB
discs will be sealed in as in previous models
• Personal Computer World • October 2000
ANALYSIS > >
ADSL
Dial-up web services are yesterday's news. Pull a fast one with ADSL, advises Clive Akass
Speeding into the future at 512K
Video links also become more viable as bandwidths rise.
Picturetel's new 900 Series videoconferencing system claims to
give full-screen video at 30 frames a second at 2 56K bits/sec with
excellent quality sound. A smart camera zooms in on speakers and
pulls back when a group is listening. I can't say how the system
performs on an IP link, but on a 3 84 Kbits/ sec ISD N line it was the
best I have seen. Prices start at around £7,500, complete with the
controlling PC. But the system may migrate to cheaper desktops -
see page 25. www.picturetel.com
Forget, if you can,
unmetered dial-up
services puttering along at
56K. Theyareyesterdaytrying
to catch up with today. The
farce of heavy users being
thrown offlinelikecriminals
only serves to highlightthe
fact that it isthedial-up
system itself that is hogging
the line, not the user.
I've been using BT Open-
World's 512/256Kbits/sec
ADSL service for a month
and three things are
overwhelmingly clear: this is
the way access (at least via
theold phonesystem) hasto
go, it will change lives, and it
isjustastart.
ADSL, by piggybacking a
high-frequency signal onto
your line, is far more efficient
than dial-up and leaves your
phonefreefor calls. ADSL is
truly always on. Unmetered
dial-up and office users have
an idea what this means, but
to appreciate it fullyyou need
it there in your home. It
makes the Internet likeTV,
ever available with no sweat.
And if you thinkyou can't
afford it, read on...
Installation turned out to
becompletelypainless. A BT
engineer replaced theold
three-box setup I'd used for
an early Virgin trial with a
single Alcatel-made box
combining thefunctions of
four-port router, splitter, and
ADSL modem. He plugged it
into a network card on one of
my PCs, tested the line, and
leftmeto install the software
from a CD.
Thedocumentation
offered little help on multiple
PCsbutthefree support desk
proved knowledgeable and
helpful. To get online with a
second machine, I plugged it
into oneoftherouter ports
and simply copied the
p a ra m et ers o ver f ro m t h e
first machine.
M y little net was now open
to a world that is effectively
cut off to slow, expensive
links. The response of
particular servers was still
sluggish, but suddenly it
becamefeasibleto listen to
net radio orwatch net video.
Also moreviablewere
instant messaging services like
those run by AO L, Yahoo, and
M SN . These, I am sure, will be
major d rivers of I nternet use
when people get the hang of
them - and especially as they
begin to incorporate voice
and video. Essentiallythey
TobeorNATto be...
Your choice of ADSL service may be affected
by the apparently obscure business of
Network Ad dress Translation (NAT), whereby a
gateway router or server allocates IP addresses
to machines on a local network. The web can
talk to the gateway, but does not know how to
reach an individual machine.
In an earlier report, stemming from a long
discussion at a press conference, I said
OpenWorld was not using NAT. It turns out
thatonlytheUSB homedeal, launchingthis
autumn, will beNAT-free.
NAT ispopularwith businesses because it
is a major obstacle to hackers; but it does
have snags. You can't host a website locally,
or use some Virtual Private N etwork (VPN )
systems that extend an office network to
remote workers. NAT also interferes with
M icrosoft'sNetM eeting, and some messaging
and VoIP systems.
You can compromise, however, bygetting
a NAT-free system and a firewall. ADSL
providers like Demon (www.demon.net) are
offering NAT and non-NAT options.
turn you and your scattered
friends into a virtual group,
ableto communicate(or
not, as you choose) as if
you arein thesameroom.
They are a revolutionary
means of interaction.
Most astonishing to me
was the quality of Voice Over
IP links. I could get myNAT-
ted link (Network Address
Translation, see below) to
workonlywith MSN'sfree
Net2Phone-based service (see
page28) but I had, absolutely
free, a half-hour crystal-clear
PC-to-phone conversation
with someone in New York.
If thisqualitycan be
maintained with heavy use,
VoIP alonecould recoup the
cost of ADSL.
I also tried Napster, which
(in easel need to explain)
helpsyou locateand
download music. I could see
whythe music industry is
worried: I chose a few titles,
went to a shop round the
corner, and Napster had
channelled me half an LP by
the time I came back. (A
system that does not reward
creativity can't be good, but
Napster will at least force the
industry to agree a way of
enabling onlinesales- and
not at inflated CD prices).
The ADSL setup I used is a
good starter for a small office
network of four machines -
more are possible, by
plugging in a hub, but
remember all have to share
the 512/256K bandwidth.
Don't despair if you are
counting your pennies. Factor
in those VoIP calls. Think of
neighbours who mightshare
a connection. Lookfor
cheaper lower-bandwidth
ADSL links. And don't take
your eyes off the ball by
campaigning for better dial¬
up deals: push for 512K ADSL
as entry-level for all, and it
won't be so long before it
seems like a crawl.
• Personal Computer World • October 2000
| SOFTWARE |
UK entrepreneur Daniel Doll-Steinberg isaboutto change the way we buy programs
Packaged software gets upstaged
D oll-Steinberg with some of the components of his system - and a
few of his titles
Software dealers are facing
the kind of shake-up
normally associated with a
major revamp of one of their
products - and it should push
down prices.
Most hyped of all the
changes is the advent of
application service providers
(ASPs) who run software
remotely on the behalf of
clients. ASPs have their place
but there is surely wishful
thinking in thewaytheyare
being talked up by the likes of
M icrosoft, which is slavering
at the prospect of long-term
revenues from what are
currently one-off sales.
There is something daft
about the waysoftware is
sold off-the-shelf in oversized
packaging - a hangover from
the days when hard disks
were not big enough to hold
documentation and code
camewith manualsthesizeof
an encyclopaedia.
M arketeers have decided
that we still expect large
packaging. The result is bad
for everyone but the carton
makers: dealers carry less
stock; users have less choice
and feel vaguely cheated; and
both paypointlesslyfor
wasteful cardboard.
Now UK entrepreneur
Daniel Doll-Steinberg is
challenging the idea that
dealers need to carry physical
stock at all. His system for
burning and packaging CDs
on thespot isaboutto be
rolled out atWH Smith's 550
stores nationwide.
This is an even bigger deal
than it mayfirst seem. You
would expect WH Smith to
carrytheodd gameor
educational title; but because
the 'stock' is held as data, the
number of titles a store can
hold is limited only by disk
spaceand licensing.
'About 80 publishers have
licensed us products or are
about to. We have 1,050 titles
livetodayand about 950
being prepared for release,'
said Doll-Steinberg. So
people in small towns
boasting a WH Smith will
have access to software, such
as Borland/lnprisedevelop-
mentkits, normallyfound
only in specialist shops.
Doll-Steinberg, who
studied electronics at
M anchester University,
worked in banking IT systems
beforefounding his company
Tribeka in 1997: 'I always
wanted to found myown
companybythetimel was30
and I did it. Just. I was 29 and
a half.'
He got the idea for his
system, called SoftWide,
while working for Credit
Lyonnaisein New York. 'A lot
of my friends were software
developers and they were
always talking about how
hard it was to get software
into shops. They were at the
mercy of retailers.'
A single SoftW ide system
costs around £30,000, which
Doll-Steinberg reckons can be
recouped in two years with
reasonable sales. It is a sum
well within thescopeof a
small local trader as well as
big chains.
Data is held on a two
RAID arrays, each with five
50GB disks holding a total of
half a terabyte - enough for
2,500 titles. Doll-Steinberg
expects the number of titles to
swell naturally as hard disk
capacities increase.
BlankCDsarefed to an
array of four writers, which
can be used concurrently, and
then on to a labeller where
they are branded just likea
CD - except that they can be
c u st o m i sed . T h ere a re t h ree
other printers: a Tektronix
Phaser 850 for the CD case
labels; an H P 4500 DN colour
laserforthe manual, and an
HP Professional for the
software certificate.
Doll-Steinberg is proud of
a system he developed himself
by which the cover page can
be peeled off an A4 backing
sheet after printing. The result
is a professional-quality
package about the size of a
DVD case and carrying all the
usual branding and graphics.
N ew software is delivered
weeklyon a 20GB hard disk
that plugs directly into the
USB port of the controlling
PC (or in WH Smith's case, an
iMac). A bonus is that
software is always up to date.
'If a new virus like the Love
Bug comes along, wecan
make sure that our anti-virus
packages can cope with it. We
can even amend the manual.'
Doll-Steinberg is
experimenting with satellite
delivery of small updates but,
though installation would
only cost about £1,000 per
site, per M B charges are too
great for bulk data dumps.
Sadly, prices of his products
arethesameasthestandard
issue. But Doll-Steinberg said:
'In the long run theyarebound
to comedown.' H e has no fear
of software sales switching to
Internet downloads as
bandwidths increase. 'Even if
that happenstherewill the
licensing issues that we have
alreadysolved. People will still
cometo us.'
The system, which can
produceabout40CDsan
hour, has been piloted in 10
WH Smith stores and is set to
be rolled out nationwide by
the end of next year. Two
H M V stores carry the system,
and the French chain FNAC is
to implement it.
Doll-Steinberg has
considered producing a
similar system for instant
books, initially for printing
titles in large typefor the
poor-sighted. 'Basically we
would onlyneed to add a
binding machine,' hesaid.
'Butforthemoment I think
I'll stick to software.'
CLIVE AKASS
Personal Computer World • October 2000 •
New models
THE MACHINES
For detailed specs, options,
and what colours are available
for the new iM ac models see
www.apple.com/ ukstore.
UNDERTHE COVERS
The new iMacs... the basic
350MHz model costs £552
(£649 inc VAT), complete with
CD drive, 7GB disk and
modem. Thetop-of-the-range
iMac DV special edition is
£1,020 (£1,199 inc VAT) with
128MB of RAM, 30GB disk,
twin FireWire, and DVD drive.
SMALL IS BEAUTIFUL
The 450MHz
G-Cube costs
£1,249 (£1,470
inc VAT) with
64MB of RAM,
20GB disk, modem
and DVD. Similar
500MHz model costs £1,599
(£1,879 inc VAT). Monitor extra.
G4s GO GRAPHITE
N ew Power M acs
range from the
single-G 4 400MHz
with 64M B of
RAM, DVD drive,
G igabit Ethernet and 20G B
disk for £1,149 (£1,350 inc
VAT) to £2,499 (£2,936 inc
VAT) for a 500M H z twin-G 4
with 256MB of RAM. The
monitor costs extra.
MONITORS
The 1,024x768 15inTFT
Apple Studio costs £699 (£821
inc VAT). The 1,600x1,024
22in Apple Cinema TFT costs
£2,799 (£3,299 inc VAT). The
iMac-stylel6in
(viewable)
Apple Studio
CRT display is
priced at £349
(£410 inc VAT),
| APPLE |
C ube shapes up M ac line
M acO S X, due for beta release this autumn , should help
applications use the new twin C 4 s.
Apple has reinforced
its revival with an
impressive new range offering
something to tempt everyone.
Thereare four new low-
cost iM acs, a 400M H z Power
M ac, and the much-vaunted
G-Cube, powered bya single
M otorola-made450M Hzor
500M HzG4 processor and
quicklydubbed 'thetoaster'
because of the way DVD discs
slot into thetop.
Power users are likely to
optforthe450M Hzand
500M H z Power M acs, which
have twin G4s as standard for
much the same price as their
single-processor predecesssors.
Atthelaunch Apple
chairman Steve Jobs showed
a 500M H z Power M ac using
only a single G4 thrashing a
lGHzPentium PC running
the same Photoshop tasks.
Thetest should betaken with
a pinch of salt, asApplechose
both thetasksand thePC.
ButtheG4 isundeniably
powerful and the machines
belie critics who saytheApple
revival is more of style rather
than substance.
Still, the new Macs do
have style. The see-through
lookofthefirst iMacs is
retained, with a new set of
colours- though not all are
available on all machines.
The much-criticised iMac
mouse is replaced bya new
optical one in clear plastic
with the entire upper surface
acting as a button. It plugs
into oneof thetwo USB ports
on the curved keyboard, made
of a similar clear plastic.
Jobs presented theG-Cube,
an8incube, asamiracleof
miniaturisation. This is hype:
most notebooks are far
smaller in volumeand they
include bulky batteries. TheG-
Cube's power unit is external.
TheG3-powered iMacsare
unremarkable technologically.
The entry-level iM ac, at just
£649 inc VAT, will appeal to
people looking foremail, basic
word processing and accounts.
The other iMacs are
targeted at the digital video¬
processing market (see
below) and comewith version
2 of Apple's l-M ovie software.
ThefamiliarApplesnag
remains: upgrade choices are
limited and lockyou into
Apple products and pricing.
Gamers, for instance, may
turn their noses up at the
iM ac's two-year-old ATi Rage
128 Pro graphics, with 8MB
of video RAM, but they will
notbeableto upgrade.
The Power Macs pack an
analog VGA port but for
digital graphics you are stuck
with a non-standard link. This
delivers video data, power
and USB tidily via singlethin
cable, butbarsyoufroma
wider choiceof displays.
However, USB is wedding
Macs to PC peripherals and
the whole range shows Apple
at last matching design flair
with competitive prices and
performance.
How Apple could change the PC
ppleisgood for PCs.
Thecompanyisnotthe
onlyoneto rethink computer
design, but it always gives PC
vendors a lot to think about.
They are, for instance,
likely to focus on thefactthat
most of the new M acs have
FireWire (aka 1394), enabling
the machines to make the
best useofthenew digital
camcorders. Few PCs boast
FireWire, largely because Intel
wants us to use its own next-
generation USB 2.0.
Gigabyte has launched a
FireWire-equipped PC mother¬
board that is likelyto be well
received by vendors who fear
Applemayscoop thegrowing
digital-video market.
Untypically, Appleis
offering 11M bits/ sec
802.11b wireless network
links at least 20 percent
cheaper than PC equivalents.
Even this is too pricey for
what could bea boom
market when fast web links
hitthehome.
The high-end Macs all
support Gigabit Ethernet, still
a minority sport among PCs.
And thefan-freeG-Cubeis
said to be silent, as befits a
machine that can be used for
music. N oise is now an issue
on PC desktop machines too.
CLIVE AKASS
^ • Personal Computer World • October 2000
ANALYSIS > >
RADAR
Clive Akass reflects on the wartime pioneers who fell beyond the radar of computing history
Boffins emerge from back room
If you thinkthis wonderful
contraption (pictured
right) looks like a glorified
ear-trumpet, you are not far
wrong. It's a listening device
from the First World War,
designed to provide an early
warning of theapproach and
direction of enemy aircraft.
Apparently, in good weather,
it was surprisingly effective.
And if you arewondering
how it is connected with
computing, the clue is in the
picture below. This shows
Freddie Williams and Tom
Kilburn with part of The
Baby7, theworld'sfirst
stored-program digital
computer, which they built at
M anchester University.
The link between the
two is radar, the electronic
descendant of that ear
trumpet. The pictures are
part of a new touring
exhibition called The M agic
Ear*, setup by writer David
Robertson, who believes that
thecontribution of wartime
radar pioneers to computing
has been unfairly over¬
shadowed bytheworkof
Alan Turing at the Bletchley
Park codebreaking centre.
Radar scientists at the
Telecommunications
Research Establishment
(TRE), which moved to
M alvern in 1942, used logic
circuits that were equivalent
to thebasic building blocks
of modern computers. In
addition 'they knew all about
the latest pulse circuit
techniquesand howto apply
them,' said Robertson.
Theybroughtthetwo
technologies together to
detect and analyse 'blips'
from a distant target by
passing reflected and
reference pulse streams,
remarkably similar to clocked
computer data streams,
through an AND gate.
'They even used theword
"gate'',' said Chris Burton, of
the Computer Conservation
Society, who helped build a
replica of 'The Baby7 for its
fiftieth anniversary in 1998
(seeTom Kilburn interview,
PCI/I/, M ay 1998).
Bletchley codebreakers
used mechanical and (later)
electronic proto-computers,
but their influence in the
crucial post-war decades was
less than it might have been
because of the secrecy
surrounding their work. 'No-
one knew anything about it,'
Burton said.
No-one except Turing that
is, but he was becoming
bogged down in the ill-fated
ACE computer project at the
National Physical Laboratory.
It was the men who had
worked at TRE (now the
defence research
establishment D ERA) who
built Britain's first general-
purpose computers. They
included Kilburn, Williams,
and MauriceWilkes, who
wentto Cambridge to build
thefirst operational (as
opposed to experimental)
stored-program computer.
Williams used his
knowledge of another radar-
accelerated technologyto
providethefinal building
Freddie W illiams and Tom
Kilburn and 'The Baby', which
had a cathode ray tube memory
block needed to produce
thetrue precursor of the
modern computer... random
access memory.
You can see the result in
the picture below: cathode-
ray-tube memory. This used a
32 x32 matrixof on-screen
charges, a total of 1,024 bits
that could be written likea
radar trace byan electron
beam and read bya capaci-
tively-coupled wire mesh.
M emory was addressed
in much thesamewayas
modern RAM and,
astonishingly, CRT memory
was still being used in the
early 1960s.
Robertson is writing the
biographyof another little-
known pioneer, Alan Freed,
who back in the 1930s
invented the Pulse Code
Modulation still used by
today's modems.
All these men (these were
pre-feminist days) were
products of the classic age
of the boffin, a creature
assigned by wartime myth-
makers to the status of
anonymous 'back-room boy'.
Turing, famouslycrushed by
an uncaring world, killed
himself in 1954.
Roberston believes we are
in danger of crushing the
memory of Turing's contemp¬
oraries, consigning them to
the back rooms of history.
'Theyareold men now,' he
said. 'Weshould gettheir
stories before it is too late.'
For information on The Baby take
a look at:
www.cs.man.ac.uk/Visitor_
subweb/ history.php3
Computer Conservation Society
www.cs.man.ac.uk/CCS/
* The M agic E ar, sponsored by
DERA and the Imperial War
M useum, is at M alvern L ibrary
until 7 0 ctober, after which it
will tour libraries and museums
across the country.
• Personal Computer World • October 2000
Short stories
Cold water on Bluetooth
AUCTION PROBE
The N ational Audit 0 ff ice
( N AO ) may investigate this
year's auction of third-
generation (3G) mobile phone
licences that brought the
Government £22.5b. Huge
bids by five operators have led
to fears that users will be
overcharged, delaying Britain's
online development. The N AO ,
which presents 50 reports
to Parliament each year, is
holding a preliminary study
before a possible full
investigation this autumn.
VNUNET.COM
USB LINK
Lindy is selling a £35 U SB link
for transferring files between
computers at up to 8M bits/ sec.
It comes with W indows 9x/2K-
compliant software. MACos
software is also available.
shop.lindy.co.uk
SPORTAL RECORD
The official EURO 2000
website, designed and
operated bySportal.com, is
claiming a new world record of
1.41 billion hits. The France 98
World Cup site is listed in the
current G uinness B ook of
R ecords as the most visited.
Bluetooth developers are
warning people not to
have too high expectations
when products start to ship
later this year.
The developers of the
wireless technology are
holding regular 'plug-tests' in
a bid to avoid the kind of
teething problems that hit
early products using PC Card
slots and infra-red links. Both
technologies were nearly
killed at birth because
products from onevendor
could not be guaranteed to
work with those from another.
IR links, arguably, have
never recovered their
credibility even though they
are now quite reliable.
TDK research and
development director N ick
Hunn pointsoutthat
Bluetooth is no more than
a short-range cable
replacement and is not a
wireless network - though
Bluetooth is often referred to
as a 'personal area network'.
Phil O'Donovan, M D of
Cambridge Silicon Radio
which produced theworld's
first single-chip Bluetooth
implementation, says his
product was one of only four
to show interoperability at a
recent plug-fest. He said: 'If
peoplego through thetest
procedures there should not
bea problem. But it will take
sometimeto sort out.'
Bluetooth'srangeisonly
10 metres - but that encom¬
passes an area of around 300
square metres, with hundreds
of people using Bluetooth
devices. There has been talk
of d evices seizi ng u p fo r a few
minutes as they handshake
everything within range.
O'Donovan says there are
algorithms to deal with the
problem, including talking
only to the strongest signals,
or you can dictate which
devices can talk to each other.
He says there can be inter¬
ference with 802.11b wireless
networking devices at ranges
of less than threefeet: 'But
you can get more interference
from a microwave oven.'
Memory hits new heights
M itsubishi is shipping what it claims are the largest-ever flash
memory modules- a 128MB Compact Flash (CF) card and a
640MB PC Card. But solid-state storage cannot yet compete on
price per megabyte with IBM 'sM icrodrive, which fits into a CPU
slot. M itsubishi's U K sales manager N igel Furmston said new
Flash would be 'very expensive' . Currently 440 MB flash-
memory PC Cards cost more than £1,000, compared with £310
for a 1GB M icrodrive. Furmston pointed out that demand for
flash memory is outstripping supply: '1/1/ e are, like everyone in the
industry , investing heavily in manufacturing and R& D to boost
• production and bring prices down, ' he said.
• Personal Computer World
October 2000
Indexing thespoken word
An indexing system
designed for voice
archives could be used by
intelligence agencies to
monitor phonecalls.
The system is being
developed by the Speech and
Robotics group at Cambridge
University's engineering
department (see page 47) for
the benefit of organisations
like the BBC that need to keep
track of huge sound archives.
Thework, currentlyusing
voice sources on the net, is
partlysponsored byM icro-
softand uses a M icrosoft
speech recognition engine.
N o software can yet take
normal speaking voices at
random and produce instant
accurate transcriptions. But
AndyTuerkle, who is working
on the project, pointed out:
'We don't need an accurate
transcription for our
purposes. Wefind wecan get
useful indexing even when the
error rate is high.'
Voice-recognition soft¬
ware requires some training
on individual voices, though
developers claim training
times are being reduced
from an hourormoreto a
few seconds.
The experimental system
gets round this bydoing
two passes on recordings
of new voices, using the
first pass as a training session
forthesecond. It can spot
when voices change, and
takes about 10 minutes to
process one minute of speech.
However, there is no
reason in principle whyit
could not process recordings
even faster than realtime
speech. 'That's a hardware
problem,' said Tuerkle.
Britain's RIP Bill has raised
theprofileof online
surveillanceand a US
congressional committee is
investigating an FBI device
called Carnivore that snoops
on emails. TheCambridge
system could bring to voice
calls the same degree of
comprehensive monitoring
that is possible with text.
'0 bviouslythe military is
interested in this kind of thing,'
said Tuerkle. 'Butwearecon-
centrating on the indexing.'
Linuxtakesa
security step
A group of Linux
developers has begun
an ambitious project to
identify security problems
before they trouble end users.
TheLinuxKernel Auditing
Project aims to educate Linux
developers on how to write
securecodeto stayahead of
crackers in creating a secure
operating environment.
Bryan Paxton, author of
the project's mission
statement, said: 'Certain
proprietary OSs sit around
and wait for a security bug to
cometo them and not go to
bug themselves. Linuxkernel
developers or hackers are
logical people, and realise
that Linuxis not perfect.'
JOHN LEYDEN, VNUNET.COM
Games icon honoured
It's a law of life that yester¬
day's iconoclastic young
thrusters become today's
pillars of the establishment.
It happened with rock
musicians, and it is beginning
to happen with the computer
games industry.
The man looking as if he
has stepped out of his own
games isTomb Raider creator
Ian Livingstone, chairman and
founder of Eidos Interactive.
He was granted an honorary
doctorate of technology at
D u n d ee' s A b ert a y U n i ver si ty,
where students can gain an
M Sc and BSc in computer
games. Former students
include Lemmings creator
Dave Jones.
The University of Essex
also offers a computer games
degree, starting this October.
Personal Computer World
October 2000 •
MOBILE > >
PROCESSORS
Chip giant launches low- power unit as vendors fight to prolong battery life...
Intel focuses on low-power range
Intel's new 700M Hz mobile processor. Power drain ranges
upwards from a claimed sub-1 w for the500M H z version to double
that for the 750MHz processor
Intel has set up a low-
power group in a move
that signals battery drain is
challenging speed as a selling
point for processors. The
companyalso began a charm
offensive to stress the
frugality of its latest mobile
Pills, oneof which is said to
consume less than lwin
'average' use.
The issue was highlighted
early this year when start-up
companyTransmeta
launched its Crusoe
processors, with a claimed
consumption of less than a
watt. Several companies have
since demonstrated Crusoe-
based devices; how many will
reach the market is unclear,
b u 1 1 h e su rge of i n terest i n
Transmeta showed that it had
touched a raw nerve.
AM D and National
Semiconductor have also
sinceannounced new low-
drain processors, and AM D
is reported to be about to
launch a new version of its
PowerNow power-saving
technology.
Don MacDonald, Intel's
mobile-platform marketing
director, told IT journalists in
London that Pills already
incorporated three battery¬
saving technologies:
SpeedStep, which switches
down linevoltageand
clockrate during battery
operation; Q uickStart, which
puts the processor into a
sleep stateduringidletimes;
and 'mobilevoltage
positioning', which adjusts
thevoltagedynamically.
It was not, MacDonald
said, Intel's policyto knock
competitors, but he did feel
moved to cite a claim that
Transmeta's chips would
not be 100 percent Intel
compatible.
M acDonald admitted that
there is a trade-off between
processing power and battery
life: processor design can be
optimised foroneorthe
other. The fact that
'performance' notebooks, as
opposed to sub-notebooks
and low-cost slower models,
accounted for 75 per cent of
the market, showed that
peoplewanted speed.
But he agreed that there
was expected to be a surge in
demand for low-cost webpad
devices of the type targeted by
Transmeta and NatSemi.
The sales figures are also
distorted bythefactthat
many powerful notebooks are
bought to replace desktop
machines, partly because they
are quieter. And they are
quieter because they use less
power and thus generate less
heat, doing away with the
need for fans.
A trend towards designing
fans out of desktop machines
is likely to be accelerated by
the latest Macs (see page 40).
Apple is making a major
selling point out of thefact
thattheyneed no fans.
Noise, as Intel itself points
out, is not the only factor.
Cutting the power
consumption of PCscan
make a considerable
difference to the electricity
billsof largecompanies.
U nderlying the new focus
on wattage is the fact that
hardware performance is
currently running wayahead
of most software needs
(games excepted). This
maychange, but hardly in
the near future; meanwhile
mainstream PC buyers are
going for mid-range machines
rather than paying a premium
for processing power theydo
not need.
People are already
challenging Intel's claimsfor
its latest mobile Pills, the
500M Hz version being said to
consume less than a watt and
the 750M Hz version less than
2w. Thisfrom a company
that used to boast of 'low-
power' chips consuming up
to 13w.
The different figures are
partlydueto definitions. One
often-cited figure is for the
powerdrain when a CPU is
run continuouslyat its
maximum numberof
operations per second, a
figure of more interest to
system designers than users.
It is hard to measure
processor power consumption
directly under real working
conditions. SomeCPUsneed
more power-consuming
support chips than others.
The total system
consumption is what counts
and the processor may
account for less than a third
of this -developers are
already taking a long hard
lookat theconsumption of
other components (see
opposite) . W hat does seem
certain is that the power
debate will provide new
elements for obfuscation by
vendors- and corresponding
confusion among buyers.
CLIVE AKASS
I A64 processor delayed
Intel will not deliver its 64bit Itanium chip
as planned thisautumn, thecompany
has admitted. A spokesman for Intel
explained that: 'Thetesting of the
operating system, applications and
validation is taking more timethan
previously estimated.'
He said early systems will be delivered at
the end of the year, but that 64bit servers
from manymanufacturerswill notship until
thefirst half of next year.
Xephon analyst Chris M artin said people
who need the 764bit address space for big
databases and other apps would wait for new
servers rather than buyolder technology.
'The main impact ofthiswill beon Intel's
own revenue stream,' M artin said.
JOHN LEYDEN, VNUNET.COM
• Personal Computer World • October 2000
MOBILE DISPLAYS
...and researchers look at how they can cut down on power drain from displays
Energy-saving tactics for screens
British researchers are
developing ways of
reducing the power needs of
that other great mobile
battery-drainer: the display
Oneapproach could also
lead to flat-panel wall screens
that are larger, and 30 per
cent cheaper, than plasma
panels that are currently
available in sizes up to 60in.
Thefrugal photo-
luminescent liquid crystal
(PLLCD) system could also
be used in notebook screens,
according to Bob King,
CEO of developer Screen
Technology
Normal backlit LCD
screens use white (that is,
broad spectrum) light passing
through a liquid-crystal
matrixto RGB filters that
producea colour image with
a narrow angleof view. The
filters, by rejecting some of
the light, are inherently
inefficient.
The PLLCD screen uses a
narrow-band ultra-violet
sourceand replaces the filters
with a screen coated with
light-emitting RGB phosphor
pixels with a wideangleof
view. Thetechnology was
shown off at an exhibition to
mark the 125th anniversary of
Cambridge University's
engineering department,
where it wasfirst developed.
Screen Technology has
developed an additional
optical layer that spreads the
image slightlyso that an array
of LCD panels presents a
single seamless picture.
It is on these large displays
thatthecompanyis
concentrating. King believes
notebook battery life is no
longera big issue- although
having arrived in Cambridge
hotfoot from an Intel briefing
on mobile processors (see
opposite), I was inclined
to disagree.
But 'the acreage of
displays that will becoming
out in the next decade' will
present a power problem
of a different order,
according to King. He
says that PLLCD technology
could cut the national
power load by megawatts,
with corresponding
ecological benefits.
The defence research
Through thick and thin
Cambridge 3D Display ; as its name suggests, is experimenting
with various 3D techniques. AtC ambridge U niversity's
exhibition ( see left) it showed a design called the W edge, which
uses a tapered sheet of glass to produce the seemingly
impossible: a flat projection screen. The image is beamed
through the thick edge and refracted though a diffusing screen
to form a display of up to 50 in.
establishment D ERA (see
page42) showed a small
Zenithal Bistable Display
(ZBD) that requires
absolutely no power to
retain an image- normal
screens need refreshing many
times a second.
TheZBD uses a
microscopically corrugated
surface over a liquid-crystal
layer with the geometry
cunninglycontrived to allow
crystals to flip into either of
two stable states.
It can work with
backlighting, though power
savings are greatest with
reflective screens - as much
as 1,000 percent in the case
of an ebookdisplay, which
maynot need to changefor
LEP in the dark hits a glass ceiling
Displays will be
revolutionised the day
you see plastic light bulbs,
according to DERA fellow
Guy Bryan-Brown. The
reason is that no-one has
come up with a plastic that
can match glass for
impermeability.
All plastics leak gas and
even water. One screen
technology that has been
held back as a result was
notably absent from the
exhibition. Cambridge
DisplayTechnology(CDT)
uses Light Emitting Polymers
(LEP) which generate light¬
like LED status lights. There
has been a lot of hype about
CDT's potential to produce
flexible electronic paper but,
following a recent shake-up,
forecasts have been more
conservative - especially
about timescales.
ButCDT hasjust
demonstrated a full-colour
2in screen, developed with
Seiko, which should go on
sale'within a coupleof years'.
This breakthrough involved
getting polymers that emit
red, green and bluewithin the
required voltage constraints.
H owever the polymers are
water-sensitive, which is why
CDT is still stuck with glass.
minutes at a time, according
to DERA fellow Guy Bryan-
Brown.
Savings are large even with
rapidlymoving images
because only the changing
pixels need to beaddressed.
Filters can be used to provide
colour.
TheZBD reflective screen
turned out to be unexpectedly
bright, Bryan-Brown said.
Certainly it looked
impressively crisp compared
with that of a Palm Pilot
which, hesaid, was using
expensive compensatory
layers and extra power to
achieve its contrast.
A final advantage is that
the screens can beflexible.
Not foldable like paper, but
capableof being scrolled out
of a tubelikea spring-back
projection screen. 'For the
first timeyou could havea
device with a screen larger
than its footprint,' Bryan-
Brown said.
DERA does not intend to
make the same mistake with
ZBD that it made with an
earlier breakthrough - active
matrixdisplays. Thecompany
failed to takeout a patent
before university
collaborators at Dundee
published a paperon the
technology. 'If we had done
thepaperworkwewould be
£30m a year better off,'
Bryan-Brown said.
See also T im B ajarin, page 48
Screen Technology
01223 875550
www.dera.gov.uk
Personal Computer World • October 2000 •
MOBILE > >
In another look at low-power futuristic displays, Tim Bajarin unveils some US developments
A new chapter for electronic paper
Two pieces of technology
that I found while
roaming around Silicon Valley
recently have gone into my
'must watch' file. Onecould
havea majorimpacton the
way we view digital
information and theother
(see below) could finally
make Linuxmainstream.
Imaginea sheet of paper
showing news stories that
are updated wirelessly
throughout the day, so that
eachtimeyou pick it up, the
news is always current. 0 r,
how about a book that
receives new content over the
air: onedevicethat replaces
the hundreds of books on
your shelves.
Welcometo thefutureof
electronic paper and ink. One
approach to the idea comes
from a companycalled E-Ink,
which has had an electronic
paper sign in useformostof
the last year in a shop near its
Cambridge, M assachusetts,
headquarters.
The company's electronic
'ink', which can be printed on
nearlyanysurface, uses
millions of tiny microcapsules
containing white particles
suspended in a dark dye. An
electric field pushes the
particles to one or other end
ofthecapsuleto producea
whiteora black spot. The
ink is printed onto a plastic
sheet that is laminated to a
transistorised layer that drives
the pixel patterns.
Xerox, however, is taking a
different approach at its
Palo Alto Research Center
in Silicon Valley, where
scientist Nick Sheriden
has been working on an
electronic-paper project since
coming up with theconcept
15 years ago.
His e-Paper uses what is
officially called a Gyricon
sheet, a layer of millions of
bi-chromal balls sandwiched
between two sheets. The balls
changecolourunderan
applied electric field to create
a paper-like digital display.
N ow Xeroxis partnering with
3M to create some of the
first applications.
Xeroxwill be using this
first-generation e-Paper in
shop displays but, like E-Ink,
thecompanybelievesithas
thedigital display technology
ofthefuture.
Both technologies are
strictly two-colour and have
very slow refresh rates, but
overtime, executives of Xerox
and E-Ink believe that they
will beableto maketheir
products multi-colour and
deliver much faster refresh
rates. At sometime in the
future thiswould allowthem
to display not only simple
text, but perhaps even moving
images on these new
electronic paper displays.
Thedisplayswill becheap
and demand little power. But
in truth, we are years away
from seeing electronic paper
or electronic ink reaching
theirfull potential.
Linux gets a facel ift f o r th e d eskto p
The second technology of
note will finally put a
truly consumer-oriented
interface on Linux. Up to
now, Linux has been largely
an operating system for
servers and industrial-
strength applications. For
years I have been saying that
Linux will never make it big on
the desktop unless someone
creates a great interface for it.
N ow it appears that Silicon
Valley start-up, Eazel, has
done just that.
Eazel was founded by
Apple veterans M ike Boich
and Andy H ertzfeld and aims
to change thefaceof Linux.
Andy H ertzfeld is the better
known ofthetwo as he
designed and implemented a
large portion of the Mac¬
intosh system software,
including the User Interface
Toolbox Boich wasthefirst
M ac software evangelist and
is credited with getting the
first third-party applications
created for the Mac.
Eazel has come up what it
calls the Eazel Nautilusl.O,
which blends a graphical user
interface with a powerful
embedded web browser
based on Netscape's Mozilla.
ItdefinitelytakesGUI
standards up a notch.
Nautilus 1.0 displays files
by using representations of
their contents (image, text,
music, etc), which allows
users to identifyfiletypeand
content without having to
chooseoropen applications.
Virtual search folders
enable users to immediately
locate related files, based on
user-defined relationships,
regardless of their location in
the Li n ux d i recto ry stru ctu re.
This new Ul even allows
zooming onto anyfileto gain
a better view of what's inside,
a feature that sets it
apart from all other
GUIson themarket.
It is quite possible
thatthevarious
innovationswithin
Nautilusl.O will
A revamped interface
could bring L inux onto
the desktop
take the market by storm
and giveLinuxthetypeof
interface needed to help
it move beyond the back
office and onto the desktop
in thefuture.
A public beta of Nautilusis
scheduled for late August and
thefinal version is due to ship
in early 2001.
• Personal Computer World • October 2000
Technical and political problems could stall the progress of ASPs and AD SLf warns Gordon Laing
want my ASP now
■—| lnthelongterm,all
applicationsarelikelyto be
provided as a service over the
I nternet. N ot my words, but
thoseof aM icrosoft white
paper detai I i ng the concepts
behind its .N ET platform.
Wherever you areand
whatever you'reusing, you'll beabletofireup aversion
of Office, edit your documents, check emails, change
yourschedule,thenfindthisupdated information on
the next device you use. It's not rocket science, as your
information was never on thedevice; since it's all hosted
remotely, your data exists on someone el se's computer.
A coupleof decades ago, this wasthetheory behind
all dumb terminalsthat networked into a large main
server. T oday the network is the I nternet and the
terminals areal most any suitable information
appliance. Such outsourcing of data and programs is
donebyApplication ServiceProviders (ASPs), and
cl earl y th at's th e way M i crosoft's h ead i ng.
Remoteapplication hosting isasound concept,
wheretheuser never hasto worry about purchasing,
deploying, maintaining or upgrading applications, as
they onlyever exist on theASP'sown server. You merely
renttimeon them as you need it.
Theimmediateproblemthatspringsto
mind isyour connection to thehosting
services. You need permanently connected,
fast services likeADSL. Then there's being tied
intotheASP. If it's got your data, then you've
got to conti nue renti ng its services, and there's
thejustifiableparanoiathatthenetworkor
your communications may fail at a critical moment.
Thebiggest problem, though, isfinding relevant ASP
services for you and me. Sure, there are plenty of ASPs
serving worthy high-end applications likeenterprise
resourceplanning and sal esforce automation, but how
many small or homeoffices want that, or even
understand what it's all about?l believe there's an
enormous market for ASP services targeted at small
businesses and individualsthat cut through thetypical
enterpriseterminologyand deliver something useful.
Fired up, I recently went on thesearch for such
servi ces an d came u p al most enti rel y bl an k . T h ere were
loads of frightening enterpriseASP services I simply
couldn't get my head around, but next to nothing
targeted at me, my websiteand my business. Then I
cameacrossNetStore(www.net store.net), which, while
offering a multitudeof ASP services I couldn't quite
understand, also provided Internet backup.
Oneaccountlaterandl had a small backup utility on
myPC, looking not dissimilar totheoneM icrosoft
supplies with Windows.Thedifference was that, once
activated, mypreciousdata was squirted out over the
I nternet to N etSto re's secure servers. With my ADSL
connection I transferred a 12MB folder of 572
documentsin aboutthreeminutes, with subsequent
updates occurring almost instantly. Even when myADSL
wasplaying up, my standard 56K dialup connection
delivered thesmall updates in less than five seconds.
I tryto back up regularly, but worryinglyonlyget round
to doing it every coupleof weeks.With NetStore, I was
automatical ly backi ng up several ti mes a day whenever I
was connected to thel nternet delivering emailsor
browsing theweb- convenient, easy and effective.
This is what we want from ASPs and this appears to be
what.NET will offer over the next few years. Myonlyfear
ishavingyourdataorapplicationstied intoorlimited to
a particular provider. BT Cellnet recently had its wrists
slapped for operating a WAP gateway closed to anything
other than BT'sown content. I asked BT if I could tryout
its 0 penWorl d ASP servi ces usi ng my D emon I nternet
I asked BT if I could try out its OpenWorld ASP
services, but THEY WERE ONLY AVAILABLE
to OpenWorld ADSL subscribers
ADSL connection, but it said they wereonlyavailableto
0 pen World AD SL su bscri bers. And the more I learn
about network address translation used by many ADSL
subscriptions, themorel fear that thething protecting
you maypreventyou from using servi ces you're forking
out at least £40 a month to experience.
Whileprovidershaveto add valueto services and
protect their investments, what could damageASPsand
ADSL beforetheyeven get started arerestrictionsthat
prevent peoplefrom using theservicesthey want. Atthe
dawn of what could proveto bethemost significant leap
in personal information services, let's pleasesort out the
politics and technical issues that could sink them before
they've even got in the
water. I want my ASP.
gordonl@pcw.co.uk
Personal Com puter World • October 2000
57
INSIDE INFORMATION
Barry Fox questions the widsom of the watermark that SDMI insists goes on all DVD -A recordings
Thesound of silence
Readers wereoutraged at the
news that a British company
had developed a system to curb
CD copying by blocking
playback on a CD -ROM drivel
suspect few will wel cornea plan
to monkey with thesuper hi-fi
sound availablefromthenew
DVD-Audio and Super-Audio CD systems. But they can
takeheart from what happened to theCD copy-blocker.
U K company CD ilia is best known for SafeDisc, which
has been used to copy-protect over 30 mi 1 1 ion C D -RO M s.
AudioLock added spurious ROM sub-codes to an audio
CD thatmakesaPC CD-ROM drive refuseto play it.
0 ncethe news was out, PC users warned that Audio-
Lock would stop them legitimately listening to CDs
whileworking, and ripping CDsontothehard drive.
M acrovision, which specialises in video copyprotection,
bought C D i I la and wen tbacktothed rawi n g board .
AudioLock is now Safe4udio and M acrovision assures
that processed discs will playonaROM driveand
compress i nto M P3. H owever, the M P3 copy must meet
therequirementssetbytheSecureDigital Music Initiative
(SDM l)and not copy through further digital generations.
M acrovision wasdueto run extensive, but
unannounced, field trials in the US around
May/June, so if you havecomeacrossaCD
that behaves oddly, don't suffer in silence.
Askingforarefundisal ways t h e best way to
be surethe message gets through.
TheSDMI is, of course, already behind
theschemeto watermark music on the
Internet.Theanalog waveform is altered
slightly so that it conveys codethat signifies 'copyright
sou rce' and tri ggers copy control s i n futu re recorders.
Last summer theSDM I asked 4C Entity(an IBM ,
Intel, M atsushita/ Panasonic and Toshiba consortium)
to test several watermarking systems and recommend
the best. TheVerancesystem (developed bytwo US
companies, Aris and Solana) won. An encoder analyses
themusic waveform and makesslightalterationsthata
lookup tabledecodes asdigital bits.Themark must be
sufficiently robust to surviveM P3 codi ng and I nternet
transmission, butsubtleenough to remain inaudible.
The4C tests were done in US studios by themajor
record companies, with 50 'golden ear' listeners. The
SD M I then went a wholelot further and agreed with the
major record labels and DVD Forum that theVerance
system should also beused to watermark super hi-fi
recordingson DVD -Audio. From October all DVD -A
playersmust have Verance circuitry built in. This is good
for Verance, which stands to earn huge royal ties, but
what does it do to themusic?
Weestablished thatthegolden eartestshad been
conducted with recordings madeand played at far lower
quality than the 192KHz sampling and 24bit coding on
which DVD -A will besold. TheSDM 1, 4C and Verance
would not identify thegolden ear listeners and passed
technical questions round I ike a party parcel.
Grammy-award winning recording engineer Tony
Faulkner decided enough was enough and used audio
engineering news groups on the I nternet to warn that
DVD -Audio (and probably also the high-end Super-
Audio CD system developed by Sony and Philips) were
to becompromised by an in adequately tested analog
watermarking system.
The resu 1 1 was a h ast i I y ar ran ged seri es of tests h el d
at theSony/CBS Studios in London in earlyjuly. It was
hard to takethem seriously. N o-onefrom 4C bothered
to turn up.Over30UKengineersdidturn up, but were
rewarded with old analog recordings played off a digital
hard disk. Someengineersjust said themusic wastoo
poorly recorded to givemeaningful results; others
The GOLDEN EAR TESTS had been conducted
with recordings made and played at far lower quality
than that on which DVD -A will be sold
showed they could hearthemark, even though sound
qu al i ty was f ar bel o w th e I evel of D VD -A an d SA-C D . I
sat in as an observer and could not missthefact that the
test rig relied on a laptop with a hard drive that whirred
variably, generating a complex audio spectrum that was
louder than thequieter music passages.
Although theDVD Forum still insists that all DVD-A
players must have watermark detectors, itisuptothe
record companies to decide whether to tamper with
their waveforms. And they save money on royalties if
they don't.
Whilethetestswerein progress a thief brokein
overnightand stoleaSun server. Was this an attack on
SDM I or an opportunist
coincidence?Timewill tell
barryf@pcw.co.uk
Personal Com puter World • October 2000
STRAIGHT TALKING
USINESS MATTERS > >
Working in the country doesn't necessarily mean missing out. Brian Clegg envies Ezoka's location
Thejoysof rural business
Thehigh-tech world of
ebusiness has had an
unexpected impact on therural
economy. Rather than
snapping up me-too city
offices, a number of hot
ecompaniesareoptingforthe
country life.
A good example i s busi ness-to-busi ness su ppl ier
Ezoka.com. Ezoka applies the'let's buy it' approach to
business essentials, but with a twist. Wherecustomers of
theconsumersitehaveto wait until there's a critical mass
of buyers, Ezoka customers get bu I k-buyi ng benefits u p
front. Therearethen further rebates if enough customers
want thesame products. And theearlieryou committo
buying, the better the rebate you get.
Ezoka isn't a garageoutfit. With £4.5m in backing it
could have set up anywhere, but thistechnologically
sophisticated eretai Ier of anythingfrom PCsto
insuranceoperatesfrom theback roomsof a pub.
TheTrueHeart lookslikeatypical villageinn. Situated
There's something special about working over a
VILLAGE PUB. In the afternoon, the ice-cream
van calls and the office empties out into the street
in thepretty Wiltshire villageof Bishopstone, it'sa
stone's throw from thepond,thechurch and thetiny
village school. Butin whatwereuntil recently a store
room and afunction room, the Ezoka development
team works on thelatest web technology.
Thisuniquelocation can bequitea selling point.
I spoketo Ezoka'schief technology officer, Simon
Warrick. Wemet in theEzoka office, but quickly moved
totheTrueHeart'sbar, which isconnected directly to
theofficesbyan internal door.
'Working hereisvery attractive, 'explained Warrick.
‘Business accommodation and housing issignificantly
cheaper. There's a lot less traffic than there is in a
town - you can I i ve20 miles away and still behere
in 30 minutes. And yet I can get to our marketing
offices in central London in an hour and a half,
maybeonly half an hour morethan from thesuburbs,'
headded.
Most of al I, theemployees enjoy the relaxed
environment. 'There's no need to dress up,' said Warrick
who wasdressed in shorts. 'Lotsof peoplewould liketo
work this way. There's something special about working
over a village pub. We can even get breakfast and pizzas
delivered straight to ourdesks. In theafternoon,theice-
cream van cal Is and thewholeoffice empties out into
the village street.'
When Ezoka's development team wassetupin
Bishopstonethereweresomeconcerns about the
difficulties of getting connections in such arural
setting, but the reality has proved to bea pleasant
surprise. Setting up leased lines and ISDN has been no
problem (though ADSL maytakelonger). In fact,
Ezoka isfarfrom beingtheonly high-tech
establ i sh ment i n th i s apparentl y si eepy h am I et . T here
areso manysmall operationswith second lines and
ISDN in th e vi 1 1 age th at th e I ocal telecoms engineer
refersto it as Silicon Pond.
Perhaps theonlydisadvantageof therural location
is the lack of public transport. Having your own vehicle
(unless you livein the same village) is a necessity for the
rural economy, though interestingly 50 per
cent of the Ezoka team have motorcycles
ratherthan cars, perhaps sayingsomething
about thesort of people who appreciate
this type of lifestyle. Uni ike a town centre
location, though, the pub always has plenty
of parking space.
Weheara lot in thenews about rural
decline. VentureslikeEzokashow that it isnotjust
possiblefor IT togivetherural economy a boost, but it's
actu al I y desi rab I e f o r everyo n e i n vo I ved . T h ere's a great
atmospherein aplacelikeEzokathatyoudon'tgetin a
face! ess city office. But likeanybusiness solution, there
can beproblems.
Ezokahasbeen luckyin getting thelT connections.
M any small and medium-sized businesses in rural
locationsfind it difficult or expen si veto get anything
morethan a bog-standard phone line. And even Ezoka's
paradiseisunderthreat.Thecompanyhasoutgrown its
accommodation and is looking to moveon from the
True Heart - but is making every effort to find another
village-based homeinstead of theeasy option of a
busi ness park or a city centre site.
Despitethelimitations, though, it's time many
more high-tech companies wereconsideringthereal
benefits of getting out into
the country. Ooh arr.
brianc@pcw.co.uk
Personal Com puter World • October 2000
As N ik Rawlinson takes the helm of this column, he proposes a safety tax to protect us from viruses
Don your Internet condom
I'vefinallydonetheresponsible
thing. It's monthsoverdue, but
at last I've in stalled some virus
protection at home. I 'm sick of
peoplewith avictim mentality
who wingewhen they're hit by
infected files and I'm determined
not to beoneofthem.
The software scanned mydrivesand gavemeadean
bill of health, so I 'm counting myself lucky, but it could
so easily have been very different. In themonth or so
sincel last installed Windows I've received around 200
emails, downloaded countlessfilesand visited so many
websites I've got mo re coo kies in mycachethan my
kitchen, but thankful ly noneof them contai ned any
fragments of maliciouscode.
I'm luckyin other ways, too, though - 1 managed to
get my hands on thesoftware for free. It was completely
legit, and no piracy orCD burners wereinvolved, but
had I had to pay for it, I haveto ask myself if I 'd have
bot h ered . Af ter al I , vi ru s software isn'tmuchfun,isit?
Without virus protection it's not just my data I'm
risking, it's that 0 F ALL MY FRIENDS and do
I really want to make that embarrassing call?
You can't passarainySunday afternoon playing
networked Vi ruStomper with your mates. You can't use
i t to p rod u ce b i rt h d ay cards o r a repo rt f o r wo rk , o r to
sendemailsto friends. Let'sfaceit: virus protection is
boringand unlessitfinds anything amiss all itseemsto
do issitthereslowingdown your PC. In short, most of
us need to havesomesortof an incentive to install it,
and all too often that incentive is when we've been bitten
bythebug. Bug-busting software house McAfee puts the
number of viruses floating around the I nternet at
53,000, with moreappearing everyday. So it's not
surprising that if you've been lucky and not been bitten
yet, there's a good chance you know someone who has.
I spent an afternoon a cou pie of weekends ago
reinstalling Windows on afriend'sPC after its boot
sector had been nibbled away bysomemalevolent code.
And thefirst thing hedid thevery next day? H ewent out
and bought somevirus software. Butwhyshould he
haveto? Surely it should be free.
Virus protection is no longer a matter of choice; it's
a point of social responsibility. If I get an electronic
i nfection there's a good chance I 'I I pass it straight on to
everyone in my address book. Without virus protection
it's not just my data I'm risking, it's that of all my friends
and do I really want to haveto makethat embarrassing
cal I , exp I ai n i n g wh at h as h ap pen ed ? Vi ru s scan n ers are
I nternet condoms, and we should perhaps consider the
risks associated with using neither to bemoreorlessthe
same, offspring considerations aside, of course.
For this reason, I'm proposinganewtax,asafetytax
to belevied on everyonewho usesthenet.Afiverayear
oughttodo it, and it would be collected through your
I SP, paid directly to an independent international body
to pay for two things. Thefirst instalment would be
used to set up ataskforceto writethenext generation of
virus protection software. Its remit would be simple-
first, it should be small enough that until weall have
unmetered access those who payfortheircallswon't be
put off downloading, and second, it should be freely
distributed.Theremainderof thefund will beused to
run aname-and-shamecampaign.
It isasmall number of companies whose
products aresusceptibletothegreatest
number of virus attacks, and it's those
companiesthat are best placed to fight
back. They, after al I , have access to the
source codethat sits behind their fancy
buttonsand toolbars. Each timea new
vi rus crops u p the body wou I d approach the affected
companyand makeit a standard financial offer, say
£10,000, to cover thetimespent writing a cureto update
thefree scanning software. If thecompany agrees, it gets
the money. If not, a banner ad is created to highlight its
social i rresponsi bi I ity. This wi 1 1 run within thescanning
software, ensuring thewholeworld sees it. I'm not
den yi ng that the blamefor viruses lies squarely with
those who writethem, but if thepeoplebest placed to
fight back don't chip in and help out, they're costing us
money byforcing usto buy remedies.
I doubt this'll happen soon, if ever, so in the
meantime, do thedecent thing. Point your clicker
at http://antivirus.cai.com/ and hitthedownload
button for some gratis social responsibility. If you're
running aconsumer version of Windows it might
save you some heartache in the months to comeand,
best of al I , the u pd ates are
free too.
nik_rawlinson@vnu.co.uk
Personal Com puter World • October 2000
Send your letters to:
The Editor, Personal Computer World
VN U House, 32-34 Broadwick Street
London W1A2HG
or email > letters@pcw.co.uk
orfax >020 7316 9313
U nless otherwise stated, letters sent to the editor, PC VI team or
contributors will be considered for publication. Letters may be
edited for clarity or length. Views expressed in the letters are those
of the author and not necessarily those of the editorial team.
WIN A TAXAN MONITOR!
Each month we are offering a
19in Taxan Ergovision 975
TCO 99 monitor to the author of
the Letter of the M onth.
For the complete range of Taxan
monitors, call 01344 484646 or visit
the website at www.taxan.co.uk
If you wish your letter to be
considered for the monthly prize,
please include a full postal address
for delivery. An email address alone
is not sufficient.
You won’t regret it.
HEAVY BREATHERS CUT OFF
Along with about 750 other 'breathe
freely' Internet users, I was informed that
I was to be barred from using the service
as of 1pm on Wednesday, 26 July 2000.
I received notification byemail on
Sunday, 23 Julythat the service would be
removed due to 'excessive use', although
this was, and continues to be, undefined.
The company is using thefollowing part
of itsTermsand Conditionsforthe
breathe freely service as justification :
'Thetermsand conditionsof the
breathefreelyserviceallow us to
d i sco n n ect u sers if we feel t h a 1 1 h ei r I evel
of use puts our ability to supply the
service at risk.'
The subscription fee (£50, paid in
advance) will only be refunded if users
prove they are using the breathe 0845
Internet access service by submitting
their itemised telephone bills to breathe.
At no point have I been made aware
of any over-use of the service, which I can
onlyuseat home. I usea 'normal'
subscription servicefrom Global Internet
when using my laptop to access the Inter¬
net elsewhere, or when a high reliability
and performance connection is required.
LETTER OF THE MONTH
ACCESS ALL AREAS
Alan Aitchison in his letter (PCI/I/ September 2000) exemplifies why personal
computers (and IT generally) have only penetrated two homes in 10. It's because
'specialised' PCs, are complicated, difficult to use and over-powered for most
people's uses. How many non-IT people can be bothered to mess around with
config.sys or autoexec, bat just to get a gameto play? No hassle with a PlayStation
- put in the disc and close the lid.
IT will onlybecomean enabling force when it becomes as simple as theTV-
when the so-called couch potatoes can check their bank balance, search the British
Library, or vote electronically anywhere, anyplace, anytime. Just because
something becomes simple and accessible to all doesn't make it a bad thing. Just
becausel'm usingON Digital'semail serviceto write this doesn't mean myPII-350
is redundant - I'm just using different tools for different jobs.
Pervasive IT will be good forthecommunity- IT that doesn't have to befiddled
with to get it to work will become part of everyday life. People will be ready for the
e-ageand perhaps that is what's worrying the Alan Aitchisons of this world. Could it
be that heand manyin our industryare more worried about losing their mystique
than thefuture price of a PC? If IT becomes so accessible, what will he have to offer?
DAVID SANDERS
H aving emailed the breathe billing
department on three occasions and not
received a replyor return phone call, I
called the national rate number. During
a 35-minute conversation, I was told
that 'the decision is final' and myonly
course of action was to write to the CEO
who would read mycomments. The
company seems totally inflexible and
committed to withdrawing the service
from a large number of users, who are
using it to a greater extent than breathe
determines to be the norm.
The level of service and performance
provided when the breathe freely service
is operational is, I feel, acceptable for the
charge incurred. I would be happy to
continue using it, should I beallowed to,
but feel I should makethe wider Internet
community aware of the above business
practices and it is the end user who will
loseout in thelong run.
ROBIN DOWNS
BREATHE.COM replies >
The terminations by breathe of 500 of its
'breathe freely' user connections was not an easy
decision for us to make. T he difficult decision i/i/as
made due to the action of a few affecting the
service for the majority.
A I though not all of the users terminated were
clocking up over 1 6 hours a day those who have
been cut off were using the service enough to
prevent other users being able to access the
Internet via breathe.
In line with breathe' s policy to deliver quality
Internet access to all, these steps have been taken
to ensure that this promise can be kept by
removing the minority of users whose usage was
extreme. M any of those accounts terminated were
business users, but regrettably some were
consumers with high-usage requirements.
A II affected users will be refunded their £50
subscription fee, which can be claimed either as a
direct deposit to their bank account from breathe
or in free calls to the breathe 0845 service.
N o 'breathe freely' user will be disconnected
from the Internet or lose email access, but will be
migrated by breathe from the free IDA access
number to a call-charging0845 number.
breathe is providing new solutions to heavier
Internet users in A ugust, which will incur a
monthly fee. T his service will be a separate
• Personal Computer World • October 2000
product to ' breathe freely' end will be made
available to those users recently removed from
breathe freely as well as new users on breathe.
RISC-Y BUSINESS
I read with interest David Fearon's
column The nerd's revenge in PCW 's
August 2000 issue. I notice that he
referred to the M ac and Apple in his
discussion of the problems of PCs.
However, he did not mention the RISC
OS computers pioneered by Acorn.
These machines have always been far
superior in operation and reliability to
any PC and it is an astonishing feat of
marketing on the part of Bill Gates and
M icrosoft that millions of people have
been conned into buying inferior
machines and systems.
The present generations of RISC OS
machines are faster and more stable, as
well as longer lasting, than the PC. The
operation is much more efficient and
theyare superior in everyway- yet only a
small number of people seem to use
them or even know of them.
Whydon'tyou borrow oneof these
machines and try it for yourself?
KEITH BAMFORD
DAVID FEARON replies)
D on 't need to borrow one, Keith. I Ve owned an
A rchimedes since 1990, and have spent most of
my waking hours from theageoflO in front of a
BBC Micro. Unfortunately, there was never any
chance of RISC 0 S becoming a de facto standard
againstthelikesofIBM, sol defected to PCsin
1996. In any case I'd actually dispute the idea
that RISC OS is superior these days - it hasn 't
progressed significantly since v3 was released in
theearly 1990s, and it'ssimply never been true
thatArcs/RISC PCsarefasterthanaPC ofthe
same price. You can buy a dual 800 M Hz Pill for
the two grand or so that RISC PCscost, and the
latest generation of graphics cards completely
blowanythingthataRISC PC can support out of
the water.
I i/i/as as disappointed as anyone when A corn
and its RISC PC II project foundered in 1998:1
i/i/as reviews editor of PC W at the time and had a
review of a RISC PC II machine all lined up. But,
it's a tough old world out there, and in the end
A corn just didn't have what it took to survive.
LINEONE QUITS QUIP
Asa LineOne subscriber I took
advantage of its free phone call offer via
Quip and wasveryhappy- until now.
LineOne sent mean email to tell me that
theschemewill bewithdrawn because it
is too popular. Instead customers can
opt for the more restrictive BT Surftime.
Surelythisisa breach of faith? Any
fool knows that if you offer a seven-day-
a-week, 24-hour service for £5.99 a
month then, yes, people will use it and,
yes, it is very difficult to make money.
Theconclusion that many might draw
then is that the people at LineO ne are
inept or more likely, have total contempt
for their customers. If this is the case
customers should vote with their feet.
TOMSWINNEY
NIK RAWLINSON replies)
M any readers have sent similar emails and all are
putting the blame squarely at LineO ne's door.
Perhaps, though, we ought to look more closely at
why the scheme failed. A fter some careful maths,
LineO ne worked out that the service i/i/as viable
only if users stayed logged on for no more than
two hours at a time. Sounds fair enough to me,
but a lot of users didn 't like this and so they
rigged their PCs to automatically reconnect
whenever the line dropped. T his meant that just
1 0 per cent of users were accounting for over 40
per cent of online time. Asa result, of course, the
carefully constructed financing plan crumbled
and B T rightly had to pull the plug, although it is
refunding users' initial investment in the scheme
by awarding them free voice calls.
I 'd be the first to criticise a company that I
felt had genuinelyshort-changed its users, but in
this case, it looks more like the greed of the few
has spoilt it for everyone else.
SURPRISE SERVICE
In January, I bought a new PC from
Carrera. This has behaved well apart from
a bad sector appearing in the middle of
theWindows98 software, which caused
an hour or two of excitement.
However, the system crashed and
refused to complete the boot sequence
and I received a message from
HIM EM .SYS suggesting that there
was a memory error. A few changes to
CONFIG.SYS (of unhappymemory) and
the machine is going again. However, I
was not happy with suspect RAM , so I
called thevendor.
To my great surprise, the call was
answered immediately, not byan
engineer but by a pleasant lady who
asked for a few details, and said that I
had never called previously (so I knew
they had a record of past problems and
calls). She stated that the engineers were
verybusyand would not beableto call
me back for several hours. I asked if it
was normal for the company's engineers
to call back, and she told me it was!
Carrera phoned back two hours later,
and is sending me some software to
check my RAM .
I have been in this business for some
years, and I know that this is not the
properwayof doingthings. You are
supposed to make customers call a
standard (or premium rate) phone line
only available between 9am and 5pm,
and then play music to them for 30-40
minutes with the occasional reassuring
statementthat mycall isvaluableto
them and that thereareonly27 people
ahead of them in the queue. When you
get through, someone takes half an hour
to run a series of checks, which you have
already done, and then says: 'Format the
hard diskand reinstall Windows.'
CHARLES BREWER
Personal Computer World • October 2000 •
SCOTT MONTGOMERY
replies >
It is refreshing to hear of service like this from
Carrera , as unfortunately it is not the norm
among manufacturers. Here at PCW we
regularly hear of situations where computers
have failed and customers have been put on
hold for hours , or been bounced between
departments, just to find that the problem is
still unresolved after long periods of wasted time
and anxiety
U nfortunately computers are not perfect
machines and do break down. T his is a hazard
thathasarisen dueto the pace of change in the
industry and it has to be accepted ( although it
should obviously be minimised as much as
possible) . B ut this does not let the manufacturers
off the hook. P rovision must be made by
manufacturers to deal with these after-sales
problems. The bottom line is: if Carrera can do it,
so can everyone else. It is not enough for the
companies to say they will find time for these sorts
of issues, they have to make time.
SILENCE IS GOLDEN
The computer press has recently focused
on PC overclocking and its problems and
benefits. Your August 2000 issue
contained an article by Gordon Laing
about overclocking - he managed to get
his processor past 1G H z. There was also
a letter from Alistair M ackenzie about
turning a K6-III 400M Hz into a 500M Hz,
and overclocking his graphics card.
All well and good, but am I theonly
person who has discovered the benefits
of underclocking?
The PC is noisy, mainlybecauseof
the huge fans necessary to cool the latest
chips. Look at the size of the beast in
Gordon Laing's article; it's bigger than
theonel use to cool down myGrandma.
And Alistair M ackenzie pointed out that
he too needed a fan for his graphics card
after he overclocked it. Noise every¬
where! Mysolution is to promote under¬
clocking. Fair enough, it invalidates your
warranty, but it's worth it for the silence.
The evidence? I recently bought
myself a new PC, a lovelyPentium III
750M Hz, costing about a £1,000. By
tinkering with the processor switches I
managed to underclock it down to the
equivalent of a Pentium I 500M Hz. It
then ran cool enough to allow me to
throw awaythefan, and my PC is now
almost silent (although it is a tad slower).
If enough research went into this area
we could probably downgrade the latest
processors into the equivalent of a 486
DX4/100 within a year and the result
would hopefully run cool enough to chill
beer. The possibilities are endless.
KARL DRINKWATER
IT DOESN’T ADD UP
I hope the youngsters pictured on pages
160-161 of your September issue are not
looking at the incorrect mathematics
you printed under the monitor.
Until recently, the scientific press
frequentlyfailed to checkthat numerical
superscripts were printed correctly,
presumably after converting text from
one word processor to another during
editing, which resulted in some awful
howlers. M ost seem to get it right now,
and I trust PCW 's lapse is just a one-off.
Thank you for an excellent magazine.
Such minor blemishes are noticed just
because they are so unusual.
HECTOR C PARR
CLIVE AKASS replies >
Sorry about that. The 132 and 122 should of
course have read 1 32 and 122. As you rightly
point out, these errors occur in translating from
one system to another - in our case from PCs to
M acs, which are used for production.
T his is just one of many problems stemming
from the fact that for a long time there was no
global standard for representing text. T wo-byte
basic ASCII, withits256 numbers, wassimply
not up to the job. Four-byte U nicode, which
allows for 65,536 symbolsand takes into
account just about every language in the world, is
supposed to be the answer, but it is by no means
universallyimplemented. W hich is why even the
simplest email can get corrupted in transmission.
CLARIFICATION
The Belinea 10 30 50 that appeared in
the 17in monitor group test (September
2000 page 188) was incorrectly priced at
£260 exVAT in both the review and the
features table. We have now been
advised the correct price of this monitor
is £188 exVAT. As our primary criticism
was its cost, the 10 30 50 star ratings
should now be revised to reflect four
stars in all categories.
• Personal Computer World • October 2000
NEW PRODUCTS > >
HARDWARE ^
72 Panrix Magnum MAX 1G
73 Mesh Matrix 1.1 GT Pro
74 Systemax D700 RV Pro
78 H i-Grade Ultis PV3 700A
79 SonyVaio PCG-Z600NE
82 Sony Vaio PCG-SR1K
84 Samsung IZZI-Pro Swivel
86 Dell Inspiron 5000e
87 IBM I series Thinkpad
PERIPHERALS
92 Hercules 3D Prophet II MX
93 Sony Cyber-shot DSC-F505V
96 Creative WebCam Go Plus
Samsung SyncM aster TFT
98 Panasonic LF-D201 DVD-RAM
101 Polaroid and
NEC M ultiSync projectors
103 M SI K7T Pro motherboard
106 Xerox DocuPrint M 750
NEC 22in Multisync FP1370
108 Seagate Cheetah X15 Enterprise
110 Kyocera laser printer
SOFTWARE
118 Macromedia Flash 5
120 M icrosoft Visio 2000
123 M icrosoft Autoroute GB 2001
124 Steinberg Cubase VST 5.0 P
129 Web Traffic Maximizer T
1 ■
BUSINESS
130 Ricoh Aficio AP2100
131 Dell PowerApp.web 100
'ersonal Computer World • October 2000
'sail this
need for speed?
hile Intel and
AM D continueto
tryand outdo
each other on the
desktop processor
front, the real battle has shifted from
desktop to mobile processors. Two main
forces are currently at work in this arena.
First, and most obvious, there's the
rush to 1GHz. This month, wetakea
lookat Dell's new Inspiron 5000ewith a
mobilePentium III clocked at 750M Hz,
and Intel has plans to keep on increasing
the clock speed in the future. At the
moment, AM D is stuck at 550M H z with
its mobile K6-2+, but later this year we
will seemobileAthlonsand Durons.
There's little chance that the company
compromising performance. We've yet
to see any products based on this chip,
though, so for now it is all pie in the sky.
H owever, the company has clearly
had an effect on the mobile-processor
market, as both Intel and AM D have
been talking more about their own
power-saving functions. Intel has
SpeedStep, a technology that runs the
processor at a lower voltage (and speed),
when the notebook is on battery power.
It has also recently announced new low-
power Pentium III 600M Hz and Celeron
500M Hzchipsthat, it claims, consume
around lw in 'normal usage'. Again,
there are no products as yet.
AM D, not to be left behind, has its
own PowerN ow technology. This saves
A Giga Hertz race in the mobile
arena has the potential to be
even more of a farce
ratings
★★★★★
EXCELLENT
★★★★
VERY GOOD
★★★
AVERAGE
★★
BELOW AVERAGE
★
POOR
will want to beseen to befalling behind
Intel, and it's likely that, towardstheend
of this year and the start of the next, we
will see yet another dash to lGHzfrom
both companies. M anypeople
complained that the race in the desktop
processor arena was bad for the industry
and consumers, but a GigaHertz race in
the mobile arena has the potential to be
even more of a farce. There are few
peoplethat actually need 1GHz
processors inside their systems at home,
but it becomes even more ludicrous
when placed inside a notebook. With the
possible exception of digital video editing
(and adesktop machineis more suitable
for this task anyway), I have a hard time
thinking of a mobileapplication that
requires this much power.
The second trend is towards
p ro cesso rs t h a t co n su m e I ess p o wer,
with the aim of improving battery life.
0 ne company that has grabbed the
headlines many times over the past
few months isTransmeta. It claims
its low-power Crusoe processor runs
cooler than others and allows battery life
to be extended to a full day, without
power by changing the processor speed
on thefly, depending on theoperation
being performed. Incidentally, we'll havea
full review of this technology next month.
Intel and AM D saytheycan deliver
extremely fast mobile processors that use
very little power and, in the long term,
they will doubtless turn out to be correct.
But, in the short term, myguessisthat
faster processors are not compatible
with very low power consumption. This
is why I would prefer to see more low-
power processors inside notebooks than
headline-grabbing speed increases.
But this is precisely the problem.
Think of two different adverts. One
screams '1GHz mobile processor! ' and
the other This 500M H z processor uses
onlylw in normal usage!' Which oneis
more instantly appealing, and which
would you buy?
M obile-processor power consump¬
tion will becomea hot topic over the
coming months. But, when push comes
to shove, the top two vendors will fall
backon increasing the headline¬
grabbing clock speed, chaining users to
their wall sockets for a while to come.
Personal Computer World • October 2000 •
HARDWARE > >
Panrix Magnum MAX 1G
- If you're after speed, good graphics and expandability, this is the machine- but it comes at a price
With processors clocked at
1.13GHz now a reality, you
could be forgiven for
thinking we'd seen everything a not-so-
humblelGHzchip could muster by now.
You'd be wrong. Although we've put
several 1,000M Hz systems through their
paces in the PC W labs, this PC from
Panrix is the fastest 1G H z machine we've
seen so far and it managed to clock up a
very impressive score of 196 in our
SYSmark2000 benchtest.
This is partlydueto AM D's new
lGHzAthlon.The
chip, manufactured
using 0.18micron
process technology,
comes complete with
256KB of on-die
Level 2 cache. We
first took a look at
this processor in a
M esh system last
month, but the extra
time afforded to
Panrixhas enabled it
to source a better
motherboard, an
Asus A7V-100,
that features a
Promise PCI-
UltraDM A100
controller on board. This allows it to
support the new generation of
U ItraDM A100 hard drives. It also frees
up the motherboard's southbridge to
deal with other matters, giving the
system a further performance boost. We
were pleased to see this mounted in a
roomy, well-ventilated tower case, which
will make it easy to add to the system in
future months and years.
Inside the case is a hefty 256M B of
PC133 SDRAM . This comes on a single
DIM M that leaves a further two slots free
to add extra memory modules. There's
also a 60GB UltraDM A100 IBM
Deskstar hard drive, mounted sideways
in a 3.5in bay, which should be more
than enough to store all the latest
applications and games with plenty of
room to spare. The drive has a spindle
speed of 7,200rpm, so accessing your
data should be extremely quick despite
its cavernous capacity. There are two free
3.5in drive baysand a 5.25in bayshould
you want to add extra drives.
When it comes to 3D performance,
this machine leaves others standing.
There's a Hercules 3D Prophet II GTS
card on duty and this comes complete
with 64M B of DDR memory. This helped
the system turn in a staggering score of
7,235 in 3DM ark 2000 when running in
16bit colour at a resolution of 1,024 x
768. O ur Q uake III timedemo was
completed with an average per second
frame rate of 115.4, meaning that, if
you're after the ultimate PC to play
games on, you've found it. This PC could
also be an option for graphic artists as,
when we ran our
test- rendering
scene using 3D Studio M ax, the unit took
22 minutes 54 seconds to render,
marginally beating the M esh M atrixGT
Ultra we looked at in September, which
took 23 minutes nine seconds.
As we'd expect from a system
costing £2,149 ex VAT, Panrix's PC
comes complete with both DVD and
CD-RW drives. The DVD is a 12-speed
model from Toshiba and theCD-RW
is a 9110i model from HP capableof
eight-speed write, four-speed rewrite and
32-speed read. We might have preferred
to see a faster drive at this price, but the
H P is still a good performer so it's no
major criticism. A 56K PCI modem is
also present.
The monitor is the excellent 19in
Diamond Pro 91 from M itsubishi. It uses
a Diamondtron NF screen to provide a
good image with a maximum resolution
of 1,600 x 1,200 at 75H z. A Creative
Sound Blaster Live 1024 card takes care
of sound and this is backed byan equally
impressive speaker system from
Cambridge SoundWorks. A KeyTronic
keyboard and optical IntelliM ouse
complete the system, plus three year's
warranty (one year on-site and two years
return to base) and a copy of M icrosoft
Works 2000.
There's plenty of room for both
internal and external expansion with this
machine. Fora start, there's a healthy
complement of USB ports, five in total,
as well as two serial and PS/2 ports and a
parallel port. Although it would have
been useful to see a FireWire connector
for greater future proofing, again, it's a
minor quibble. Elsewhere, there are
three vacant PCI slots and
it's also worth pointing
out that there's an AM R
slotforoneofthe
new generation of
comms cards.
ThisPanrixPC is
the fastest 1G Hz
system we've ever
seen. The
motherboard seems
to have had a large
impact on thechip's
performance. It is also
highly expandable. The
top-notch graphics card
is also well worth shouting about and
should future-proof your system for
sometimeto come.
RICHARD MCPARTLAND
DETAILS
★★★★★
PRICE £2,525.08 (£2,149 exVAT)
CONTACT Panrix0113 244 4958
www.panrix.com
PROS Fastest lGHzPC yet; excellent 3D
performance; excellent monitor and lots
of memory
CONS M ore expensive than the faster M esh
OVERALL Unfortunately this level
of processing power doesn't come
cheap, but if your credit card can take the
strain this Panrixsystem comes highly
recommended
PERFORMANCE RESULTS
0 100 200 300
SYSmark 2000
2,000 3,000 4,000 5,000 6,000 7,000 8,000
3DMark 2000
Personal Computer World • October 2000
Mesh Matrix 1.1 GT Pro
The fastest system on the planet won't cost you the earth, although there's nothing cheap about it
The march to faster processors
continues this month with
AM D'slaunch ofthel.lGHz
Athlon. Mesh has come up trumps
again, giving us our first look at a PC
based on this new chip.
The BIOS reported the chip as
running at 1,066M Hz but, using a
couple of processor utilities we
determined that it was
actually running just over
1.1GHz. Bythetimeyou
read this, M esh and Asus will
have come up with a stable
BIOS update to ensure that
the processor is reported
correctly.
This system is
virtually identical inside
to Panri/s machine
reviewed on the
GeForce2 GTS graphics card is reviewed
fullyin ourgroup test on page203.
N eedless to say, it is a very fast performer
and has both DVI and S-Video out ports
in addition to thestandard D-SUB, so it
will beableto connect to anything.
The extra processing power has only
opposite page,
but the faster
processor inside it
gives M esh the
award for the
fastest machine we
have ever seen,
although
judging by
the 1.13GHz
demonstration
system we've seen from Intel (see
p25) it won't keep the award for long.
Therearetwo keys to its speed: first, the
new Socket A Athlon inside has 256KB of
on-die Level 2 cache, running at the same
speed as the processor. This removes a
speed bottleneck that was present on
theold generation of Athlons. Second,
the Asus A7V is a real gem of a board.
Its secret is the onboard Promise
UltraDM A100 controller. Its inclusion
takes a load off thesouthbridgeand
helps increase the system's overall speed.
There's 256MB of PC133 SDRAM on
one stick, leaving two further slots free.
That meansyou could put in 1.5GB of
RAM, providing you remove the existing
DIMM and use 512M B sticks, of course.
The 60GB hard drive isfrom IBM - a
Deskstar 75GXP- with a spindle speed of
7,200rpm. It uses glass media, and we
reviewed the 75GB version in our
September issue. It is incrediblyfast and
provides thefinal touch to give this
system a huge 204 in SYSmark2000.
Producing the equally impressive
3DM ark score is a 64M B Hercules 3D
Prophet II. This Editor's Choice-winning
given this machine a marginal 3D
performance boost. It beats the Panrix
slightlyon 3DM ark 2000, scoring 7,261.
Quakelll'stimedemo onewasrun with
a n a vera ge f ra m e ra t e o f 1 1 5 . 2 f p s,
slightly below that of the Panrix, but
within a certain margin of error. Our test
render using 3D Studio was completed in
21 minutes 11 seconds: fast, but it still
cannot beat a dual system - Panrix's dual
Pentium Ills running at 933M Hz
completed thesametaskin 14 minutes.
An OEM Creative SoundBlaster 1024
sits in a PCI slot, although it is without a
CD SPDIF port. A V.90 PCI modem is
also present, leaving three PCI and one
AMR slots free. An Acer CD-RW is
provided and this, like that on the Panrix,
is an eight-speed write, four-speed rewrite
and 32-speed read model. A Pioneer
DVD-ROM (a DVD-115) sits below this,
so you can play films and copy on thefly.
USB ports feature heavily on this
product. In addition to thestandard two
at the rear of the case, there are another
three mounted on a backing plate. Not
o n ly that, b ut there a re a f u rther fo u r
USB ports as part of the powered hub on
theTaxan 975TC099 monitor, making a
grand total of eight possible USB ports.
The 19in Taxan is a good shadow-
mask model. To upgradeto theaperture-
grille 985, M esh will charge you around
£80. Four
| satellites and a
subwoofer make
up Labtec'sLCS-
2514 speakers.
The system
ships with Works
Suite 2000 as
standard. This
includesWorks
2000 and Word
2000, in contrast
to the Panrix
machineopposite
that only ships with
Works 2000.
Build qualityis
superb. There are
single 5.25in and
3.5in bays free, and
the case has been designed
so that all major components
can be accessed with the
minimum of fuss. An extra fan has
been inserted at the base of the case to
help keep everything cool.
This is a fantastic system that goes like
the clappers and it's going for a song. If
you are in the market for the fastest
system on the planet, this is theoneto buy
JASON JENKINS
DETAILS
★★★★★
PRICE £2,348.83 (£1,999 exVAT)
CONTACT Mesh 020 8208 4706
www.meshcomputers.co.uk
PROS Fastest system ever, well built, good
expansion potential
CONS No CD SPDIF portonthesound card
OVERALL If you have this amount of money
free to spend on a new PC, looktowards M esh
Personal Computer World • October 2000
HARDWARE >
HARDWARE > >
Systemax D 700 RV Pro
A fast system that is more expandable than the first D uron systems
After providing us with our first
look at a Duron processor in
the August issue, Systemax has
come up with another machine based on
the same processor family, but this one is
clocked at 700M Hz.
Oneofthecomplaintswehad the
last we time
reviewed a
Duron was the
lack of socket A
motherboards
available. The
situation is now a
lot better and
Systemax has
opted fora Biostar
M7VKB.Thisisa
full-size ATX board
that affords plenty
of room for
expansion. As
with all current
socket A
boards, it
is based
on VIA's
KT133
chipset with support for AGP
4xand U ItraDM A66. After all the cards
are taken into account, therearetwo PCI
slots free, plus one shared and one AM R.
The latter is positioned in the more
traditional position above theAGP
connector, rather than at the base of the
board. In terms of free bays, single 3.5in
and 5.25in ones remain.
Backing up the 700M HzDuron is
128M B of PC133 SDRAM , all contained
on one stick. This leaves two slots free for
expansion. Attached to oneof thetwo
EIDE channels is a 30GB M axtor hard
drive. 30GB seems to havebecomea
fairly standard size, and most people will
have trouble filling this space.
Systemaxputsin thesametwo
optical drives into nearly all the review
machines we see. It is an excellent
combination: in one5.25in baythereis
the Ricoh M P9060, a 6 x4 x24 CD-RW
and a four-speed DVD-RO M all in one
unit. In the bay directly below there is a
52-speed Creative CD-RO M , giving you
the opportunity to copydiscson thefly
and still watch DVDs. The 52-speed
was flimsier than usual, but this is still a
fair drive.
You get a decent sound card for your
money, an OEM version of Creative's
SoundBlaster Live! 1024, although once
again this does not have a CD-SPDIF
connector, so if you feel you need this,
beware - it's not there. Sound comes out
of a pair of Creative's SBS52 speakers.
0 ne piece of new technology is the
graphics card. Systemax has opted for
nVidia's new graphics chip, theGeForce2
MX. For the differences between this and
theGeForce2 GTS cards featured in
other review systems and this month's
graphics card group test, turn to our
review of the Hercules card on page 92.
The MX card supplied in our system
was a reference board directly from
nVidia, and Systemax had yet to decide
on a supplier as we went to press, so it
will be worth checking this before
ordering the system. A different graphics
card will have some impact on 3D
performance, but it will be very limited.
One thing that our performance tests
did show up was that 3D acceleration
is simply faster with a Duron inside.
Notonlydid this machine beat Hi-
Grade's Celeron in SYSmark2000, but
also in 3DM ark 2000 and Quakelll,
scoring 68.6 frames per second in the
latter test.
The monitor is the excellent CTX
PR705F that we've written about so
many times before it scarcely needs
further commendation. Needless to say,
its 17in Trinitron tube is very good and is
great to look at.
In terms of software, you get a
copy of Lotus SmartSuite M illennium,
Nero Burning ROM 5 to keep the CD-
RW happy, Power DVD, a games pack
and a M icrosoft Sidewinder game pad
to play them with. The warranty
period is one-year back to base, but
for this money we would preferon-
site cover.
The price of this system takes it
out of the value range normally
occupied byCeleron and Duron
machines. For the money, you might
expect a proper Athlon rather than
a Duron, but to an extent, what
you lose in performance, you gain
in extras. The
provision
of a
decent
sound
card,
graphics
card and
monitor,
together with
a fair software
package, makes this system a good
purchase, and it goes faster than a
Celeron equivalent as well. Having
said that, it is still a little pricey, and the
company's D650 RV Pro reviewed in
August might be a better bet - for the
sake of 50M Hz and a sound card, you
save £100.
JASON JENKINS
DETAILS
★★★★
PRICE £1,173.83 (£999 exVAT)
CONTACT SimplyComputers 08707 297366
www.simply.co.uk
PROS Good sound card, monitorand
graphics card; can copyCDson thefly
CONS A littlepricey, no on site warranty
OVERALL A good all-round system that is
also fast. Worth a look, but you could
consider downgrading the processor to
save money
• Personal Computer World • October 2000
Hi-Grade Ultis PV3 700A
The first 700M Hz Celeron system we've seen is well built, but the chip has had its day
SYSmark 2000
This is the first time we've seen a
700M HzCeleron insidea
system, and it puts this machine
at the top end of Intel's budget range.
It's still runningon a 66M Hzbus,
though, which makes sense from Intel's
point of view, sinceupping it to 100M Hz
or above means
that this less
expensive range
of chips might
start to make the
Pills look less
attractive by
comparison.
The processor is
built into an Asus
815E motherboard,
theCUSL2, which
supports any of the
current crop of
Celeron
and Pill
processors,
so there's
scope for
upgrading
this in the
future, should
you find it
doesn't quite keep -
up with your
software requirements. The spec is fairly
generous so that shouldn't befor some
timeyet. Although set to 66M Hzin this
system the FSB can be clocked up to
133M Hzand in theJumperFreemodeall
settings can be tweaked on screen
through the BIOS. For the same reason
it's likely to appeal to overclocking fans.
The Solano motherboard, of course,
comes with onboard graphics, but
Hi-Grade has turned a blind eye to this
and slipped a H ercules 3D Prophet II
M X (see p92) into the AGP slot. This is
undoubtedly a good move, since it will
enhance the performance, but it wasn't
enough to push it ahead ofSystemax's
Duron (p74), which was 13 points in
front with SYSmark 2000, almost 500
3DM arks ahead butonlyonemorefpsin
the Q uake III test. TheDuron insidethe
Systemax machine, with its 200M Hz
FSB, clearly made a difference.
We were impressed byHi-Grade's
choiceof monitor, theCTXPR705F,
which is effectively the 711F, our Best
Buys pick, but without theUSB hub. The
tube is a 17in FD Trinitron with a 16in
viewable area and an excellent image.
Expansion-wise, there's plenty of
space, with four PCI slots and two
shared PCI/CNR (Communications and
Network Riser) card clots, all of which
are free except for one PCI slot that
houses an internal Diamond modem.
This will not hog a phonesocket,
because Hi-Grade has included a pass¬
through socket doubler that also
acts as an RJ-45
to British socket converter.
There are two free bays with external
access, one of each size, and a single
internal 3.5in space for a second hard
drive should you run out of spaceon the
primarydevice.
Around theback of thecase you'll
find two PS/2 sockets for the mouse and
keyboard, a couple of USB ports and one
port each for serial, parallel and VGA
devices. In the boxthere's a second nine-
pin serial port mounted onto a blanking
plate, although with so manydevices
making the switch to USB it'sunlikely
you'll need to use it.
The inside is fastidiously tidy with all
cables and power leads neatly clipped out
oftheway, giving you easy access to the
processor and two free memory slots.
There's 128M B of SDRAM installed in
theform of a single module. For storage,
H i-Grade has opted for a Fujitsu hard
drive with a capacity of 20GB. Upon
closer inspection, virtual memory was set
to 175M B rather than leaving it up to
Windows to determine. Hi-Grade
assured us this was so the system could
achieve optimum performance and we
have no reason to doubt this, but it's
worth remembering that M icrosoft's
recommended course of action is to leave
it up to Windows
unless you have a specific reason for
changing it.
Lefties will be happy
with the symmetrical
mouse that is comfortable
to use and is biased
towards neither hand.
The software bundle is
generous, too. Lotus
SmartSuiteM illennium
will meet your business
needs while the internal
Teac CD-RW drive, which
is partnered bya 12-speed
EPO DVD drive, will be
kept busy by Nero Burning
ROM 5.There'salsoacopyof
CyberLink PowerDVD for movie
playback. Sound-wise, the U Itis uses the
motherboard's onboard AC97
codec, pushing its output to a
pair of desktop speakers.
This is a well put together
machine with an excellent monitor,
and so far the815E chipset looks to
be a solid platform, but we can't help
feeling it is a little overpriced fora budget
system. This isn't H i-Grade's fault,
however if you're going to spend this
amount of moneyyou can get a faster
machine.
NIK RAWLINSON
DETAILS
★★★★
PRICE £1,115.08 (£949 exVAT)
CONTACT Hi-Grade 0800 0740 402
www.higrade.com
PROS Well built, stable platform, expansion
potential
CONS A little too expensive
OVERALL A great system if you are
committed to having 'Intel inside'
3D Mark 2000
PERFORMANCE RESULTS A
0 100 200 300
>2] • Personal Computer World • October 2000
Sony Vaio PCG-Z600NE
W hile retaining the best features of the Z600RE, Sony's latest Vaio offering moves things up a gear
Thefirst incarnation of theSony
Z600 notebook held pride of
placein ourBestBuyssection -
until now. TheZ600RE was a great
product that sported an impressive
hardware specification along with a
svelte and stylish chassis design. In
fact, it was hard to imagine that Sony
could have done anything to make the
Z600RE a better machine. That said,
Sony has never been a company to sit on
its laurels and the newly released
Z600N E has taken everything that was
good about the original and madeitthat
little bit better.
W hat makes the Z600N E a better
machinethan theSRIK (see review on
page 82) isthat it takes the winning
formula of theoriginal Z600 and
builds on it, rather than completely
changingthedesign.Thisapproach has
resulted in a beautifullydesigned unit
that will makeyou the envy of all who
see it.
To be honest there's only one major
enhancement over the original Z600 and
that's the processor speed. TheZ600RE
was built around a 500M Hz Pentium
processor, whereas the Z600NE sports
a 650M Hz Pentium III. That said
there's more to consider than just
an extra 150MHz. The 500MHz
chip wasn't a SpeedStep CPU,
but the newer 650M Hz
processor is. This means
that the Z600N E will
drop the speed and voltage
oftheCPU when thenotebookis
running on battery power. The result of
this will be extended battery life with only
a marginal drop in performance.
Unlike a fully featured notebook
that's carted from one power socket to
another, an ultra-portable notebook like
this is likely to spend a great deal of its
life being used on the move so the
increased battery life will be a real bonus.
Supporting the new CPU is 128M B
of RAM and a 12GB hard disk, which
should be more than enough to run
anyapplication you're likely to useon
a notebook.
W hat has set Sony notebooks apart
from the competition in the past is their
connectivityand theZ600NE isverywell
specified in this area. On the right of the
chassis you'll find an integrated 56K
modem and a 10/100 BaseT network
interface, so you'll be able to connect to
the Internet whether you're at home or in
the office. Also on the right is a full-size
USB connector and an IrDA port. On the
left-hand side is a PC Card slot, a mini
USB port, audio sockets and a FireWire
connector. There's also a port with
which to connect thesupplied port
replicator which itself sports parallel,
serial, VGA, USB and FireWire ports. All
in all that's some pretty impressive
connectivityfrom a
notebook that only
weighs 1.7kg and measures in at 29.3 x
275 x226 mm (h xwxd).
Located just above the PC Card slot
is a M emory Stick slot that will accept
Sony's proprietary M emory Stick solid-
state media. Oncea M emory Stick is
inserted, the notebook treats it as a
hard disk and files can be dragged and
dropped to it and retrieved in the same
manner. This is great for transferring
pictures from a Sonydigital camera, but,
unfortunately, you can't drop songs
straight onto a MemoryStickforusein
an MS Walkman.
Like the SR1K the Z600N E sports a
jog dial. This really is a great addition to
a notebook and allows you to launch
applications by scrolling through thejog
dial list and then pressing the dial
inwards. By linking your main
applications to thejog dial it saves you
having to navigate the Start menu orfill
your desktop up with shortcuts.
The screen is a 12.1inTFT affair with
a clear and bright image, the lighting is
even and thecolours rich and vivid. With
a resolution of 1,024x768 it will be
more readable for some users than the
10.4in screen on the SR1K that sports
the same resolution. The keyboard is
equally impressive with each key
exhibiting a decent amount of travel
and solid feedback.
Even with the shallow chassis the
keyboard is a joy to use and the
small dimensions of the case have
not stopped Sonyfrom including
large Return and Backspace keys.
Thetouchpad is responsive and
easyto manipulate, whilethe
slightly recessed design negates
the chance of any inadvertent
cursor movements when hitting
the space bar.
Unlike theSRIK, theZ600NE
runsWindows98SE, although
theZ600NEK issupplied with
Windows 2000. Performance is
good with the Z600N E turning in
a SYSmark 2000 score of 124. This
is a couple of points higher than last
month's H i-Gradeslimline notebook.
Also in the boxyou'll find a 16-
speed CD-ROM drive with PC Card
interface and a USB floppy drive. The
latter was conspicuous by its absence in
theSRIK box
Ultimately, Sony has updated the
Z600 range with faster and more
advanced processing power, not much
else has changed, but when the product
was so good in thefirst place it doesn't
have to.
RIYAD EMERAN
DETAILS
★★★★★
PRICE £2,399 (£2,042 exVAT)
CONTACT Sony 08705 424 424
www.sony.co.uk
PROS Slim, attractive and very well featured
CONS A little on the pricey side
OVERALL Quite simply the best ultra¬
portable notebook on the market
Personal Computer World • October 2000 •
Sony Vaio PCG-SR1K
Despite improving on the spec of the 505sf the ultra-portable SR1K fails to score points on looks
TheSonyVaio 505G wasthefirst
truly ultra-portable notebook
computer and it sparked off
unbridled desire in all who saw it. The
505G went through many updates with
newer, faster processors and larger hard
disk and RAM complements, but as with
all good things, the 505's days had to
cometo an end. In its place, Sony has
come up with the Vaio PCG-SR1K.
The problem with the SR1K is that
it's just not as pretty as the 505 was. We
know that this shouldn't be a major
consideration when purchasing IT
equipment, but when you're buying an
ultra-portable notebook computer, how
it looks is usually paramount. Whereas
the 505 series of notebooks looked
stylish and sleek, theSRIK looks a little,
dare we say it, cheap.
The new design is somewhat bizarre,
with the keyboard and touchpad/wrist
rest areas seemingly separated from each
other. The battery pack is no longer
integral with the hinge, the screen now
foldsbackand under theunit, which
works well but takes a bit of getting
used to. Rounding off the bizarre
design changes is a black plastic
strip at the front of the case
which seems to serve no
purpose other than to
spoil the usual sleek
lines sported by
Sony's mobile
computers.
That said, this
is a seriously improved product
specification-wise. Beating at its heart is
a 500M Hz Pentium III CPU backed up by
64M B of RAM and a 9GB hard disk.
That's a pretty impressive spec for a
machinethat only measures 32 x259 x
209mm (h xw xd ) and weighs in at
1.36kg, although theold 505 machine
weighed only 1.2kg.
The keyboard is up to the usual high
standard of Sony's machines and the
touchpad is equally impressive. Not
quite so impressive is the silver surround
that frames thetouchpad, although this,
like the other design issues, is a matter of
personal taste.
The screen is a 10.4in TFT display
with a resolution of 1,024 x768. This is a
decent example of a notebook display
with no dead pixels and even lighting
across the whole screen area. There's a
fair bit of space surrounding the display
so it could have been a little larger,
on M emory Stick. Also, there's no
port replicator bundled, so you've
got no serial or parallel ports. Sony is
obviously expecting you to have USB
or FireW ire peripherals. There is a
tiny VGA output on the left-hand side,
next to the USB port and inside the
boxyou'll find a converter to a standard
D-SUB connector.
Another first for a Sony notebook is
its choice of operating
system. TheSRIK runs
Windows 2000
Professional rather than
Windows 98. Obviously
the improved power
management and stability
of an NT kernel has swayed
Sony's decision and the
system worked perfectly
during our tests.
As for performance the
SR1K turned in a SYSmark
score of 75, which isn't
ground breaking but is
more than fast enough for its
target use.
There's nothing practically
wrong with the SR1K. It's a joy
to use and sports some great
features while remaining slim
and light. Admittedly, the lack of
afloppydriveisan issue, but we
can't help feeling that the change
in design makes it a less desirable
product than theold 505. If,
however, you like the new design
and don't need a floppydrive, you'll
be very happy with theSRIK.
RIYAD EMERAN
although it's still every bit as good as the
old 505 series screens.
M aking a welcome appearance is the
jog dial controller. This little beauty,
located atthefront right-hand side of
case, allows the user to scroll through
options and select them by pressing the
dial inwards. A pre-loaded utility lets you
add your own selections to the jog dial
menu so that you can launch your
word processor or
web browser from it.
O n the opposite side of the chassis
from the jog dial is the second new
addition, a M emory Stick slot. Forany
loyal Sony customers this is a great
feature since you're more than likely to
already have devices that use this solid-
state memory. A notebook like this
would bean ideal companion fora Sony
digital camera, where the pictures could
be transferred by simply removing the
M emory Stick from the camera and
inserting it into the notebook.
H owever, as well as getting a couple
of great new features, you're also losing
somethings. The most obvious omission
from this package is a floppydrive.
Whereas the old 505 series and the
current Z600 series notebooks ship with
an external floppydrive, there's no way
of getting data off the SR1K other than
DETAILS
★★★★
PRICE £1,699 (£1,446 exVAT)
CONTACT Sony08705 424424
www.sony.co.uk
PROS Small, light, well specified for its size
CONS Questionable design bySony's
standards; no floppydrive or port replicator
OVERALL A product that's let down by its
lack of a floppy and questionable aesthetics.
If you likethe new design, it's as good asthe
505 ever was
PERFORMANCE RESULTS
SYSmark 2000
• Personal Computer World • October 2000
HARDWARE > >
Samsung IZZI-Pro Swivel
A Windows CE device that falls short in bridging the gap between notebooks and pocket PCs
Not much larger than a fairly
chunky hard-back novel, this is
another full-sized Windows CE
device that could easily pass for a small
notebook, but it has one crucial
difference. As the name suggests, the
screen is able to swivel, so as well as
using it as a regular keyboard and display
affair you can twist it backwards and a
couple of magnets will keep it in
place for use as a pen tablet.
But surely Windows CE makes
it a pocket PC, I hearyou say. Well
not yet, because, although
M icrosoft has only released a
palm-held pen-based version of
its latest mobile 0 S, it plans to
port it to keyboarded devices
in thefuture. WindowsCE
(2.11 in this case) works
well on devices of this size,
as it is more suited to the
8.2in VGA screen than it
was to the smaller
Psion-sized units.
There is no
touchpad or
trackpoint, so we
were pleased to
see that when used
as a regular notebook
the hinge on the screen is
strong enough to prevent it from
swivelling each time we jabbed it with the
stylus. H owever, the image it showed was
less than impressive, suffering badly from
reflection. Contrast can be changed on
the keyboard but, unfortunately, this
doeslittleto help.
A to u r o f t h e extern a I ed ges revea I s a n
impressive collection of ports. To the
right you have a singleType II PC Card
slot, re-set point, power switch and a
V.90 modem. Around the back you'll
find a fast IrDA 2.0 port capableof
communicating at 4M bits/ sec and a
single USB port, although WindowsCE
is well known for having little use for this
at the moment. Finally, on the left is
where most of the important things
happen and here you'll find the power
socket and Type II Compact Flash slot.
This is also where Samsung has located
the jacks for headphones and micto
supplement the built-in mono
microphone and 0.25w speaker.
Perhaps most important of all are the
serial and video interfaces, the first being
used to communicate with a host PC
and the second to send the IZZI's image
to an external monitor. Each of these has
a proprietary interface and to connect
thedeviceto a regular CRT you first have
to attach the bundled adaptor lead so
that it can interface with your video
cable. FourWalkman-likebuttonson the
front of the device control audio
recording and playback.
The keyboard feels satisfying and has
good travel, but we
couldn't get
used to the
undersized keys. Sitting
somewhere between a regular
notebook and a Psion, they were neither
onenortheotherand we frequently
found ourselves mis-keying. One touch
we did like, however, was the inclusion of
a euro symbol on the number 5 key.
Spec-wise, your £799 buys you a
192M Hz M IPS processor and 32M B of
RAM , which is enough to record up to
60 minutesofvoiceannotation in 8bit
mono and is in addition to the 16M B of
RO M . A smart IZZI-Pro applet in the
Control Panel lets you set the modem
country code, catering for a total of nine
countries, of which the UK, France,
Germany, Norway and the Netherlands
make up the European contingent. The
applet also controls the brightness and
contrast settings as well as the backlight
fade feature that slowly red uces the
light's intensity if the device is not used
for a specified number of seconds. The
other IZZI-specific application,
InkWriter, lets you writeon thescreen
using the stylus. Whilethisisnot
translated to typewritten characters, it is
intelligent enough to allow you to
highlight individual hand-written words
and apply simple formatting.
We were disappointed that the IZZI-
Pro did not seem to switch off when we
closed the lid. We're so used to other
devices doing this that it would be
easy to unwittingly run
down the battery,
which Samsung states
has a life of eight hours
and charges in three and
a half. As a whole, the
device is fairly heavy,
tipping the scales at lkg,
which is surprising because
it's not particularly large- just
25mm at its thickest point and
228 xl96mm in terms of width
and depth.
When we first saw it we
thought we were
going to like the IZZI-
Pro Swivel, but when
in use it fares poorly in
comparison to other
WindowsCE orEPOC-based
devices of a similar size. It is let
down badlybya reflective screen,
and thelackof a touchpad or
trackpoint is a big disappointment.
Other devices, IBM 's keyboarded
WorkPad being a notable example, also
manage full-sized VGA ports, which
saves you having to carry an adaptor
around with you.
NIK RAWLINSON
DETAILS
★★★
PRICE £938.83 (£799 exVAT)
CONTACT Samsung 0800 521 652
www.samsungelectronics.co.uk
PROS Good size; innovative tablet
functionality
CONS Small keyboard; lots of reflection on
thescreen; heavy
OVERALL If you will use both tablet and
notebook modes then this will do what you
want, but if your primary input device will
bethe keyboard, then the extra functionality
will not make up for disappointments in
other areas
'•U • Personal Computer World • October 2000
HARDWARE > >
Dell Inspiron 5000e
The updated Inspiron has a fast SpeedStep processor and a large screen
Dell's Inspiron 5000 was one of
the first SpeedStep notebooks
to be put through its paces in
the PCI/I/ labs. Itsslimmed-down case
and energy-conserving 650M Hz
processor found favour with us when we
awarded it four stars back in April's
issue. However, time and
technological tidewaitfor
no-oneand sixmonthson,
you can get this 750M H z
unit, the 5000e, for much
the same price.
If you believe the
marketing hype,
SpeedStep chips will save
power without overly
compromising
performance and our tests
bear this out. As clock
speeds continue their
seemingly relentless march
upwards, SpeedStep
technologyisagood
investment for notebook
buyers who demand
ultimate processing power
on their desktop and
excellent battery life on the
move, although AMD's
PowerN ow is hot on its heels.
The current top-of-the-range
SpeedStep processor, a 750M Hz
Pentium III, can befound at the
heart of this machine. This will
happily step down to 600M Hz to
con serve energy and automatically runs
at the lower speed whenever the unit is
not connected to the mains. You can also
choose to step the processor speed up or
down manually. Power consumption is
generally half that when running at full
speed. We managed to squeeze out three
hours' word processing from a single
charge of the Inspiron's battery, not
bad as the unit comes with a power-
hungry 15in screen. The Inspiron's
SYSmark score of 151 puts it on a par
with similar specification desktops and
we noticed no disruption to streaming
video when switching between mains
and battery power.
Graphics are taken careof bya Rage
M obility 128 chipset, backed with 16M B
of dedicated video memory. Our
3D M ark 2000 benchtest generally
refuses to run on notebooks. No such
problems here- the ATi chipset helped
the unit turn in a score of 1,666. It even
managed to run our Quake III test at
20.6fps in 16bit colour. Westill wouldn't
recommend playing the latest 3D games
on theunit though.
Elsewhere, there's 128M B of RAM
and a roomy27GB hard drive. A Sound
M aestro chipset is on audio duty and
there's a set of integrated stereo speakers
in the machine itself. That
15in screen we mentioned earlier is
capable of displaying a crisp, stable
image at 1,400 x 1,050 and theSynaptics
touchpad and full-size keyboard areas
good as they come.
In the looks department, little has
changed from the unit we looked at back
in April. Other manufacturers have
worked hard to jazz up their systems but
Dell has keptthefaith and the result is a
rugged, boxy unit in jet black, which is
either conservatively reassuring or a
missed opportunity, depending on your
point of view. That said, it's nowhere
nearasbulkyasthelnspironsof old.
The Inspiron is not the most
expandable notebook we've ever seen
but there are still a fair few connections
to exploit. There are just two USB ports
and oneTypell and two Type III PC Card
slots. It shouldn't betoo much of a
problem with a built-in modem under
the hood though. At the rear,
connectionsfora monitor, PS/2
keyboard and mouse are present and
correct and there's also an S-Video
output, PCI docking connector and IR
port for good measure. There is no built-
in Ethernet connection, which we found
strange for a notebook of this size.
The Inspiron's media bay is located
at the front of the unit and can
accommodate a second battery,
CD-ROM orZip drive. Our model
came with a six-speed DVD-ROM
drive and, coupled with that powerful
processor, there wasn't a dropped
frame in sight when we tested DVD
movie playback, even in full-screen
mode. There's a set of handy buttons
to control the DVD drive and a floppy
drive located on the left-hand side of
the chassis. If you're after a machine to
usealongsideyourdesktop PC you
maywelcometheaddition but, if not, it
just adds to the overall weight,
some 3kg in total.
It may not be the sleekest of
notebooks and it's not going to
win anydesign awards but if
you 're after a rugged,
top-performing unit,
you can't go far
wrong with
the Inspiron
5000e. The
750MHz
SpeedStep
processor is more than ableto
handletoday'sapplicationsand it helps
eek o u t p r ec i o u s b a tt ery I i f e.
RICHARD MCPARTLAND
DETAILS
★★★★
PRICE £2,406.40 (£2,048 exVAT)
CONTACT Dell 0870 907 5664
www.dell.co.uk
PROS Top processing power; excellent screen
and easy on the battery
CONS Not the most expandable notebook or
the best-looking; no Ethernet
OVERALL A top-performing, fairly-priced
system. If it's ultimate processing power you're
• Personal Computer World • October 2000
IBM I series Thinkpad
A solid notebook for the budget-conscious that is well configured but has an average screen
IBM has madea namefor itself in the
notebook sector by consistently
producing very high-quality
products. These have traditionally been
very pricey however, and more suitable
for the corporate space. The market has
changed slightly, though, and recently we
have seen some large names
chasing the lower end of the
market. IBM is no exception,
and its I seriesThinkpads are
designed to bean affordable
alternative to the A and T
series models, but without
compromising quality.
We've taken a look at one
of the midrange I series 1200
notebooks, the 257. A quick
glance at its spec sheet will
leave you unmoved. There is
a MobileCeleron inside,
clocked at 500M H z, together
with 64M B of SDRAM , and
6GB hard drive. This is,
admittedly, very under¬
whelming although this does
manage to beat the Sony Viao
PCG-SR1K in SYSmark 2000
(see page 82). Speedy
performance has never been a
Thinkpad virtue, however, and to
an extent the score is fairly
unimportant, asthisstill has
enough power to perform all the
functions it is intended for.
Where theThinkpad usually scores
is in build quality, and wecertainly
can't think of another model that feels
so robust at this price. The unit feels
morelikea tankthan a notebook, and
should beableto withstand some
knocking around in transport. It
maintainstheuniquedesign of other
Thinkpads that you'll either like or not.
Thekeyboard is very good. Thelayout
is excellent, with all of the near full-size
keys placed in similar positions to their
desktop counterparts. IBM is one of the
few manufacturers to ensure that a full-
size return key is present, and the keys are
very responsive with good travel. Unlike
other low-cost notebooks, this keyboard
has a rock solid base.
Control of the pointer is achieved
through thetrackpoint. Again, it is one
of those things that you either love or
hate. O ur verdict is that it can take some
getting used to, but once you do, it
certainly offers a higher degree of
precision control over the pointer than a
standard touchpad. There's a new scroll
button underneath the standard two
selector buttons (which are themselves
both veryeasyto reach and press). Press
thisthird button and move the
trackpoint up or down, and you can
scroll easily through your current
window. Thisstops
you having to move the pointer to
the side of the screen to scroll; a feature
we found saved us a lot of wrist ache.
IBM has compromised on thedisplay
to help keep the cost down, and we
found thisa littledisappointing. The
12.1in screen has a native resolution of
800 x600, something that is looking a
little old hat with the number of 1,024 x
768 screens around, even at this price. It
displays a good image, though, and
considering the high build qualityofthe
rest of the system, it will be a fair
compromise for budget-conscious users.
Dotted around the side of the case
are two USB ports, a singleType III or
two Type II PC Card slots, a D-SUB,
parallel, 56K modem, PS/2, headphone
out and microphone in sockets. There's
also a 24-speed CD-ROM .
The battery is a nickel-metal hydride
(Ni-M H) version. We've got used to
seeing lithium-ion (Li-Ion) batteries in
notebooks, but this isn't necessarily a
problem. What it does mean, however, is
that the notebook's weight is increased.
It also means that the battery will suffer
from increased memory effect, requiring
the battery to befully discharged and
recharged to maintain good
performance. Wewereunableto
evaluate the battery's performance,
however, as the model was supplied with
a faulty battery that only managed to last
around 30 minutes. This is clearly
anomalous, and IBM quotes battery life
as being two hours 36 minutes.
W e were i m p ressed wi t h t h e way i n
which theThinkpad was configured. It
comes with an array of useful utilities
designed to help newcomers configure
and use the notebook, and these are very
well put together with some valuable
shortcuts and tips. This model comes
with Lotus SmartSuite M illennium as
standard, and this is good to see as
manyrivalsship with littleor no
software bundled. You also get a
copy of Ringcentral Fax.
This product is by no
means perfect, but when you
consider its low price it
becomes a lot more
impressive. The build
qualityand keyboard
are particularly
good and, if you are
prepared to overlook its slow
performance and average screen, this
would bea good purchase for budget¬
conscious users.
JASON JENKINS
DETAILS
★★★★
PRICE £1,328.93 (£1,131 exVAT)
CONTACT IBM 01475 555 055
www.pc.ibm.com/uk
PROS Good build qualityand keyboard; low
cost; well configured
CONS No floppy drive; average screen
OVERALL A Thinkpad forthe masses. IBM
has cut a few comers, but this is still a good
product
PERFORMANCE RESULTS .V;
0 100 200 300 nl
86
SYSmark 2000
Personal Computer World • October 2000 •
Hercules 3D Prophet II MX
A card that has most of the advantages of the GeForce2 GTS products at a much lower price
Graphics cards based on
nVidia'sGeForce2 MX
Graphics Processing Unit
(GPU) should be on the shelves by the
time you read this. The M X is a cut-down
version of theGeForce2 GTS chip that
features heavily in this month's graphics
card group test (see page 194). It is
intended to deliver
powerful 3D
acceleration, but
without the weighty
price tag associated
with the GTS version.
Technology-wise, the
GeForce2 MX is similar to the
GeForce2 GTS. The M X and
the GTS both have hardware
Transform and Lighting (T&L)
engines, making the MX the first
budget card to support such a feature.
The MX also utilises the 0.18micron
technologyoftheGTS, albeit with a
different clock speed
and architecture.
Thefirst difference with the M X is in
the texturing pipelines. Instead of the
four pipelines used by both theGTS
and the 256 chips, the M X has
two pipelines. Both
GeForce2 chips map two
texels per clock cycle (dual¬
texture pipelines), whereas
theolder 256 employs
single-texture pipelines. This
means the GTS produces eight
textures per cycle to the M X' and
256'sfour.
The second difference is that the
core of the MX runs at 175M Hz,
compared to 200M H z in the GTS
and 120M Hzin the256. This allows
the MX to produce a pixel fill rate of
350megapixels/sec, and a texel fill rateof
700megatexels/sec. These are staggering
numbers, although comparison with
both the 256 and GTS is interesting.
The256can produce480megapixels/sec
and 480megatexels/sec. TheGTS by
contrast produces a mammoth
800megapixels/secand 1.6giga-
texels/sec. With theabilityto generate20
million triangles per second the M X falls
exactly between theGTS with 25 million
and the 256 with 15 million triangles.
As for memory, it uses 32MB single
data rate (SDR) SDRAM , whereas the
256 comes with either 32M B of SDR
RAM or 32M B of Double Data Rate
(DDR) RAM . All GTS-based cards, by
respectively. At the same resolution at
32bit colour and textures, the same
spread of results was evident.
At 1,600 xl, 200 with 32bit colour
and textures, the M X achieved 17.6fps in
Quake III. Obviously this is a virtually
unplayableframerate, but it does
highlight the power of this card. By
co ntrast, the C reati ve D D R G eFo rce card
managed 22.5fps, while on average, GTS
cards achieved around 27fps. The Matrox
G400 and ATi All-in-Wonder Pro
managed less than lOfps each, yet both
of these cards cost around £30 more
than the M X. H aving said that, you do get
extra functionality with these two cards.
If you havea monitorwith a maximum
resolution of 1,024x768, this card will be
ideal. With full scene anti-aliasing (FSAA -
see page 205) switched on, running
Q uake III at 16bit, the M X produced
32.2fps, and it looked spectacular.
With cards costing around £129
inc VAT,
thisisa
well priced
way of
getting excellent
graphics, and it allows
nVidia to cover a part of the market
it previously couldn't touch. Considering
the quality of this card, the company may
well corner the market; and with
TwinView models in the pipeline, M atrox's
days maybe numbered astheforceto be
reckoned with in dual-displayoptionstoo.
SCOTT MONTGOMERY
contrast, use DDR RAM , for which the
GPU is optimised.
O ne of the first GeForce2 M X cards is
the Hercules 3D Prophet II MX. As with
the other H ercules cards it sports the
blue board and electric blue heatsink. As
the memory is running at the lower
frequency, the SDRAM does not
sport the heatsinks of the
GTS versions - but
then the memory
doesn't run at
nearly the
temperature of the DDR RAM .
Thesamecannot besaid of the
processor, which ran fairly hot. This may
be in some part due to the passive
cooling (theGPU is covered bya
heatsink without a fan). This card is
about half the height of the GTS version.
We tested the card using the same
machine and tests as for this month's
group test (see page 206 for an
explanation), and used nVidia's
reference drivers (version 5.32). The
results show this card to bean excellent
performer for the price.
Running Quake III at 1,280x1,024
with 16bit colour and textures, the M X
blasted out 45.3 frames per second
(fps). At the same resolution in 3D M ark
2000 it achieved a score of 3,223. These
scores are around two-thirds of those of
GTS-based cards, but then at around
two-thirds the price of the cheapest
GeForce2 GTS card, you're getting better
valuefor money. By comparison, the
Creative 3D Blaster Annihilator (SDR
version) and the same card with DDR
memory, straddled the MX card with
3DM ark scores of 2, 818 and 3,686
DETAILS
★★★★★
PRICE £129 (£109.79 exVAT)
CO NTACT H ercules 020 8686 5600
www.hercules.com
PROS A good performer for the price
CONS NotinthesameleagueastheGeForce2
GTS versions, but excellent nonetheless
OVERALL The GeForce2 MX brings most of
the benefits of the Geforce2 GTS cards, but at
a fraction of the price
• Personal Computer World • October 2000
Cyber-shot DSC-F505V
Even without making full use of the CCD, Sony's camera has enough improvements to set it apart
Let'sfaceit, onlySony would make
a camera that looks like this. The
lens appears oversized, but that's
because it's the bit you're supposed to
hold, resting it in your left hand and
leaving the small body free to rotate 90
degrees upwards or 50 degrees
downwards with a gentle push from your
rightthumb. This lets you compose with
the screen from a variety of tricky angles,
such as over people's heads - cunning
stuff. The2in hybrid TFT screen works
well in direct sunlight, which is a good
job, since there's no optical viewfinder.
Dedicated followers of gadgets will,
however, have seen this camera before:
originally called the F505 and featuring a
2.1megapixel CCD, we reviewed it back
in December's issue. NowtheF505 is
back, suffixed by a letter V and boasting
a 3.3megapixel CCD. Or does it?
Theoptical system of theoriginal 505
was designed for a CCD measuring
half an inch, but the new
3.3megapixel chip in the V is
slightly larger at one-and-
one-eighth inches.
Redesigning the
optical system
was too complex,
so Sony popped
in the larger chip
and accepted that
not all the pixels
would be used.
Consequently,
instead of the 2,048 x
1,536 resolution of other
3.3megapixel cameras, the
V only musters 1,856 xl, 392
(2.6megapixels). This is still
higher than the 1,600 xl, 200
resolution of a 2.1megapixel model
though, and sufficient to make a 9 x7in
inkjet print - just an inch or so smaller
than a true 3.3 model could deliver.
There's only one jpeg compression
setting, creating files around 1.1M B -
you'll get about six images on the meagre
8M B M emory Stick supplied. Sony also
offers a 2,240x1,680 interpolated mode
that delivers jpegs measuring 1.5M B and
smoothes output on slightly larger
prints. Unlike theoriginal 505, theV
offers an uncompressed tiff mode, which
also works at all resolutions. Like the
S70, theValso hasa mono GIF modefor
cleanly capturing text and diagrams on
white or blackboards. Other resolutions
include 1,280 x960, 640 x480 and a
special 320 x240 email mode; curiously,
the email, tiff and gif modes also create a
standard jpeg file at the same time.
Usersof theoriginal 505 will
understand why Sony was so keen to
retain theoptical section. Rather than
your average 3x lens, the V boasts a great
quality 5xoptical Carl Zeiss lens with an
extremely responsive motorised zoom -
it'll even focus as close as 2cm. The focal
length is equivalent to a 38-190mm lens
on a 35mm camera; the actual specs are
7.1-35. 5mm, f2. 8-3.3.
Since the optics are already standing
proud, theV is readyfor action in a mere
two seconds and
can power
down immediately,
compared to the excruciating
five seconds you can wait for other
cameras to startup or retract their
lenses. There's also a proper 52mm filter
thread and manual focus ring.
Recognising that manually focusing on a
low-resolution LCD screen can betricky,
Sony has cleverly instructed theVto
temporarily enlarge the central portion
for a closer look. You can also zoom in
up to five times and pan around images
during playback.
Theoriginal 505 had shutter and
aperture priority modes, but they were
hidden deep within menus. TheV makes
them much easier to adjust and offers a
choice of seven aperture settings and 19
shutter speeds: from eight seconds to
one-thousandth of a second - a big
improvement over the one-eighth of a
second slowest speed of the 505. The
half-stop exposure compensation
increments of the 505 have been refined
to one-third stops and there's also a
spot-metering option.
Theflash brightness can beadjusted
and there's a sync plug for an external
flashgun. Movie mode captures up to 15
seconds of M PEG 1 video at 320x240
(measuring 5.2M B in H igh Q uality mode)
or 60 seconds at 160 x 120, both at 15fps
with mono audio; unlikethe S70, you can
usethezoom while recording. Once
connected to your
PC using USB, thecamera memoryis
simplymounted asa removabledrivefrom
which you can drag files; there's an AV
outputtoyourTVtoo.ThelnfoLithium
battery is good for around 70
minutes, charges in 110
and handilyfeeds
back how many
minutes of life are
remaining on
screen.
Compared
to theoriginal
505, the new V
model has many
worthy improve¬
ments. Image quality
is excellent, but if you
look extremely closely, theS70
and other genuine 3. 3megapixel
cameras definitely resolve a fraction
moredetail. TheS70 is also £100
cheaper, boasts longer battery life and
consequently remains our recommended
digital camera. Photography enthusiasts
will, however, be happy to pay for the V's
improved handling, not to mention its
superb lens - just try to forget about
those redundant pixels.
GORDON LAING
DETAILS
★★★★★
PRICE £849 (£722.55 exVAT)
CONTACT Sony0990 111999
www.sony.co.uk
PROS Superb handling, great features and
the best lens in thedigital camera market
CONS Infuriatinglydoesn'tusethe whole
3.3megapixel chip; memory card a meagre
8MB
OVERALL Notquitetheultimatecamera,
but hardcore photographers will prefer it to
So ny's S70; everyo ne else sho uld stick with the
S70, though
Personal Computer World • October 2000 • t
PERIPHERALS > >
Creative WebCam Go Plus
Taking a cue from its worthy predecessor, this webcam exudes quality at a competitive price
If you want the stats, it's got twice
the memory of its predecessor -
8M B instead of 4M B - and now has
a built-in mic. It's also silver rather than
black and has a sharper
lens, but apart
from that this
is largely a
repeat of the
WebCam
Go.Thisisa
good thing,
since it was
the first major
innovation on
the webcam scene
for years, being the
first you could unplug and
use as a low-res handheld stills
snapper or video camera.
Image quality is excellent, putting to
shame many of its competitors. The
software bundle, too, is first class and
theWebCam Go Control, which you'll
probably find yourself using most often
is intuitive and quick to learn. It lets you
tailor precisely how the camera is used
and manuallytweakthevideo settings.
From here you can control everything
from brightness and contrast to zoom
and saturation and even invoke special
settings for fluorescent
lighting - great
in offices.
TheWeb¬
Cam Go
Control has an
integrated
album and it's
here that you'll
save the images and
movies you've captured
whileyour camera has
been unplugged. Photoscan
be saved in jpeg or bmp format
and selecting the jpeg option lets
you adjust the compression. Saving
your videos gives the choice of seven
compression engines and the ability to
manually set the speed at which frames
are displayed.
You can detach your Webcam Go
Plus and snap up to 150 pictures at 640
x480 in 32bit colour, each accompanied
by voice annotations, before the internal
memory is full. It'll also record movies,
albeit short ones, at 30fps (352 x288
resolution) and 15fps (640x480).
Sadly, the documentation is scant
and there is no bundled software for
auto-uploading images to a website but
this can be downloaded from shareware
libraries on the Internet. However, this
product isstill fantastic valuefor money.
NIK RAWLINSON
DETAILS
★★★★★
PRICE £129 (£109.79 exVAT)
CONTACT Creative01189 344 744
www.europe.creative.com
PROS Inexpensive; can be used as a digicam;
great software bundle; first-class imagequality
CONS Poor documentation; no Internet-
upload software
OVERALL The best webcam option byfar
Samsung SyncMaster
Samsung's SyncM aster SM 179M P LCD monitor will do much more than just give you TFT TV
Cards that let you watch TV on
your PC are cheap and readily
available, so you might question
the point of paying a premium for an
LCD panel with a built-in TV tuner.
There's a lot of point, if you are talking
about Samsung's SyncM aster SM 179M P
LCD monitor.
It looks good, with a steel-grey
case and a well-designed
base that swivels to double
asa handle- useful if you
need to totethedisplay
around for presentations.
Bolt-holes at the back
provideforwall orarm
mounting. The 17in
screen, equivalent in
viewing area to a 19in
cathode-raytube, offers
acrispdisplaywithawide
angle of view at resolutions
up to 1,280x1,024.
You can use it as a TV while
your PC is turned off, which you
cannot do with a PC Card, and two extra
video inputs let you connect a video or
DVD recorder, or surveillance cameras.
Each of these sources may be viewed
full screen or in a resizeable window that
you can move around your desktop
whileyou work. Thedisplaycomes with
S-Video, SCART and RCA cables and
adaptors, and a TV-style remote control.
Forthosewho
routinely lose
remote controls,
you can also control
thedisplayusing
unobtrusive front-
panel buttons. A
pass-through port
enables the PC and
TV audio to use
the same speakers
or headphones.
Setup, via an on¬
screen menu, is pain¬
less, although the device
we saw seemed reluctant
to reduce its brightness -
desktop LCDs going at
full blast can be wearing on the eyes.
The 179M P is likely to find a ready
market among finance workers and
executives who need a news feed at their
desktops, as well as video editors and
home workers who need to keep a
camera eye on the kids or front door.
It does not come cheap, but there is a
15in version for the less well off. For
those who can afford the 17in version,
though, it is an ingenious piece of kit.
CLIVE AKASS
DETAILS
★★★★
PRICE £2,137 (£1,819 exVAT)
CONTACT Samsung 0800 521 652
www.samsungelectronics.co.uk
PROS Looksgood; largecrisp display;
versatile
CONS Cumbersome VGA lead; no DVI
OVERALL A tax-deductible luxury that is
great if you can afford one; the 15in version
looks a good cheaper option
• Personal Computer World • October 2000
PERIPHERALS > >
Panasonic DVD-RAM
— - The LF-D201 DVD-RAM drive ups speed and capacity and will quickly make itself indispensable
A couple of years ago Panasonic
released the first DVD-RAM
drive onto the market and
redefined PC removable storage in the
process. The most amazing aspect of the
drive was the cost of the media, with a
5.2GB double-sided disc costing less
than £25. This gave data-heavy users an
afford able way to protect and transport
their files, while the 30-year lifetime of
the discs meant that the data was safe
even after a significant storage time.
Now DVD-RAM has become an even
more attractive medium with the release
of the LF-D201 drive. This latest unit
from Panasonic has increased the disc
capacityfrom 2.6GB persideto 4.7GB
per side. Anyonewho knowsanything
about DVD will realise that this means a
DVD-RAM disc can now hold thesame
amount of data per side as a single-layer
DVD-Video or DVD-ROM disc. This
brings DVD-RAM into a
completely
new market,
where the
media can be
used for pre¬
mastering
DVD discs,
thus cutting % p — -
out the need
for expensive
DVD-R or DLT (digital linear tape)
solutions. Of course, this does depend
on DVD-RAM being accepted by the
mastering industry, otherwise you could
find yourself having to transfer the data
onto DLT anyway.
The drive itself is a standard 5.25in
device that resembles a DVD-ROM drive.
Onedisappointment isthelossofthe
loading mechanism employed bythe
2.6GB drive where the media was
inserted between two arms that extended
from the chassis. Instead, pressing the
eject button results in the appearance of
a standard tray that accepts both
caddied and emptymedia.Thefrontof
the unit is fairly bare with onlyan eject
button, indicator light, headphonejack
and volume wheel. Like the previous
drive, the retail package comes with a
SCSI interface, although there will bean
OEM ATAPI drive available. At the rear
you'll find a power socket, SCSI
connector, SCSI id jumpers and an
audio-out port.
The drive is completely compatible
with existing 2.6GB per side media as
well as thenew 4.7GB per sidediscs.
Unfortunately, the4.7GB discs cannot
be read or written to bythe older drives,
but that's pretty much par for the course
when a product line is upgraded.
TheLF-D201 ships with a driver disc
and a suite of application software. The
driver includes a format utility and a set
of tools. Thediscs can beformatted
using FAT16, FAT32, UDF1.5 and
UDF2.0. Using a FAT format is the
quickest option, but it will reduce the
capacityto 4.3GB on a 4.7GB disc. Also,
using UDF (Universal Disc Format) will
allow the disc to be read byWindows9x,
NT or Mac OS systems. On the
application front you get an M PEG1
encoder and an MPEG-editing program
to cut your own movies. Also thrown in is
a backup utilityand a program to
facilitatethe
copying of DVD-RAM discs, even if
you don't have enough room on your
hard disk to copyall thedata from the
source media.
As with the previous discs, the
double-sided 9.4GB variants are sealed
in thecaddy, but the single-sided 4.7GB
versions can be removed. However, the
LF-D201 hastheabilityto write to a bare
disc as well as read from it and to
capitalise on this feature you can also
buy single-sided media in a standard
jewel case without a caddy. In our tests
there seemed to be no performance
difference between writing to a bare disc
oroneinacaddy.
Wetested theLF-D201 against its
older 2.6GB sibling and the performance
gains exhibited bythe new unit are
significant. Copying a 337M B fileto a
2.6GB disc on theold drive took 13
minutes 11 seconds, compared to five
minutes 14 seconds on the LF-D201 with
4.7GB media. Wealso copied a 94M B
folder with a mixture of files, thistooksix
minutes 38 seconds on theold drive and
only two minutes eight seconds on the
new one. Reading the 337M B fileand
the94M B folder from theold 2.6GB
drivetookfour minutes two secondsand
one minute 43 seconds respectively,
whileon theLF-D201 thesame
operations took two minutes five
secondsand 30 seconds flat. Obviously
Panasonic has worked hard to improve
the performance of the new d rive,
although the increased areal density of
the new media also helps.
Panasonic sees DVD-RAM as the
way forward for rewritable media and,
having had a look at its DVD-RAM
consumer video recorder, we have to
admit that it's a compelling argument.
Add to this thefact that within a few
months most DVD-ROM drives will be
ableto read this new DVD-RAM media
and theLF-D201 looks even more
attractive.
It's also
worth
considering
that the
LF-D201
only costs
£319 ex
VAT and a 9.4GB
disc will only set you
back£34.99.
This is a great product for
anyonewho needs to store large
amounts of data offline, or anyone who
needs to transport very large files. Fora
professional photographer who's
goingdigital, a device like this will be
a godsend. If the rest of the industry
follows Panasonic's lead, we may have
a rewritable media that can be used in
your PC, your living room and every
other area of your life.
RIYAD EMERAN
DETAILS
★★★★★
PRICE £374.82 (£319 exVAT);
9.4GB media £41 (34.99 exVAT)
CONTACT Panasonic 0845 600 3535
www.panasonic.co.uk
PROS Huge capacity; good performance;
great valuefor money
CONS None
OVERALL A superb update of an already
great product. If you need high-capacity
removable storage, this should betopof
your list
Personal Computer World • October 2000
Polaroid vs NEC projector
The Polaroid SVGA 238 and the N EC M ultisync VT540G battle for projector supremacy
These two LCD projectors are
aimed at users on the move who
need to displayPC-based
demonstrations to audiences of up to 50
or so people. Key features are compact¬
ness, ease of setup and operation in often
less-than-ideal environments and, at the
end of a hard day's demonstrating, the
option to hook it up to your DVD player
for some well deserved home-cinema
entertainment. Both projectors are
NTSC and PAL-compatible and feature
S-Video connectors
The Polaroid SVGA 238 (pictured
right) is small and light, weighing in at
3.2kg. It is certainly a highly functional
device, but it's not beautiful. All the
input portsareon thesidepanel, which
makes them much easier to get at than if
theywereattherear. As well as RGB in
and out ports there are inputs for
S-Video, RCA phono video and audio.
RS232 and USB connections are
provided, so you can use the remote to
control your PC's mouse pointer. There's
an integrated laser pointer, activated by
a button on the control. All the cables
that you will need for these connections,
both for PC and M ac, are supplied and
for this Polaroid is to be congratulated.
Setup involved attaching the projector
to the computer's video connector, and
switching on. The Polaroid is an 800 x
600 native resolution version and can
display what the documentation refers to
as 1,024x768
compressed.
At the
maximum
resolution in
16.7 million
colours the
image was clear,
sharp and stable.
The 150w lamp
produces 1,000
lumens, bright enough
for comfortable viewing
in a well lit room with a
screen to projector distance
of around 3m, giving a screen
imageof about 1.75m width at thewide-
angle lens setting. The maximum distance
is specified as just over 11m - giving a
picture width of 6.7m.
Menu functions can be accessed
from the top panel, or using the remote,
and they include the all-important digital
keystone correction. The remote is a long
slim number that fits neatly into the
hand and has numerous logically located
function buttons together with a central
four-way rocker 'mouse' and a moulded
index-finger trigger on the bottom which
acts as a left mouse button. The menu is
split into four sections - image,
installation, feature and signal. You can
tweak the input signal settings and all the
changes can be memorised.
TheNECM ultisync VT540G
(below) looksa lot nicer than
the Polaroid. It's grey,
more rounded and
has a number of
practical design
features, including
an extendable carry
handle, remote
docking port for the
tiny card remote, fourIR
receivers at the front, back and
either side and recessed top panel
controls. Thefront-mounted AC power
connector is unorthodoxand it's hard to
see what the advantage of this
positioning is. At 3.9kg it's a little bigger
and heavier than the Polaroid.
The N EC 540 has a native resolution
of 1,024 x768 and a 160w lamp. The
maximum picture size and distance is
practically same as the Polaroid and,
despite the N EC's higher resolution,
there's actually little to choose between
them in terms of picture quality. The
N EC is supplied with just an SVGA cable
with a M ac adaptor. Inputs are on
the right-hand sidefor RGB in
and out, S-Video, RCA
video and audio in.
There is a serial
port for PC
control of
various
functions
such as
power on
and off, input
signal selection
and sound muting, but
you can't control your PC
mouse pointer from the remote.
Like the Polaroid, the NEC projector
was easy to set up: plug in the RGB cable,
press the power button and the projector
auto-senses the input source and displays
the screen. Basic menu mode, which
offers a subset of the advanced menu
options - colour and brightness control,
colour balance, digital keystone
correction, orientation and so on - is all
you are ever likely to need, but navigating
the nested menu arrangement with the
nudge buttons on the remote card is
tricky. It's not helped bytheless-than-
sparkling remote operation.
While the Polaroid, with two receivers
mounted front and
rear, happily
picked up
signals bounced
off the screen or walls, the NEC would
accept nothing other than direct line of
fire. Unreliable remote operation is
exactly the kind of thing that can turn a
well-planned presentation into a farce.
Looks aren't everything. The Polaroid
projector offers equal image quality to
the NEC, superior functionality, easier
operation and a smaller, lighter box It is
also a lot cheaper - no contest.
KEN MCMAHON
DETAILS
★★★★
NEC MULTISYNC VT540G
PRICE £3,760 (£3,200 exVAT)
CONTACT NEC 0645 40 40 20
www.nec.co.uk
PROS Good looks; good picture quality
CONS No remote mouse; fiddly OSM ; poor
IR reception
OVERALL Letdown by lack of connectivity
optionsand poorremotecontrol
★★★★★
POLAROID SVGA 238
PRICE £2,818.83 (£2,399 exVAT)
CONTACT IMC 01384 871 329
www.imcnet.com
PROS Good connectivity range; easy setup;
powerful remote functions
CONS Clunkydesign
OVERALL If you can overlook the style
shortcomings, this projector has it all
Personal Computer World • October 2000 • lift
M SI Socket A motherboard
The K7T Pro board will let you take advantage of the Duron's low-cost speed and power
AM D has managed to steal the
headlines once more with its
new value processor, the
Duron, and there is certainly no
doubtingthat it isa good choice if you
are thinking of buying a new PC. But
what should you do if you are thinking of
building a budget system yourself -
should you go for Celeron or Duron?
Typically, the main problems with
AM D's processors have been
twofold. First, there have
generally been less
decent AM D-
compatible
motherboards
about than Intel-
compatible boards,
especially at launch
time. Second, in our
experience, Intel kit tends
to beslightly easier to setup
and configure.
H aving said that, in the past
few years, things havecertainly got
better for AM D, with Slot A boards
becoming a lot easier to install and
configure. The company's decision to
switch all of its new processors to Socket
A, though, has the potential to throw all
theold problems up again, so wedecided
to take a look at one of the new Socket A
boards, M Si's K7TPro.
Unsurprisingly, it usesVIA'sKT133
chipset. Although AM D's 750 chipset
will work, AM D is recommending the VIA
KT133 for its new Socket A Durons and
newAthlons(codenamed Thunderbird).
This offers support for most of the
current PC standards: AGP 4x, PC 133
and PC100 SDRAM , ACPI, and AC97
audio support are integrated into the
chipset. Theonlymajorthingitdoesnot
support is UltraDM A100 - for thisyou'll
need a board, such asAsus' A7V-100,
with a separate controller card onboard.
Nonetheless, this is still good feature set,
although there are new chipsets from
AM D and VIA waiting in the wings.
The board itself is fairly basic, but it
will provideyou with a good base. It
sports fivededicated PCI slots, plus an
extra one that it shares with a
Communication N etwork Riser (CN R)
slot. This slot is for a new generation of
cheap modem, audio and network cards,
but in the two months since we first saw a
board with this connector on it, we have
yet to see a single card. There are three
memory slots available together with two
EIDE channels. Onboard sound is
becoming standard for most
motherboards, and this is no exception.
Three audio-in connectors are located
next to theexternal ports for CD, AUX
and M odem. There are only two fan
connectors on the board,
which isa bit of a shame
as we are used to
seeing three. There
are also sets of
pinsformore
USB ports
and IrDA,
should you
feel the need
forthem. We
felt that the layout
was sensible, helping
us to route cables tidily
throughout the case.
Setting up the K7T Pro was a heck of
a lot easier than setting up theold Slot A
Athlons. Weused a 700M HzDuron
in this review. Admittedly, we needed to
update theAward BlOSto cope with the
new processor, and we needed the latest
nVidia beta drivers to make our Gigabyte
GeForce2 GTS work, butthisisparfor
the course when building systems based
on new technology. Once we'd donethis
and installed the VIA 4-in-l drivers
provided on the setup CD, we were left
with a reassuringly stable system.
We then ran a few standard
benchmarks on it and can report that the
Duron wipes thefloor with theCeleron
in both price and performance. Our
700M HzDuron, GigabyteGA-GF2000,
128MB of PC133 SDRAM and Quantum
Fireball hard drive produced a SYSmark
2000 result of 128, a 3Dmark 2000 of
5,464 and a Q uake III scoreof 89.8
frames per second (fps) at our standard
resolution of 1,024 x768 in 16bit colour.
Compare thisto a Celeron 700M Hz,
using the same parts and an Asus CUSL2
(an 815E motherboard). It scored a
measly 117 in SYSmark 2000, 4,025 in
3D M ark 2000 and 76.6fps in Quake III.
That isa pretty comprehensive thrashing
in our book, and what makes it even
moreof a triumph for AM D isthefact
that the Duron is much cheaper. A
700M H z D uron costs £80 ex VAT,
compared to the £150 ex VAT for the
Celeron being advertised bydabs.com as
we went to press.
It looks as though the difference in
the two chips' architecture has a large
impact on performance. The Duron
sports 128KB of Level 1 cache and 64KB
of Level 2 cache (that's why you'll see
thecompanytalking about 192KB
of total on-chip cache). Crucially,
* * it utilises the same system bus
technology as its bigger
Athlon brother, producing
a front-side bus (FSB) speed
of 200M H z, compared to the
Celeron's 66M H z. Admittedly, the
memory isstill only running at
133M Hz, but it looks like it has removed
a bottleneck to speed that really gives the
chip a boost.
If you need to build a budget system
now, then there is no reason to go for the
Celeron over the Duron: AM D's processor
is simply faster and cheaper. This M SI
board, although fairly basic, would also
bea good choice. If you can hold on,
though, it might be better to wait and see
what the next generation of chipsets has
in store- themorechoiceyou have before
taking the plunge, the better.
JASON JENKINS
DETAILS
★★★★★
PRICE MSI K7T Pro £99.88
(£85 ex VAT)
Duron 700MHz£94 (£80 exVAT)
CONTACT Panrix0113 244 4958
www.panrix.com
PROS Fairly easyto configure; fast; low cost
CONS Only two fan connectors; no
UltraDM A100 support; may be better to hold
off for new chipset releases
OVERALLThe D uron is a fantastic choice if
you are looking to build your own system and
this low-cost board will get you there
Personal Computer World • October 2000
PERIPHERALS >
PERIPHERALS > >
Xerox DocuPrint M750
A budget printer that is fairly speedy, but does not deliver the best quality
Xerox may be a big namein the
printing and copying business,
but until recently it's been
conspicuous by its low profile in the
home inkjet market. Thecompanyhopes
tochangeallthatwithan
advertising campaign
fronted bya big blue
dog and some well-
specified, reasonably
priced printers.
Boasting a
maximum resolution
ofl, 200x1, 200dpi,
theM 750 isthebaby
ofthebunch and
comes in at £99.
The unit bears
a striking
resemblance to
a large shoebox
with a curvy lid and
with its 150-sheet paper feeder it eats
up a fair bit of desk space.
The DocuPrint employs a two-
cartridge print system (the black
cartridge fits to thefirst print head, while
three separate coloured ink tanks fit to
the second) . The advantage of this is
that, when onecolour runsout, you
don't have to replaceall three. The
DocuPrint M 750 boasts four print
speeds (draft, normal, best
and express). Xerox
claims the
express
mode
delivers
both
speed and
quality
without the
usual trade¬
offs, but we're
not so sure.
Even in draft
modetheclaim of 10
mono pages per minute was closer to six,
and in express mode we only managed
5.2. That said, theXeroxwas still quicker
than most similarly priced inkjets we've
tested. Unfortunately, quality was just
average even in best mode and when we
switched to inkjet and photo paper, text
continued to bleed and images were
grainy almost regardless of resolution.
When it came to photos, results on
copier paper were also average and in
places washed out, while when we
switched to photo paper our test images
weredarkand blurryin places. Theunit
would probably suffice for printing office
documents but, ultimately even fora
budget printer, we expected a little more.
RICHARD MCPARTLAND
DETAILS
★★★
PRICE £99 (£81.68 exVAT)
CONTACT Xerox 0800 632 642
www.xerox.co.uk
PROS Keenly priced; 150-sheet paper feeder
CONS Average image quality; unacceptable
text quality in normal and express modes
OVERALL A reasonable performer; it may be
speedy but text performance suffers
NEC MultiSync FP1370
An excellent monitor that could pose a threat to Sony and M itsubishi, except for a contrast issue
With the CRT monitor market
pretty much dictated by the
quality of theflat-screen
tubes being churned out by M itsubishi
and Sony, it's refreshing to get hold of a
displaythat bucks thetrend. The FP1370
is fitted with NEC's own flat-screen tube,
with a healthynominal diagonal of 22in.
As with M itsubishi's tubes, however, the
22in figure is a little
misleading, since the
viewablediagonal is
20in: identical to most
21in units.
Our first impression
after hefting it onto the
desk - it weighs 32kg-
wasthat, for a 22in flat-
screen monitor, it's
amazinglyshallow. With
a depth of just 465mm,
it's actually 10mm or so
shorter than Taxan's new
19in flat screen (reviewed
in our September issue).
Styling is great, too -the
standby/ power on indicator is integrated
into the NEC logo on the fascia, so it
glows rather stylishly when the unit is
switched on.
Round thebackyou'll find both
D-SUB and BNC connectors, with a
dedicated front-panel button to switch
between them. There's also a dedicated
front-panel exit button. The OSD itself is
comprehensive, with sixvarietiesof
convergence
control as well as
theGlobalSync
adjustments,
otherwise known
as corner purity.
When it
comes to image
quality, the
FP1370 delivers
thegoodson
most fronts,
displaying
excellent geometry with
good colour registration,
power regulation and corner-
to-corner sharpness and focus. But
there's one big Achilles' heel: contrast.
The screen itself is far greyer than we've
become used to and gives the feeling that
you're looking at the display through a
net curtain. It renders what would bean
excellent monitor rather ordinary.
Unless NEC manages to sort out the
contrast problems, you'd be much better
off going with a 21/22in displayfitted
with a tubefrom oneofthebigtwo.
DAVID FEARON
DETAILS
★★★
PRICE £888 (£756 exVAT)
CONTACT NEC 0645 404 020
www.nec.com
PROS Amazingly short tube; good looks; a
plethora of image adjustments
CONS Expensive; irritatingly poor contrast
rules it out as a true contender
OVERALL A great monitor that's
unfortunately marred by the contrast problem
|T«1 • Personal Computer World • October 2000
PERIPHERALS > >
Seagate Cheetah X15
— - If you need the speed, this 18GB drive is fast and efficient and will leave the competition standing
Hard drive manufacturers like
nothing more than a gameof
'passtheinnovation'. Forthe
latest round it's back to Seagate with its
18GB Cheetah X15 enterprise drive.
Following the standard product¬
naming strategy, the Cheetah X15 is a
top-of-the-rangeSCSI drive that has
been designed specifically for I/O
intensive tasks. In order to get a faster
drive, Seagate looked at the major
limiting factor: spindlespeed.
T h e f a ster t h e d ri ve p I a tters ca n sp i n ,
the quicker the data falls under the drive
heads. This has two effects: first the
heads find the correct area in a shorter
timespan; and second, data can be
read or written faster.
Seagate - who introduced the
first 10,000rpm drives - has
upped the spindle speed by
50 per cent to
15,000rpm. This has
reduced the average
seek time from
5.2msin the
10K drive to
3.9ms in the
X15. This
sounds easy
enough, but it is
not just a matter of
taking an existing drive,
pulling out the motor and sticking a
more powerful one in. For one thing, all
of thedrive electronics need to be
upgraded and certified to work at the
increased speed. This is actually the easy
part.
The hard part comes from making
sure that the faster model doesn't use
more power. Simple physics dictates that
increased motor speed requires more
power. More power leads to extra
friction and generates more heat. With
OEMs (original equipment
manufacturers) already taking into
account the power and heat
requirements of the 10K drives, Seagate
cannot afford to make an incompatible
drive. When Seagatefirst launched the
10K drives, for example, they were found
to run too hot and caused endless
problems when installed in machines.
Determined not to fall into this trap
again, theX15 was carefully designed
to have exactly the same power, heat,
and sound profile as the existing 10K
drives. This required development of the
RACE (Reliability with Advanced Control
and Efficiency) motor used to drive
the spindle. The upgrades included a
better magnetic seal and a high-
efficiency stator. The stator is the
stationary part of the motor that
converts the supplied power into torque
to rotate the motor at the rated rpm.
A higher speed requires more power
and has greater electromagnetic (EM )
losses. Through the new stator, it is
possibleto allow the motor to spin 50
per cent faster without requiring any
additional powerorcooling
requirements. On top of
this, a new magnetic seal protects both
thedisc surfaceand theGM R (Giant
M agneto Resistive) heads from static
caused bythespinningofthediscs.
In a standard system, the centrifugal
forces on the magnetic fluid inside the
seal increase with rpm. Beyond a certain
critical rpm, the centrifugal forces exceed
the magnetic forces holding thefluid in
the seal, rendering it useless. Seagate has
designed a new seal that eliminates the
centrifugal force component on the
fluid, making it almost completely rpm-
independent.
The remaining limiting factor was
physical size of the disks themselves,
which Seagate has also reduced. This
affords better control of the spinning
disksand reduces the forces applied to
the platters. The reduced platter size,
however, requires installation of more
platters to get the 18GB capacity. The
X15 hasfivedisksand 10 GM R heads
installed. Unfortunately this takes up
all of the available space inside a lin
drive case, so we won't see higher
capacities for this model until areal
densities can be pushed up.
Thefinal stage was to upgradesome
of the basic points of thedrive, with
Seagate installing an Ultral60 interface -
200M bytes/ sec Fibre Channel is also
available- and upgrading the cache. The
10K modelsonlyhad 2M B onboard, but
theX15 hasa minimum of 4M B, and at
thetop end 16M B.
No real innovations were made to
the amount of shock that the d rive can
take. In fact, theX15 has the
same rating - 15Gs
operating and 250Gs non-
operating- as the 18GB
Cheetah 10K.
We tested an Ultral60
SCSI drive with 16M B of
cache. Our tests comprised
a random read/ write test using
Intel's lometer 1998.10.08,
and timing a 1G B file copy
The results were extremely
impressive, lometer returned a
1.52M bytes/ sec result, compared
with the 1.45M bytes/ sec of the
18GB Cheetah 10K. Thefilecopy
managed to complete in 41 seconds
against the48. 5 seconds of the
old Cheetah.
If you havean application, such as
video editing, where performance is
crucial, then this is thefastest drive that
you can get your hands on. Flowever, at
£468.75 inc VAT, it's not cheap and
you're limited to buying 18GB drives. If
it's capacity that you're after, you'll have
to buyoneoftheolder generation of
drives instead.
DAVID LUDLOW
DETAILS
★★★★
PRICE £468.75 (£398.93 exVAT)
CONTACT Seagate0800 783 5177
www.seagate.com
PROS Thefastest drive on the market; same
power/ heat profile as previous model
CONS Expensive; recommended only for
highly I/O intensive tasks; limited to 18GB
capacity
OVERALL It's certainly fast and capable, but
the price does mean that you'll have to
carefully consider if the extra performance is
worth the premium
Personal Computer World • October 2000
PERIPHERALS > >
Kyocera laser printer
The fully featured FS-IOOO proves you don't have to sacrifice performance to be eco-friendly
Less contoured than earlier
Porsche-designed printers from
eco-friendly Kyocera, theFS-1000
is nonetheless small and attractive and
should have no difficultyfitting onto a
small desk or shelf. You'd be
recommended to give it a bit of
breathing space, though, so you can
make good use of the impressive array of
doors and openings. Around thefront
you can pull out the paper tray, capable
of holding up to 250 sheets of standard
80gsm photocopy paper, above which is
theM P (multi-purpose) feeder that will
handle anything up to 163gsm. At the
back, meanwhile, there's a fold-out
holder for face-up output that will stack
in reverse order to those pages you let the
FS-1000 deposit in the standard tray on
top oftheunit'smain bodyand offera
straight paper path for 0 FI P
transparencies and label sheets.
Under the hood there's an impressive
set of electronics. The brain is a 75M FI z
PowerPC processor, and it benefits from
a standard install of 4M B of RAM , which
can be expanded to a maximum of
132M B. Beware, though, for this is
pricey, with a 64M B DIM M upgrade
setting you back as much as the printer
itself. Combined, though, the processor
and standard allocation of memory
helped it pump out a steady 10 text
pages a minute with a standard five per
cent coverage in our tests, and the results
were good - at the standard 600dpi
setting characters were crisp and dark.
Speed demonscan drop thisto 300dpi,
or you can instead opt for the KIR2
(Kyocera Image Refinement 2) setting
and up theanteto 1,200dpi. Splashing
outonthe8MB FS-1000 ^
doesn't up the
quoted print
speed,
though,
T he multi-purpose feeder is
truly all-purpose
so it's the engine itself rather than the
buffer that is setting the lOppm limit.
Print quality is difficult to fault.
I mages were well rendered and oursetof
standard PowerPoint test slides, printed
on generic paper, had even toner
distribution, and text-based characters
as small as2pt were easy to read. Our
50-page Acrobat test document was
cleanly produced and spot
colours in the clip¬
art it includes
were translated
into well-
differentiated
greyscale
equivalents.
Throughout our tests
theFS-1000 was
quiet in use, making
less noise than the fan
in our test PC.
It hasfivein-built
printer emulations,
including Epson LQ-850 and
PCL6, and optional support
for PostScript Level 2 through
an emulation ROM . Interfaces
for serial connection and, at
£229, a device to hook the printer
to a 10/ 100BaseTX Ethernet network
without an external print server box, are
also available. The really clever thing,
though, especially if you takethe
network option, is Kyocera's Remote
Operation Panel (ROP). This effectively
makes up for the lack of a screen on the
unit itself, letting you monitor every
aspect of its operation. Open up one of
the external doors and the spinning
image on your screen will open its door
to match. Run low on toner and it'll
warn you so you don't end up
walking across the room
to collect your print
job only to find a
pile of empty pages.
A directory tree
interface lets you
navigate the various
settings and options,
specifying print
resolutions and ecology
settings. Our only complaint
was the speed at which it
worked. It's all fine and well
having a pretty image spinning on
the interface but it madethe whole
thing less responsive. We soon found
ourselves becoming irritated, too, at
the way in which it would slowlyfade
settings and stats onto the panel as it
probed them rather than just displaying
them right away. That said, though,
these are minor points and you are in no
way obliged to use the ROP which is, at
theend of the day, just an added bonus.
TheFS-1000 is not expensive to run.
The £54 toner
cartridge has a
quoted life of
6,000 pages if you follow the
five per cent coverage rule, which
those with calculators will no doubt
a I read y h a ve wo rked o u t averages at 0 . 9
pence per page, which Kyocera claims
makes it a penny a pagecheaperto run
than FI P's LaserJet 1100. The all-in-one
process unit, which comprises the drum
and developer, carries a 100,000-page,
three-year warranty so if guaranteed
uptime is important to you this may be
an attractive choice.
It's also a good one for the greens -
Kyocera's Ecosys regime cuts down on
wastage with a fully re-usable drum that
just needstopping up with toner and a
bit of regular maintenance when it's
returned to the factory.
NIK RAWLINSON
DETAILS
★★★★★
PRICE £329 (£280 exVAT)
CONTACT Kyocera 0118 931 1500
www.kyocera.co.uk
PROS Compact; quiet; fast; great output; will
appeal to the green friendly
CONS Remote operation panel is somewhat
ponderous
OVERALL Cheap to run, attractive- what
more could you want?
)[|] • Personal Computer World • October 2000
SOFTWARE > >
Macromedia Flash 5
— - Flash is now ubiquitous: nearly all new browsers can read it, so you can't afford to be without it
Over 92 per cent of the Internet
population -that's 248
million people- can now view
Flash content without having to install
anymoreplug-ins. Bundled with all the
new browsers and with Windows, the
format is now almost as widely accepted
asjpegsorgifs.
Flash has always supported
importing Illustrator files, but in this
release its handling of Freehand output
has been improved, which isn't
surprising, as they sharea common
owner. The pages of a Freehand
document can be set to import as scenes
or keyframes, and layers can beflattened
out or, like the pages, distributed across
the timeline as keyframes.
The import dialog also gives the
option for importing only a select
number of pages of the original Freehand
document, but we would have liked to
have had the opportunity to open, or at
least preview, the source file at this point
so that we would not be making such
decisions 'blind'. That said, everything
else is handled well. Layers in the
Freehand original will import with the
same layer-colour indicators. N ames and
even locking status are maintained, while
scenesaredistributed onto separate
timeline entries and any related objects
saved to the library for future use.
Reorganising layers is a simple matter
of mouse-grabbing them and dragging
them up or down the stacked pile,
depending on whether you want their
contents to appear in front of or behind
un-mi rmf j J j JipB in I
J H I HI ■ I !■ CrfiM + JJ I
As
Layer-based work can be a bit tough for the novice, butActionScript
will let you get right into the code without having to write any
other objects in the animation. Flash has
not adopted an object-based approach
like that found in LiveMotionfrom
Adobe, which may make it less attractive
to thefirst-timeuser, for while Flash is
undoubtedly more powerful and
endowed with a far more impressive set
of functions, the layer-based approach
may be confusing to the novice.
This is a shame, because it means
that M acromedia is unableto employ
the fully expandable-collapsible timeline
enjoyed byLiveM otion where element
attributes can be fully tweaked in situ.
Instead, M acromedia has had to stick
with a palette-based approach and you'll
sometimes find yourself hunting around
the screen for a particular input box.
M acromedia is using this release to
trumpet the arrival of its standardised
user interface, so you can see why it may
be reluctant to introduce a shape-
shifting timeline, but a best-of-both-
worlds approach would have been nice,
leaving the palettes there for those who
already have a firm grasp of the package
and a dropdown timelinefor everyone
else. Palettes can be re-grouped into
whatever order you feel is most logical.
We were also disappointed that there
is no history palette in Flash 5. This has
been one of the must-have features in
version three of both Dreamweaver and
Fireworks- the ability to roll back past
project saves or even to write all past
actions to disk is a real time saver.
Fortunately, Flash has an extensive
Undo cache, so there's a good chance
you'll beableto
repair any
damage you
might cause, but
with Macromedia
rolling out a
unified product
Ul over the next
sixmonths- and
we're wondering
if this hints at
forthcoming new
releases of other
Macromedia
packages - it
would have been
nice to have seen
it here, too.
Thethinking
behind the
common Ul isa
sensible one, with
the company claiming that most of its
customers use at least two of its
products. If you'renot oneofthem,
though, you'll probably welcomethe
option to customise the keyboard
shortcuts to match your other web¬
publishing installations.
There's a new Bezier pen tool that
does just what you'd expect of such a
device, but far more important is what
M acromedia is calling the 'M ovie
Explorer'. Targeted at those developing
in a corporate multi-user environment,
where the working model often sees
more than one person assigned to a
particular animation, this makes it easy
to trawl through the whole movie and
search out specific elements.
Searching is a simple matter of
entering a keyword that could be
anything from the name of an object to a
srtiirT7!^iT,i,
Personal Computer World • October 2000
string of text. In the case of the latter, the
text can then be changed in the results
window without venturing into the movie
itself and theanimation content will
dynamically update. This means that the
found result no longer exists, so the
Explorer palette changes to reflect this.
Keeping your audio files small is all
well and good, but if they suffer as a
result, yourwholemoviewill comeacross
as less professional. So Flash gives you
the option of individually setting the
compression level of any sounds you use.
This setting will then override any global
setting applied to the movie as a whole.
Putting a sound into your movie is
impressively easy- simply drag it onto the
stage and it will be dropped onto the
current layer. We would have liked it if
Flash had been automatically set to
initiate a new layer for the waveform as
it's unlikely you'd want to lay it down on
the same level as an on-screen animation,
buttheabilityto simplydragand drop
sounds onto the stage is a real time saver
and more than makes up for it.
Flash includesa simpleset of non¬
destructive audio-editing tools that let
you loop the waveform without having to
load more than one instance. If you
spend a coupleof minutes fiddling, you
can get your sounds to pan from one
side to the other and effectively follow
the on-screen action, giving your movie
greater depth and a professional finish.
This isn't as tricky as it sounds, as it's
just a matter of reducing the volume level
on onechannel while increasing that of
the other. Doing this involves simply
dragging a linear representation of the
volume up and down the screen and
adjusting each end higher or lower to
indicateamplification or tapering off.
If there's one area in which Flash
developers have been restricted in the
past, it's the programming side of things.
The interface makes it easy to drag and
drop elements and animate them by
tweening across the timeline, but getting
under the program's skin, so to speak,
and accessing its inner workings has
traditionally been something of a task.
All of that has changed with the
introduction of ActionScript. It's
designed to be easy to learn, sharing a
common structure and syntax with
JavaScript, but if programming doesn't
float your boat you can resort to what
we all know best - drag and drop.
The ActionScript interface can beset
to consist of two windows, one with all
the available commands and the other,
your script. Dragging commands from
the left window to the right adds them to
your program and opens up an attribute
dialog at the bottom of the palette.
Completingthecodelineisthen a matter
of filling in the blanks, so programming
becomes more a case of answering
questions than typing code.
Wewerea little disappointed that
when specifying U RLs or files that should
beincluded in linesof code, there was no
facilityto browseforthem. Instead you
had to relyon your memory, orfind
them in Windows Explorer or IE. Like the
lack of a preview button in the Freehand
import dialog, thisseemsto bea small
oversight on M acromedia's part that
could easily have been incorporated and
enhanced the user experience greatly.
A neat new feature is web native
printing. Designers can now produce
banners that, when embedded into a
page and clicked on by the user, will print
a hard copyof whatever theychoose.
Imagine, for example, a banner advert
for PCI/1/ that prints out a sample page
when clicked. If widely adopted, this
could bea powerful advertising tool.
The new Flash plug-in, which is a
necessary download for anyone who
wants to view Flash 5 files, also caters for
XM L Socket Connection, whereby a link
to the server will be maintained so that
XM L data can be passed back and forth
between the server and the player for
constantly updated content.
An effective implementation of this
technology could see Flash being used to
gather orders and credit card numbers,
validate them while the user stays online
and produce a receipt without needing
to refresh the browser window content,
giving the developer greater control over
the event from beginning to end, and
greater security for the user who won't be
peppering their cache with sensitive data.
While LiveM otion may bean easier
first step for the novice, there is no
denying that the genuine article is a more
powerful option. Its use of true vector-
based imaging produces compact
output that downloads quickly and new
features - such as shared asset libraries,
the movie explorer and drag-and-drop
ActionScript programming - make this
latest version quick and easy to use.
There are things missing that we
would have liked to have seen - primarily
a fully-featured history palette and
browse and preview buttons, but these
omissions are soon forgotten when the
package is viewed as a whole.
NIK RAWLINSON
DETAILS
★★★★★
PRICE Full version £259 (£220.43
VAT); upgradefrom earlier version £99
(£84.26 exVAT); Flash 5/Freehand 9 Studio
full version £399 (£339.57 exVAT); upgradeto
studio £179 (£152.34 exVAT)
CONTACT Computers Unlimited
020 8358 5857
www.macromedia.com/uk
SYSTEM REQUIREMENTS 133MHz
Pentium; Windows 9x/NT4/2000; 32M B of
RAM ; 40M B of hard disk space; 256-colour
monitorcapableof 800x600; CD-ROM drive
PROS Well established; extensive features,
cuts d evel o p m ent ti m e o ver p revi o u s versi o n s
CONS A couple of omissions as mentioned
above, but nothing drastic
OVERALL If you wantto do web animation
properly, this is how
Personal Computer World • October 2000
SOFTWARE >
SOFTWARE > >
M icrosoft Visio 2000
A general-purpose diagramming tool that demonstrates great versatility and value for money
C hoose your dra wing: V isio morphs accordingly as you pick different types
Visio is in essence a diagramming
tool based on shapes and
connections. The product has
evolved to include areas such as design,
documentation and software modelling.
Even though it was only recently acquired
by M icrosoft, Visio has for a long time
been deeply integrated into Windows.
Visual Basic for Applications is built in,
and Visio exposes a complete object
model so that other applications can
control its features programmatically.
Developers can use Visio as a front-
end for custom applications. For
example, an office designer might use it
to plan where staff will sit, calculate the
costand initiate an order for furniture.
M icrosoft is using a Visio application as
a core part of its forthcoming BizTalk
server, for managing business processes,
exploiting its ability to provide drag-and-
drop design together with code
generation and programmatic control of
other application components.
A Visio shape is a sophisticated
drawing object, with a huge range of
formatting options and theabilityto be
merged and grouped. Shapes also support
data and events. In Visio's office layout
shapes, for instance, each item has
custom properties to supply an inventory
number and an owner. Events fire when
shapes are added to a diagram, clicked or
modified. Shapes can also be categorised
into layers, so you can show or hide
selected objects. Visio connectors are
equally sophisticated. You can specify
connection points and routing behaviour,
so that connectors reposition themselves
intelligently as a diagram grows.
For general-purpose diagramming,
such as creating flow charts, organisation
charts, orbuildingyourown charts from
scratch, the standard edition is a good
choice. The product has been extended,
with numerous specialist macros and
stencils, Visio's term for custom shapes.
TheTechnical edition has stencils for
such things as electrical, civil and
mechanical engineering and architecture.
The Professional edition targets the
IT industry, with basic network design
and diagramming and documentation
for database, software and Internet
development. The Enterprise edition is
also IT-oriented, but with more complete
stencils and tools. It is the most expensive,
but does not include all thefeatures in
Technical, so if you model databases and
design electrical circuits, you'll need both.
Visio Enterprise can automatically
discover a network and diagram it. There
is also full support for unified modelling
language (U M L) . It is a complete model¬
ling environment, with its own navigator
and theabilityto check a model's integrity.
You can generate code for C++, Java
or Visual Basic and reverse engineer
existing code in Visual Studio projects. In
the same way, the database modeller lets
you generate DDL (Database Definition
Language) scripts, so you can first model
and then create a database. You can also
reverse engineer existing databases. With
such strong development tools, it would
make sense for M icrosoft to incorporate
someform of Visio into Visual Studio,
rather than the current Visual M odeller,
which is based on a Rational product.
A couple of years ago Visio absorbed
a product called InfoM odeler, with its
intuitive object-modelling technique
ORM (Object Role Modelling), which
uses natural language facts to capture
business rules. ORM lives on in Visio
2000, with its own shapes and tools.
Seasoned Visio users will not find this
a radical upgrade. The most noticeable
change is in the interface, which has new
docked windows, a diagram explorer,
and pagetabsfor navigating complex
documents. You can now save diagrams
asHTM Land embed hyperlinks into
shapes. There is also improved network
discovery with auto-layout and support
for importing structures from Active
Directory, NDS (Novell Directory
Services) and LDAP services. M any other
features have enhancements of detail,
listed on M icrosoft's Visio website.
Anyevaluation of Visio depends
largely on what you want it for. Visio
scores highlyon versatility, but maytake
second placeto more specialist toolsin
any particular niche. For general-purpose
business diagramming, it is superb. It is
a I so g rea t va I u e f o r so f t w a re d evel o p er s,
with tools for everything from designing
an interfaceto advanced modelling.
TIM ANDERSON
DETAILS
★★★★★
PRICE Standard £179
(£153 exVAT); Professional or Technical £355
(£303 exVAT); Enterprise £889 (£760 exVAT)
CONTACT M icrosoft 0345 002 000
www.microsoft.com
SYSTEM REQUIREMENTS Windows
95/98/NT/2000, 80M B of RAM , 130M B of
disk space, CD-ROM drive
PROS Highly versatile and customisable;
strong VBA and COM automation support;
completeUML diagramming
CONS Sluggish screen refresh on complex
diagrams; too few example diagrams;
Enterprise edition excludesTechnical features
OVERALL Slick implementation, versatile
features and a huge range of stencils and tools
make Visio hard to resist
Personal Computer World
• October 2000
Autoroute G B 2001
A great route-planning package that only falls foul of the competition in that you have to pay for it
Autoroute has changed a lot over
the past decade. 0 nee it was an
independent DOS-based route-
calculation package, but it has been in
the M icrosoft fold for manyyears now
and offers not only route calculation, but
also extensive information about the
areas through which any route passes.
This version may be called Autoroute
GB, but it also includes mapsforthe
whole of Europe and even door-to-door
planning from anywhere in the UK to
major parts of Germany and France.
With so many foreign place names
involved, the new Smart Spelling feature
will hunt down wordsyou enter
phonetically. In practice this worked
fairly well. Basyldun, Rumfud and
Covuntree found Basildon, Romford and
Coventry in the UK, and looking overseas
we correctly hit upon Aix-en-Provence
and M almo after searching for Aches on
Provanceand M arlmow respectively.
The maps are comprehensive and up
to date, even including the brand new
tunnel/bridge route opened up between
M almo and Copenhagen just a week
before the review copy arrived in PCI/I/ 's
office. There's also an online phrase
book, which may be of less use to desk¬
bound users than to those who will be
able to take the package with them.
It includes a wide range of interest
points, including over 49,000
restaurants and 37,000 petrol stations
and, as you might expect, allows you to
enter your average driving speeds so that
it can accurately calculate how long it
will take you to get from point A to point
D, taking in points B and C along the
way. It does not, however, take into
account differing speed limits on multi¬
nation routes. In the UK, for example,
you might top out at 70mph, while in
Germany there's a chance you might
want to go faster.
M apscan bedownloaded into PDAs
running WindowsCE 2.0 orabove using
Pocket Streets for viewing on the move
and if you want to print them out, the
package includes a range of simple
drawing tools for highlighting pertinent
features and adding notes. If you're
wired you might want to put a map on
your website and, provided you stickto
some copyright guidelines, M icrosoft has
no problems with you doing so.
Autoroute is a great package, but it
has one big problem, which is no fault of
its own: competition. The RAC and AA
C omprehensive maps can be downloaded into PDAs for on-the-move viewing
both offer extensive UK-based route¬
mapping services on their websites for
free and you can pay for a lot of phone
calls to your ISP for the price of a copy of
Autoroute. To compare the three we set
each an identical task. The RAC and AA
services assume their own average
speeds, so we left those in Autoroute set
to M icrosoft's defaults. We told each
that we wanted to take the fastest route
from Chelmsford to Swansea.
Each took pretty much the same
route, with the shortest being the RAC at
234 miles and the longest the AA
completing the trip in 238.5 miles.
Autoroute came home at 235.5. These
figures are so close, though, that they
can easily be explained awayas being
within an acceptable margin of error.
The supplementary information
returned was of more interest, though.
TheAA warned us about the toll payable
on using the second Severn crossing, but
Autoroute only gave us an overall cost
based on the price of petrol. Likewise,
the RAC impressed us by incorporating
up-to-the-minute travel news into its
route. Another nice touch from the RAC
was the ability to tell it when you'll be
travelling and it'll email you the route
just before you setoff, incorporating
traffic news relevant at the time.
TheAA and RAC routes should
always be up to date, being live systems,
but Autoroute has a map feedback
utility, guiding you through a series of
screens that will gather your comments
and feed back for the next edition.
AutorouteGB 2001 is a well put
together package that will be ideal for
anyone with a car but in an ageof cheap
Internet connections, you can get pretty
much the same information onlinefor
free. Autoroute will produce a better
map but most users will find printed
directions of greater benefit and this is
an area where both the AA and RAC
currently have the upper hand if your
travelling is primarily within the U K.
NIK RAWLINSON
DETAILS
★★★★
PRICE £59.99 (£51.06 exVAT)
CONTACT M icrosoft 0345 002 000
www.microsoft.com
SYSTEM REQUIREMENTS Pentium
processor; Windows95/98/NT4 or later,
16M B of RAM (32M BforWindowsNT),
145 - 200M B of available hard drive space,
double-speed or faster CD-ROM drive,
256-colour SVGA monitor; mouse
PROS Fast route mapping, easy to use, up
to date
CONS You can do thesamethingforfree
online
OVERALL A great product that has so me stiff
competition from its rivals
Personal Computer World • October 2000 • its
SOFTWARE >
SOFTWARE > >
Cubase VST 5.0
- — The sequencer of choice for budding desktop musicians has made the path to success smoother
Since its early days on the Atari ST,
Cubase has been the sequencer
of choice for huge numbers of
professional musicians, particularly in
Europe. It's not surprising really, as
Steinberg has worked hard overtheyears
to make sure that musicians enjoy rather
than endure using the software.
Cubase has led the wayon the
technology front, having a number of
firsts to its name, including the
introduction ofthegraphical-arrange
page, native hard-disk recording (using
theold Atari Falcon's
built-in audio capabilities)
and realtime effects with
the arrival of Virtual
Studio Technology (VST).
However, the fast pace
of development hasn't
been without its troubles.
Updates, while usually
fixing large numbers of
small bugs, have
sometimes introduced
new nasty ones, forcing
Steinberg to make quick
revisions. So now we're at
version 5.0 and Steinberg
has not onlyputthe
software through a visual
design overhaul, but also
rejigged its audio engine.
Thefirst thing you'll
notice is the updated interface. Steinberg
has taken a long hard look at the menu
system and decided that it was getting a
bit out of hand. The result is that the
Audio menu has now been dumped and
a new Panels menu has been added. This
Panels menu is now the place to lookfor
all theVST functions, such astheeffects
and mixer windows, and also where
you'll find the MIDI mixer and interactive
phase synthesiser. The Structure and
Functions menus have also been
expanded to include entries for the new
features present in this update. This fresh
approach will take a bit of getting used
to for existing users, but after a while you
start to seethe logic behind the change.
There are plenty of other tweaks to
the user interface. Cubase is at last fully
drag-and-drop enabled. You can drag
parts (M IDI) and audio (waveforms)
from oneArrange window into another
or between the desktop and folders.
Both M IDI and audio tracks can now
be individually zoomed in on thearrange
page, instead of you having to zoom in
Top: M arkers enable the user to quickly jump between
specific parts of the arrangement
B ottom: C ubase allows a number of elements to be moved
using simple drag and drop commands
on the entire arrangement. This is a neat
feature that Emagic's Logic sequencer
has already had for sometime, so it's
nice to see Steinberg paying attention to
thecompetition.
Perhaps the simplest but best
addition to the user interface is the new
markers fortheArrange page. It has
always been frustrating jumping forward
and backward between sections of a long
arrangement. Now you can set and name
markers fordifferent partsof the
arrangement and quickly select areas to
jump between byclicking on the Marker
button atthetop of theArrange window.
If you're into filter and M IDI gating
effects, you'll love the new dedicated
controller editor. Thisallowsyou to edit
controller data for VST plug-in
controllers and MIDI mixer events as well
as M IDI events. It's been a longtime
coming, but it's great to finally see this as
a full standalone editor.
There are plenty of new features on
theaudio sidetoo. All versions of Cubase
can now record in 24bit resolution -
although this is only
useful if you have a 20-
or 24bit-capable audio
card. Dither is also
included for reducing
files from 24 to 16bit
and if you purchase the
high-end Cubase/32
you'll also get the
TrueTapefacilities that
act like Steinberg's
M agneto plug-in,
simulating the warmth
of analog tape.
However, there is
one problem with this new upgrade and
that's the Dongle. We've never been keen
on Dongles as a means of copy
protection astheyonlyinconvenience
legitimate users of the software. This time
it's even worse: if you're upgrading, you'll
have to send in your old Dongleand wait
for Steinberg to send you a new one. This
means that you'll be without the main
hub of your studio for at least a few days.
U nlike previous upgrades version 5.0
doesn't have any major headline¬
grabbing features, apart from maybe the
addition of 24bit recording to all
flavours of the software. Steinberg has
settled down on thefeature-adding
frenzy and turned its attention to making
the platform more stable and user
friendly with a wealth of editing options
and cleaning up the user interface.
Overall, Steinberg has taken a fantastic
product and made it even better.
NIALLMAGENNIS
DETAILS
★★★★★
PRICE Cubase VST 5.0 f 329
(£280 exVAT), 5.0 upgradef 99 (£84 exVAT)
CONTACT Arbiter M usic Technology
020 8970 1909
www.steinberg.net
SYSTEM REQUIREMENTS Windows
98/2000, 200M HzPentium (450M Hz
Pentium III or Athlon recommended), 64M B
of RAM (128M B recommended), fast EIDE
orSCSI hard drive, M M EorASIO-compliant
sound card
PROS 24bit recording, MIDI mixer, dedicated
controller editor and a whole host of other
additions
CONS Annoying Donglecopy protection
OVERALL Cubase VST continues to lead the
pack in both features and usability
Personal Computer World • October 2000
Web Traffic Maximizer
This software makes light work of submitting your site but it won't give you an unfair advantage
■ T. p "'a . m -l ■
i — " . —
7
- . m
■ ■ ■ ■
J-fr. W. 1 1 ■
_
A
i i ii ? n J
WebT raffic M aximizer gives you an update of how your
site is progressing up the list on each search engine
Billing itself as the most powerful
traffic-building tool available,
Web Traffic M aximizer submits
theaddressofyoursiteto thetop 50
search engines around the world. You'll
have heard of most of them - Yahoo and
Lycos are two - but some, such as
Lifestyle UK, are less common and make
you question how they define 'top'.
In a nutshell, the package takes the
legwork out of getting yourself listed.
Anyone who's tried to get their site to the
top of an engine's results pile knows that
there's a lot of hard work involved.
Clearly, the most important thing to do
is to define meta tags containing
keywords within the head of each and
every page on the site. If you've finished
your site without doing this, it's unlikely
you'll want to go back and add them
throughout so the keyword fields in this
software will come in handy, allowing
you to specify as many keywords as you
feel are relevant, which it will then use in
submitting your site for indexing.
0 n ce yo u r keywo rd s h a ve b een
entered you can select which of the 50
engines you want to hit or opt to submit
to them all at once. This is a surprisingly
quick process and within 10 minutes our
test site was lodged with all but two that
had refused connection attempts. A
progress screen shows which engines
have been successfully hit and any
problems encountered are listed so that
you can right-click and work on a fix
Submitting your site is only half the
story, though, because Web Traffic
M aximizer allows you to monitoryour
ranking. It is obvious that the earlier a
search returns a hit on your site the
better. You don't, after all, want visitors
having to search through 10 pages of
resu 1 1 s b ef o re t h ey get t o yo u r U R L .
M aximizer will therefore use search terms
you specify to hunt through everyone of
the 50 engines in its database in blocks
of five and report back
how high up each comes
up with your site. Reports
can besavedsoyoucan
track progress across
several months.
The Internet is a
transient medium, so you
welcome the update
screens that crop up every
few uses or so and it's
comforting to know that
you're marketing your site
using the most up-to-date
product available.
If you're expecting a
quick-fixsolution you'll be
disappointed. Getting
listed in search engines is a
lengthy process and all Maximizer really
does is lodges your URL in the long
queues of other worthy sites waiting to
be indexed. What it does do, though, is
dramatically reduce the amount of work
you'll have to do. In the two weeks we
spent testing the product it did nothing
to improveour ranking on any of its 50
search engines, but then manual entry of
the same sites to the same engines would
have had much the same effect.
Those with eagle eyes will spot in the
screenshot above that the title bar says
TopDog. This is because Web Traffic
M aximizer is a cut-down version of this
much larger package, featuring only the
50 most popular search engines, rather
thanTopDog'sfull database of 232. The
nameTopDogrel ates to yo u r site's statu s
once you become the first hit on a page
of results - somewhere we all want to be.
To try it out you can download an
evaluation version from TopDog's
website at www.topdog2000.com. This
onlyletsyou submit to five of the engines
it supports, but if you decide to register,
it'll open up the rest of its database of
engines to you. Be wary, though - its
3.2M B download will takearound
quarter of an houron a 56K modem.
Registering TopDog is more expensive
than investing in a UK-sourced copy of
Web Traffic M aximizer (see contact
details below), so you need to besure
that the 180 or so extra search engines
you'll get to use are really worth paying
twice the price for.
NIK RAWLINSON
DETAILS
★★★★
PRICE £39.99 (£34.03 exVAT)
CONTACT M ediaGold 020 7221 3755
www.topdog2000.com
SYSTEM REQUIREMENTS 486 processor
or better, Windows 9xor NT4, 32M B of RAM ,
5M B available hard drive space, SVGA
monitor, dual-speed CD-ROM drive
PROSTakesthe legwork out of URL
submission
CONSThereisnoquick-fixwayto getting
yourself a top slot in the search engines
OVERALL If you're prepared to sit it out, this
is an easy way of getting yourself listed online
• ite
Personal Computer World • October 2000
SOFTWARE >
BUSINESS > >
Ricoh Af icio AP2100
A good workhorse printer that will handle anything you throw at it, although it doesn't excel
We do n't often see printers
from Ricoh, but its latest
product is the Aficio
AP2100 - a 21ppm, laser printer
designed for the office.
Network connectivity can be added
by installing a separately available
network board. Ourfirstjob, therefore,
was to plug in the card and get the
network set up. 0 ne problem was that
Ricoh provided a vertical network card,
making it difficult to line up the
connector properly.
After plugging the machine into the
network, wefired up the management
software, which
scours the network
looking for printers
that have not been
configured. We had
to manually supply
an IP address, as
the printer does not
use the Dynamic Ho
Configuration Protocol
(DHCP) that allows IP
addresses to be assigned automatically.
This would have made life a lot easier.
The management software also
allows the Af icio's status to be viewed
from across the network. In addition,
you can change settings such as the
default paper size and print quality.
With management out of the way, we
loaded theTCP/IP printing software
provided onto the client machine. This
creates a network port on which the
client can communicate to the printer
using the standard drivers. The software
has all the reporting aspects of the
administrator account without being
ableto changeanything.
We used a 50-page Word
document and a
50-page pdf file
to test the
printer's speed
and quality,
while a greyscale
imageallowed us
to test the output.
The results were a mixed
bag. The pdf file only managed to come
out at 13.5ppm, whiletheWord
document managed a much better
20ppm. In both cases, the text appeared
well formed except for large fonts where
there was some ghosting. The same
quality appeared on the greyscale image,
which, whileviewable, showed evidence
of density variation.
Overall, Ricoh hasdonea good
job here, but there's nothing to get
excited about.
DAVID LUDLOW
DETAILS
★★★
PRICE £ 1,333.63 (£1,135 exVAT)
CONTACT Ricoh 020 8261 4000
www.ricoh-europe.com
PROS Good management software
CONS It could be mo re straightforward to
get onto the network
OVERALL The print quality isfine, butthe
device is nothingto write homeabout
• Personal Computer World • October 2000
Dell PowerApp.web 100
A pared-down web server, optimised for performance, which will suit inexperienced users
A standard web server contains a
lot of extra clutter that is not
needed and consumes system
resources. A typical install of an
operating system, such as Windows
2000, occurs with web-server software
sitting on top. As the OS will be loaded
to the gills with software that doesn't
need to be there for web serving, this is a
little redundant.
A better approach is to take
dedicated hardware and software and
put it all in one box These kinds of
appliances have worked well for
companies such as Cobalt and its Q ube.
Dell has decided that it's such a good
idea it'll do thesamewith the
PowerApp.web 100. It provides the basic
operating system - Windows 2000,
or Red Hat Linux- with all
the unnecessary
fluff
removed,
leaving a
stream¬
lined OS
for the web
server to sit on.
There are also two different web
servers to choose from. If you optforthe
Windows 2000 model, you get IIS
(Internet Information Server), while Red
Hat Linuxcomes with Apache. For this
review, we were sent the W indows 2000
model, which is generally easier to setup,
although it is more expensive.
From the outside, there's nothing
particularly unusual about thelU high
server. Removing the front panel gives
access to thefloppydrive, a slimline
CD-ROM and the power button.
Strangely, you cannot access the hard
drives from thefront- you'll need a
screwdriver to delve into the internals of
the case.
Once the top panel has been
removed, the two 9.1GB Quantum Atlas
Vhard drives are clearly visible, although
getting them out of the case is another
matter. Taut cabling makes it difficult to
slidethem out.
This is theonly problem internally
though, with everything else, including
thememoryand 650M HzPentium III
processor, all easily accessible. The same
goes for the expansion slots, which
house thegraphics card and an Adaptec
29160 SCSI card.
When we started the machine up for
thefirsttime, theworkthat Dell has put
in began to show. Thefirst thing you
are presented with is a Kick-Start wizard.
This allows you to configure the web
server for use, including setting an IP
address, DNS Server address, and
prim ary gateway. Beyond this, Kick-Start
is capable of creating default configura¬
tion files. Thesefiles can then be used to
quickly apply configuration information
to additional PowerApp.web machines.
O nee Kick-Start has completed its job,
the server is ready to start processing
web requests.
The default settings are not going to
suit every company, so Dell has created
the PowerApp Admin tool to help
change server co n f i gu rat i o n sett i n gs.
Running as a web page, this application
allows remote management of both the
web server settings and the physical
machine. Appearing with a tool bar
running down the left side of the screen,
it gives one-touch access to all the tools
that you'll need. O n the physical server
front, backup, disk defragmentation and
cleanup tools are accessible. Another
page allows software such as task
manager and performance monitor
to be run.
Apart from this, the main task that
the tool provides is configuring IIS. All
themajorfunctionsoftheweb server a re
stripped out to allow quick
configuration. O ne benefit is that it is
easy to add another IP address to the
server, allowing multiple websites to be
run from a single machine.
O t h er f ea t u res i n c I u d e c rea t i n g web
users, assigning disk quotas, and
creating an SSL certificate for secure
transmissions. How useful this
application is depends on your level of
knowledge. If you just want a simple
appliance that you can get up and
running without needing to understand
how it all works, this is a godsend. Dell
hasdoneasterlingjob of allowing access
only to the important features of the web
software, without assuming vast
technical knowledge. However, if you
already understand a lot about IIS, then
this application is more likely to get in
the way of your standard administration.
Fortunately, you can always switch back
to the standard method instead.
Installed under the Administration
Tools section of the start menu, is the
standard IIS console. IIS also installs with
an administration website allowing
configuration functions to be performed
from across the web.
The software is certainly up to the
task, but how does it perform? To
answer the
question we
loaded Intel's
I o meter version
1998.10.08
onto the server
and ran the web
server workload.
This
emulates
the strain
that the
server would be
subjected to under
typical web serving conditions.
The important result to look out for
is the number of I/O s per second the
server can perform, as web serving
involves manysmall file transfers. The
PowerApp.web achieved 94.76, which
wasn't a long way behind the 124 I/Os
scored by a dual-processor machine with
a RAID system.
There'sno denying thequalityof the
PowerApp.web. The software allows easy
configuration for the novice, while
leaving the more in-depth features for
the web guru.
DAVID LUDLOW
DETAILS
★★★★
PRICE £3,215.98 (£2,737 exVAT)
CONTACT Dell 0870 907 5664
www.dell.com
PROS Easyto setup; good-quality hardware
CONS I interface may be too simplistic for
some managers
OVERALL A good product based on
fast hardware that provides both enterprise
scalability, and a good starting point
for websites
Personal Computer World • October 2000
BUSINESS >
Personal Computer World
BESTBUYS
YOUR GUIDE TO TODAY’S TOP PRODUCTS »»
Based on AM D's Socket A 750M Hz processor,
an M SI K7T Pro motherboard and 128M B of
PC133 memory, this machine makes use of the
latest technology. You get a 20.5GB IBM hard
drive and a 32MB Hercules 3D Prophet DDR-
DVI. Bonuses are the 17in CTXTrinitron
monitor, eight-speed DVD and M itsumi CD-
RW. A killer price for a killer system.
ReviewA ugust 2000, p78 Price £1,17 3. 83 (£999 exVAT)
Contact/A tlas07000 285 275 www.atlasplc.com
M aking use of Intel's 650M H z SpeedStep
processor this notebook has blistering
performance. The screen and keyboard are both
excellent, and the notebook enables you to do
some basic video editing using the composite in
and out ports at the back through the ATi
mobility video card, or for digital video there's a
FireWire port.
Review April 2000, pl58 Pric e£2,136 (£1,818 exVAT)
Contact Gateway 0800 55 2000 www.gateway.com/uk
At the heart of the system beats AM D's Athlon
850M Hz with on-die cache. You also get
128M B of PC100 memoryand a large30.7GB
M axtor DiamondM ax hard drive. The excellent
Hercules 3D Prophet II graphics card drives a
19in M itsubishi Diamond Plus 91. Mesh has
produced a fantastic package for any user after
the latest technology at a bargain price.
Reviews ugust 2000, p76 Price £1,7 49. 7 5 (£1,489 exVAT)
Contact M esh 020 8208 4706 www.meshcomputers.com
The Z600N E has taken everything that was good
about theoriginal and made it that little bit
better. It is built around a 650M Hz Pentium III
SpeedStep processor, which drops the speed
and voltageof theCPU in order to preserve
battery power. With 128M B of RAM , a 12GB
hard disk, IrDA, a modem and a FireWire socket,
theVaio is both versatile and ultra-portable.
Review October 2000, p79 Pric e £2, 399 (£2,042 exVAT)
Contact Sony 087 05 424 424 www.sony.co.uk
HIGH-END PC
Mesh
Matrix 1.1 GT Pro
M aking good useof AM D's l.lGHzAthlon,
which has 256KB of on-die Level 2 cache, this PC
means business. It's based on an Asus A7V-100
motherboard with a Promise PCI-ATA100
controller that really helps it to fly. There's also a
64M B GeForce2 GTS graphics card, 256M B of
RAM, DVD and CD-RW drives, a Creative Sound¬
Blaster Live! 1024 and a 19in Taxan monitor.
Review October 2000, p73 Price £2, 348. 83 (£1,999 exVAT)
Contact M esh 020 8208 4706 www.meshcomputers.com
PDA
Ericsson
MC218
Based on the Psion Series 5mx, the M C218
hasl6M B of memoryand a processor speed
of 37M H z. The email software is built into the
ROM and supports UU Encoded attachments
and M IM E. Frames and Java 1.1.4 are
supported by the web browser. Ericsson has
even bundled an IrDA modem for connecting
the device to its range of mobile phones.
Review May2000, p204 Price f 379 (£322 exVAT)
Contact Ericsson 0990 237 237 www.ericsson.com
Personal Computer World • October 2000 •
DIGITAL CAMERA
WEBCAM
SOUND CARD
COLOUR INKJET
BUDGET LASER PRINTER
COLOUR PHOTO PRINTER
BUSINESS LASER PRINTER
MULTI-FUNCTION DEVICE
GRAPHICS CARD
EXTERNAL STORAGE
SCSI HARD DRIVE
Sony .
H | Creative
(g||l i Creative Labs
Cyber-shot DSC-S70 l<5
P I WebCam Go Plus
IIP ] SB Live! Platinum !|P
Sony's S70 uses the latest battery technology to
provide around 120-150 minutes of usage and
is Sony's first genuine 3. 3megapixel camera.
Image quality is superb. All in all, theS70 is the
best all-round 3.3megapixel camera out there.
With 8M B of memoryand a built-in mic, the
WebCam Go can also be used as a low-res
handheld snapper or video camera. With
excellent image quality and software you can
snap up to 150 pictures in 32bit colour.
This is exactly what gamers and budding PC
musicians have been asking for - great sound
quality and excellent bundled software make
it a winner. Wethink it'sthebest sound
product ever.
Kyocera
FS-1000
This printer is driven by a 75M H z PowerPC
processor, comes with a standard 4M B of RAM
and can print up to 1,200dpi. It also hasan
environmentallvfriendlv re-usable toner drum.
Hewlett-Packard
LaserJet 4050TN
Hewlett-Packard
OfficeJet G85
ATi
Radeon
The 4050TN's 1,200dpi resolution is out¬
standing, and with a 133M Hz NEC processor
and 16M B of RAM it can turn out 16ppm. It
also comes network-ready as standard.
A scanner, photocopier and colour printer in
one, that produces vibrant colours and realistic
skin tones. Well suited to home or office work
- and it's keenly priced.
With an integrated Transform and Lighting
engine, the Radeon also supports hardware
environment bump mapping for lifelike surfaces
and its 32bit performance is second to none.
LaCie
PocketDrive
This tiny external 6GB hard drive has two
FireWire ports and a single USB connector. The
FireW ire ports mean the drive can be daisy
chained to other FireW ire peripherals.
This uses the same engine as the higher spec
P1100 and is a breeze to setup. Connection is via
the parallel or USB interface and drivers allow
you to adjust the printed page drying time.
Epson
Stylus Photo 870
Aimed at the professional imaging user, our test
photo was beautifully rendered, there was no
evidence of undesirable banding and skin tones
were accurately reproduced .
IBM
Deskstar 75GXP
A 75GB drive with an areal density of 11GB/
sq in. It has a spindle speed of 7,200rpm, a
2M B data buffer and an average seek time of
8.5ms. A lot of storage for the money.
Quantum
Atlas V
Increased areal density makes this 36GB drive
impressive. It may not be as fast as 10,000rpm
drives, but with seek times around 6.3ms and
a spin rate of 7,200rpm, it's good value.
Hewlett-Packard
DeskJet 930C
Review September 1999, p96 Pric e£l,580.38 (£1,345 exVAT)
Contact HP 0990 474747 www.europe.hp.com
Review August 2000, p97 Pric e£750 (£638.30 exVAT)
Contact Sony 0990 111 999 www.sony.co.uk
Review July 2 000, pl08 Pric e£351.33 (£299 exVAT)
Contact LaCie 020 7872 8000 www.eiacie.com
Review October 2000, p96 Price £12 9 (£109.79 exVAT)
Contact Creative www.europe.creative.com
Review February 2000, p83 Price £179 (£152 exVAT)
ContactCreativeLabs0800 973 069 www.soundblaster.com
Review September 2000, pi 12 Pric e£599.25 (£510exVAT)
Contact HP 0990 474747 www.europe.hp.com
Review September 2000, pl09 Price £430.05 (£366 exVAT)
Contact dabs.com 020 8523 4020 www.dabs.com
Review October 2 000, pi 9 9 Pric e£299 (£254.46 exVAT)
Contact A Ti 01628 533115 www.ati.com
Review July 2000, plOO Pric e £399.50 (£340 exVAT)
Contact Quantum 01344 353 500 www.quantum.com
Review July 2000, p201 Price £2 75 (£149 exVAT)
Contact HP 099047 47 47 www.europe.hp.com
Review October 2000, pi 10 Price £329 (£280 exVAT)
Contact Kyocera 01 18 931 1500 www.kyocera.co.uk
Review July 2000, p206 Price £207.98 (£177 exVAT)
Contact Simply 020 8523 4020 www.simply.co.uk
SOCKET A MOTHERBOARD
REMOVABLE STORAGE
PROJECTOR
An AM D Athlon/ Duron motherboard that uses
VIA's KT133 chipset and has AGP 4x, ACPI,
integrated AC97 audio support, five PCI slots,
plusoneshared with a CNR. It's simpleto setup
and with a 200M H z FSB is fast too.
W ith a d isc capacity of 4.7G B per side,
compatibility with existing 2.6GB as well as new
4.7GB persidediscs, and a versatile software
bundle, this is a great product for anyone who
needs to store large amounts of data.
A fantastic unit that uses the latest DLP chip. It
even allows you to view slides with the lights
on. It is expensive, but if you need something
this small and light then the LP335 gives an
extremely sharp, crisp image.
Review October 2000, p92 Pric e£99.88 (£85 exVAT)
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Review October 2000, p98 Pric e £374.82 (£319 exVAT)
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Review August 2000, pll8 Price £4,876.23 (£4,150 exVAT)
Contact InFocus 0800 028 6470 www.infocus.com
171 N MONITOR
191 N MONITOR
21IN MONITOR
Using a Sony FD Trinitron tube, this monitor's
slim casing somehow makes the display seem
larger. Image quality is superb and a USB hub is
built in to the base as standard.
Review January 2000, p79 Price f 239. 70 (£204 exVAT)
Contact Simply 0800 035 2100 www.ctxeurope.com
Equipped with an FD Trinitron tube this has a
constant 0.24mm pitch across the screen. It also
has an additional BNC input and a built-in USB
hub as standard.
Review June 2000, p91 Pric e£358.37 (£305 exVAT)
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The name Sony is synonymous with high-quality
displays and this 21in FD Trinitron monitor is
no exception. It has dual-input connectors and
remains crisp even up to 1,800 x 1,440 at 75H z.
Review May 2000, p226 Pric e£911 (£775 exVAT)
Contact Sony 0990 424 424 www.sony-cp.com
LCD MONITOR
Sony
SonySDM-N50
SOUND SYSTEM
VideoLogic
DigiTheatre
ThisTFT display is a svelte 1.3cm thickand the
screen is easy to position with its multi-pivoted
stand. Thedisplayqualityisfirst rateand it even
has built-in speakers and a headphone socket.
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This set includes five speakers, a subwoofer and
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decoder. Excellent sound quality at a fair price
make the D igiTheatre a must-have.
Review January2000, p81 Price f 249 (£211.91 exVAT)
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This8x4x32 EIDECDRW package has
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Weighing in at 70g and no larger than a mouse,
this USB ISDN TA opens up 128Kbits/sec
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TheSC30 has a 30GB compressed data
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An impressive 16-speed DVD reader that
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Contact Jungle.com 0800 0355 355 www.aopen.nl
Personal Computer World • October 2000 •
ii
> ' i
Til
If you've ever wanted to
CREATE YOUR OWN WORLD
NOW'S YOUR CHANCE. ON THIS
MO'NTH-S-CO.VER disc is a copy
of trueSpace B/SETaITO^BaVID
F _E_A B.O.W-O FT'E" R S ST E P - B Y - ST E P
GUIDES TO PUTTING TOGETHER
SCENES AND BUILDING MODELS
These days, the power of the PC
si tti n g i n yo u r spare bed roo m -
you know,theoneyou onlyuse
for surfing the web and
checkingyouremail - greatly
exceeds themillion-pound
research monstersofad ecad e o r t wo ago . T h i s
meansthatawholefascinatingworld isopen to
you:theworld of 3D modellingand rendering.
You can get yourself goingforfree and produce
someseriously worthwhile results using
trueSpace3/SE,which ison thecover disc this
month. As well as thethree workshops on the
following pages, there are extensive help files and
demoson thedisc, and theapplication isn't time
or save-limited.
TheworldofCGI (computer-generated
imagery) issplit intothreemain areas: modelling,
renderingand animation. If you'retalking about
thekind of work donefor film and television, or
even exten si ve am ateu r p roj ects, t h ere's al so a
fourth step of compositing and post-production.
But when you'restarting out, getting to grips
with modellingand rendering arethefirst steps.
Modelling
Modelling is all about turning objects in thereal
world ortheimagination of themodeller into a
set of numbers that a computer can useto
produce an imageoranimation.The
fundamental and most used typeof 3D model is
thepolygon mesh. H ere, an object is represented
by a set of f I at su rf aces ( po I ygo n s) i n t h ree-
dimensional space. Each polygon isdefined bya
set of po i n ts ( vert i ces) . U su al I y t h e vert i ces are
described byCartesian co-ordinates, in other
wordsthreenumbersdescribing their position in
each of thethreedimensions- width, height and
depth, usually referred to asX, Y and Z.
Thereason polygon meshes area popular way
of representing objects isthat they're memory-
efficient and makefor fairly easy editing of
objects: memory efficient because you only need
to storethe vertices and someinformation about
Personal Computer World • October 2000 • 137
illustfiation danielmackie
3D MODELLING > >
The art of animation
The major commercial useof CGI thesedays is,
of course, animated sequences for film and
television. Really good animation facilities are
one of the aspects that separates the very
expensive packages from the lower-end apps.
It's also oneof the major differences between
trueSpace3 and 4. That's not to say that
trueSpace3/SE doesn't haveanyanimation
facilities, and you can get some good results
pretty quickly, but be prepared to get frustrated
at the lack of control over movement.
Whatever the package, though, all
computer animation works on thesame basic
principle, called keyframing. Traditional
cartoon and stop-motion animation a la
Chicken Run requires each and everyframeto be
set up by hand. With CGI, you can bethe
director and thecomputer can take thestrain.
To set up an animation, you only need to
define a series of keyframes - the major
moments in the animation where certain
events happen. Placeall theobjects in the scene
where they need to beand record a keyframe.
By default, trueSpace generates keyframes
automatically, an irritating feature that you
can switch off by right-clicking on the Record
button. Once you've generated your first
keyframe, workout how many seconds need
to elapse until the next one. If you want your
animation to run at 25 frames per second
(fps), multiplythenumberof seconds by 25
and set the current fra me to that number.
Arrange your scene the way you want it to be
and record a new keyframe. Now, when you
hit the Play button, the computer will
automatically generatetheframes in between
thetwo keyframes by interpolating the start
and finish positions (known as'tweening').
Keyframing itself can be a tricky business
though - initially you'll probablyfind that the
objects in your scene don't move in the way
you expect, orsomeaspect, such as the
rotation of an object, hasn't been animated
properly. With trueSpace, you need to bear in
mind that the behaviour of keyframe
recording changes according to the currently
selected tool, and it's also modified when the
keyframe monitor window, which is produced
if you right-clickon anyof theanimation
controls other than Play or Record, isopen.
The keyframe monitor is a rather confusing
system, but the help files are fairly thorough,
so you need to make sure you read them very
carefully. trueSpace 3/SE also has physical
simulation and inverse kinematics controls,
which can make it easy to produce fun
animations with the minimum of effort.
how they'reconnected; easy to edit because you
can move poi nts arou nd# delete faces and edges
and join objectstogether without too much
complex and computationally expensive maths.
Also, when professional modellers and animators
aredesigning models, they'll often makeareal,
physical model and usea3D scanner to digitise
it.Theresult isa polygon mesh.
Thedownsideisthat most objects in thereal
world aren't split into flat facets- they're curvy,
continuousand smooth. So, if you want realistic-
looking models, you need to model your object
with lotsof polygons.Themorepolygonsyou
have, thesmaller each facet of theobject and the
closer the representation in thecomputer comes
to thenear-infinitely smooth objects in thereal
world. But more polygon data means more
memory is needed, and it takes longer for the
computerto manipulatethedata.
When you start model ling it's easy to fall into
thetrap of using far too much detail and creating
objects at too high a resolution: pretty soon your
PC starts thrashingthedisk asitpagesinformation
to theswap file, and your 3D model ling package
beco mes u n u sabl y si o w. 0 n e of t h e arts of
modelling islearningto useahigh level of detail
onlywhereit'srequired, designing modelswith
compromisesto lessen thenumber of polygons,
and using shading schemes such asPhongshading
that hidelimited-resolution models.
Thereisan alternatives using polygon
meshes to represent objects, but it's generally
only used by themoreexpensive, higher-end
packages. Thetechniqueis cal led NURBS. This
bizarreacronym standsfor non-uniform rational
B-splines. N URBSarea3D version of theBezier
curves you mayhavecomeacrossin 2D vector art
packages I ike Corel Draw, whereyou can createa
curve and then manipulateitviacontrol points.
NURBS objects aredefi ned by a set of
mathematical curves rather than definite,
d i screte po i n ts i n space, so t h ey effecti vel y h ave
infiniteresolution. Although thedescription of
thecurves them selves requires a tiny amount of
memory, when it comesto rendering N U RBS
objects they can appear perfectly smooth.
Thedifference between a polygon mesh-based
object and a N U RBS object isessentially thesame
as that between a 2D bitmap image and a 2D
vector-based image. M odelling packages such as
Rhino useNU RBS exclusively, and several other
packages, for instance3D Studio and Lightwave,
can mixNURBSand polygon meshes in thesame
scene. T rueSpace4 also has support for NURBS-
J£] • Personal Computer World • October 2000
Installing trueSpace extensions
p « -»h — j-
mm
| Any 3D package worth its salt has an
extension API (application
programming interface) that allows third
parties to produce new tools and widgets to
add to theabilitiesoftheapp or cover any
holes. trueSpace 3/SE is no exception, and
you even get a selection of very useful TSX
(trueSpace extension) plug-ins free with the
app. One of the most useful istheTrueView
hierarchy editor, shown here.
Click in thetrueSpace extensions
Lfl (TSX) button near the right-hand end
of the main toolbar when you first install the
app, and you'll get a boring boxwith eight
blank squares. That's because the plug-ins
aren't installed yet. They're actually in two
separate places, so you need to dig them out
and install them.
Click on thefirst empty square in the
C^l TSX panel, and an 0 pen trueSpace
extension dialog will pop up. Thefirst three
plug-ins are ready to go in trueSpace's own
installation folder, in theTSX subfolder,
truview.tsxisthe hierarchy editor, particlz.tsx
allows you to create animated particle
fountains, and primplus.tsxisan automatic
fractal terrain generator. Select one of these
and hit OK.
1*1 P m .LCK-V
iu
H
EJ
F
•
The new plug-in is instantly installed
in theTSX window; just click it to
5
Thesecond lot of plug-ins aren't
installed by default, but are left on the
6
activate it. Now install the other two in the
same way and have a play. TrueView is pretty
self-explanatory, and the other two have Help
files. Particlez provides a particularly
entertaining way to waste an hour or two.
CD in theCOOLPWRS directory. Double¬
click the Setup file in the usual way. Go for
Typical installation - that just installs all three
plug-ins. OncetheyYeon your hard drive, you
still need to install each one in trueSpace by
clicking on a blanksquareof theTSX window
and navigating to the installation directory.
You should now have a nice, fully-
populated TSX window, which adds
considerably more functionality to your
software. The CoolPowers plug-ins are
LandMass, similar to Primitives Plus,
M ultiplex, for animated object replication
and strange growth effects, and Wiggledy, to
introduce random variations to the position
of vertices on an object for making things look
more natural.
typeobjects.Thedownsideisthat N U RBS
modelling is morecomplex, can be unpredictable
and takes a lot of getting used to.
When creating 3D model sphere's a fairly
standard set of tech n i qu es and tool s that al I
packages su p po rt , i n cl u d i n g t ru eSpace 3/ S E , to
enableyou to transform the image in your head
into an object in your PC.Thebasicstructureof
most models is based on primitives.Theterm
p ri m i t i ves refers to basi c geo m et ri c sh apes su ch as
spheres, cubes, cylinders and so on. M ost everyday
o bj ect s are basi cal I y a box o r a cyl i n d er of so m e
ki nd, with a few ki nks, twists and extra bits here
and there. The extra bits are also often based on a
primitive shape. So, just by combining primitives
you can produceasimplemodel of just about
anything (seethedesklamp creation workshop).
M ost packages also havetoolsto kink, twist,
bend and squash these primitives into the
required shape. Thesecond staplemodelling tool
istheuseof Boolean operations.Theseletyou
merge two objects into oneor subtract oneshape
QUICKTIP
Save often. TrueSpace's
Undo function is rather
unpredictable, and the
sheer complexity of any 3 D
package means crashes are
a constant possibility. Also,
remember to save with a
new filename at each major
stage of construction.
Personal Computer World • October 2000 • 1ME
3D MODELLING
3D MODELLING > >
Basic operations and putting a scene together
TrueSpace has hundreds of functions,
but it's easy to get going and put a
2
From the File menu in the main
trueSpace window, select Load
3
simplescenetogetherfrom the small libraryof
pre-built objects that comes with theapp. In
this workshop we'll just load a few up, place
them and see the effects of changing lighting
and rendering options, in particular the
difference between normal rendering and
raytracing.
0 bject. N avigate to the installation folder,
and select the OBJECTS folder. You'll see
various filenames ending with .cob (Caligari
Objects). trueSpace will also import popular
file formats such asdxf. For now, load up the
desk.cob object, and then thedesklamp.cob
object. W ireframe representations of the
objects will appear in the main workspace, in
the centre, one on top of the other.
As well as the main view, you can
open separate left, right, front, top or
perspective views in a small window.
trueSpace 3/SEonlyallowsoneextra view to
be open at a time, but that's not too much of
a limitation. Open a new left view of the scene
by clicking and holding the icon at the bottom
right of the screen - a pop-up list appears.
Move the pointer to New Left View and
release the mouse button.
Close the small Top View window and
turn your attention to framing the
8
Now try rendering the sceneto turn it
from a wireframe representation into
9
scene in the main perspective view.
Experiment with the Eye M ove and Eye Rotate
tools at the bottom right of the main window
to getthefeel of moving round and placing
the viewpoint. Try dragging with both the left
and right buttons - it affects different axes.
Also use the Zoom tool to get thetableand
lamp to fill most of theframe.
something solid. There are a few render
options in the render tools group, located at
the bottom right of the screen. By default,
Render Current Object is selected, so left-click
and hold the icon, then select Render Scene
instead. It'll take a few seconds to render, but
won't look too good; grey background,
jagged edges, no shadows. We need to jazz it
up a bit.
First, add a floor to the scene. To do
this, left-click and hold the primitives
creation tool at the left of the main toolbar,
and select Add Plane. A small square will
appear under thetable. To increase it in size,
select the Object Scaletool, hold down both
the mouse buttons and drag the mouse. Keep
dragging until thefloor is a sensible size.
QUICKTIP
D on't fall into the trap of
making each of your
models with 100,000
polygons. Think about the
resolution of the final
image, and whether a
model is likely to be
placed in the scene, and
trim those faces.
from another. With Boolean subtraction, you can
useoneshapeasacuttingimplementto sculpt
another: for instance you can position along
cylinder insidea cube, do a Boolean subtraction
usingthecylinderasacuttingtool and you havea
solid cube with aholethrough it.
N ot far behind Boolean operations on the
usefulnessfrontareextrusion and sweeping
tools.Theseletyou takea2D shape, often some
form of curve, and useitastheprofilefora3D
solid by sweeping theshapealong a straight line,
an oth er cu rve or i n a ci rcl e. t ru eSpace 3/ SE 's
Lathetool lets you sweep a shape thro ugh a circle
or arc - seethedesklamp creation workshop.
Asidefrom these basic tools, thereare
hundreds of variations and extra widgets that
different packages support: gen erallythemore
expensive the package the greater the variety of
tools, and themorecommitted you must beto
learn thepackage.Thisisagood reason notto
buy themost expen si ve package if you 're just
starting out: thecomplexity will put you off for
EM • Personal Computer World • October 2000
The new view window has a few
buttons of its own, mainly to orientate
5
Obviously, the lamp needs to be on
top of the table, not stuck beneath it.
6
the view. We want to have the scene centred in
the window to start with, so click the
window's Eye M ove button, left-click in the
window, and drag the mouse. Centre thedesk
and lamp objects in the window.
Click on theO bject M ove icon at the bottom
left of the main window. To constrain the
movement to the vertical direction, click on
thelargeXand Z figures at the bottom right
of the main view window to deselect them.
Left-click and drag the lamp up. To position it
precisely, use the Eye Move and Zoom tools in
the Left View.
N ow change the Left View window to
atop view by clicking and holding the
View icon and selecting Top View. One of the
ways to make3D scenes look a bit more
natural isto try and ensure that objects aren't
precisely placed centrally or in straight lines
with respect to each other, so use the Object
M ove tool to shift the lamp to a natural place
on thedesk.
1 Now open a new top view, and zoom
1 out until you can seeall thescene
11
N ow right-click on the Render Scene
button. The Render 0 ptions
12
lights- they're thethree sunburst-type
wireframes in the scene, placed thereby
default. Clickon oneof thelightsand the
Lights adjustment dialog will appear. Left-
click on the bottom right button to select
shadow casting, then right-click on it to bring
up the advanced shadow options. Linder
ShadowType, click Ray. Do this for the other
two lights.
dialog will appear. Check the Raytraceand
AntiAlias boxes.
Still in the Render 0 ptions dialog, click
the grey square next to the left of the
Background check box. The Background
Colour dialog appears. Drag the red, green
and blue sliders down to zero. Now close all
theextraneousdialogsthatareopen, and hit
the Render Scene button. It'll take a lot longer
to render this time, but you should be left
with a scene not unlike the picture at the
beginning of this workshop.
life. Oneof thebest examples of this is 3D Studio
MAX,whosefunctions, and variations on
functions, number well into thethousands.
Rendering
Simply put, therendering process follows
model ling and scene creation, where your
finished sceneor animation isdrawn bythe
computer, taking into account lighting,
simulation of surf ace material sand visual effects
likefog, to producea properly shaded, solid
image.Thefirst imagesin thesecond and third
workshops areexamplesof rendered scenes.
Thephrase'rendering' can mean two things,
depending on context. I n general it meansthe
final calculation and drawing of a scene, but it's
often also used to distinguish between scenes
produced with or without theuseof raytracing.
When a scene is rendered without raytracing,
thecomputer looks at thegeometry information
of al I theobjects, polygon by polygon. For each
polygon, it calculates the angle between that
QUICKTIP
Reduce rendering times
for quick previews by
turning off raytracing and
anti-aliasing, and reducing
the output resolution.
An image at 1,280 x 1,024
takes four times as long
to render as an image at
640x480.
Personal Computer World • October 2000 • Ui
3D MODELLING > >
It's fun to bung scenes together from
ready-made objects and muck about
2
As you can see, most of the lamp is
madefrom cylinders, the exceptions
3
rendering them, but modelling your own 3D
objects and environments from scratch isfar
more rewarding. M ost objects are built by
assembling primitives - basic shapes like
cylinders and cubes. The complexity of the
objects you can create I ike this, with a few
other manipulations along the way, is
surprising. Here, we're creating our own
simple Anglepoise-type desk lamp.
being the base and the lampshade. The base
is made by creating a 2D profileshape and
using a latheoperation to turn it into a solid.
Start by switching the main view from
Perspective to Top. Then select the Regular
Polygon tool, which will allow us to makea
2D circle.
When you select the Regular Polygon
tool, you'll get a Poly M odes dialog.
Increase the resolution up to 50 points by
clicking the arrow button and dragging the
mouse. Then click on the work area and drag
out a circle. The exact size doesn't matter,
since you can scale it later.
To make the curved rod that attaches
to the base, create a small circle the
8
Assemble all the bits you've got so far
into their final places. Make use of
9
way you did in Step 3, then use the lathe
control, but adjust the control so that it only
sweeps through 30 degrees or so of its arc.
left, front and top views to make sure you've
got everything correctly aligned in all three
directions - it's often difficult to tell exactly
where parts are in 3D space if you'reonly
using the main Perspective view.
To make the lampshade, use the Add
Sphere tool, then hit the Smooth
Quad Dividebutton a coupleof times to
increase its resolution. UsetheCopytool at
thefar left of thetoolbar, and scalethecopy
down slightly. Then usetheObject
Subtraction tool to subtract the small sphere
from the larger, leaving a hollow ball. Usea
cube and object subtraction to cut off the
bottom quarter of the ball, and you've got
your lampshade.
QUICKTIP
It's usually easier and
cleaner to build each model
in a separate session of
your 3D package, then save
the objects out and import
them all into a new session
for final scene arrangement
and rendering.
polygon and thelightsin thescene.Theamount
of light that a particular scenelight contributes
to each pixel of thepolygon dependssolelyon
anglebetween thelight and thepolygon, in
a direct line. This is a relatively fast way of
doingthings, as you'll seeifyou tryrenderinga
scene in trueSpacewith raytracing switched off
and then on. But becauseof thedirect
mathematical calculation ofthelightingof each
facet , st an d ard ren d eri n g tech n i q u es can 't
producereflectionson thesurfaceof an object,
which can bean important part of making a
scene look realistic.
To producereflectionsand accurate shadows,
raytracing is used. It works by tracing an
i m agi n ary I i n e f o rward f ro m t h e vi ewer i n to t h e
sceneforeach pixel oftheimage. Wheretheline
hits an object in thescene,thecolour of that pixel
isaltered accordingly, and if theobject is reflective
theimaginary ray bouncesoff that object and
continues itsjourney. If it meets another reflective
object, that has to betaken i nto account, and so
CM • Personal Computer World • October 2000
Select the 0 bject Scale tool and use it
to squash thecircleto make an ellipse.
5
Click on ournewshapeto select it.
N ow select the Lathe tool from the
6
Use the Add Plane tool to makea plane,
position the planeso it covers the bottom half
oftheellipsethen select thecircleso it's
highlighted in white. Select the Object
Subtraction tool to perform a Boolean
subtraction on the circle. Click the planeto
subtract it from the ellipse, leaving the left half
only. Do thesameon the lower half.
centre left of the main too I bar. A green and
blueT-shaped control is overlaid on the
shape. DragthetopoftheT so it snaps to the
straight side of our profile shape. D rag the
vertical part around a full 360 degrees, and
drag any of the points to increase the
resolution. H it the Lathe icon again to
perform the operation.
You should now have a 3D base,
albeit on its side. Hit theToggle Grid
button on the centre right of the main toolbar
and usetheObject Rotate tools to turn it
round so it's lying flat. Now create the other
two main parts of the lamp, the crossbeam
and the counterweight, by using the Add
Cylinder tool and theObject Scale tools, and
rotate them with the grid switched on so
they're correctly aligned.
10
For final detailing, try switching to
OpenGL solid preview mode. Use the
11
We want a trendy chrome lamp, so we
need to assign an appropriate
12
Bevel tool (in the same group as the Lathe
tool) to takethesharp edgeoff the
counterweight and make it look a touch more
realistic. Also createanother cylinder for the
hinge at the join between the crossbeam and
the curved upright, and make yourself an
on/off switch with a couple more cylinders
and a bit of judicious bevelling.
material to its parts. H it the M aterial Library
button, load up metals.mdb, then right-click
on one of the icons in theObject Painting
group to get material adjustment parameters.
Thetwo default chrome materials aren't
actuallyverygood, so choose the Aluminium
material and increase its shininess slider.
Select the appropriate object and use the
Paint 0 bject tool to assign the materials.
Finally, move one of the default scene
lights so it's insidethe lampshade
of our lamp. Set that light to be white or
yellow. M ake sure all lights are set to cast
shadows, and the Shadow Type is set to Ray.
C reate a floor and assign a wood material to
it, then set the Render 0 ptions for raytracing
and anti-aliasing, with the background set
black. Hit the Render Scene button and Bob's
your uncle.
on.Theresult isascenewith shadows and
reflections, which can incorporatethingslike
glass and transparent objects properly, but which
can take far, far longer than standard rendering.
So, when you're putting together your scene
and you need to see roughly what it'sgoing to
look like, keep the raytracing switched off and
only useit for thefinal render. Thesamegoes for
anti-aliasing, which can removethejagged
appearanceof angled edges but needsa lot of
calculation to do so.
The perseverancefactor
Packages I i ke tru eSpace are rel ati vel y easy to get
to grips with initially, but 3D modellingand
renderingcan beverytime-consumingif you
wantto get reallygood results. All 3D packages
havetheir quirks, and you need to get used to
t h ese. J u st rem em ber yo u ' re n o 1 1 h e o n I y p erso n
to get f u ri o u s at t h e ap paren t i n co n si sten ci es i n a
package, and if afunction appearsnotto work
it's probably becauseyou'vefai led to put the
package i nto thecorrect model I i ng mode.
QUICKTIP
Pay attention to the
lighting in your scene. Just
like a real photo or film, it
can make the difference
between an average image
and a great one.
Remember, though, that
more lights means
increased rendering times.
Personal Computer World • October 2000 •
3D MODELLING
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A CHIP IS A CHIP
- isn't it?Gordon Laing in
VESTIGATES THE DIFFERENCES
BETWEEN THE MAJOR PROCESSORS ON THE MARKET AND EXPLAINS SOMEOFTHE
TERMS AND TECHNOLOGY INVOLVED IN WHAT LIES AT THE HEART OF A PC
PENTIUM, CELERON, ATHLON, DURON - We
all know they'rethe brains behind your
PC, but what precisely are the differences
between these and other chipsfor desktop and
mobile systems?
There are perhaps morex86-compatible
chips availablenow than at anytimein thepast,
al I feat u ri n g d i f f eren t d esi gn s an d f eat u res,
which can makeit confusing when it comesto
comparingdi f f eren t C P U s. So we've d eci d e t o
takean in-depth look at every aspect of PC-
compatibleCPUs.On thedesktop side we've put
Intel's Pentium III and Celeron chipsunderthe
microscope, along with exami ning AM D's latest
Athlon and Duron contenders. We've also taken
a peak at the new Cyrix 1 1 1 processor from VI A to
check out whereit fits into theoverall picture.
H owever, what makes a great ch i p for
d eskto ps i sn 't n ecessar i lyagoodthingfor
mobile environments- after all thelast thing
you want in a notebook is a physically large
chip, consuming loadsof precious battery
power.TheCPU manufacturers are all too aware
of these issues, and haveproduced a number of
cunning solutions: so we've compared Intel's
mobilePentium III and Celeron processors,
AM D'smobileK6-2+and K6-1 1 1 +, along with
u pstart Transmeta's pi oneeri ng C rusoeC PU .
But first things first. What exactly is a CPU?
Typically about sizeof a postage stamp, a CPU is
an integrated circuit built onto a small pieceof
silicon. It consistsof millionsof tinytransistors
connected byincrediblyfinetracesof
aluminium (copper interconnects will be
increasingly used in thefuture). Intel's first
CPU, the4004, was introduced in 1971 and
contained 2,300 transistors, compared to the I
latest Pentium Ill's 27.1 million transistors. |
AbasicCPU istypically split into seven ^
sections: Control Unit, Arithmetic Logic Unit *
(ALU), Registers, Decode Unit, Prefetch Unit, §
Bus Interface, and theCache memory, which is <
normally split evenly between storing |
instructionsand data. ^
Cacheisa very small amount of high-speed |
memory, located in or extremely near the CPU -
Personal Computer World • October 2000 • 147
X86 CHIPS > >
X86 CHIPS > >
MostCPUsare
currently made using
the 0.18 micron process
itself. It stores the most recently accessed
portionsof main system RAM for quick and
easy ref eren ce. W h en t h e C P U i s to I d to fetch
data or an instruction, it always checks the
cachefirstto see if it's in there. If not,thedata
must be fetched from the main memory instead,
which is a much slower process.
Whileall thechi ps herediffer in a number of
ways, thereisonesignificant trait that they all
share- compatibility with I ntel's x86
instruction set. Intel developed thisto allow
developersto program itsoriginal 8086 CPU
back in 1978. In 1982, Intel introduced its
80286 16bit CPU, which was thefirst that could
run all the software written for its predecessor.
Later camethefaster 32bit 80386, 80486 and
Pentium product lines, which in theory could
run any software written forthex86
instruction set. This level of backward
compatibilityisthemain reason thelBM
PC platform dominates thedesktop
computingworld.
AM D 's C PU s arex86-compati bl e, as are
VI A's Cyrix 1 1 1 and T ran smeta's Crusoe
processors, which meansthey'll all, in
theory, happily run Windows and its
multitudeof applications. Different
internal support for additional instructions, not
to mention themeans by which x86 instructions
are decoded, however, meansthey'll all execute
software with varying performance.
Smaller is better
M ost current desktop C PU s are made usi ng a
0.18micron process. This number refers to the
distance between adjacent components on the
silicon wafer, with 0.18micron being about 500
times thinner than a human hair.
A finer manufacturing process allows more
transistorsto beplaced in thesamearea,
enabling morecomplexchip designs, or
physically smaller CPU diesizes. Smaller die
sizesmeansmoreCPUsproduced on anyone
silicon wafer, which means a greater yield and
potential ly lower costs or greater profits for the
manufacturer. With shorter distances between
thetransistors, theC PU requi res less power too,
which isgreat news, particularly in mobile
environments. Theshorter distances also allow
theCPU to be clocked at higher speeds.
Desktop CPUs
N ow thetheory's out of the way it's ti meto
consider the products vying to bethe heart of
yourdesktop PC.Thecontenderswe'll cover are
Intel's Pentium 1 1 1 and Celeron, AM D'sAthlon
and D uron, and VI A's Cyrix III. Thesearetheir
official names, butlikeall products, they've all
gonethrough long development cycles with
onlycodenamesto identifythem.
Thecoreof thefirst Pentium 1 1 Is was
codenamed Katmai, whilethecoreused to make
all new Pentium 1 1 1 s and Celerons is nicknamed
Coppermine. AM D'slatest Athlon with on-die
Level 2 cache(explained below) was referred to
asThunderbird, whilethe new Duron was
previously known as Spitfire.
Finally, VI A's Cyrix 1 1 1 was at first thought to
bethechip codenamed Joshua, but thisdesign
wasdumped in favourof theSamuel, developed
by VI A's Centaur Team in Austin Texas. Before
wrapping up thecodenames, it's worth
mentioning I ntel's forthcoming Willamette
CPU, which was recently officially branded as
thePentium 4.
Intel Pentium III
Launched at 450M Hz in mid-1999, thePentium
III is the latest in I ntel's P6 family that started
with theoriginal Pentium Pro in 1995. M odels
between 450 and 600M Hz were manufactured
usinga0.25micron process and used a brand
new Katmai coredesign, whilecurrent models
running faster than 600M Hz employ a finer
0.18micron process, along with theenhanced
Copperminecoredesign. Notethat wheretwo
Pentium Ills are avail able at thesamespeed, the
newer 0.18micron Copperminemodelsare
labelled with an E, for enhanced process.
Pentium 1 1 1 'sarecurrently availablefrom
667 to 1,000M Hz, although models up to
1,133M Hz should beavailablebythetimeyou
read thisand thePentium 4 won't betoo far
behind, speeding at 1,300 and 1,400M Hz. Intel
has already begun building a chip fab in Ireland
designed fora0.13micron process, although it's
currently unknown whether thiswill beused
onlyfor newCPUsoralso to extend thelifeof
thePentium III against stiff competition from
AM D'sAthlon.
Intel Celeron
Intel first introduced theCeleron in early 1998
at 266 and 300M H z. 1 1 may have employed the
Pentium M's Deschutes core, but in order to
keep costs down, Intel removed its Level 2 cache
JR] • Personal Computer World • October 2000
chips. This impacted performanceso
significantly that a new core, M endocino, was
developed a few months later, incorporating
128KB of Level 2 cache- see later.
M endocino Cel erons using a 0.25micron
process are still avail able up to 533M Hz, while
faster models running at 533M Hz and above
employ thesame0.18micron Copperminecore
as current Pentium 1 1 1 s, however, there are
d i f f eren ces i n each e an d f ro n t-si d e b u s ( F S B ) ,
which well discuss later. Notethe533M Hz
Celeron employing the newer core is label led
with an A.CoppermineCeleronsarecurrently
availableup to 700M Hz, with speedsupto
800M Hz expected bythenewyear.
AMD Athlon
Codenamed K7and launched last August with
initial chips clocked at 600M Hz,theAthlon
proved AM D could competewith Intel atthehigh
end. Early models weremadewith a 0.25micron
process, with later ones switchingto 0.18micron.
AtthebeginningofJunethisyear,AM D
launched Athlons based on itsnewThunderbird
core, which at last allowed it to catch up with
the latest architecture innovations Intel had
been enjoying with its own enhanced
Copperminecore.
Thunderbird Athlons using a 0.18micron
process are cu rrentl y avai I abl ef rom 700 to
1,000M H z i n 50M H z i ncrements, although
note that those based on the old K7 core are also
availableatthesamespeeds- seethesection on
packaging and cachefor moredetails. AM D is
likelyto continuematchingthe
Pentium I M's clock speeds with its
Athlon, although next year should
also seetheintroduction of AM D's
Sledgehammer CPU which extends
thex86 instruction set to 64bit.
AMD Duron
AM D also launched itsDuron CPU in Junethis
year. Produced usinga0.18micron process, the
D u ro n i s cu rren tl y avai I abl e at 600, 650, 700
and 750M H z flavours. Pitched somewhere
performance-wise between Intel'sCeleron and
Pentium 1 1 1 CPUs, but priced at an affordable
level fortheentry/mid-level market, the Duron
promisesto bean exciting player. So far it has
led theCeleron in clock speeds, and you can be
sureAM D will tryto continuethistrend.
VIA Cyrix II I
Attheannual Computex show in Taiwan this
June, VIA announced its Cyrix 1 1 1 CPU. VIA
purchased Cyrix from National Semiconductor
in Junelast year, then acquired IDT'sCentaur
processor desi gn su bsi d i ary sh o rtl y afterwards.
Whileusingthestronger Cyrix brand namefor
this new CPU, thedesign is from thesameteam
that madethelDT WinChip.
Produced usinga0.18micron process, initial
versions of theCyrix 1 1 1 CPU are avai I abl eat 500,
533 and 600M H z. Speeds of 733M H z and above
arebelieved to besupplied bytheforthcoming
enhanced Samuel 2 core, using a 0.15micron
process. Speeds up to 800M H z are expected by
Chipsets - the heart of the matter
hilemanypeople
believe theCPU isthe
brains behind their PC, it
would be nothing without its
accompanying chipset, which
really forms the heart of the
operation. It's thechipset that
co-ordinates activity between
theCPU, RAM andthefront-
sidebus, which in turn
connects to other system
buses including PCI. It's also
the chipset that normally
provides features likean IDE
controller for your drives,
along with support for the
AGP graphics bus and specific
types of memory.
Most CPU manufacturers
develop chipsets to match a
series of their processors, but
you don't always have to use
them. The best known third-
party chipset supplier is VIA,
which makes a number of
solutionsfor both Intel and
AMD platforms. The chipset is
an integral part of the mother¬
board and, unlikeaCPU or
card, cannot be swapped fora
new one. If you fancythe
enhanced features of a new
chipset, it'stimeto change the
entire motherboard.
M ost chipsets come in two
sections, with the first dealing
directly with theCPU and
system memory over the FSB
and optionally supplying a
faster AGP graphics bus. The
second tags on to the first
section across thePCI bus,
supplying support for USB and
IDE drives, along with optional
further support for the old ISA
bus and a variety of legacy
ports. In VIA and older Intel
chipsets, these two halves were
known as the
Northbridgeand
Southbridge
components.
Intel's 800
series chipsets
use an
alternative hub
architecture. The
main memory
controller hub takes care of
theCPU, AGP and memory,
leaving the I/O controller hub
to handle PCI, IDE and USB.
Intel's latest 815 chipset
supports PC133 SDRAM,
AGP4X, whilethe Eversion
additionally offers
UltraDM A100, another pair of
USB ports, and internal
support for optional Ethernet
and audio ports. Comparethis
with the aging BX chipset that,
despite support foronly
PC100 memory, AGP2X and
UltraDM A33, still boasts
excellent overall performance.
VIA has forthcoming
chipsets for both Intel and
AM D platforms, supporting
UltraDM A100, AGP4Xand
uniquely 266M HzDDR
SDRAM . Contrary to its
previous decision, Intel has
now said its mid- to high-end
chipsets for Pentium 4
processors will support PC133
as well as RDRAM memory.
Personal Computer World • October 2000 •
X86 CHIPS
X86 CHIPS > >
the end of theyear, with 1G H z parts cl ai med to
befollowing shortly after.
Diesizes, slots and sockets
The0.18micron Copperminecoreused on the
latest Pentium Ills and Celeronsisthesame,
consisting of 27.1 million transistors, and adie
sizemeasuring 106mm square. The0.18micron
Thunderbird Athlon hasa 120mm squaredie,
consistingof around 37 million transistors. The
Duron hasa 100mm squaredie, whiletheVIA
Cyrix I II dieisonly76mm square.Thesmaller
thediesize,themorechipsyou can fit on a
singlesilicon wafer during manufacture. Every
component on thedierunsatthecoreprocessor
speed, wh i ch i s why it's preferabl e to
incorporateall thecache memory on-die. About
one-third of thedieareaon thelatest Pentium
Ills is occupied by its cache memory.
Whilethedieitself may besmaller than a
postage stamp, it must bedelivered in a larger
package for desktop systems, allowing easy
accessto its hundreds of electrical contacts.
T oday's processors are typical ly del ivered i n
two different physical packages: thosethat fit
into square sockets and those which slideinto
slots. Whilealmost all CPUs started life in
socketed form factors, Intel developed its
slotted cartridgeforthePentium II processor.
This allowed Intel to
employ a faster
interface between
theCPU and its
external Level 2
cache chips, then
popthewholelot
intoachunky
cartridge. This
Slot 1 packaging
and interface
was used on all
Pentium Ms,
theoriginal Celeronsand
isstill availablefor all speedsof the
Pentium III. AM D also used a similar
cartridge design for its Athlon CPU,
and whiletheconnector isthesame
si ze as I n tel 's Slot 1, it is el ectri cal I y
incompatible; AM D callsthis Slot A.
With thelater M endocino
Celeron core, Intel squeezed 128KB
of Level 2 cacheonto theactual die
itself, and dumped theslotted
cartridgefor a Plastic Pin Grid Array
(PPGA) design, which fitted into a 370-pin
motherboard socket, appropriately called
Socket370.
With the0.18micron Coppermine process,
Intel could also integratethePentium Ill's
larger Level 2 caches onto theactual die, again
making the large cartridges redundant. Intel
stuck with a 370-pin socket for its Pentium Ills,
but employed a Flip-Chip Pin Grid Array(FC-
PGA) design rather than theolder PPGA. The
Flip Chips placethe processor diefacing
upwardsto makedirect contact with the
heatsink, compared to PPGA packages that face
down. WhilePPGA processors work with new
FC-PGA motherboards, you can't usean FC-
PGACPU in an old PPGA system.
Intel's first FC-PGA Pentium III ran at
500M FI z, and sincethen Intel has released all
Pentium III speeds in both FC-PGA and Slot 1
packages - apart from the 1G Hz Pentium III,
which for now is Slot 1 only. Celeronsfrom the
533A upwardsalso usetheFC-PGA design.
AM D has also nowdumped its Slot Aform
facto r, an d su p p I i es al I D u ro n s an d
Thunderbird Athlonsin itsnew 462-pin PGA
Socket A design; whilesomeSlot A
Thunderbirds were m ad e, t h ese were f o r ear I y
tests and not for sale. Also, remember that
Socket A isnot compatiblewith Socket 370.
TheVI A Cyrix 1 1 1 uses a Socket 370 design,
which issaidto work in most Socket 370
motherboards, although a BIOS updatewill
normallybe required.
Dual -CPU support
In theory all Pentium Ills support dual-CPU
configurations, but in practice, only those
officially certified by Intel will work- this
excludes someearlier FC-PGA model s.The
Celeron does not officially support dual -CPU
configurations, although many enthusiasts
have built working systems. AM D's Athlon
supportsdual systems, although wehavenever
tested one.TheDuron isnot listed as
supporting dual configurations, but likethe
Celeron it may be persuaded to in thefuture.
TheCyrix 1 1 1 specification has no mention of
dual-CPU support.
Front-si debus
Thesystem buscarriesall thetraffic between the
CPU and its chipset, and in many cases also the
memory- see box later. Also known asthefront-
sidebus (FSB), it can havea huge impact on
overal I system performance. After al I , i t
determines the speed at which data and
instructions get in and out of theCPU .
In order of desktop FSB performance, the
slowest istheCeleron that runsat 66M Hz. Next
up arethePentium III and Cyrix 1 1 1, which both
havemodelsrunningat 100 or 133M Hz
externally. Intel's forthcoming Pentium 4 usesa
400M H z FSB using quad-pumped technology
similar to AGP 4X.
AM D cunningly licensed theEV6bus
protocol of thehigh-end Alpha platform,
origi nal ly developed by Digital, which isnow
owned by Compaq. While actually running at
100M Hz,thisbustransfersdataon both the
rising and falling edgesof each clock pulse,
effectively del ivering200M Hz 'doubledata rate'
(DDR) performance between theCPU and its
|J • Personal Computer World • October 2000
chipset. This 200M H z FSB isemployed bythe
Athlon, and impressively also theDuron
despite its cheaper price.
Cache
Most CPUs feature both Level land Level 2
cachealongwith main system memory, with
each storage typetraditionally getting bigger
but slower respectively. When theCPU needsto
get hold of data, it looks first in the Level 1
cache, then browses the Level 2 cache, after
which it searches main memory. Clearly the
sooner theCPU can gettheinformation,
thefaster it can act on it, but space in the
caches isso restricted that only themost
frequently accessed data isstored there. Note
that Level lcacheis normally always split
equally between data and instructions.
Level 1 cache has always been built into the
CPU dieitself, and asaconsequencerunsatthe
samespeed as theCPU. Level 2 cacheis
normally bigger, but in theold days was
accessed over therelativelyslow system bus.
With thePentium II, Intel developed anew
faster interface to its Level 2 cache, running at
half thespeed of theactual processor. Thefirst
Pentium III processors shared thisdesign, with
32KB of Level 1 cacherunning at full-speed, and
512KB of Level 2 cacherunning at half-speed
over a 64bit interface.
TheM endocino Celeronsalso featured 32KB
of Level 1 cache, but integrated their 128KB
Level 2 cacheon thedie, thereby running both
atthesamespeed as theCPU. With the
Coppermine process, Intel also integrated the
Pentium I M's Level 2cacheon-die, but halved its
sizefrom 512KB to 256KB. As mentioned
below, though, Coppermine'son-die256KB
Level 2 cache boasts a wider 256bit interface
that, along with matching theCPU's core speed,
makes it faster than the512KB half-speed of
older Katmai Pentium Ills. Intel callsthis
Advanced T ransfer Cache.
AM D'sAthlon impressively has 128KB of
Level 1 cache- four timestheCeleron and
Pentium III. Earlier cartridge-based K7 Athlons
had 512KB of off-die Level 2 cache, but in some
cases ru n n i n g as si ow as o n e-t h i rd t h e speed of
themain CPU.TherecentThunderbird core
addressed this, with 256KB of Level 2 cache
runningfull-speed on-die, matching the
CopperminePentium III.
The Duron, too, impressively boasts 128KB
of Level 1 cache, but hasonly 64KB of Level 2
cache, albeit also on-die. TheCyrix 1 1 1 also has
128KB of Level 1 cache, but unforgivably has no
Level 2 cache. I n a move that mirrors I n tel 's
initial Celeron performancedisaster, VIA has
already stated that theforthcoming Samuel 2
processor will featureon-die Level 2 cache.
With both Level 1 and Level 2 caches now
runningfull-speed on thediesof most CPUs,
why not stick them together into a unified
mm
cache? The answer is
that by keepi ng them separate, they
can independentlyorganiseand address their
data in what thechip designer believes is the
m o st ef f ec t i ve m a n n er .
WhileAMD and VIA boast 128KB of Level 1
compared to Intel's 32KB, Intel argues that a
cachethat's four times larger takes four times
longer to search, and hence whilestoring more
instructions, isslowerto respond. AM D,
however, believes that 32KB doesn't makesense
with today'sfiner manufacturing processes.
Then there's the Level 2 cache interface, which
with Intel CoppermineCPUsis256bit compared
to 64bit on AM D'snewAthlonsand Durons.
Intelchampionsitsfour-times faster i n t erf ace,
whileAM D counters that with a four-times larger
Level 1 cachein thefirst place, theslower
interface to its Level 2 isn't that big an issue.
Attheend of theday the bench marks we run
in grouptestsand reviews reveal the differences
to end users, but bear all oftheabovein mind
when themarketing peopletakean over¬
simplified approach, add up all their cacheand
present a si nglenumber for comparison.
Extra instructions
TheCPUscovered in this feature may be
descri bed as x86-compati bl e, but I ntel 's ori gi n al
instruction set has seen many enhancements
over the years. N otabl e was I n tel's add i t i o n of 57
new multimedia i nstructions cal led MMX,
debuting on thel66M Hz M MX Pentium, and
now incorporated in every I ntel CPU. AM D was
quick to respond adding itsown set of 21
i nstructions cal led 3DNow! Theideaisthat
software d evel o pers make u se of th ese ext ra
instructionsto speed up processing if a suitable
MMX or 3D Now! CPU is present. Today almost
every OS and application, not to mention most
grap h i cs card d ri vers, m ake cal I s to t h ese
extended instruction sets for improved
multimedia performance.
With thePentium III, Intel added Katmai
N ew I nstructions (KN I ). Officially now branded
asSSE,or Internet Streaming SIM D Extensions,
these70newinstructionscan speed up speech
.
Systemax'sD650 RV
Pro uses a Duron
processor, which boasts
a 200MHz FSB and
128KB of Level 1 cache
Personal Computer World • October 2000
X86 CHIPS
X86 CHIPS > >
paiMiJvr'W
recognition, multimedia streaming, and 3D
applications. SIM D standsfor Single
Instruction M ultipleData.
All Pentium 1 1 1 s and Celeronsfrom
the533AonwardsfeatureSSE along
with theoriginal MMX instructions;
theforthcoming Pentium 4 boasts no
fewer than 144 new instructions in
addition to SSE and MMX.
Athlon and Duron CPUsnow
i feature Enhanced 3D Now! which
I addsafurther 24instructionsonto
* theoriginal set, as well assupport-
ing M M X. TheCyrix 1 1 1 supports
both MMX and 3D N ow! but it's unknown
whether or not it'stheenhanced version.
Wherean application supports, say, only
SSE,thereisabigperformancedifference
between Intel and AM D CPUs otherwise
running at thesameclock speed.
MobileCPUs
D esktop C PU s are great consu mers of power.
Intel's Coppermine Pentium lllsconsumeup to
29w.Theoriginal Celeronsconsumed up to 28w,
whilenew models with Copperminecores
currently max at around 18w. AM D'sAthlons
and Duronsareparticularly hungry, said to
consumeasmuch as twicetheir Intel counter¬
parts under maximum conditions. VI A's
Cyrix 1 1 1 claimsto consumeonly lOwin
'full operation mode', which if directly
comparableto thefigures above, means it
co u I d en j oy a greater su ccess i n m o b i I e rat h er
than desktop environments.
Whileyou could fit any of theaboveinto a
notebook, and indeed several manufacturers do,
therearemoreideal solutions.
Power saving
It's possible to savehalf the power by halving
thespeed of yourCPU, although thisof course
al so h al ves yo u r perf o rm an ce. S i n ce power i s
also proportional to thesquareof voltage
though, a small volt age drop can makeabig
saving in power consumption.
Intel's SpeedStep technology does this, and
can reduce power consumption by as much as
40 per cent wh i I e mai ntai n i ng 80 per cent of the
chip performance. Better still, it can makethis
voltage switch almost instantly whilerunning
applications with no need for a system restart.
SpeedStep is availableon MobilePentium
1 1 1 s runni ng at 750, 700, 650 and 600M Hz, and
allows them to drop from 1.6vto 1.35v. In this
battery-saving mode, the 750 reduces to
600M Hz,the700to 550M Hz, whileboth the
650 and 600 drop to 500M H z. M obilePentium
1 1 1 s also feature SSE, 256KB on-dieLevel 2
cache, 100M Hz FSB and aremadewith a
0.18micron process.
Intel does not currently incorporate
SpeedStep into itsM obileCelerons, but
otherwise these cheaper chips bear many
resemblances to the M obilePentium Ills.
M obileCelerons running between 450 and
650M Hzaremadeusinga0.18micron process,
run at 1.6v, feature 128KB on-die Level 2 cache,
support SSE and, interestingly, a 100M H z FSB,
compared to the66M H z of desktop Celerons.
Additional 400 and 500M H z low-voltage 1.35v
model s are al so avai lable. All of Intel'scu rrent
mobileCPUsaresupplied in compact BGA-2
(Ball Grid Array) and M icro-PGA2 packages that
areaboutthesizeof a postage stamp, including
motherboard connections.
AM D has recently announced itsown power-
M emories are made of this
ThedominantPC memory
technologytodayuses
SDRAM . Previously, Dynamic
Random Access M emory was
rated by an access time of
nanoseconds, but as front-side
bus speeds approached
66M Hz, a new memory
technology was required to
address latency issues. By
employing Synchronous
Control, DRAM could
exchange data with the CPU in
time with the system bus.
SDRAM was therefore
measured in M Hz, with the
first flavours matching the
dominant FSB speed at the
time of 66M Hz.
As FSB speeds increased,
SDRAM followed, with 100
and now 133M H z parts - these
are also commonly known as
PCIOOand PC133.The
SDRAM story doesn't stop at
133M Hzthough. DoubleData
Rate(DDR) technologyallows
data to be delivered on both
the rising and falling edges of a
clock pulse. Already doubling
the memory performanceof
many graphics cards, not to
mention the Alpha EV6 FSB
used on Athlon and Duron
systems, DDR is about to take
SDRAM to 266MHz- VIA will
have supporting chipsets later
this year.
Intel, however, favours a
relatively new type of memory
called RDRAM , rated at 600,
700 and 800MHz. RDRAM
actually employs DDR
technology, so the clocks only
go at half these speeds, apart
from the 700M Hz parts which
are actually driven bya
356MHzclock. RDRAM is
claimed to have superior
performance in environments
where multiple tasks are taking
place, which Intel says
matches our average desktop
experience. However in our
admittedly single-tasked
benchmarks, there's little
difference between RDRAM
and SDRAM.
Since its release late last
year, RDRAM has consistently
cost two to three times that of
SDRAM per megabyte. Fora
short time, Intel produced a
M emoryTranslator H ub chip
which allowed its RDRAM -
preferring 820 chipset to talk
to PC 100 SDRAM, but
recently withdrew itdueto
technical problems. Intel is
well known for its strong
support for RDRAM, but
nevertheless has reluctantly
announced that there will bea
P4 chipset supporting PC133.
However, even iftheseareonly
manufactured in small
quantities, support from the
Taiwanese and VIA in
particular will see SDRAM
enjoying a longer life.
• Personal Computer World • October 2000
T ransmeta's TM 3120 is ideal for low- power devices like webpads
saving technology, called PowerNow!, which is
availableon its latest 0.18micron MobileK6-2+
and K6-lll+processors. Usingthesametheory
behind SpeedStep, PowerN ow! features not two
states, but adjusts thevoltage between 1.4 and
2vdependingon thedemandsof theprocessor.
Both chips support 3D Now! andalOOM Hz
FSB.TheK6-2+isavailableupto 550M Hz, has
64KB of Level 1 and 128KB of Level 2 cache. The
K6-1 1 1 +is available up to 500M H z, but on top of
its 64KB of Level 1 cache, has a larger 256KB on-
die Level 2 cache, and support for off-chip Level
3 cacheup to 1M B. Reduced voltagemobile
versions of theAthlon and Duron areexpected
bytheend of thisyear.
T ransmeta Crusoe
WhileSpeedStep and PowerNow! are
undeniably cunning solutions, they are
essentiallyjustthesameold desktop CPUs
modified to beslightly moremobile-friendly.
Transmeta has a completely different mobile
strategy with its innovative new Crusoe I ineof
processors, designed from theground up for
low-power environments.
Rather than implementing an entirex86
processor in hardware, theCrusoeemploys a
simpleVLIW (Very Long Instruction Word)
enginewith an instruction set that bears no
resemblanceto thex86 instruction set. A
surrounding CodeMorphingsoftwarelayer
actual I y takes x86 instructionsand translates
them into thenativeinstruction set of the
VLIW hardware.
Thisapproach eliminates theneed for
mil lions of transistors, producing a smaller,
faster an d I ess power-h u n gry co re. Si n ce t h e
hardwaredoesn't haveto natively support the
agei ng x86 i nstruction set, T ransmeta's chip
engineers can makeuseof the latest architecture
designs. In addition, theCodeM orphing layer
can be independently evolved to
support new x86 extensions, or
even entirely different
instruction sets altogether.
T ransmeta's first Crusoe
CPUsaretheTM 3120 and
TM 5400. Using a 0.22micron
process, theTM 3120 features
96KB of Level 1 cacheand a die
sizeof only 77mm squared. The
TM 5400 uses a 0.18micron
process, incorporates 128KB of
Level 1 and 256KB of Level 2 on-
diecaches, in a 73mm squared
diesize; the M obi le Pentium III
isa 106mm squared die.
T ransmeta hasfamously
shown heat results of itsTM 5400
and Intel's Mobile Pentium III
decodinga DVD. TheTM 5400
max temp was 48 degrees C , wh i I e
thePentium III, perhaps unfairly
naked without its compulsory heatsink, peaked
at 105 degrees C.
TheTM 3120 isdesigned for Internet
appliances and ultra-portables, whilethe
T M 5400, wh i ch can al so adj u st i ts cl ock
frequency to further save power, is aimed at
fully-functional notebooks. At the recent PC
Expo show in N ew York, several prototype
C r u soe n oteboo ks were sh o wn an d T ran sm eta
already has another three chips coming soon.
I t's cu rrently unknown howtheCrusoe
notebooks will compare in terms of speed and
battery life with mobilesolutionsfrom Intel and
AM D, not to mention in priceand software
compatibility. It is, however, an exciting
technology and a welcomeadditional player in
themobilemarket.
Faster and faster
T h ere are h u ge d i f f eren ces between t h e var i o u s
architectures and designs of thecompeting
processors, but that doesn't necessarily mean
t h at t h ere are en o rmo u s d i f f eren ces i n
performance. Whilelntel used to havethelead
on its competitors in terms of raw processing
power, with theadvent of theAthlon, this is
clearly no longer thecase.
Also, raw performanceis not thebe all end
al I of m i coprocessors. C I earl y pri ce i s a bi g
decider for many peopleand thepositioningof
theDuron against theCeleron can onlybegood
newsfor peoplewho want performance without
the price.
The mobile arena is a key market for all and
thechip suppliers and it will be interesting to
seehowthenew low-power designsof
Transmeta's Crusoeand, to a lesser degree, VI A's
CyrixM II, will farein thefuture.
Onlyonethingiscertain when it _
comesto microprocessors, and that is
that they'll keep getting faster.
inV
Personal Computer
I O RLD • 0 CTO BER 2000
X86 CHIPS
MCOMMERCE > >
D
Despite the promise of a multitude
of WAP Internet services, Jane
DuDMAN FINDSTHAT MCOMMERCE IS
STRUGGLING TO LIVE UP TO TH E HYPE
O FAR WAP HAS PROMISED A LOT,
yet delivered relatively little. If the
advertising isto be believed, WAP
(wireless application protocol)
phoneuserscan surftheweb and
connect to a multitudeof
different servi ces. T h e real i ty i s often somewh at
different. But now a new selling point has
emerged for WAP, that of mobileecommerce
services, or mcommercefor short.
For instance, theWAP Forum, which
represents all themajorsuppliersof WAP
phones and services, paints this pictureof what
will bepossible: 'I maginestepping out of an
officebuildingto go to theairport, using your
WAP-enabled wireless device to check thetraffic
congestion, followed bythetrain timetableand
then purchasing a train ticket onlineinstead
of driving. On theway to theairport, you
select your aisleseat and check in forthe
flight, reserving a special meal, and unpack
your raincoat after looking up theweather at
your destination.’
Soundsgreat. But hereiswhat isactually
availablefrom thisscenario at present via BT
Cellnet'sGenieWAP portal that was launched
in January: 'Currently, it is not possibleto check
traffic congestion,’ said thespokesperson for
Genie. 'You can check train times, but no, you
can’t buy train tickets, although I don't think
that'sfar away. You can buyan airlineticket via
oneof our partners, such as Lastminute.com or
Thomas Cook, but you can't check in,reservea
seat or order a meal.' And theweather? 'Thereis
Personal Computer World • October 2000 •
ILLUSTRATION ADRIAN JOHNSON
weather news. But it's
UK only/hesaid.
Things areslightly
better in some areas
with M viva, thejoint
AOL Carphone
Warehousemobile
portal launched on
20July.Thishasa
link into CN N's
weather service, so it
provides worldwide
weather information,
and ai rl i netickets are
availableviaebookers
orLastminute.com.
Sometraffic congestion
information isprovided, but it is
'limited', admitted an M viva
spokesperson, in that it covers only
major motorways. 'It is being
developed,' the spokesperson added.
H owever, you can't book a train ticket
or even look up train times via M viva,
although train timetables will be
available by the end of August, and
you cannot check in foraflight or
reserve a meal.
This kind of gap between the
hypeand what is really available
isbeginning to alarm somein the
industry.Theyareworried that oncethe
f i rst , en t h u si ast i c WA P b u yers real i se
thelimited nature of existing
services, which do not providefull
accessto thel nternet, but only to
sped al I y-d evel o ped , text-o n I y
onlineservices,therecould bea
back I ash . A n egat i ve respo n se
could hold upanyfurther
development of new WAP
applicationssuch as
mcommerce services.
Stephen Wright,
marketing manager at
telecomsdistributor
Rocom,said sales of
WAP handsets are
Left: WAP
users can
book air tickets
online with
Lastminute.com
Below: Genie is
Cellnet'sown
portal for
mobile web
surfers and one
of the first of
its kind
relatively slow,
in thewakeof
an initial burst
when they
were bought by
early adopters. 'I
suspect peopleare
either not convinced by
the servi ces th at are avai I abl e
or areconfused bytheWAP concept,' hesaid.
Others remain confident that whilethe
present I evel of WAP servi ces i s pretty weedy,
this will not seriously harm futuremarket
growth. 'If you don't havea WAP phonetoday,
you'reprobably not missing much,' admitted
M i ke H erman, chai rman of the G I obal M obi I e
CommerceForum, 'but I firmly believe there is
an absolutely huge market here. It may not be
thisyear, it may not even benextyear, but
trading over portable devices, with thesame
functionality asover fixed devices, will develop.'
The m arket f o recasters agree wi th H erman .
Analysts Frost & Sullivan reckon worldwide
revenuefrom mcommerce was close to $2.98b
last year, but will be worth $64b by 2005.
Forrester Research putsthefigureeven higher:
it thi nks worl dwi de mcommerce wi 1 1 be worth
$200b by 2005. M errill Lynch estimates the
European mobileportal market will be worth
£14b by 2005 and £63b by 2010.
Thesekinds of figures are
seriously tempting for
Internet content providers
and mobilenetwork
operators, both of which are
putting a lot of investment into
WAP services. In particular, theUK's
four existing mobilephonenetwork operators
areracingto hook users into their own services
before the market opens up. Cell net was thefirst
to market, with Genie, but Orange and
Vodafone both now have mobile portals and
deals with a number of content providers. As
yet, no commercial WAP service is avai I able
from O ne20 ne, but thecompany is advertisi ng
for developers to work on its mobile I nternet
services and says it is investing £2m a day to
ensurea 'winning position' in theworld of
• Personal Computer World • October 2000
includeiTouch, which isrun by Independent
News& M edia, and the previously mentioned
M viva portal from CarphoneWarehouseand
AOL.
Themain services availablefrom theseWAP
portals at the moment arefai rly standard fare:
emai I , entertai n ment I i sti n gs, sports, travel ,
news, weather, share prices, some shopping and
money services. As yet, there are far fewer true
mcommerce applications, such astheabilityto
buyand sell online.
Oneissuethat will certainly need to be
addressed before mcommercecan takeoff is
security, something in which Herman is
involved in a commercial capacity as vice-
president of security firm Thyron, which has
developed a concept called theYES.wallet, to
help speed up transactions over WAP devices
(see box below).
But there arealso technical limitationsat
both thefront and back endsof mobileonline
ser vi ces. T h ere are o b vi o u s p ro b I em s t ryi n g t o
carryout complex transactions via thesmal I
screen of a mobile phoneor even a Personal
Digital Assistant.
Richard Schwartz, senior vice-president of
tech n o I ogy at software com pany Vi gn ette,
which is working with many content providers
on adapting their ecommerceapplicationsfor
iTouch currently offers such things as news and travel
information, but little in the way of mcommerce
themobilemarket, said mobileusersare, by
definition, usually doing something else and
concentrateon their phonefor no morethan
about 10 seconds. This is a huge difference from
the average d eskto p bro wsi ngtimeofanything
upto an hourand ahalf.
'Thechallengeisto develop applications
that present themselves, require an absolute
minimal level of keystrokes and scrolling, and
return theawaited result or completethe
transaction,' said Schwartz, who adds that what
customers need is a smarter generation of
devi ce-sawy ebu si n ess appl i cat i on s.
Peace of mind on the move
C onvincing users that mcommerce services are secure is essential
to making it a viable method of performing transactions
How secure will mobile
Internet transactions be?
The WAP Forum insists that
the WAP approach provides
security, based on the WTLS
(WirelessTransport Layer
Security) specification, which
implementsoptionsfor
authentication and
encryption.
Encryption appears to be
the answer to the problem of
protecting credit card details
as they pass over insecure
mobile networks. But there are
still a lot of unanswered
questions about security, such
as what happens to stored
credit card details if theyare
held on a mobilephoneor
PDA that is stolen?
More pressing in the first
instance, however, is the
problem of convincing people
that mobileonlineservices can
be both secure and easy to
use. M ike Herman, vice-
president of security firm
Thyron, says there is a lot of
content just waiting to be
madeavailableon mobile
devices that can't be
distributed at the moment
because there is no effective
way to payfor it. Gambling is
one big area, he points out,
that is being held up because it
would simplybetoo difficult
and time-consuming for
mobileusersto have to fill in
their details every time they
logged on to a website.
Thyron has come up with a
concept it calls YES.wallet to
tryand get round this
p ro b I em . T h e sof twa re sto res
users' personal information,
including billing and delivery
addresses and credit card
details on a secure server.
W hen the user wants to buy
something via a WAP service,
they authorise payment by
entering a PIN and their details
are sent on to the merchant.
The software is being licensed
bylSPsand will befree
to users.
According to Herman,
YES.wallet uses the security
features already available in
mobile phones. To get this
market to move, people don't
need to know what's behind
the scenes, they just need to
trust that it issecure,' hesaid.
Personal Computer World • October 2000 •
MCOMMERCE >
MCOMMERCE > >
SI ow data transfer rates over
exi st i n g n etwo r ks are al so si o wi n g u p
mobilelnternet use, and even the high-
street dealers, keen to shift WAP handsets,
emphasisethat whilethelaunch of GPRS
later thisyear will improvethespeed of
thecurrent networks, thereally big
breakthrough will comewith the
launch of thethird-generation (3G)
mobilenetwork in two orthree years'
timewhen,accordingtodealerDX 'you will be
abl e to access al I sorts of good i es from you r
phone, such as video, TV and surf the Internet
just likefrom your PC'.
At the back end, too, whi le
standardisation on
WAP formats
has provided a
substantial
boost in mobile
onlineservices,
therearestill
problemsfor
content providers
in having to convert
Internet information
from HTM L into
Wireless Markup
Language(WM L). WM L
has been
developed
to provide
easy
navigation
without afull
keyboard and has the
abi I i ty to ad apt screen d i sp I ays f o r a ran ge
of mobile devices, from thesmallest of two-line
text d i sp I ays to f u 1 1 grap h i c screen son
larger PDAs.
Schwartz saysonlinecontent on mobile
deviceswill onlyreallytakeoff when it is better
adapted to thesekindsof limitations. H e
believesonewaythiswill happen isviafar more
personalised services. Auction services, for
instance, could benefit from this approach. A
user could bid for an item whilesurfingfrom
their desktop PC, but might then receive
notification, via their mobiledevice, if a higher
bid ismadeand would automatically be
rejoined to theauction to makea higher
bid themselves.
But thesekindsof personalised services are
someway off for mobile devices. It will requirea
great deal more
investment on the part
of theinfrastructure
providers, the
handset
manufacturers
and the
application
providers,
in order
to realisethe
full potential of
mcommerce services.
Theamount of money now being
poured into both developing and
ad vert i si n g m o bi I e servi ces i n d i cates t h e I evel of
i nterest among network operators i n getti ng a
toehold in themobilelnternet market. Just
don't buy a WAP phonetomorrowand expect to
be able to access your local takeaway on the way
home. For that, as for many other services right
now,themobilephoneisstill best at itsoriginal,
old-fashioned job: enabling consumersto ring
up and placean order.
European mcommerce takes the lead
At the moment, there is a
distinct split in online
development on each side of
the Atlantic. The US is the
undisputed champion of
ecommerce. Recently, for
instance, European Union IT
minister Erkki Liikanan
announced a plan to develop
more d iverse website co ntent,
after research revealed that 94
of the world's 100 most visited
websites are located in the US
and that most web pages are
in English.
But Europe has the highest
number of mobile phone users
per head in the world and this
hasputthecontinent in pole
position in thedeveloping
mcommerce market. Many
industry analysts predict that
by2003 there will be more
u sers accessi n g o n I i n e servi ces
via mobile devices than via
desktop browsers.
However, some in the
market believethat while
Europe has a lead at the
moment, both the US and the
Far East are hard on its heels,
for different reasons.
Mobilephoneuseinthe
Far East is not far behind
Europe and there is a lot of
interest in innovative new
applications, such asonline
gambling.
In the US, according to Les
Line, business development
manager at financial software
specialist Fiserve, which is
developing online banking
services accessible via desktop,
mobile and interactiveTV
devices, the situation is
different. 'US colleagues don't
have such a love affair with
their mobile phones as we do
in Europe,' hesaid. 'They
regard mobiles as largelyfor
social use. But they are terrific
users of PDAs, so when PDAs
and mobilephonescome
together into a single device -
and we are now seeing smaller
form prototypes of that - 1
believe themobileonline
market over there will really
takeoff.'
|J • Personal Computer World • October 2000
PHOTOGRAPH TONY STONE
The senx machine is set to bring the three m issing senses to your PC.
Seem^feel me..
T he shopping experience
could become a different
ball game if the Senx
machine catches on
Although noisy and colourful, the
Internet isstill sterileand senseless. Now
a US company claimsto havefound a
way to send tastes, smells, textures and even
weather conditions over the I nternet. The
company has even been granted a U S patent
(#6053738) for itstechnology.
The'Senx machine' isfitted with replaceable
or refillablecartridges containing liquidsor
powdersused to createthesmellsand tastes.
These cartridges are arranged around a cylinder
(likecorn pelletson a cob) that can be rotated in
both directions. Doors on thecartridgescan be
controlled to allow a singledrop to exit. A rod
si ides underneath thecylinder along its length,
collecting drops of thechemicals that are
released from the cartridges at the bottom of
thecylinder.Thesedropsaremixed in different
proportions to create different smells.
To releasethesesmells,therod extends
beyond the reach of thecartridgesintoatube,
wherean updraught of air blows thechemicals
to an outsideoutletforsmellingortasting.To
taste, wafers can be f i tted totheoutletfor
flavouring with thechemicalsthat aredispersed,
orthemachinecan havea straw-1 ikeoutlet for
putting in the mouth. Different cylinders of
cartridges are to beused fortasteand smell.
Infra-red sensors insidethecartridgesdetect
when they'rerunningout and automatically
place an order for a refill over the I nternet.
Thepatent includes thesuggestion that
companies (such as perfume producers) could
offer promotional Tri senx machines that only
includetheirown scent.
Thetexturesimulator works by stimulating
hairson a membrane, which isthen touched by
puttingafinger through an opening. A less
sophisticated (but moreaccurate) texturedevice
included in thepatent works by rotatingadrum
of sampletexturesand usingtinted lightingto
colourthem.Customersin remotelocations
could choosefabrics without leaving home.
The weather simulator combines a heating
lamp and a cooling agent to quickly control
temperature and a liquid capsule to create
humidity. A fan simulates wind velocity and
water drop lets fall asrain.Thismight beuseful
for education or ad venture games.
The inventors suggest that the machine
could haveitsown controller keyboard as well as
memory to storeinformation about which
cartridges contain which scents.Thiswould
allow it to beused independently, or possibly in
connection with other Internet-enabled devices.
0 r, to keep costs down, the unit can be
controlled from a conventional PC.
A demonstration on theT ri senx website
( www.tr i sen x. co m ) feat u res a gam e wh ere a
spacesh i p sh oots f ast-ap p roach i n g f ru i ts t h at ,
using a Senx machine, could besmelled asthey
explode. Whether thecost of theunit would be
justified by this type of entertainment is
uncertain. If themachinecan be made accurate
enough to satisfy manufacturers, though, the
devicecould transform I nternet shopping.
So far books, software and CDs have so Id
well online. Being ableto samplea curry before
ordering could stimulatemeal deli very services
and being ableto feel thecloth before buying an
expensive suit would undoubtedly havea
positive effect on the sales of clothes. The
company has already formed an allianceto
market cosmetics, fragrance and health and
beauty products and claimsthefirst machine
will beavailablein thespring.
SEAN MCMANUS
• Personal Computer World • October 2000
PHOTOGRAPH MOVIESTORE COLLECTION
The road to teleportation seems to be a case ofmindingyourPsandQs
Beam me up Scotty
Teleportation iSAsdencefiction
staple. Peopleand objects are
disintegrated, beamed across the
universein theblinkof an eye, and are
reconstructed on aremoteplanet,often in a
landscapestrewn with styrofoam boulders. The
trouble is, fundamental physics has always said
teleportation cannot possibly ever work. Until
recently, that is.
The idea of teleportation is simple. You
first record all possibleinformation about the
object you want to teleport, then transmit the
information to the new location. Then, you
read back the i nformation, decode it, and
reconstruct theobject. But thelaws of quantum
mechanics scupper you beforeyou can even
get started.
Let'sconsiderteleportingasingleatom.
Quantum mechanics says that the very act of
measuring an atom's statechanges that state.
And themoreaccurateyou tryto makeyour
measurement, themoreyou disrupt theatom.
So this rules out the possibility of ever
extracting enough information about an atom
to makea perfect replica. But researchers have
recently found a way around theproblem, using
aquantum property cal led 'entanglement'.
Quantum particles have states that can be
used to represent binary digits. If a particle
spins oneway, for example, it can represent a 0;
if it spins theother way, it's a 1. Particles like
thisarecalled 'qubits', and form thebasisfor
building quantum computers. But you can only
ever tell what statea particle is in by performing
a measurement on it. When you'renot looking,
itexistsin aweird mixtureof 0/1 states cal led
a 'superposition'.
It's possibleto prepare two particles- P and
Q, say - in such a way that they're intimately
related, likequantum twins. Let's separate P and
Q , an d sen d t h em as far apart as we I i ke. T h ey're
still both in theindeterminateO-ish/l-ish state.
N o w I et 's m easu re P, an d say we d i sco ver it's i n
stateO. I nstantaneously, this means that
particleQ, which may be light-years away on the
other sideof the uni verse, instantly assumes the
oppositestate- it's now definitely spinning as a
1. Entanglement has been known theoretically
for decades, but it's only recently been proven by
experiment. 'Entanglement means if you tickle
onetheotheronelaughs,'said Caltech physicist
Jeff Kimble, oneofthe research ers to f i rst
demonstrate entanglement in thelab.
Although theentanglement effect isn't itself
teleportation, it provides thekey. Let'simagine
Alicewantsto teleport a particle (say, A) to Bob.
First, she creates two entangled particles, P and
Q, keeping P,and sending Q to Bob through
someordinary data channel likethel nternet.
Now, Alice allows particlesP and A to interact,
measures theresulting state, and sendsthat
data to Bob. Bob then appliesthatdatatoQ,
which - and this is the magic bit - then turns
into an exact copy of particle A! Theoriginal
particle A isstill with Alice, but itsstatehas
been scrambled.
So you can teleport an atom, and peopleare
madeof atoms so... wel I, the answer to the
obviousquestion isat best 'who knows?' - but
what isemergingasa possibility istheuse
of teleportation to send qubits between
quantum computers, linked into aquantum
Internet. Quantum computers already exist
(seeFutures, M ay 1999), and thecurrent largest
machinecomputeswith wordsseven qubits
long (http://qso.lanl.gov/qc/). It's also possible
to preparetheentangled particles such that
theentanglement itself actually encodes
an algorithm.
You can alreadytryquantum computation
foryourself, byrunningasimulatoron your PC,
see www. sen ko-co r p .co .j p/ qcs/ . As f or
tel epo rt i n g yo u rsel f across t h e u n i verse, yo u
might haveto wait a littlelonger.
TOBYHOWARD
Science fiction may
yet become fact, but
hold your horses
before you get ready
to teleport yourself
Personal Computer World • October 2000 •
r
ontentsl
172
AcerVeriton FP
AJP Neo-PC
173
CarerraOctan DM 650
ElonexBookPC
176
evesham.com Evolution
GatewayProfile2
177
H i-GradeUltiNet 733
Packard Bell Spirit RF 730
181
PanrixV-Box H omeTheatre PC
SimplySystemaxP750 RV
Performance
182
TimeTimeM achine 750-7r
VQ Pro
Viglen Incepta
184
Alternative architecture
186
How we did the tests
187
Performance results
190
Features table
193
Editor's Choice
• PCs reviewed by Scott M ontgomery and tested
byLarsGoran-Nilsson
If you've coveted the iM ac for its looks,
read on, because this month we
challenged 12 manufacturers to come up
with a slimline system you'd be proud to
nave in your living room
The age of grey dull boxes may soon be over - well at least the box
part. This month we decided to see what the PC manufacturers have
come up with to compete with the more stylish looks that machines
like the iM ac manage to achieve; and rather surprisingly, there are a
number of very small, unobtrusive solutions that are - dare we say it
- stylish enough to have in your living room.
The reason for this is that today there are high-quality small form factor
motherboards with both sound and video onboard, allowing manufacturers to cram
quite a lot of computer into a small space, while still leaving enough in the budget for
appealing items such asTFT flat panels. It is certainly a long overdue move, and
there are a few really snappy systems out there that, despite being more expensive
than their bigger brothers, are far more likely to not be hidden in your spare room.
We set the manufacturers simple guidelines for this group test, and with no price
point, all the machines had to do was allow easy access to the Internet and be able to
handle home/ office duties. The system had to be a small, unobtrusive easy-to-use
PC, with at least 64M B of RAM , 10G B of hard drive space, a DVD or CD-RO M , a
minimum of a 15in display, a modem, and an office suite. The entrants varied from
the very inexpensive smallish PC to the ultra-stylish, ultra-expensive unit where
money needs to be no object. If you're looking for something a little bit different,
then the following pages show that theold PC needn't beonlya grey box, but can be
as stylish as the best of them.
Personal Computer World • October 2000 • 171
PH OTOGRAPH DAVI D WHYTE
SLIMLINE SYSTEMS > >
A cer Veriton FP
LIKE AJP'S PC, THE Acer Veriton FP is
an integrated unit, with speakers built
into lower corners of the fascia, below
the 15in TFT screen. The Panasonic CD-
ROM and 3. 5in floppydrivesit between
the speakers, along with an infra-red
port. The Veriton doesn't havethe
simple elegance of AJP's system, but the
screen image is sharp - although the
colours are not as vibrant as some other
TFT screens. The screen can betilted to
the required viewing angle.
Processing power
comes in theform of a
500MHz Pentium III,
mounted on the BX-based
motherboard. Installed in
oneoftheDIM M slots is
128MB of PC100
SDRAM, leaving one slot
free for upgrading the
memory. A modem is
supplied as standard.
Both sound and video are
integrated onto the
motherboard in theform
of an ESS Solo audio chip
and an ATi RageLT Pro
graphics chip, supported
by8M B of SDRAM . As
with all the integrated
units, upgradability is not the priority.
Forstorage, a 13GB Quantum hard
disk is installed, which is not large by
today's standards, but will be adequate.
Unfortunately, onlya CD-ROM is
supplied for optical reading, where DVD
would be preferable and would make
more sense with a unit of this price.
Inclusion of thefloppydrive, however, is
beneficial forsmall filetransfer. In
general, the spec on this system is not as
strong as similarly priced units, although
the inclusion of network software and
thelackof an office suite point to this
machine's roots and price being firmly in
the business world. For home use,
though, Acer will supplytheunit with
whatever software is required and add
the cost to the basic price.
Overall, the Veriton FP is not as
stylish as some of the other all-in-one
units in this group test, but then again, it
has been primarily designed for the
business environment. It is expensive for
thespecification supplied, although it
will take up very little space, and won't
spoil yourdecortoo much.
DETAILS
PRICE £2,113.82 (£1,799 exVAT)
CONTACT Acer 0870 900 2237
www.acer.co.uk
PROS All-inclusive unit with aTFT screen;
infra-red port.
CONS Very pricey for the specification;
software not included in the price
OVERALL An all-in-one unit that is pretty
small and unobtrusive, but too expensive for
the spec. There are better value systems in this
group test
FEATURES
★★
PERFORMANCE
★★★
VALUE FOR MONEY
★★
OVERALL RATING
★★★
AJP Neo-PC
unit is heavier than it
looks. The 15. lin TFT
screen is attached to the
front of the main body
and pivots up and down
for comfortable viewing.
The on-screen image is
even with well-
represented colour.
The AJP is powered by
a 750M Hz Flip Chip
Pentium III, mounted on a
Slot 1 converter, for use
with the Mitac BX-based
motherboard. Occupying
oneoftheDIM M slots is
a 128M B moduleof
PC100 SDRAM , leaving
oneslotfree for
upgrading, although this involves
placing the unit on its screen and
removing the back. An onboard Crystal
Sound Fusion chip provides sound,
which is piped to the integrated
speakers, while an ATi Rage LT Pro with
8MB of SDRAM deals with video.
The hard drive is a very respectably
sized 20.5GB Quantum Fireball, and a
vertically mounted 3.5in floppy drive is
installed to oneside. Unfortunately
loading floppies correctlyinto the
AJP'S NEO-PC, ISONE of the most
expensive systems in this month's test. A
concept PC for the ultra-stylish, it both
looks good and has the specs to match.
Apart from the ergonomic keyboard
and the mouse, the PC is integrated into
a single unit that has a small footprint
for a relatively unobtrusive presence in
your living room or office, although the
power cable pushes it forward from the
wall. There is even a handleon thetop
for easy transportation, although the
laptop-style drive is quite difficult,
requiring nimblefingersto push the
disks home. A H itachi DVD is mounted
besidethefloppydrive.
The Apollo Fax/ M odem fits neatly
into a PC Card slot on the left of the
unit, leaving a second slot free for other
peripherals. The system also has an
onboard network adaptor, as well as an
infra-red port.
The N eo-PC doesn't only look pretty,
the bundled M icrosoft Works Suite
2000 is a strong software package. If
you're looking for a PC with simple,
elegant looks and don't mind paying the
premium, this may just fit the bill.
DETAILS
PRICE £1,976.35 (£1,682 exVAT)
(delivery £15 unless ordered on the Internet)
CONTACT AJP 020 8208 9755
www.ajp.co.uk
PROS Simple elegant machine, with a built-in
TFT screen
CONS Very pricey
OVERALL A good specification on a simple
unobtrusive machine. It's expensive, but
perhapsworthalook
FEATURES
★★★★
PERFORMANCE
★★★★
VALUE FOR MONEY
★★★
OVERALL RATING
★★★★
• Personal Computer World • October 2000
Carrera Octan DM 650
THE SMALLEST OF Carrera's Octan
range, the DM , looks like a conventional
PC, just slightly smaller. The micro ATX
case is a similar height to a conventional
PC, but not as deep. A quick look inside
shows that the depth has been cut to
enablethe micro ATX motherboard to
fit snugly with no room to spare.
The Biostar M 7VKA motherboard
employs the VIA KT133 chipset, with the
new 650M Hz Duron processor and
128M B of PC133 SDRAM strapped into
it. There are two spare
DIM M slotsand the
motherboard can support
a massive maximum
1.5GB of RAM.
Installed in oneof the
two 5.25in bays isa Ricoh
Combo drive. This allows
four-speed DVD reading,
24-speed CD reading and
writes and rewrites discs
at six-speed and four-
speed respectively.
Carrera has also included
both a CD-R and CD-RW
disc with the bundleto
get you started.
A 15GB Western
Digital hard diskin oneof
the 3.5in bays leaves one bay free.
Although not the largest hard disk in the
test, 15GB will still takea whileto fill. A
modem is seated in the AM R slot.
The motherboard has both sound
and graphicsonboard.Thesound is
integrated into the VIA chipset, and
outputsto thesupplied Altec Lansing
speakers. The graphics, although
onboard, are provided by an nVidia
TNT2 chip, with 32MB of SDRAM.
As with theTime entrant, this
onboard graphics solution allows the
Octan DM to produce a respectable
gaming performance. With a Quakelll
score of 24.8fps (frames per second),
it's not quiteasfast astheTimePC, but
then neither of them aretryingto be
games machines.
Themonitor isan LG 775N 17in
unit. As the PC's case is not as small as
the systems from Simplyor Elonex, the
monitor does not looktoo large, but for
space-saving considerations, a 15in unit
would have sufficed.
Lotus SmartSuite M illennium is
included, making this a pretty good
machineoverall. It iscertainlynotthe
most stylish in thetest though.
DETAILS
PRICE £938.93 (£749 exVAT)
CONTACT Carrera 020 8307 2800
www.carrera.co.uk
PROS Good performance
CONS It just looks likea small PC and might
not looktoo good inthelivingroom
OVERALL This is a good performer and, if
you don't mind theconventional design, it isa
good machine
FEATURES
★★★
PERFORMANCE
★★★★
VALUE FOR MONEY
★★★★
OVERALL RATING
★★★★
Elonex Book PC
THE BOOK PC IS satisfyingly small and
includes a stand that allows the case to
sit vertically. As with Simply's entrant,
theunit includes a 17in monitor, where
a 15in would bemorein keeping with
thesmaller chassis.
Thefront of the case has a full-sized
floppy drive, as well as a laptop-sized
M itsumi CD-RO M drive. There is also an
infra-red port on thefront. A small flap
allows access to the two USB ports, plus
headphoneand microphone sockets.
Insidethecaseisan
MSI motherboard. The
NLX form factor uses a
riser board, which means
the PCI slots are
perpendicular to the main
board, so installed cards
lie parallel. This allows
moreboardsto befitted
into a smaller space.
Tucked neatly under the
CD-ROM isa 27.3GB
Fujitsu hard drive, giving
plentyof storage. With its
810E Intel chipset, this
machine isfor gamers,
butthe733M HzPentium
III Flip Chip will pound
through anything else you
can throw at it. The motherboard has a
single 128M B PC133 memory module
installed, leaving one DIMM socket free,
although, unfortunately, on the PC we
saw, the memory was incorrectly
clocked at 100M Hz in the BIOS.
As for upgrading, apart from USB
peripherals, there is a problem if PCI
cards need to be installed. The modem
sitsin oneofthetwo available PCI slots,
and, although the other is free, a serial
port obscures the backing plate position
in the case. This means the serial port
will have to go if another PCI card is
installed. However, a serial port is built
into the motherboard, so the sacrifice
isn't too great. At the back there is a
socket for the onboard network
adaptor, along with a DVI output. The
onboard Yamaha sound output is also
at the back and is piped to the Creative
SBS20 speakers.
The inclusion of M icrosoft Office
2000 Small Business Edition means the
software on this PC is excellent. Its small
case is a good size, although the monitor
isslightlytoo large. If this doesn't
bother you, this system is good value;
but for a bit more cash, you could afford
the more stylish Hi-GradeUltiNet 733.
DETAILS
PRICE £1,065 (£899 exVAT)
CONTACT Elonex020 8452 4444
www.elonex.com
PROS Small case with infra-red at thefront
CONS 17in monitor dwarfs the case
OVERALL A good little system with
reasonable performance. U nfortunately the
monitor doesn't complementthesmall chassis
FEATURES
★★★
PERFORMANCE
★★★★
VALUE FOR MONEY
★★★★
OVERALL RATING
★★★★
Personal Computer World • October 2000 •
SLIMLINE SYSTEMS
SLIMLINE SYSTEMS > >
WITH A M ICROTOWER two-thirds
thesizeof a normal PC case, and a 15in
evesham.com-branded monitor, the
Evolution looks likea PC in miniature.
0 pening the unit was a nerve-
jangling experience, although as there is
no room for internal upgrading, there is
no need to get insidethebox. The Intel
810E Desktop motherboard has both
sound and video onboard. A Creative
SoundBlaster PCI 128 feeds Creative
SBS52 speakers, while the 810E chipset,
along with 4M B of
SDRAM , deals with
graphics. A single DIM M
slot isfilled with a 128M B
PC133 memorymodule,
although as the system
busislOOMHz, running
the Pentium III processor
at 700MHz, this faster
memory is redundant,
although it affords some
future proofing. There is
also an onboard network
adaptor, with theoutput
at the rear. ThesinglePCI
slot holdsa Diamond
SupraExpress modem.
To compensate forthe
lack of internal upgrade
options, there are four USB ports, two
at the rear and two at thefront under
the small blue rounded flap. This looks
finewhen it is closed, but is not
aesthetically pleasing when open,
although the location of USB portson
thefront perhaps makes this
compromise acceptable. Both the
mouseand keyboard areUSB, although
the keyboard has a PS/2 mouse socket
into which you could plug a PS/2
mouse, freeing a USB port.
A 20GB Maxtor hard drive is
included, as well as a Samsung Combo
drive to cater for removable storage.
This allows CD-ROM sand DVDs to be
read, whilealso allowingCD-R and CD-
RW media to be written. On the whole,
a very versatile solution to the issues of
optical reading and removable storage.
Coming complete with M icrosoft
Works Suite 2000, this machine has it all
- in miniature. Only one real criticism
can be levelled: the image on the
monitor submitted for review was very
poor. Ultimately, the Evolution will do
its job, but it's not much cheaper than
the superior Hi-Grade machine.
DETAILS
PRICE £1,291.32 (£1,099 exVAT)
CONTACT 0800 038 0800
www.evesham.com
PROS Small, compact system, with a good
combo drive
CONS Monitorimagequalitywaspooron our
test unit; U SB flap is unattractive
OVERALL A small, relatively unobtrusive
unit. If CD writing is required, this unit is
worth a look
FEATURES
★★★
PERFORMANCE
★★★★
VALUE FOR MONEY
★★★
OVERALL RATING
★★★
6 ateway Profile 2
GATEWAY'S PROFILE 2 is a stylish
system that would certainly be a
conversation point if it were nestled in
your living room. With its curvy body
supporting a high-quality 15in TFT
screen, Gateway has moved awayfrom
the boxy conventional lines of PCs.
Asa 'legacy-free' machine, there are
no output sockets except four USB ones.
The keyboard plugs into one port,
leaving the others free for peripherals
(the USB mouse conveniently plugs into
the keyboard to keep the
other ports free). The
only other sockets arethe
M otorola modem output
and the Ethernet network
output, both situated at
the back.
There was no popping
the bonnet on this
machineto ogle its
interior, sincethe Profile
2 is a 'sealed box'. It has
1 not been built for the
upgrade addict, and its
performance is geared
towards Internet surfing
and officeapplications.
Its Celeron 500M Hz
processor is adequate for
these tasks, asisthelntel 810-based
motherboard and the64M B of PC100
memory. Graphics and sound are both
dealt with onboard by the 810 chipset
(thevideo having 4M B of SDRAM to
help it along), with thesound piped
to speakers that are integrated into
the base.
The IBM Deskstar 20.5GB hard disk
will provide plenty of space; and a floppy
drive is installed at thefront. Abovethis
is a Toshiba DVD-ROM foroptical
reading, while below it there is a built-in
microphoneaswell asa headphone
socket for convenient access.
Bundled with M icrosoft Works Suite
2000, this is a fine unit. The stand holds
the screen at a good level for viewing
and gives themachinea moreorganic
profile - Gateway has even put a curve
on thetop of thefascia to get awayfrom
anyartificial man-madestraight lines. It
won't be breaking any performance
records, but when it comes to style, this
may well bethemachineto put in your
living room, and it'scertainlya worthy
winner of this month's H ighly
Commended award.
DETAILS
PRICE £1,643.82
(£1,399 exVAT)
CONTACT Gateway0800 552 000
www.gateway.com/uk
PROS Wonderfully vibrant TFT screen;
interesting shape
CONS A little pricey
OVERALL Different enough to normal PCs
and with an excellent TFT screen, the Gateway
would bea stylish addition to anylivingroom
FEATURES
★★★★
PERFORMANCE
★★
VALUE FOR MONEY
★★★
OVERALL RATING
★★★★
• Personal Computer World • October 2000
Hi-Grade UltiNet 733
THE ULTINET 733 is a very snappy
looking machine, with its small case and
TFT screen. Thecaseisonly29x9x
28cm (wxh xd), yet it still has room for
both a full-sized floppy drive in thefront
and an Asus E608 DVD. If nothing else,
this PC will lookgood inyourliving
room, butthankfullythereismuch more.
Powered bya 733M Hz Pentium III
processor on the L-shaped Chaintech
motherboard, this little machine has
versatility we would usually expect only
from a much larger unit.
Opening a front flap
reveals two USB ports,
microphoneand
headphonesockets, as
well as a FireWire socket.
Round the back, there are
a further two USB ports,
a serial port, a parallel
port, two PS/2 sockets, a
further FireWire socket, a
DVI, as well asS-Video
and composite video
outputs. Wethinkyou'll
agreethisisan incredible
array of connectivity.
There is even an IrDA port
at thefront for infra-red
communication.
Especially noteworthy are the
FireWire sockets, which allow digital
video devices to be attached - ideal for
thosewho dabblein video-editing
capabilities. The20.4GB hard diskwill
fill up reasonablyquicklywiththissort
of task, but it will beadequatewith a bit
of organisation.
With 128MBofPC133 SDRAM
installed, one DIM M is free for upgrade,
but apart from this there is no room for
expansion. There is an AM R socket,
i '-1
although this holdsthe AM R modem.
Both sound and video areonboard and
are controlled bytheSiSchipset.
The 15in TFT flat panel has
integrated speakers in the base, and the
screen can betilted up and down to
adjust for comfortable viewing. The
combination of both theTFT screen and
thesmall case makes this a PC that will
lookgood wherever you decideto put it.
The system case can even be stood on its
side to save space.
Bundled with Lotus SmartSuite
M illennium, and costing only £1,373.58
inc VAT, you'll be hard pressed to find a
machine as unobtrusive, yet still offering
the versatility. Overall, a worthy winner
of this month's Editor's Choice.
DETAILS
PRICE £1,373.58
(£1,169 exVAT)
CONTACT Hi-Grade020 8532 6111
www.higrade.com
PROS Compact, stylish and versatile PC
CONS None
OVERALL If it's a small PC you desire, then
thisistheoneto go for
FEATURES
★★★★★
PERFORMANCE
★★★
VALUE FOR MONEY
★★★★★
OVERALL RATING
★★★★★
Packard Bell Spirit RF 730
THIS LATEST INCARNATION of the
Spirit series certainly has some ethereal
qualities in that both its keyboard and
mouse are cordless, so you literally
'beam' your information to the PC via
radio waves. Decked out in stylish dark
greyand silver, theSpirit RF 730 isone
of the most attractive in the test. Its
SlimviewTFT screen has a fairly sharp
and vibrant image , although it is not of
thesamequalityasthedigital flat panels
bundled with previous Spirits.
The case is
constructed to mount
vertically, which makes
loading CD media into
the drive a little awkward,
but that's a price you have
to pay for stylish looks.
Thisniggleaside, the
Pioneer DVD114 isa
quality, full-sized drive.
Below the DVD sits a
laptop floppy drive. Also
adorning thefront of the
Spirit RF 730 isoneofthe
two USB ports, along
with a microphone socket
(for use with thesupplied
microphone) and a
headphonesocket,
complete with a useful volumecontrol.
The processor is a powerful
733M HzPentium III, which sitson
the MSI 810E-based motherboard.
The memory installed isa single
moduleof 128M B memory clocked
to 133M Hz, complementing the
133MHz FSB. Another DIMM slot is
free for upgrading.
Inside, the modem sits in the AM R
slot, leaving thetwo available PCI slots
free for adding any required cards. A
fairly large 20.4G B Maxtor hard disk
takes care of fixed storage. Video is
onboard and isdealtwith bythe810E
chipset, asisthesound, which is piped
to rather stylish flat N XT speakers.
A good software bundle- Packard
Bell's Spirit CD collection (including
Caeser III and Photo Express) and
M icrosoft Works 2000 - complements
its stylish looks. With its radio-
controlled keyboard and mouse, TFT
screen and stylish colours, this is an
eye-catching PC, with a bit of power
as well. That said, it's more expensive
than someof thesimilarlyspecced PCs
in this test.
DETAILS
PRICE £1,899 (£1,616 exVAT)
CONTACT Packard Bell 01628 508 200
www.packardbell.co.uk
PROS Very stylish looking unit
CONS A little bit pricey; flat panel not as good
as previous models
OVERALL With its cool grey colour and its
flat speakers, this unit looks great; and it has a
solid spec and good software. It's just a little
on the expensive side
FEATURES
★★★★
PERFORMANCE
★★★
VALUE FOR MONEY
★★★
OVERALL RATING
★★★
Personal Computer World • October 2000 •
177
SLIMLINE SYSTEMS
Panrix V-Box Home Theatre PC
LOOKING SOMEWHAT LIKE a video
recorder without a time display, Panrix's
entry wins the prize for the system that
looks least like a PC. Built primarily as a
low-cost alternative to conventional
PCs, Panrix expects to supplytheV-Box
without a monitor, leaving the user to
connect it to a television. However, our
review unit came with a ViewSonic 17in
monitor, or you could have a dark grey
monitor (to match thecase) if you want
a matching ensemble.
A TV-style remote
control is included, which
has a joystick-driven
mouse, so you can operate
theV-Boxfromthe
comfort of your armchair.
TheV-Boxiscertainlya big
move away from
conventional thinking.
An infra-red keyboard
allows input to the system
from anywherewithin a
fairly large room, as long
as the keyboard is
pointed at the receiver. To
aid reception, the receiver
extends on a short cable
for optimal positioning.
The motherboard is
Intel 810-based, with video dealt with by
the chipset, and supported by2M B of
onboard video memory. Sound is
onboard in theform of a C-M edia chip
(which is also employed for use with the
modem), and a quality set of Creative
Soundworks D igital speakers is included
to blast thesound out. Themother-
board hasa 128M B memorymodule
slotted into oneof thetwo available
DIMM slots.
This Panrix has neither vacant bays,
nor anyslotsfor upgrade, although for
the target user, this is unlikely to be a
concern. A Panasonic SR-8584A DVD
and afloppydrivefill theonly available
drive bays, whilea 15.3GB Maxtor
91531U3 hard drive deals with storage.
In terms of software M icroso ft Works
2000 is bundled in.
This low-cost move away from PC
convention is interesting. Onlyonething
concerns us, and that isthequalityof
theimageon atelevision. With lower
resolution, web pages and especially text
tend to look fuzzy; and doing any kind of
high-intensity work on a TV will perhaps
be a bit of a headache.
DETAILS
PRICE £821.33 (£699 exVAT)
CONTACT Panrix0113 244 4958
www.panrix.com
PROS Inexpensive and uniquesolutionto
PC construction
CONS IfyouoptforfortheV-Boxwithouta
monitor, viewing on a television will perhaps be
a bit of a strain
OVERALL Interesting, low-cost alternative to
a standard PC
FEATURES
★★
PERFORMANCE
★★
VALUE FOR MONEY
★★★★
OVERALL RATING
★★★
j Simply Systemax P750 RV Perf
SIM PLY'S ENTRY IS a small, tidy
looking box, let down byonlyonething:
theCTXPR705 monitor is too large. It is
not a bad monitor - far from it, the
image is crisp and thecolours vibrant.
It'sjustthata 15in monitor, oraTFT
display, would have been more in
keeping with a small unobtrusive PC.
Pumping along with its Pentium III
750M Hz, this machine will be more than
adequatefor surfing the net, and with
M icrosoft Office Small Business Edition
included, all thesoftware
you'll need is availablefor
working at home.
The case itself is
satisfyingly small, yet the
front still has room for a
floppy drive, as well as
two USB ports and
headphoneand
microphone sockets. A
Compaq DVD isalso
mounted on thefront,
although unlike H i-
Grade's entry, it is a
laptop model. There is
alsotheoptionof
mounting thecase
vertically with the
included stand.
0 pening the chassis reveals a Tardis-
like quality, with thecomponentsand
the Intel 810-based Q-lity FlexATX
motherboard neatlyfitted in. The
motherboard has room for only a couple
of upgrades: one DIM M slot isfree, the
other being filled by a 128M B PC100
SDRAM module; and there is one PCI
slot, which isfree becausethe Motorola
modem occupies theAM R slot.
Sound isonboard, in theform of a
Creative SoundBlaster PCI 128, and this
pipes out to Creative SBS52 speakers.
With the inclusion of a microphone and
a Creative WebCam3, with its maximum
resolution of 640 x480, theopportunity
is there for a bit of home video dabbling
- and it works remarkably well. The
20GB Maxtorhard diskisofa
reasonable size for this task, but saving
too manyvideos will soon fill it up.
This PC looks good, and the webcam
helps to make it fun and versatile. Office
2000 Small Business Edition makes this
a good system for work as well. 0 nly the
large monitor lets it down. In our
opinion, it isa bittoo big. Apart from
this, though, this is an excellent machine.
DETAILS
PRICE £1,173.83 (£999 exVAT)
CONTACT Simply 08707 297 366
www.simply.co.uk
PROS Small, compact case; webcam
CONS M onitor, although a high-qualityunit,
isa littletoo large to be unobtrusive
OVERALL An excellent system and a worthy
winner of an award despitethesizeofthe
monitor. If you don't mind that, this is a very
good value system
FEATURES
★★★★
PERFORMANCE
★★★★
VALUE FOR MONEY
★★★★
OVERALL RATING
★★★★
Personal Computer World
October 2000
SLIMLINE SYSTEMS
SLIMLINE SYSTEMS > >
Time Time Machine 750-7fVQ Pro
WITH THE FRONT of its case shaped
like the heads of the battle droids in Star
Wars Episode I, theTimeM achine's
design is certainly intriguing. There's
even a silver handle on the top, in case
you need to move it around. You'll either
lovethe way it looks, or loathe it.
Theprocessor isa 750M HzAthlon,
and with theAM D 750 chipset-based
micro ATX M SI motherboard and
128MB of PC100 SDRAM occupying
oneoftwo available DIMM slots, this
machine is no slouch,
despite its size. Its
SYSmark rating of 134
and Quakelll scoreof
29.2fpsmakethisoneof
the preferred units for
those looking for a small
PC with a bit of scope for
game-playing. With its
onboard nVidia TNT2 64
chip with 32M B of
SDRAM powering the
graphics, this
performance isn't that
surprising though.
Storagecomesinthe
form of a Fujitsu 20GB
hard drive, and there is
also a floppy drive. A
Pioneer DVD means you can read CDs
at a respectable 40-speed and DVDs at
10-speed.
Inside the case a W inmodem is
slotted into oneof three PCI slots,
leaving some room for upgrades. The
internals are neatly set out; with cables
carefully tied back, and there is even an
extra fan to make sure it all stays cool.
Audio isonboard, in theform of a
CreativeAudio PCI 128. Theoutput
from this is pumped to two Time-
branded speakers designed to match the
case. The 15in Time-branded Samtron
monitor, on theother hand, doesn't
follow suit to completethe look. The
monitor is a good size for a relatively
unobtrusive PC, although the image
isn't the sharpest in the world.
Thestandard Timeextrasand
software are included: a joystick and
gamepad and a standard software pack,
including Lotus Word Pro M illennium
for word processing and 1-2-3 for
spreadsheets, among other packages.
This is a well-specced PC but it doesn't
reallyfall into thesameslimlinecategory
as much of the competition
DETAILS
PRICE £821.32 (£699 exVAT)
CONTACT Time01282 777 555
www.ti meco m puters.co m
PROS Inexpensive, good performance, decent
graphics
CONS Thecasewill appeal to some, but will
put others off; larger than other systems
OVERALL As an inexpensive machine in a
relatively small case, this system is good value,
if aesthetically a little different
FEATURES
★★★
PERFORMANCE
★★★★
VALUE FOR MONEY
★★★★
OVERALL RATING
★★★★
Vi glen Incepta
Strapped onto the
Intel 810 motherboard is
a respectably powerful
700M Hz Pentium III, plus
a single 128MB PC100
memory module, leaving
one DIM M slot free.
Sound requirements are
onboard in Intel's Sound-
max D igital Audio, with
output piped to Altec
Lansing LCS33 speakers.
The Fujitsu 10GB hard
disk isfairly small by
today's standards, but it
will beadequatefor most
home users. Also worthy
of note, in light of the
smaller hard disk, isthat
the Incepta has no floppy drive, so
nothing can be saved external to the
machine (although an external USB Zip
drive, or something similar, would
address this issue). For accessing the
Internet, a mini PCI modem isfitted into
the only available (mini) PCI slot, which
means upgrades all haveto be external,
and USB driven. For optical reading, a
vertically mounted, blackTeac DVD
drive is installed at the front of the case.
Driven byonboard graphics isa
THE VIGLEN INCEPTA is a compact
unit indeed, and in a daring move away
from the drab beige colour of most cases,
the Incepta comes in navy blue, with the
Viglen logo emblazoned verticallydown
the fro nt of the case. Total ly legacy-free,
there are USB ports (two front and two
rear) and no other sockets at all -except
to connect the modem to a telephone
socket. The keyboard and mouse use two
of the U SBs, leaving two free for the
addition of peripherals.
Viglen 15RX-TA 15in TFT flat panel. The
quality of this was fairly mediocre, as the
colour representation and lighting from
top-to-bottom was not particularly
regular. However, colours were vibrant
and focus was good. TheTFT panel in
combination with thesmall case will
certainly make this PC a talking point.
With M icrosoft Works Suite 2000,
this unit has a strong software package,
since Word 2000 is the preferred word
processing option; and for £1,350.08
inc VAT, it isn't too expensive either.
Overall, the Incepta is small, different
looking, yet has most of what you
require for a small fullyfunctional
homePC.
DETAILS
PRICE £1,350.08 (£1,149 exVAT)
CONTACT Viglen 020 8758 7000
www.viglen.co.uk
PROS Small machine with strong software
CONS TFT screen wasn't the best quality; no
removable storage
OVERALL As a small, stylish looking unit, this
one is up there with the best, although it's not
very feature rich
FEATURES
★★★
PERFORMANCE
★★★
VALUE FOR MONEY
★★★★
OVERALL RATING
★★★
m • Personal Computer World • October 2000
Anycolouraslongasitsbeige?
’ll
~ -iiiaiBaftiiiit
A pple's new C ube is small , stylish , powerful - and not beige
emailing and thelnternet
becomeapossibility.Thereis
an obvioustelevision screen
resolution issuewith this
solution, and it does not have
theversatility of either the
iM ac or a PC . But then when
theprimaryuseisonline
gaming, theoption of email
and web browsing is an
attractiveextra; and no doubt
web pages will beoptimised
fortelevision viewing in the
near future, which will increase
theappeal ofthegames
consoleover a computer as an
email and surfing solution,
especially taking thecost
differential into account.
Another option for a move
away from PC convention is a
laptop docking station from
manufacturers such as
H ewl ett-Packard . T h i s al I ows a
laptop to beshared between
work and homeenvironments.
Thelaptop gives the versat i I i ty
of a mobilecomputer, but
thereistheoption of docking it
at a static location where, along
with thestation itself, it attains
all thefunctionsof afull PC.
Thedocking station can havea
greater number of input and
output socketsthan a laptop,
such as SCSI and PC Card
si ots, as wel I as al I o wi n g f u rt h er
hard drives and CD/DVD-
ROM drives to befitted. A
screen, keyboard and mouse
haveto remain with thestation
(which doesn't work without
thelaptop) but at least the
overall look isdifferent to the
conventional PC - and they
don't all comein beigeeither.
Ultimately, most people
would liketheircomputersto
look good, as well as perform
well. Considering theway
current motherboards and
graphics cardslook, PCs
would doubtlesslook as good
astheiMaciftheinteriorwas
visible. Applehas shown that
stylecan be achieved in a
computer. Wesayit'stimefor
thePC to undergo asimilar
metamorphosis so it can also
displaya level of stylishness
morein keeping with the
modern household item that
thecomputer has become.
SCOTT MONTGOMERY
A computer is ultimately
nothing morethan a
versatiletool, or is it?
Admittedly its roots aref i rmly
in therealms of functionality,
butcanthemodern
computer's status real ly be
reduced to a meretool? With
email and thelnternet being
used moreand morefor non¬
work purposes, computers are
as much a part of personal life
as of o u r p rof essi o n al I i ves. 1 1 i s
thereforestrangethatthePC's
looks haveremained so
functional when a morestylish
look would bemorein keeping
with itshomeuse.
Asthisgroup test has shown
somestepsarebeingtaken to
makethePC look a bit
trendier, but thereisstill along
wayto go asthestandard
colou r schemes of most of the
test systems h i gh I i ght . 0 f
courseit doesn't haveto be
this way, asApplehas shown
withtheiMac.
It is likely that if you asked
someoneto imaginethemost
stylish computerthey could,
their mind would drift to the
curvaceousall-in-oneform of
Apple'siMac. What Applehas
observed isthat in thesame
waythat peoplelikeobjects
such astheirtelephoneto look
a bit cool, they want their
computer to look good too. As
a result, theiMac is physically
different in almost everyway
from a PC, and looksfar more
likepart ofyourhomedezor
thanabusine5sdevice.AII its
components arebuilt into the
monitor casing, which is
decked out in clear plastic
allowing theworld to seethe
slick innards, and the
keyboard and mousearealso
similarly translucent.
Specification-wise, theiMac
is not dissimilartoaPC.lt has
a processor, a G 3 clocked at
between 350M Hz and
500M H z, although dueto the
architectureof both theG3
and the new G 4 processor,
thereisno real comparison of
clock speeds with Pentium Ills
and Athlons. A comparable
amount of memory to PCs is
installed, either 64M B or
128M B; and thereareall the
other usual componentstoo:
up to a 30GB hard disk, a CD-
ROM /DVD drive, and a built-
in 56K modem. Thegraphics
solution is provided by an ATI
Rage 128 Pro with 8M B of
SD RAM ; and theaudio system
is integrated into the main
unit.Thiscould all bestraight
from a PC specification sheet,
yet the packagi ng makes the
iMac appeal to a totally
different audience.
And thenightmaredoesn't
end therefor thePC
manufacturers, becauseApple
hasn't been sitting on its
laurelssinceit released the
iMac and haslet loosethe
Power M acG4 Cube. Even the
namesoundslikesomething
you'd want in your living
room, somewhere between
your lava lamp and your
stylish mini hi-fi. Thecube,
although nottrulycube
shaped, is a mere 24.8cm tall
with its width and depth both
19.5cm, making it extremely
small and unobtrusive, but as
powerful a computer as any
homeuserwill need.
Another threat to
thehomePC
market isthe
Sega
Dream-
cast, an
alterna-
tiveto
both the
PC and
theiMac
foremail
and Internet
browsing.
Although primarilya
console, with a keyboard
(which onlycosts£20)
• Personal Computer World • October 2000
PI CTURES COURTESY OF APPLE COM PUTER I NC
SLIMLINE SYSTEMS > >
How we did the tests
SYSmark 2000
This comprises 12
application workloads
and a management
program. The workloads are
divided into two categories:
office productivity and
Internet content creation. We
run the benchmark at a
resolution of 1,024 x 768 in
16bit colour. It loops three
times, rebooting between
each workload.
It then assigns the system a
performance rating for each
application, based on a
comparison of workload
runtimes between the system
being tested and a fixed
calibration platform. A rating
of 100 indicates the test system
has performance equal to that
of the calibration platform,
200 indicates twice the
performance and so on. The
calibration platform is based
on a Pentium III 450M Hz
processor, an Intel 440BX
chipset motherboard, 128M B
of SDRAM , a 32M B Diamond
Viper V770 Ultra graphics card,
an IBM DJNA 371800 and
Windows 98 SE.
Each category rating is a
geometric mean of the
workload ratings in that
category. The overall rating is a
weighted geometric mean of
the category ratings.
Office productivity
Corel CorelDraw 9.0
This script first takes an
abstract design, applies an Art
Stroke to it and runs various
filter effects. It creates and
manipulates a scene composed
of vector graphics. Next, it
takes a raster image and
applies effects. It creates
several 3D objects and
performs 3D manipulations.
Corel Paradox 9.0
This performs SQ L-style queries
on a database tableand runsa
'find duplicates' query. It imports
other text files, formatting and
exporting each to HTM L. Then
it opens up query forms, enters
Bryce 4 script
manipulates a
wire frame scene
and renders it
charts, applying
graphics and
sound effects,
and adding
moviefiles.
additional data and produces
reports based on queries.
M icrosoft Word 2000
This workload invokes word
processing functions, including
editing, spell checking, search
and replace, font change, copy
and paste, print preview, mail
mergefields, insert hyperlinks,
background and table
formatting plus opening and
viewing HTM L pages.
Microsoft Excel 2000
0 perations include closing and
opening spreadsheets, HTM L
pages and data in text files, spell
checks, formula calculation,
plotting data, formatting
charts and cells, analysing data
in pivottables, naming a cell
and inserting hyperlinks.
Microsoft PowerPoint 2000
Dragon NaturallySpeaking
Preferred 4.0
The script plays a pre-recorded
wavfileinto Naturally-
Speaking, which then converts
thewavfileto text.
Netscape
Communicator 4.61
This opens a website of plays
by Shakespeare and selects and
loads the texts several times.
Then it loads a page consisting
of large tables, thumbnails and
images and cycles through
viewing the images.
Internet
content creation
Adobe Premiere 5.1
This creates an animation of
about 16 bmp files and other
avi clips and puts transitions
between them. It superimposes
two audio tracks and runs the
formatting
3D Mark 2000
tests each
system's DirectX
performance
(above) and
OpenGL
performance is
tested via Q uake
III: Arena (right)
Operations include spell audio through filters,
checks, editing,
formatting and
moving pictures,
applying
templates,
formatting
tables in slides,
inserting
hyperlinks,
applying header
and footer data,
Adobe Photoshop 5.5
The script loads, resizes, zooms
out of images, applies filters to
the images, changes mode and
colour settings, adjusts image
brightness and contrast and
saves the image to a jpeg file.
Avid Elastic Reality 3.1
The workload sets up and
renders a morph between two
mpeg2-sized images (720 x
480 pixels, roughly 750KB) .
MetaCreations Bryce 4
This script opens an assembled
wire frame sceneand renders it
to the final image. Then a new
image is opened and saved in
M etastream format. Another
image is opened and saved in
an HTM L-compatibleformat.
M icrosoft Windows
Media Encoder 4.0
Theinputfileisan avi clip that
is encoded using the mpeg4
Video Codec.
3D Mark 2000
Remedy Entertainment's M AX-
FX is used to test the D irectX
performance of a system. It
runs two specially coded
games at low, medium and
high resolutions. We ran the
benchmark at 1,024 x768 in
16bit colour, with each game
set to loop three times. The
3D Mark is calculated by
adding theframes per second
for each game together and
multiplying the result by 12.
Quake III
We tested each system's
0 penG L performance with
Quake III: Arena (1.11).
The settings were:
video mode- 1,024x768,
colour depth - 16bit, full
screen, highest texture detail,
texture quality- 16bit,
texture filter - bilinear, lighting
and lightmap.
At command prompt we typed:
timedemo 1
demo demoOOl
This runs demo 1 and records
theframes per second.
• Personal Computer World • October 2000
overall
Simply Systemax P750 RV Performance
Time M achine 750-7f VQ Professional
AJP Neo-PC
evesham.com Evolution
Viglen Incepta
Packard Bell Spirit RF 730
Elonex Book PC
Carrera Octan DM 650
Hi-Grade Ultinet 733
Acer Veriton FP
Panrix V-Box Home Theatre PC
Gateway Profile 2
101
96
M-Hiimaiiwii
Internet content creation
AJP Neo-PC
Simply Systemax P750 RV
Viglen Incepta
Time Machine 750-7fVQ Pro
Elonex Book PC
evesham.com Evolution
Packard Bell Spirit RF 730
Carrera Octan DM 650
Acer Veriton FP
Hi-Grade Ultinet 733
Panrix V-Box Home Theatre PC
Gateway Profile 2
147
137
136
134
133
132
107
102
78
100 120 140 160
BIGGER IS BETTER
1,095
1,075
Time Machine 750-7f VQ Pro
Carrera Octan DM 650
Viglen Incepta
evesham.com Evolution
Elonex Book PC
AJP Neo-PC
Acer Veriton FP
Gateway Profile 2 DID NOT RUN
Simply Systemax P750 RV DID NOT RUN
Hi-Grade Ultinet 733 DID NOT RUN
Panrix V-Box Home Theatre PC DID NOT RUN
2,225
1,756
1,171
665
634
Packard Bell Spirit RF 730
DID NOT RUN
BIGGER IS BETTER
Simply Systemax P750 RV
Time Machine 750-7fVQ Pro
evesham.com Evolution
Viglen Incepta
Packard Bell Spirit RF 730
AJP Neo-PC
Elonex Book PC
Carrera Octan DM 650
Hi-Grade Ultinet 733
Acer Veriton FP
Panrix V-Box Home Theatre PC
Gateway Profile 2
Quake III (fps)
Time Machine 750-7fVQ Pro
Carrera Octan DM 650
Viglen Incepta
evesham.com Evolution
Elonex Book PC
Simply Systemax P750 RV
Packard Bell Spirit RF 730
Gateway Profile 2
Panrix V-Box Home Theatre PC
AJP Neo-PC
100 120 140
BIGGER IS BETTER
29.2
24.8
16.2
15.4
11.6
10.3
5.7
Acer Veriton FP 4.3
500 1,000 1,500 2,000 2,500
BIGGER IS BETTER
Hi-Grade Ultinet 733 DID NOT RUN
0
10 20
BIGGER IS BETTER
30
»
Personal Com puter World • October 2000 • JjJ
SLIMLINE SYSTEMS > >
SLIMLINE SYSTEMS > >
Table of features
T.n
j, ^ _
£st'
Manufacturer
Acer
AJP
Carrera
Elonex
EVESHAM.COM
Model Name
Veriton FP
Neo-PC
Octan DM 650
Book PC
Evolution
Price inc VAT (ex VAT)
£2,113.82 (£1,799)
£1,976.35 (£1,682)
£938.93 (£749)
£1,065 (£899)
£1,291.32 (£1,099)
■
Telephone
0870900 2237
020 8208 9755
020 8307 2800
020 8452 4444
0800 038 0800
Hardware specs
Processor
Pentium III 500MHz
Pentium III 750M Hz
AMD Duron 650MHz
Pentium III 733MHz
Pentium III 700MHz
RAM/type
128MB/ PC 100
128MB/ PC 100
128MB/ PC 100
128MB/PC133
128MB/PC133
Occupied RAM slots/ spare RAM slots
1/1
1/1
1/2
1/1
1/0
M ax memory in this configuration
384MB
256MB
1.1GB
384MB
128MB
Maximum memory supported by motherboard
512MB
256MB
1.5GB
512MB
256MB
Hard disk (manufacturer and model)
Quantum Fireball
Plus KA
Quantum Fireball
QML20400LB
Western Digital
WD15 3BA
Fujitsu MPE3273AH
Maxtor 52049U4
HD size/ interface
13GB/EIDE
20.4GB/EIDE
15GB/EIDE
27.3GB/EIDE
20GB/EIDE
Storage drive model and manufacturer
N/A
N/A
Ricoh Combo MP9060
N/A
Samsung Combo SM-304B
Size of storage drive media/ storage drive interface
N/A
N/A
650MB/EIDE
N/A
650MB/ EIDE
3.5in floppy drive
✓
✓
✓
✓
X
Motherboard manufacturer
Acer
Mitac
Biostar
MSI
Intel
Model/ chipset
V66LT/ Intel BX
67X/ Intel 440BX
M7VKA/VIA KT133
M S6174/ Intel 810E
MO810E Desktop/Intel 810E
Expansion and I/O
No of 3.5/5.25in bays
1/0
1/0
3/2
2/1
1/1
No of free3.5/5.25in bays
0/0
0/0
1/1
0/0
0/0
Noof PCI/ISA/ shared/ AMR slots
1/0/0/0
1/0/0/0
2/ 0/0/1
2/ 0/0/0
1/0/ 0/0
Noof free PCI/ISA/ shared/ AMR slots
1/0/0/0
1/0/0/0
2/ 0/0/0
1/0/0/0
o/o/o/o
No of USB/ serial/ parallel/PS/2
2/ 1/1/ 2
2/ 1/1/ 2
2/2/1/2
2/ 2/ 1/2
4/0/0/0
Multimedia
DVD manufacturer/ model
CD-ROM: Panasonic
CR175
Hitachi GD-S100
Ricoh Combo MP9060
CD-ROM: Mitsumi
SR242S
Samsung Combo
SM-304B
DVD speed/ interface
N/A
6X/EIDE
4X/EIDE
N/A
4X/EIDE
Sound card manufacturer
ESS
Crystal (onboard)
Onboard
Onboard
Creative (onboard)
Sound card model
Solo
Sound Fusion Audio
VIA KT133
Yamaha AL-XG
Audio Device
SB Audio PC 1128
Speakers (manufacturer and model)
Integrated
Integrated
Altec Lansing ACS22
Creative SBS20
Creative SBS52
Graphics card manufacturer and model
ATi Rage LT Pro (onboard)
Onboard
OEM TNT2 M64
Onboard
Onboard
Chipset
Rage LT Pro
ATi 3D Rage LT Pro
TNT2M64
Intel 810E
Intel 810E
RAM /max RAM and type
8MB/ SDRAM
8MB/SDRAM
32MB/SDRAM
4MB/ SDRAM
4MB/ SDRAM
Graphics card interface
Onboard
Onboard
Onboard
Onboard
Onboard
M onitor manufacturer / model
Integrated flat panel
Panasonic integrated
MEDTCF02QEF
LG 775N
ELXMN017HS
Vibrant VM52RDA-E02
M onitor size/ max viewable diagonal
15in/15in
15.1in/15.1in
17in/16in
17in/16in
15in/13.8in
Maximum resolution and refresh (Hz)
1,024x768/60
1,024x768/60
1,280x720/75
1,280x1,024/75
1,024x768/60
Other information
Modem manufacturer and model
Standard 56K
PCI modem
Apollo Fax/ Modem
FM560
HAMR 5600 Voice
Modem
Conexant
HCF V.90 56KPCI
Diamond Supra SST
56i Pro DF
Misc hardware
Intel 82558-based
integrated Ethernet, IrDA
port, ASM Pro Suite V.l
AMD Family 10/ 100
Ethernet adaptor,
IrDA port
None
Intel 82559 Fast
Ethernet (onboard), DFPI
connector, IrDA port
Intel Ethernet
LAN onboard
Bundled software
None
MS Works Suite 2000
Lotus SmartSuite
Millennium
MS Office 2000
Small Business Edition
MS Works Suite 2000
I] • Personal Computer World • October 2000
Gateway
Hi-Grade
Packard Bell
Panrix
Simply
Time
VlGLEN
Profile 2
UltiNet 733
Spirit RF 730
V-Box Home
Theatre PC
Systemax P750
RV Performance
Time Machine
7 50- 7f VQ Pro
Incepta
£1,643.82 (£1,399)
£1,373.58 (£1,169)
£1,899 (£1,616)
£821.33 (£699)
£1,173.83 (£999)
£821.32 (£699)
£1,350.08 (£1,149)
_
0800 552 000
020 8532 6111
01628 508 200
0113 244 4958
08707 297 366
01282 777 555
020 8758 7000
Intel Celeron 500MHz
Pentium III 733MHz
Pentium III 733MHz
Celeron 600MHz
Pentium III 750MHz
AMD 750MHz
Pentium III 700MHz
64MB/ PC 100
128MB/PC133
128MB/PC100
128MB/ PC 100
128MB/ PC 100
128MB/ PC 100
128MB/ PC 100
N/A
1/1
1/1
1/1
1/1
1/1
1/1
N/A
384MB
384MB
384MB
384MB
384MB
384MB
N/A
512MB
512MB
512MB
512MB
512MB
512MB
IBM Deskstar
DPTA-372050
Fujitsu MPE3204AH
Maxtor 32049U 3
Maxtor 91521U3
Maxtor 52049U 4
Fujitsu MPE3204AT
Fujitsu MPF3102AT
20.5GB/EIDE
20.4GB/EIDE
20.4GB/EIDE
15.3GB/EIDE
20GB/EIDE
20GB/EIDE
10GB/EIDE
N/A
N/A
N/A
N/A
N/A
N/A
N/A
N/A
N/A
N/A
N/A
N/A
N/A
N/A
_
✓
✓
✓
✓
✓
✓
X
Gateway
Chaintech
MSI
PC-Chips
Q-lity
MSI
Intel
_
Intel 810
6SLV/SiS 630
M S-6303/ Intel 810E
Panrix OEM/ Intel 810
CP810-F1/ Intel 810
MS6316/AMD 750
GS810/ Intel 810
N/A
2/1
1/1
2/1
1/0
3/2
1/0
0/0
0/0
0/0
0/0
0/0
1/1
0/0
N/A
0/0/ 0/1
2/ 0/0/1
O/O/O/O
1/0/ 0/1
3/ 0/0/0
lmini PCI/0/0/0
N/A
o/o/o/o
2/0/0/0
O/O/O/O
1/0/0/0
2/ 0/0/0
o/o/o/o
_
4/ 0/0/0
2/ 1/1/2
2/ 1/1/ 2
2/0/ 1/2
4/ 1/1/ 2
2/ 1/1/2
4/ 0/0/0
Toshiba DVD SD-C2302
Asus E608
Pioneer DVD 114
Panasonic SR-8584A
Compaq DRD-U624
Pioneer DVD-104S
Teac DV-25E
12X/EIDE
8X/EIDE
lOx/EIDE
6X/EIDE
6X/EIDE
lOx/EIDE
5X/EIDE
Soundmax
SiS (onboard)
Onboard
C-Media
Creative (onboard)
Creative (onboard)
Onboard
AudioCodec 97
SiS 7018
Intel 810E
CM18738/C3DX PCI
SB Audio PC 1128
SB Audio PC 1128
Intel 810 Soundmax
Digital Audio
Integrated
Integrated
NXT FPS-IEP(B)
Creative Soundworks Digital
Creative SBS52
Time speakers
Altec Lansing LCS33
Onboard
Onboard
Onboard
Intel 810
Onboard
Onboard
Onboard
Intel 810
SiS 630
Intel 810E
Onboard
Intel 810
nVidia TNT2M64
Intel 810
4MB/ SDRAM
8MB of system memory
4MB SDRAM
2MB system memory
4MB SDRAM
32MB/ SDRAM
4MB/ SDRAM
Onboard
Onboard
Onboard
Onboard
Onboard
Onboard
Onboard
Gateway PFL2-15A
(integrated)
X-TAL 6220 TFT
Packard Bell
Slinwiew S525
ViewSonic E70
CTX PR705
Samtron 55E (M) (plus)
Viglen 15RX-TA
flat panel
15.1in/15.1in
15in
15in/15in
17in/16in
17in/16in
15in/14in
15in/15in
1,024x768/60
1,024x768/60
1,024x768/60
1,024x768/75
1,280x1,024/75
1,024x768/75
1,024x768/75
Motorola SM 56 AC-L
Standard AMR modem
AMR modem
MR 2800-W
C-Media 56K
Motorola SM 56 AC-L
WinModem56K
3Com Mini PCI
Datafax Modem 56K
Intel 21145-based
phoneline/ Ethernet
controllers
2x FireWire sockets, DVI,
S-Video, composite out
IrDA port, SiS 900
PCI Fast Ethernet
Microphone
SiS 900 Network
(onboard)
Creative WebCam3
Microphone
Joystick, gamepad
headset & microphone
Network Card 10/100
Intel-based (onboard)
MS Works Suite 2000
Lotus SmartSuite
Millennium
MS Works & Word 2000,
Packard Bell Spirit CDs
MS Works 2000
MS Office 2000
Small Business Edition
Time standard software
pack, MS Works
MS Works Suite 2000
Personal Com puter World • October 2000 • jj|f
SLIMLINE SYSTEMS
Editor's Choice
The judging this month was
exceptionally hard, because so
many of the systems were good
in different ways. The manufacturers
followed three directions. First, Time
and Carrera opted for basically a
standard PC, but in the smallest
conventional case available. These units
are not only the most upgradable, but
are also fast enough to indulge in a little
gaming. Both havean onboard TNT2
chip and 32M B of video SDRAM , so the
graphics processing, although not state-
of-the-art, is good enough to run games.
So, if it is just a small PC you need, with
some upgradability and a bit of pace,
then either of these will be in the running.
Other entrants are built around a fully
integrated unit, with speakers and a TFT
screen attached to the main bodyof the
PC and only the keyboard and mouse
plugging in. This is a lot more expensive
and most of the models have been
designed more for business environments
than as cheap and stylish home PCs. As a
result, theyhavevirtuallyno optionsfor
upgrade, as the design is for the user who
wants something to look good as well as
perform. But then let's face it, an
amateur 'hotrod' PC builder will want a
giant case, with lots of fans and good
two-hand access, not a curvy all-in-one
case with built-in TFT. The bottom line is
that this type of unit fits a niche, and if
money is no object it's worth a look.
AJ P's entrant has a screen that almost
looks like it's hovering in front of the
rest of the case, while the Gateway
Profile 2 has a TFT screen image was
second to none.
H i-C rade's U ItiN et is a versatile and stylish
system you'd be proud to show off
Thethird approach was to useultra-
small cases not much bigger than a stack
of five PCI/I/ issues. In combination with
a TFT flat panel, these are as small and
unobtrusive as a PC can bewhilestill
being functional. Unfortunately, some of
these units came with 17in monitors.
This is a pity as it doesn't matter how
small the PC case is if you need to find
space for a large monitor. The PCs from
Viglen and H i-Grade, by contrast, have
small cases and TFT screens, which in
our eyes, was the most stylish combina¬
tion. Unfortunately, in Viglen's case this
wasn't backed up by lots of features and
the TFT screen was not the best.
The winners
This month's Editor's Choice is the
H i-Grade U ItiN et 733. This unit has
everything a small PC should have to be
versatile, while being so stylish that you'd
actively encourage people to look at it
when they visit your home. The case is
small and compact, yet FI i-Grade has
managed to fit in a full-size Asus DVD
and afloppydrive. Not onlydo these feel
more robust to use than laptop
equivalents (used in manyof theother
units), but also in the event of failure of
either of these drives, there will be a great
financial saving when replacing them.
The U ItiN et 733 has such a vast array
of versatile inputs, that the competition is
left stand ing. W here some of the systems
in this group test had USB and little else,
FI i-G rade's PC not only offers USB, but
also DVI, composite video, S- Video, as
well as being one of thefirst systems
we've seen with integrated FireWire
T he curvy G ateway stood out with its high
spec , great screen and low cost
sockets. This will appeal to the video¬
editing enthusiast, and the 733M FH z
processorand 128MB of SDRAM is
adequate to battlethrough the
processing of this and any other task.
There's a spare DIMM socket to boost
the memory to 384M B. As for storage, a
good-sized 20.4GB Fujitsu hard disk gives
plenty of room, although video editing
will soon use up the space. Completing
the stylish ensemble is a TFT screen. The
U ItiN et is small, good looking, versatile
and well priced. Need wesaymore?
As for this month's Highly
Commended awards, thefirst goes to
the Gateway Profile 2. Cheapest of the
integrated units, this machine looks
almost organic with barely a straight
edge on it. TheTFT screen was second to
none in the tests, with a bright, sharp,
focused and regular image, which is
presented at a good viewing height.
Driven by a Celeron 500M FI z backed up
by64M B of SDRAM , it isn't the highest
specification, but as a stylish PC, it wins
thefirst award hands down.
The second award goes to the Simply
Systemax P750 RV Performance.
Despite its large screen, there is just too
much about this PC to not recommend
it. The monitor is of excellent quality, our
only criticism being over its physical size.
Thesmall case houses the Pentium III
750M H z; M icrosoft Office SBE ensures
that all officeapplicationswill be
handled easily; and Creative's WebCam
makes it a fun and versatile system as
well. As an overall bundle it may not be
the most unobtrusive, but it certainly
deserves a FI ighly Commended award.
Simply' s large screen was not enough to put
usoff and the WebCam adds a bit of fun
Personal Computer World • October 2000 • BS
SLIMLINE SYSTEMS
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Gamers are always looking for the best and fastest graphics
cards, so we took a look at 14 of the best around to see how
well they performed under rigorous tests in our labs
Over the past few years and since our last group test back in
December, graphics cards have undergone many changes.
W ith the rendering process moving from the PC's CPU to the
graphics card's GPU (graphics processing unit) together with
increases in memory size, these cards have now become very
desirable upgrades - especially for the gaming enthusiast. This
demand for top-quality graphics and 3D acceleration continues to be fuelled bythe
gaming community and has given rise to a very competitive market akin to the one
being thrashed out between PC processor manufacturers.
0 ne of the main players in this field is nVidia and its release of the GeForce
256 GPU last year heralded a new era in graphics card technology. The card had its
own T&L (Transform & Lighting) enginethat ultimatelytook load awayfrom the
CPU. Barely six months later, and in true Intel/ AM D style nVidia released the
GeForce2 GTS chipset to supplant the older card. This runs faster and cooler,
and has been incorporated into manyof today's graphics boards. However, nVidia
is not alone, with the likes of ATi and 3dfx producing cards based solely on their
own chip designs.
So, to find out who has made the best use of nVidia's technology, and to see how
the independent contenders fair, PCI/1/ has rounded up 14 of the best and latest
cards and challenged each to run our gauntlets.
contents
196 3dfxVoodoo5 5500
AO pen PA256 Deluxe
197 AsusV7700 Deluxe
AsusV7700 Pure
199 ATi All-In-Wonder 128 Pro
ATi Radeon
200 Creative 3D Blaster
GeForce2 GTS
ELSAGIadiacGeForce2
GTS 32MB
202 ELSA GladiacGeForce2
GTS 64MB
GigabyteGA-GF2000
203 Hercules 3D Prophet II 32MB
Hercules 3D Prophet II 64M B
204 M atroxM illennium G400 M ax
M SI M S-StarForce815
205 FSAA explained
206 How we did the tests
208 Performance results
210 Features table
213 Editor's Choice
• G raphics cards tested and reviewed byRiyad
Emeran, Scott M ontgomery and jalal 1/1/ erf alii
Personal Computer World • October 2000 • 1Q|
GRAPHICS CARDS > >
3dfx Voodoo5 5500
WHEN WE LOOKED afihefull retail
release of the Voodoo5 5500 last month
we had warmed to it a littlesincethe
initial preview the previous month. That
said, it'sonlywhen theVoodoo isup
against a full range of its peers that its
inadequacies becometrulyevident.
Performance results show
it languishing nearthebottom
of almost every graph. When
we first heard about the
Voodoo5 at Comdex last
N ovember we were expecting
itto wipethefloorwith its
peers, dueto its dual-chip
configuration, but
unfortunately it didn't live up
to expectations. 3dfx has also
chosen not to equip the
Voodoo5 with either
transform and lighting (T&L)
or hardware environment
bump mapping features.
What 3dfx has equipped
theVoodoo5 with isfull
scene anti-aliasing (FSAA),
which basically blurs the
edges of polygons to make
3D models have smoother
curves. There are, however, a
coupleof problems with this
feature. First, the performance takes a
serious hit when the FSAA is applied and
second, both theGeForce2 and the
Radeon chipsets also support it. That
said, the FSAA on theVoodoo does look
very good, especially on games such as
Tomb Raider, and theVoodoo has the
added advantage of having the largest
back catalogue of 3D titles dueto the
proprietary 3dfxGLide API. This means
that you could go back and playthefirst
Tomb Raider episode with superior
graphics, should you want to.
As well asthetwo VSA-100 chips,
there's also 64M B of memory and a
power socket. This board draws so
much powerthattheAGP slot alone
can't supply it with enough so it has to
be connected directly to your power
supply. This board is absolutely huge, so
makesure your drive cage won't get in
the way before you buy.
Ultimately, theVoodoo5 can't
compete on performance, but if you
want to get the best from your back
cataloguegames it's worth considering.
DETAILS
★★★
PRICE £210.32 (£179 exVAT)
CONTACT dabs.com 0800 138 5154
www.3dfx.com
PROS Reasonably cheap, good backward
compatibility
CONS Poor performance, lack of features
OVERALLTheVoodoo is eclipsed bythe
competition that has better performance and
mo re features
I Open PA256 Deluxe
req u i red . T h e so f t w a re a I so
includesan OpenGPU utility
that displays thetemperature
of your card, along with
voltages across the memory
and GPU, as well asthefan's
current speed. For the
compulsive overclocker, this
same utility can be used to
wind thefrequencyof the core
and memoryupto 255M Hz
and 450M H z respectively. The
card is set to nVidia's
recommended 200M Hz core
and 333M Hzmemory
frequency.
Trying out the utility we
found a few extra frames
could be sucked out of the
card by increasing the
frequencies byaround 10 per
cent; anyhigherthan this and
it became unstable. You can
also get quick access to the
card'sBIOSduring POST (PowerOn Self
Test), by pressing the Insert key. This
allows you to reduce the overclocking
before the operating system boots, if
you've pushed it beyond its limits.
AO pen hasgonefor a conventional
green PCB look. A riser board sits above
THE AO PEN PA256
easiest of all the cards tested to install.
M ost were fairly simple, but the AO pen
involved only oneclick, then all the
relevant software is transferred to your
system, saving you thetroubleof trawling
the CD for drivers, which some cards
themain card, with the hardware for the
S-Video socket built into it. The32M B of
SGRAM sits on both surfaces.
The AO pen's performance was
among the best, regularly beating all but
the64M B GeForce2 cards, and with
28.5fps in Quakelll at 1,600x1,200
with 32bit colour and textures, it's only
marginally behind the ELSA Gladiac
64M B which managed only 28.7fps at
thesame resolution and colour depth.
With its easy install, acopyof Inter-
Video's WinDVD 2000 and a coupleof
games, the AO pen PA256 Deluxe is an
excellent card. If you wantto playQuake
III with a GeForce2 card, and want itto
look its best, this is worth a look.
DETAILS
★★★★
PRICE £249 (£212 exVAT)
CONTACT Majestic Technologies
0845 6000 144 www.aopen.nl
PROS Excellent perform a nee from a 32 M B
card
CONS M ore expensivethan other 32MB
models
OVERALL This card is one of the best
performing 32M B cards in thetest. With a
good software bundleand TV-out, you could
do a lot worse
• Personal Computer World • October 2000
Asus V7700 Deluxe
up and running straight away.
Carrying on thetradition
of its 'Deluxe' cards, Asus has
included its 3D glasses that
are meant to create a virtual
reality environment for
gameplay. We were not
impressed as the 3D effect is
minimal and makes on-screen
text difficult to resolve.
The board hasthesame
cosmetic circular fan as the
V7700 Pure, bordered bythe
DDRSGRAM memory chips.
These equate to a total of
2MB, running at two times
166M Hz- typical of most of
the nVidia GeForce2 GTS
boards.TheGPU coreis
clocked at 200M H z with the
option of increasing this to
220M Hz using the bundled
Tweak Utility. Using thesame
tool the memory frequency
can be pushed to 364M Hz if you dare.
In terms of performance, the V7700
Deluxe put in excellent scores in most of
the tests. At a resolution of 1,280 x
1,024 with 16bit colour the card ranked
third with a 3DM ark scoreof 4,906.
Elevating the resolution to 1,600 x 1,200
BASED ON THE V7700 (below), this
Asus all-round multimedia card comes
with a variety of outputs that extend its
versatility. These include composite and
S-Video out ports as well as an S-Video
in port and it has all the necessary
S-Video and composite leads to get you
in 16bit, put the Deluxe in fourth place
with a scoreof 3,702. As for Quake III
theV7700 Deluxedid not fall beyond
fifth place at all the settings, with frame
ratesof 77.5 and 27.3for 1,280x1, 024
in 16bit colour and 1,600x1,200 in
32bit colour, respectively. Test Drive 6
frame rates are adequate apart from the
fail in the 1,600 x 1,200 at 16bit test,
and the f lickery 22fps at 32bit.
D river installation went smoothly
and you get a good selection of software.
The card also comes with Asus Live
Utilityto view and capture video from
thevideo input port.
Ratherthan appealingto the full-on
gamer who wants a decent level of
refreshing frames with great detail, this
card will find a different market. You pay
a premium for the extra features though.
DETAILS
★★★
PRICE £284 (£243 exVAT)
CONTACT Ultimate Hardware
0845 1000 170
www.ultimate-hardware.co.uk
PROS A decent and versatile performer
CONS Relatively expensive
OVERALL A good set of features for the video
enthusiast, or those concerned with security
A sus V7700 Pure
motherboards, wasoneof thefirst
manufacturers to utilise thenVidia
GeForce2 GTS chipset in a retail graphics
board. The no-frills design of the Asus
V7700 Pureisverysimilarto nVidia's
reference card wepreviewed back in July.
TheGeForce2 consumes less
power and therefore produces
less heat than theoriginal
GeForce. This suggests that
thecircular heatsinkon the
V7700 is more cosmetic,
ratherthan offering any extra
cooling over a standard
square heatsink.
Like most of the other
GeForce2-powered cards
here, thecoreof theGPU on
theV7700 is clocked at
200M Hz, whilethe32M B
of DDR memory runsalong
at 333M Hz. In 3DM ark
at 1,280x1,024 with 16bit
colour, the V7700 scored
an adequate4,843, which
ranks this card in ninth place.
Likeall theother 32M B
GeForce2 cards tested this
month, the V7700 failed to
completethe3DM arktest at
200 with 32bit colour.
U pgrading to the latest drivers when
theyare released may resolve this. In the
Quake III tests at 1,280x1,024 with
16bit colour, thecard scored 76.2fps
placing it slap bang in the middle of the
group. The V7700 also cametop with a
very respectable 73fps in Test D rive 6 at
the same resolution settings.
Although this model lacks the variety
of outputs seen on theV7700 Deluxe,
you havetheoption of adding aTV-out
module at a later date. For software,
Asus has included SmartDoctor and
Tweak Utility, allowing you to monitor
and adjust such hardware settings as
fan speed and cooling, overclocking,
overheating, and the AGP power level.
Asus DVD2000 and a games package
are also bundled so that you can watch
DVDs and begin gaming on your PC.
At £269.07 inc VAT thisGeforce2
model is a little overpriced and for the
extra money you do not get any extra
features. Fora little more cash, you
could go for either of thetwo Editor's
Choices.
DETAILS
★★★
PRICE £269.07 (£229 exVAT)
CONTACT dabs.com 0800 138 5144
www.dabs.com
PROS The chipset and software utilities
CONS Expensive; no hard ware features
OVERALL A middle-of-the-road graphics card
that neither shone nor under-performed -
difficultto recommend because of the price
Personal Computer World • October 2000 •
GRAPHICS CARDS
ATI All-ln-Wonder 128 Pro
INCLUSION OFTHIScard fromATi
may seem misplaced in what is a group
test of fast gaming cards. That it is
included is testament to its versatility
and its niche in the video card market. It
is an ideal solution for those interested
in playing DVDsorediting video.
Although it is not thefastest
3D card in theworld, when it
comes to connectivity, it is a
high-quality offering that
ischeaperthantheAsus
V7700 Deluxe, which has
similar features.
Based on ATi's Rage 128
Pro chip, thenameAll-ln-
Wonder is no misnomer
when the possibilities for
connectivity are considered.
Notonlydoesit havea
multitudeof input/output
options (including S-Video
and compositeout), but
cables are also supplied to
ensure you have everything
included in the boxto attach
your video peripherals.
W ith ATi cards known for
quality DVD playback dueto
their excellent motion
compensation, the All-ln-
Wonder removes the need to buy a
separate M PEG2 decoder. This second
card is usually required to gain the level
of high-quality DVD playback achieved
as standard with ATi cards, and as all
the cabling is included to connect your
PC to yourTV (and with inclusion of a
3.5mm audio jackto stereo phono
converter, to connect your sound card
to your hi-fi), this is an ideal solution for
you to turn your living room into an
incredible home theatre. There's even a
built-in TV tuner, complete with Teletext
thrown into the bundle.
Admittedly, at the resolutions we
weretesting, the performance wasn't
wonderful for 3D gaming. But then if
you don't mind playing Q uake III at
1,024x768 in 16bit, it will be more than
adequate. If your main concern is video
editing or DVD viewing, though, this
card is ideal. Cheaper than most of the
other entrants, the ATi All-ln-Wonder
128 Pro is excellent value and extremely
versatile.
DETAILS
★★★★
PRICE £169.20 (£144 exVAT)
CONTACT dabs.com 0800 138 5154
www.dabs.com
PROS Incrediblyversatilecard ideal forthose
with an interest in DVD and video editing
CONS Not a gaming card
OVERALL Overall If gaming is not your thing,
then the All-ln-Wonder is an excellent card for
everything else you might want to do with your
PC and video
ATi Radeon
WE PREVIEWED the ATi Radeon in
August when it looked like ATi was
about to pull something very special out
of the bag. The production card proves
that our initial reaction was justified and
that ATi has produced a very impressive
graphics solution. It's been a whilesince
ATi has come up with a
cutting-edge graphics
chipset, but the Radeon is a
step in the right direction.
Theoriginal specwasfor
a 200M Hz chip speed with
corresponding 200M Hz DDR
memory, doubling up to
400M Hz. Unfortunately a
lack of fast DDR memory has
resulted in the production
Radeon boardssportinga
183M Hzchip with 64M B of
183M Hz DDR memory
doubling up to 366M Hz. This
puts the processor speed
17M Hz behind theGeForce2
chip, but the memory speed
33M Hzahead.
Performance-wisethe
Radeon couldn't keep up
with the GeForce2 cards in
16bit colour, but switching
to 32bitcoloursawthe
Radeon rising to thetop of the
performance chart. The GeForce2
chipset has more raw horsepower dueto
its four pipelines asopposed to two on
the Radeon. ATi could have equipped
the Radeon with four pipelines, but
decided to increase its feature set.
LiketheGeForce2, the Radeon has
an integrated T&L engineto offload
geometry calculationsfrom theCPU and
leave it free for other duties. H owever,
unlike many other cards currently
available, the Radeon also supports
hardware environment bump mapping.
This creates f a r mo re I if el i ke su rf aces
without the need for massive polygon
counts, but likeT&L we're waiting for
games to take full advantage of it.
As well as the most comprehensive
3D feature set, the Radeon also
sports video in and video out (VIVO)
capabilities, so you can use it for video
editing as well as playing games. The
ATi is good value, and has great features
and 64M B of the fastest graphics
memoryaround.
DETAILS
★★★★★
PRICE £299 (£254.46 exVAT)
CONTACT ATi 01628 533 115
www.ati.com
PROS The most feature-rich graphics card
available
CONS NotasfastastheGeForce2 in 16bit
colour
OVERALL A superb card from ATi, every
feature you could want and 64M B of memory
Personal
Computer World • October 2000
mm
GRAPHICS CARDS
GRAPHICS CARDS > >
Creative 3D Blaster GeForce2 GTS
THE 3D BLASTER isoneofthe
cheapest 32M B versions of nVidia's new
chipset at £215.02 inc VAT. This means
it takes advantage of the 0.18micron die
process, rather than the 0.22 process of
theoriginal GeForce. As with theother
cardsherethisallowstheGPU to run at
the higher clock speed of
200M Hz. Curiously, the
Creative's default setting was
found to bel99M Hz, and
unliketheother graphics
boards, it didn't havean
overclocking facility. The
memory nevertheless can be
pushed up to 366MHz.
Driver installation was a
slightly lengthy process with
theoption of installing
Sonnetech's Colorific
together with 3Deep to help
you adjust thecolourand
display more accurately.
BlasterControl 4.0 allows
you to add shortcuts to the
BasterControl interface, run
thecard in safe mode, and
set the colours and refresh
rate. It also gives info on
thedriversand BIOS. You
can also diagnose your
card and adjust the OpenG Land
Direct3D settings.
As far as performance goes the 3D
Blaster GeForce2 is much the same as
the other cards with the same chipset
and quantity of SG RAM . It scored 4,852
in the 3D M ark test at a resolution of
1,280x1,024 in 16bit colour. As for
frame rates at this setting the C reative
managed 74.9 for Quake III and 69 for
Test Drive6. Moving on to 32bit colour
and thestoryismuch thesameasthe
rest of the 32M B GeForce2 field with no
resultsfor3DMark at 1,600x1,200 in
32bit colour. The fact that the Creative
wasn't the only GeForce2 card to fail in
Test Drive 6 at 1,600x1,200 with 16bit
colour, suggests that it may be driver
related. Wewould recommend installing
the latest drivers for all of these when
they become available.
W hat the Creative lacks is any form
of extra outputs other than the standard
D-SUB connector. On the surface, there
are sockets for an S-Video output board,
but this is not part of the package.
DETAILS
★★★
PRICE £215.02 (£183 exVAT)
CONTACT dabs.com 0800 138 5154
www.europe.creative.com
PROS A well-priced GeForce2 GTS graphics
board
CO NS N o outputs and no option to overclock
memorywith supplied driver
OVERALL A cheaper option to get your hands
on nVidia's latest graphics technology
ELSA Gladiac GeForce2 GTS 32M B
ELSA MAY NOT BE the best known
graphics card manufacturer in the U K,
but in Europe it'soneof themost
prevalent. ELSA used to be best known
for its high-end graphics workstation
cards costing well over £1,000. These
weretheforerunnersofthenow
commonplaceT&L enhanced
graphics cards, where much
of thegeometry calculation is
taken awayfromtheCPU to
enhance overall performance.
ELSA's recent less exotic
graphics cards have the latest
chipset from nVidia, the
GeForce2 GTS. This very
advanced chipset features an
integrated T&Lengineand
allows multiple textures per
pixel, but it doesn't support
hardware environment bump
mapping, so you won't get
the incredibly realistic
textures that the ATi Radeon
can achieve. This version of
the G ladiac sports 32M B of
RAM although a 64MB
version is also available with a
price premium attached.
Even though this card has
only half the memory of its
bigger brother, it does have a feature
that its sibling lacks. As well as the
standard D-SUB monitor connector
there is also a video input/output
connector. This small din plug connects
to a supplied cable which offers S-Video
in and out ports. This is a pretty good
addition asthisisoneofthecheapest
GeForce2 cards on test.
The32M B Gladiac tookfourth place
in the 3D M ark test at 1,280 x 1,024 in
16bit colour, although most of the
GeForce2 cards produced similar scores.
In all the tests the Gladiac was no better
or worse than the majority of similarly
specced cards.
If you want to buy a 32M B GeForce2
card, there's not too much between
them as far as performance goes. What
you should consider is any extra features
and how much they cost. The Gladiac
scores well on both these counts, it has
the extra video in and out feature and
sportsoneofthelowest priceson test.
This is a great graphics card offering
a cutting-edge chipset and added video
functionality at a reasonable price.
DETAILS
★★★★
PRICE £216.20 (£184 exVAT)
CONTACTdabs.com 0800 138 5154
www.elsa.co.uk
PROS GeForce2 chipset, video in/out,
reasonable price
CONS Faster cards available
OVERALL A good card with a solid price/
performance ratio
r|T|] • Personal Computer World • October 2000
GRAPHICS CARDS > >
ELSA Gladiac GeForce2 GTS 64MB
thestandard 200M Hz, the
Gladiac is one of four boards
in this test that sport a
whopping 64M B of memory.
At a resolution of 1,280 x
1,024 in 16bit colour, thecard
scored pretty much the norm
with 4,783 in the3DM ark
test. The effectiveness of the
Gladiac'sextra memoryis
shown in our tests, since it
wasoneofthefew cardsthat
was able to record a result in
3DM ark at 1,600 xl, 200 in
32bit colour. If the resolution
orthecolourdepth is
umped up the ELSA rises
towardsthetop of thefield in
all the tests. It also hits top in
the Test Drive test at both
1,280x1,024 and 1,600 x
1,200 in 32bit. The Gladiac
64M B is, however, over¬
shadowed by the Hercules 3D
Prophet II in the 3D M ark tests. The
Q uake III scores paint a similar picture.
Ata resolution of 1,600x1,200 in 16bit
colour, theGladiac manages 54. lfps-
second to the64M B Hercules card, one
oftheEditor'sChoices.
ELSA hasn't included video in/out
ELSA WASONE OF the first vendors to
release a graphics card based on the
GeForce2 GTS chipset and 32M B of
DDR SG RAM .This month, the company
has gone one step further with the
releaseof theGladiac GeForce2 GTS
64M B. Based on a GPU core running at
functionson theGladiacGeForce2 GTS
64M B - features that are included on the
32M B version. Bundled software includes
a DVD player, while overclockers will be
ableto tweak the memory from 320 to
380M Hzand theGPU core from 180 to
240M Hz. Becareful though, asunlikethe
64M B 3D Prophet II no heatsinks are
present on the memory chips.
In termsof raw power, theGladiac is
notthefastest in this test, buttheframe
rates it achieves are more than enough
for the current crop of games. Even
though the Gladiac comes into its own
when higher resolutions are important,
it's unlikely that the majority of users
will benefit from the extra memory,
apart from thetruegaming junkie.
At the time of going to press, ELSA
could not give us a price. Therefore, we
areunableto givethecard a star rating.
DETAILS
N/A
PRICE Notsupplied
CONTACT www.elsa.co.uk
PROS Excellent results at higher resolution
and colour-depth settings
CONS Video outputs are optional extra
OVERALL A card that performs well at high
settings but isn't strong on features
Gigabyte GA-GF2000
a fan over the GPU to keep
things cool as it pumps along.
Of all the cards employing
theGeForce2 chipset, the
GA-GF2000 is not thefastest,
with an average position
around seventh place. Its
strongest performance was in
theTest Drive 6 demo at
1,600x1,200 in 32bit colour,
where it achieved a
respectablefourth place with
22fps, which isan admirable
score for such a demanding
resolution and colour depth.
Strangely, its poorest
performance was in 3DMark
2000 at 1,600x1,200 with
16bit textures and colours
where it came tenth (and last
among the GeForce2 cards).
TheGA-GF2000 was
unableto run3DMarkat
1,600x1,200 in 32bit, as were
all thecardsemployingtheGeForce2
chipset coupled with 32M B ofSGRAM . In
fact, of theGeForce2 cards, onlythe
64M B versions could run this test
Fortheoverclocking enthusiast, this
card has sliders in the software drivers
allowingthecoreto beoverclocked
MORE ASSOCIATED with mother¬
board manufacture, Gigabyte has turned
to graphics cards with theGeForce2-
driven GA-GF2000. The board is blue in
colour, but is otherwise unspectacular¬
looking. As with most GeForce2 cards it
has32M B of onboard DDR SG RAM and
from its recommended 200MHzto
220M Hz, and thememoryfrom
333MHzto 370MHz. Although
overclocking the core has little effect,
bumping up the memoryfrequency
gives a few extra frames, although we
wouldn't recommend it as the memory
runsfairly hot on all GeForce2 cardsat
the recommended frequencies, and
overclocking mayreducethelifeof
thecard.
Forgaming, this card iseasilyas
good asanyof theothers available. The
bundled drivers are based on nVidia's
reference drivers 5.30, and so are right
up to dateand utiliseall thecard's
features. However, with no added extras
on thecard to recommend it, the
Gigabyte G A-G F2000 doesn't represent
the best value in this test.
DETAILS
★★★
PRICE £239 (£203.40 exVAT)
CONTACT GasteinerTechnologies
020 8345 6000 www.gasteiner.com
PROS It's fast, but notthefastest
CO NS N ot the best of the no-frills GeForce2s
OVERALL A perfectly good GeForce2 card,
although there are some alternatives that get
mo re from the chipset
• Personal Computer World • October 2000
D Prophet II 32MB
of the Hercules
3D Prophet II mayseem overshadowed by
its 64M B big brother, but its performance
in thetests showed that it isstill a good
contender - and that's without the
overclocking the 64M B uses to burn its
way to thetop of most of thetables.
Looking like a sleeker
version of the64M B card,
the32MB board is blue,
quitelargeand hasblue
heatsinks over the DDR
SGRAM chips, four on the
upper surfaceand fouron
the lower. The heatsink over
theGPU isof asimilarblue
to the others, giving this card
excellent overall looks.
The Prophet's memory
runs at 333MHz, but can
theoretically be clocked up to
420M Hz. The heatsinks will
be of use if you choose to
overclock it, helping to
dissipate the heat generated
by the memory chips over a
I a rger su rf ace a rea . T h e co re
runs at 200MHz as
recommended bynVidia, but
can be clocked up to 250M Hz
forthosewho dare. Although
the sliders in the software go up to these
higher frequencies, this does not mean
the card will run at these speeds, it's
more likely that it will just lock up.
The32M B Prophet II performed well
at all resolutions in 16bit. Not the
highest ofthe32M B cards in any test,
but neither is it the worst performer. Its
best performance was at 1,600 x 1,200
in 16bit colour in Quakelll and theTest
Drivetimedemo, where it came sixth and
fourth respectively; and since most of the
cards that beat it were 64M B versions,
this is fair performance.
The card comes with an S-Video
socket complete with a composite
converter if you don't have S-Video on
your TV. Power DVD software is
included so you can play DVD movies
through thecard to your television.
With its performance as good as
most other GeForce2 cards, and a DVD
player and TV-out as standard, the
Prophet II 32M B may not bethe
ultimate card its 64M B counterpart is,
but it does offer good value.
DETAILS
★★★★
PRICE £246.74 (£209.99 exVAT)
CONTACT jungle.com 0800 0355 355
www.hercules.com
PROS With heatsinks to keep the memory
cool, this card is not onlyfunctional, but it
looks great too
CONS Not one of the fastest card on test
OVERALL Good performance and valuefrom
a card with S-Video out and a DVD player
H ercules 3D Prophet II 64M B
is it so hot? Because as
standard, the drivers
supplied by Hercules
overclock both the memory
and theGPU coreof the
64M B Prophet II. So instead
of nVidia's recommended
200M Hzcoreand 333M Hz
memory, this card runs a
220M Hzcoreand 365M Hz
memory- and it flies.
The overclocking may
haveimplicationsforthe
longevityof thecard.
However, the presence of the
heatsinks over the memory
ensure as much heat is
dissipated as is physically
possible. Besides, in the
extensive testing we put the
card through we found it
remained stabledespitethe
high temperature, only
crashing once(and that
wasn't even during a test). Hercules has
gambled on overclocking, and it appears
to have paid off; and what's more, if you
don't want it running hot, all you need
to do is usetheutilityto return the
frequencies to the recommended levels.
So how fast is it in its standard
HERCULES' 64MB 3D Prophet II is
one hot card - literally. If you were a very
small person, with some very small
burgers, you could have a fair go at
cookingthem on the heatsinks that
cover the 64M B of D D R SD RAM , such is
the heat generated by this monster. Why
configuration? In 16bit colour and
textures in 3D M ark 2000, at 1,280 x
1,024 and 1,600 x 1,200, it topped the
tables with scores of 5,145 and 4,050
respectively. At 32bit colour, at the same
resolutions, the ATi Radeon was the
only card to beat it. In the Quake III tests
it achieved a blistering 81.8fps at 1,280
xl,024 at 16bit, zipping through the
timedemo at an incredible rate.
With Power DVD software and DVI
and S-Video out sockets as standard, this
isthefastestGeForce2 card we've seen.
Hot it maybe, but if you're lookingfor a
card to make your graphics burn along as
fast as possible, this is an absolute must.
DETAILS
★★★★★
PRICE £311.38 (£265 exVAT)
CONTACT dabs.com 0800 138 5154
www.dabs.com
PROS DVI socket; incrediblespeedfroma
GeForce2 -based card
CONS This is achieved by overclocking the
memoryand core which mayreducethelifeof
thecard
OVERALL Despitetheoverclocking wefound
thecard to bestable. If it's the fastest card you
want, then this is the one. If it's features you
need, the Radeon has more
Personal Computer World • October 2000 •
GRAPHICS CARDS
GRAPHICS CARDS > >
designed to produce more
realistic 3D environments.
TheG400 wasalso oneof the
first consumer-based cards to
incorporatedual head
technology, allowing you to
connect to two monitors.
Shortly after its release,
Matrox improved upon the
original G400 byaddinga
faster processor and
RAM DAC, the latter running
at 360MHz instead of
300M H z. Aptly named the
G400 M ax, the extra power of
the new card meant that a fan
had to be used to cool the
heatsink. There's been a lot of
activity on the graphics cards
front since its original release
so how does the Maxfare
against the current crop of
hot chipsets?
In terms of performance,
the M ax is starting to show its age. At a
resolution of 1,280 x 1,024 with 16bit
colour, it onlyscored 2,212 in the
3D Mark tests, which places it second
from the bottom in the group. In the
Q uake III tests, it onlymanaged 17.6fps
at 1,280x1,024 with 16bit colour,
WE FIRST REVIEWED the M atrox
M illennium G400 well over a year ago
and we knew then that M atrox had
created something special. TheG400
was thefirst graphics chipset to
incorporate hardware environment
bump mapping, a DirectX feature
placing it last. TheG400 M axdid
surprise us by achieving 800 3D M arks at
1,600x1,200 in 32bit, but gameplayat
these settings would beimpossible.
TheG400 M axis lagging behind the
rest of thefield in this month's test. That
said, it isn't just about raw power.
Superb image quality and a second
D-SU B allow the M axto retain some
of its original appeal. There's also a
supplied composite and S-Video out all-
in-one cable that plugs into thespare
D-SUB port. However, if it's cutting
edge 3D performance you're after then
look elsewhere or wait for the upcoming
G450. However, if playing the latest
games isn'tyourtop priority, and you're
just after a 2D no-nonsense card then
theG400 M ax still has a lot going for it.
DETAILS
★★
PRICE £151.57 (£129 exVAT)
CONTACT dabs.com 0800 138 5154
www.dabs.com
PROS An excellent reputation for 2D; second
displayoutput
CONS Poor 3D performance; not for serious
gamers
OVERALL A good feature set and good 2D,
but is out of its league in terms of 3D
MSI MS-StarForce 815
months ago. Like many
Taiwanese motherboard
manufacturers, M SI has now
expanded into the graphics
card market, although this
area is getting more cut¬
throat all thetime. Not long
ago manufacturers could
producegraphics boards
based on chipsets from
nVidia, 3dfxand S3, but now
onlynVidia produces chips
for other companies. So, the
M SI, along with most cards in
this test is based on nVidia's
GeForce2 GTS chipset.
Backing up the nVidia
GeForce2 chip is 32M B of
memory, which ismorethan
enough to handlethesizeof
textures in current games. In
fact, if games developers ever
start using texture
compression properly, we
mayseetheend of theongoing spiral of
increasing video memory. The M SI
performed no better or worse than any
other 32M B GeForce2 card in the
3DMarktests, but in 0 uake III and Test
Drive 6 it performed slightly better,
placing in the upper half in most tests.
company that's best
known for its motherboard production.
In fact M SI produced thefirst (and only
for a while) AM D Athlon motherboard
and wasalso showcasing thefirst 1GHz
AM D Athlon Thunderbird system on its
stand atComputexTaipei acoupleof
Inside the boxyou'll find installation
instructions, a driver CD and a copy of
WinDVD in case you want to watch
movies on your PC, assuming you have a
DVD-ROM drive of course.
There's nothing special about this
card, it doesn't have the video in/out
feature of the 32M B ELSA Gladiac, and it
doesn't even have the expansion
connector to fit it as an upgrade. You're
getting a no-frills GeForce2 card that
performs well enough in 3D applica¬
tions. Of course, you're not getting
hardware environment bump mapping in
the feature set, but you are getting those
four pipelines that help it outperform the
Radeon in 16bit. If you're lookingfora
good value 32M B GeForce2 graphics
adaptor, the ELSA offers a stronger
feature set at a great price.
DETAILS
★★★
PRICE £245 (£208.51 exVAT)
CONTACT M icroteq Innovations
01733 896 667 www.msi.com.tw
PROS GeForce2 chipset; solid performance
CONS Light on features; better valueoptions
available
OVERALL A basic GeForce2 card that's
eclipsed a little by the ELSA
ll! • Personal Computer World • October 2000
I
Smoothing out the bumps
Smoother pantie line: Lara without FSAA enabled on the left FSAA has been turned on for the
shot on the right - see the smoother lines where pixels have been blurred
Anti-aliasing isused to
smooth out the
pixellation that appearsin
graphics generation, most
notably when a diagonal
straight edgeisdrawn. What it
doesinsimpletermsisto
removethestep effect that is
especially noticeableon
straight diagonal lines and
curves, byblurringtheon-
screen pixels, thus removing
thepixel corners and
smoothing theimage. The
effect of this can bequite
spectacular in removing the
'step' effect, especially in lower
resolutions wherethepixelsare
larger and, bydefinition, the
problem ismorepronounced.
Until recently, anti-aliasing
has been confined to small
areas of thescene, thus
reducingtheprocessing
requirement acrossthewhole
scene. Recently, though, cards
have started to support full
seen e an ti -al i asi n g (FSAA)
which meansthewholeimage
has anti-aliasing applied to it,
thus removing pixel edges
acrossthewholescreen.This
certainly looks good - and you
havethetimeto seetheeffect
on somecardsbecausethe
frameratedropsso low that
it's li ke watch i n g a si i d e sh o w.
3dfx has recently drawn a lot
of attention to FSAA with the
launch of itsVoodoo5 5500,
which boasts two and four-
samplerealtimeFSAA.And
unfortunately it has been
slammed in thepressfor
theframeratehitthat
accom pan i es u se of th efeatu re.
I n the i nterest of fai rness (and
curiosity) wethereforedecided
to test a few cards to see h ow al I
of them coped with FSAA. We
tested theAsusV7700 Pure, the
ELSA Gladiac 64MB, the
Voodoo5 5500 and thenew
ATi Radeon. All weretested
first without FSAA enabled,
then with it enabled for direct
comparison. FortheGeForce2-
based cardsthis involved using
nVidia's most up-to-date
reference drivers (version 5.32),
aspreviousversionsdid not
havetheFSAA element
enabled, whilewith the
Voodoo5 wetested first at two-
sample FSAA and then at four.
T h e resu I ts are ext remel y
interesting.
With 16bit colour and
textures enabled in Quakelll
at 1,280 x 1,024 frame rates
ranged from 76.2fpsfrom the
AsusV7700to51.6fpsfrom
theATi Radeon. TheVoodoo5
achieved a respectable63.4fps,
whilethe64M B ELSA Gladiac
achieved 75fps. All are
excel I ent frame rates for the
resolution. When FSAA is
turned on all thecards
suffered a substantial frame
ratehit. What is most
interesting is how much their
original framecountis
knocked down whiletheFSAA
featureisenabled.TheAsus
suffered a massive 60 per cent
drop in fps, theG ladiac a 52
per cent drop, whilethe
Radeon suffered a 65 per cent
drop. I nterestingly, at two-
sampleFSAA theVoodoo5 did
best of all, losing only 47 per
cent of its non-FSAA fps, while
at f o u r-sam p I e F SA A i t was
comparableto theRadeon,
losing 65 per cent of its non-
FSAA fps. So despitethefact
that theVoodoo5 had the
lowest frames per second after
application of FSAA (achieving
onlyl7.8fps),itwasnot
affected as badly as any of the
other cards. At 1,280 x 1,024 i n
32bittheresultsweresimilar.
T he Asus suffered a 60 per cent
reduction to its frames per
second, theG ladiac 54 per
cent, the Radeon 67 percent,
andattwo-sampleFSAA,the
Voodoo5 lost 56 per cent,
whereat four-sampleFSAA, it
would not run at all. All the
frames per second at this
resolution and colour depth
were between 15.9 and 19.6fps.
T he resu Its are i nteresti ng
becausethey actuallygo some
way towards vindicating the
Voodoo5, which is in reality
not affected byFSAA as greatly
as other cards in general terms.
As for FSAA generally, it
appears it isjusttoo much for
today's hardwareto process
efficiently; and considering its
effect on performance, FSAA
should probablymore
accurately stand for 'frame-rate
suffers after acti vati on '. T hat
said, if you haveaback
catalogueof gamesthat don't
support today's high
resolutions, FSAA could bea
real bonus. But ultimately, you
haveto ask yourself if you really
want to pi ay old games anyway.
SCOTT MONTGOMERY
Quake III with FSAA enabled 1,280 x 1,024 at 16bit (fps) I Quake III with FSAA enabled 1,280 x 1,024 at 32bit (fps)
ELSA Gladiac GTS 64MB
3dfx VoodooS 5500 2x
Asus V7700 Pure
ATi Radeon
3dfx VoodooS 5500 4x
17.8
14.8
ELSA Gladiac GTS 64MB
3dfx VoodooS 5500 2x
ATi Radeon
1
15.9
\\
Asus V7700 Pure
Rur
H
1 1 1 ■ n i m \
3dfx VoodooS 5500 4x
UIU IWI
j
0 10 20 30 40 50 60 70 80 90 100
10 20 30 40 50 60 70
BIGGER IS BETTER
BIGGER IS BETTER
Personal Computer World • October 2000 • jpJV
GRAPHICS CARDS
GRAPHICS CARDS > >
How we did the tests
The needs of every user
are different and this
makes it very hard to
put together a comprehensive
benchmark test. Some people
may place more emphasis on
2D performance - with the
ability to play a few 3D games
a bonus. Others are willing to
sacrifice 2D performance to
get the best gaming platform
possible, at whatever price.
Even if this is true, then they
may have certain games in
mind, which further compli¬
cates matters. With all this in
mind, we put together the
following combination of
tests: 3DMark2000, Quake III
demol and Test Drive 6 Time
Demo, running them on one
of our PC refer¬
ence machines, a
733MHz Intel
Pentium III
plugged into an
AGP 4x equipped
motherboard with
128MB of
RDRAM, all under
Windows 98 SE.
We decided not to
run 2D tests since
there is very little
difference between
these cards in a
2D environment.
3D Mark 2000
This is an instruction-set
optimised version of
3DM ark99 from Futuremark,
which tests the 3D capabilities
of PCs. It uses a Real World
DirectX 7 3D game engine to
produceoneresultinthe
form of 3D Marks. For
standalone reviews and
group tests, we usually
perform all tests at 1,280 x
1,024 resolution in 16bit
colour depth with the test
suites set to loop three
times. In this test, to push
the cards that little bit
harder, we also ran the
testsat 1,280x1,024 in 32bit
colour, 1,600 xl, 200 in 16bit
colour and 1,600x1,200 in
32bit, if those modes were
supported bythe
card. The higher the
score, the better
the result.
Quake III
This game gives a
good overview of
OpenGL performance. Testing
cards with Quake III consists of
running a recorded game on
the test system and getting a
final frames per second (fps)
score at the end. The higher the
sco re the better, with an fps of
30 or more providing visibly
smooth playback.
Acoupleofdemosare
alreadybuilt into the Q uake III
test - part of the full version
game - and we opted for
demo 1 which puts a greater
demand onthegraphics
subsystem due to it being
A bove: Q uake III highlights O penG L performance
L eft: W e pushed the cards hard in the 3D M ark tests
B elow: A racing game put the cards under pressure
during the TestD rive 6 demo
staged in an open area with no
walls. To run the test you need
to bring up theconsoleand
enter thefollowing commands:
timedemo 1
then press return, followed by
demo demoOOl
After thedemo hasfinished,
bringing up theconsoleagain
will display theoverall fps score.
We ran the test four times for
each card at 1,280 x 1,024 and
1,600 xl, 200 resolutions in
both 16bit and 32bit colour,
with the game settings at
their maximum.
Test Drive 6
It is hard work putting graphics
cards through their paces,
involving a lot of repetitive
testing and quantitative data
collection. Instead of only
using the standard first-person
shooter game, we further
enhanced thequalityof our
results by including
Infrogames' Test Drive 6 Time
Demo, giving us another fps
score. Although first-person
perspective games tend to be
someof the most popularon
the PC, we thought adding a
driving game into the mix
would cover the interests of
more end users. Furthermore,
this racing game comes with
transform and lighting
support, putting manyof the
graphics cards under more
pressure. As with the other
tests, we ran the demo four
times per card at 1,280 x 1,024
and 1,600 xl, 200 resolutions
in both 16bit and 32bit colour.
|T#1 • Personal Computer World • October 2000
GRAPHICS CARDS > >
1,280 x 1,024 at 16bit
Hill
1,280 x 1,024 at 32bit
Hercules 3D Prophet 2 64MB
AO pen PA256 Deluxe
Asus V7700 Deluxe
ELSA Gladiac GTS 32MB
Hercules 3D Prophet 2 32MB
Gigabyte GA-GF2000
Creative 3D Blaster GeForce2
MSI Starforce 815
Asus V7700 Pure
ELSA Gladiac GTS 64MB
ATi Radeon
3dfx VoodooS 5500
Matrox G400 Max
ATi All-in-Wonder 128 Pro
ATi Radeon
Hercules 3D Prophet 2 64MB
AO pen PA 2 56 Deluxe
ELSA Gladiac GTS 64MB
Asus V7700 Deluxe
Gigabyte GA-GF2000
MSI Starforce 815
ELSA Gladiac GTS 32MB
Creative 3D Blaster GeForce2
Hercules 3D Prophet 2 32MB
Asus V7700 Pure
3dfx VoodooS 5500
Matrox G400 Max
ATi All-in-Wonder 128 Pro
1,000 2,000 3,000 4,000 5,000 6,000
BIGGER IS BETTER
1,000 2,000 3,000 4,000
BIGGER IS BETTER
Quake III Demo
^uak^l^em^28^c 1,024 at 16bit (fps) ■ Q uake III Demo 1,280 x 1,024 at 32bit (fps)
Hercules 3D Prophet 2 64MB
AO pen PA256 Deluxe
Asus V7700 Deluxe
MSI Starforce 815
Hercules 3D Prophet 2 32MB
ELSA Gladiac GTS 32MB
Asus V7700 Pure
Gigabyte GA-GF2000
ELSA Gladiac GTS 64MB
Creative 3D Blaster GeForce2
3dfx VoodooS 5500
ATi Radeon
ATi All-in-Wonder 128 Pro 17.8
Matrox G 400 Max 17-6
78.6
77.5
76.6
76.4
76.4
76.2
75.5
75
74.9
ATi Radeon
Hercules 3D Prophet 2 64MB
ELSA Gladiac GTS 64MB
AO pen PA 2 56 Deluxe
Asus V7700 Deluxe
MSI Starforce 815
Hercules 3D Prophet 2 32MB
Gigabyte GA-GF2000
Creative 3D Blaster GeForce2
Asus V7700 Pure
ELSA Gladiac GTS 32MB
3dfx VoodooS 5500
Matrox G400 Max
ATi All-in-Wonder 128 Pro
0 25 50 75 100
BIGGER IS BETTER
0 10 20 30 40 50 60
BIGGER IS BETTER
Test Drive 6 Time Demo
| Test Drive 6 1,280 x 1,024 at 16bit (fps)
Test Drive 6 1,280 x 1,024 at 32bit (fp<
5)
Asus V7700 Pure
Hercules 3D Prophet 2 64MB
ELSA Gladiac GTS 64MB
Creative 3D Blaster GeForce2
Gigabyte GA-GF2000
ELSA Gladiac GTS 32MB
Asus V7700 Deluxe
MSI Starforce 815
Hercules 3D Prophet 2 32MB
AO pen PA256 Deluxe
ATi Radeon
3dfx VoodooS 5500
ATi All-in-Wonder 128 Pro
Matrox G400 Max
ELSA Gladiac GTS 64MB
ATi Radeon
AO pen PA 2 56 Deluxe
MSI Starforce 815
Asus V7700 Deluxe
Gigabyte GA-GF2000
Creative 3D Blaster GeForce2
Hercules 3D Prophet 2 32MB
ELSA Gladiac GTS 32MB
Asus V7700 Pure
3dfx VoodooS 5500
ATi All-in-Wonder 128 Pro
Matrox G400 Max
Hercules 3D Prophet 2 64MB
40 60
BIGGER IS BETTER
20 30 40
BIGGER IS BETTER
Personal Computer World • October 2000
1,600 x 1,200 at 16bit
Hercules 3D Prophet 2 64MB
ELSA Gladiac GTS 64MB
AO pen PA256 Deluxe
Asus V7700 Deluxe
MSI Starforce 815
Hercules 3D Prophet 2 32MB
ELSA Gladiac GTS 32MB
Creative 3D Blaster GeForce2
Asus V7700 Pure
Gigabyte GA-GF2000
ATi Radeon
Matrox G400 Max
3dfx VoodooS 5500
ATi All-in-Wonder 128 Pro
2,000 3,000
BIGGER IS BETTER
4,000 5,000
1,600 x 1,200 at 32bit
ATi Radeon
Hercules 3D Prophet 2 64MB
ELSA Gladiac GTS 64MB
Matrox G400 Max
ATi All-in-Wonder 128 Pro
3dfx VoodooS 5500
Hercules 3D Prophet 2 32MB
Gigabyte GA-GF2000
ELSA Gladiac GTS 32MB
Creative 3D Blaster GeForce2
Asus V7700 Deluxe
Asus V7700 Pure
AO pen PA256 Deluxe
MSI Starforce 815
2,190
800
627
DID NOT RUN
DID NOT RUN
DID NOT RUN
DID NOT RUN
DID NOT RUN
DID NOT RUN
DID NOT RUN
DID NOT RUN
DID NOT RUN
) 1,000
BIGGER IS BETTER
Quake III Demo 1,
x 1,200 at 16bit (fps)
Quake III Demo 1,
x 1,200 at 32bit (fps)
Hercules 3D Prophet 2 64MB
ELSA Gladiac GTS 64MB
AO pen PA256 Deluxe
Asus V7700 Deluxe
MSI Starforce 815
Hercules 3D Prophet 2 32MB
Gigabyte GA-GF2000
ELSA Gladiac GTS 32MB
Creative 3D Blaster GeForce2
Asus V7700 Pure
3dfx VoodooS 5500
ATi Radeon
Matrox G400 Max
ATi All-in-Wonder 128 Pro
ATi Radeon
Hercules 3D Prophet 2 64MB
ELSA Gladiac GTS 64MB
AO pen PA256 Deluxe
Asus V7700 Deluxe
MSI Starforce 815
Hercules 3D Prophet 2 32MB
Gigabyte GA-GF2000
ELSA Gladiac GTS 32MB
Creative 3D Blaster GeForce2
Asus V7700 Pure
3dfx VoodooS 5500
Matrox G400 Max
ATi All-in-Wonder 128 Pro
20 30 40 50
BIGGER IS BETTER
BIGGER IS BETTER
Test Drive 6 1,600 x 1,200 at 16bit (fps)
Test Drive 6 1,600 x 1,200 at 32bit (fps)
Hercules 3D Prophet 2 64MB
ELSA Gladiac GTS 64MB
MSI Starforce 815
Hercules 3D Prophet 2 32MB
ELSA Gladiac GTS 32MB
ATi Radeon
Asus V7700 Pure
3dfx VoodooS 5500
18
Matrox G400 Max
DID
NOT 1
RUN
ATi All-in-Wonder 128 Pro
DID
NOT 1
RUN
Gigabyte GA-GF2000
DID
NOT 1
RUN
Creative 3D Blaster GeForce2
DID
NOT 1
RUN
Asus V7700 Deluxe
DID
NOT 1
RUN
AO pen PA256 Deluxe
DID
NOT 1
RUN
i
3 10 20
30 40 50
BIGGER IS BETTER
ELSA Gladiac GTS 64MB
ATi Radeon
AO pen PA256 Deluxe
Gigabyte GA-GF2000
Asus V7700 Deluxe
Creative 3D Blaster GeForce2
ATi All-in-Wonder 128 Pro
3dfx VoodooS 5500
Matrox G400 Max
Hercules 3D Prophet 2 64MB
Hercules 3D Prophet 2 32MB
ELSA Gladiac GTS 32MB
Asus V7700 Pure
MSI Starforce 815
17
13
DID NOT RUN
DID NOT RUN
DID NOT RUN
DID NOT RUN
DID NOT RUN
3 10 20
tp
30
J BETTER
»
Personal Computer World • October 2000
GRAPHICS CARDS
GRAPHICS CARDS > >
_ HMuiHTg _
Table of features
%
yi
Manufacturer
3dfx
AOpen
Asus
Asus
ATI
ATi
Product
VoodooS
5500 AGP
PA256 Deluxe
V7700 Deluxe
V7700 Pure
All-in-wonder
128 Pro
Radeon
Price inc VAT (ex VAT)
£210.32 (£179)
£249 (£212)
£285.52 (£243)
£269.07 (£229)
£169.20 (£144)
£299 (£254)
Manufacturer URL
www.aopen.nl
www.asus.com
www.ati.com
Supplier name
dabs.com
Majestic Technologies
Ultimate Hardware
dabs.com
dabs.com
dabs.com
Essentials
Chipset
Dual VSA-100
nVidia GeForce2 GTS
nVidia GeForce2 GTS
nVidia GeForce2 GTS
ATi Rage 128 Pro
ATi Radeon
GPU core clock speed (MHz)
166
200
200
200
Not supplied
183
RAMDAC frequency (MHz)
350
350
350
350
300
350
Overclocking facility
X
✓
✓
✓
X
X
Interface
2x/4x AGP
2x/4x AGP
2x/4x AGP
2x/4x AGP
2x/4x AGP
2x/4x AGP
Memory/ type
64MB/ SDRAM
32MB/DDRSGRAM
32MB/DDRSGRAM
32MB/DDRSGRAM
32MB/ SDRAM
64MB/ D DR SDRAM
Memoryfrequency(MHz)
166
333 (166x2)
333 (166x2)
333 (166x2)
Not supplied
366 (183x2)
Hardware mpeg2 assist
✓
✓
✓
✓
✓
✓
Software DVD player
✓
✓
✓
✓
✓
✓
Composite output
X
X
✓
X
✓
✓
S-Video output
X
✓
✓
X
✓
✓
Other/ software
WinDVD 2000
S-Video to RCA
video cable, Drakan,
Rollcage
3D glasses, S-Video in,
games, video-editing
software,
SmartDoctor
Drakan, Rollcage,
Asus SmartDoctor
TV Tuner, S-Video in/
out, stereo audio in/
out, ATi multimedia
centre, Ulead Video 4
ATi multimedia
centre, cables,
S-video in
Max 2D refresh rates (Hz) at 16/32BIT colour
DEPTH
1,024x768
120/120
200/200
240/200
240/200
200/200
200/200
1,152x864
120/120
200/170
200/170
200/170
160/160
150/150
1,280x1,024
100/100
170/150
170/170
170/170
130/130
130/130
1,600x1,200
100/100
120/100
120/100
120/100
90/90
90/90
3D SUPPORT
Alpha blending
✓
✓
✓
✓
✓
✓
Anisotropic filtering
X
✓
✓
✓
X
✓
Embossed bump mapping
✓
✓
✓
✓
✓
✓
Hardware environment bump mapping
X
X
X
X
X
✓
Anti-aliasing
✓
✓
✓
✓
✓
✓
Full scene anti-aliasing
✓
✓
✓
✓
X
✓
Bilinear-filtering
✓
✓
✓
✓
✓
✓
Trilinear-filtering
✓
✓
✓
✓
✓
✓
Gouraud shading
✓
✓
✓
✓
✓
✓
Bilinear mip mapping
✓
✓
✓
✓
✓
✓
Fogging
✓
✓
✓
✓
✓
✓
Perspective correction
✓
✓
✓
✓
✓
✓
Transparency (colour & alpha)
✓
✓
✓
✓
✓
✓
Transform and Lighting
X
✓
✓
✓
X
✓
Z buffering bit depth
24bit
32bit
32bit
32bit
32bit
32bit
Windows 95/98
✓
✓
✓
✓
✓
✓
Windows NT4
X
✓
✓
✓
X
✓
Windows 2000
✓
✓
✓
✓
X
✓
Direct3D
✓
✓
✓
✓
✓
✓
OpenGL
✓
✓
✓
✓
✓
✓
Glide
✓
X
X
X
X
X
Personal Computer World • October 2000
Creative
ELSA
ELSA
Gigabyte
Hercules
(Guillemot)
Hercules
(Guillemot)
Matrox
MSI
3D Blaster
GeForce2 GTS
Gladiac
GeForceZ
GTS 32MB
Gladiac
GeForce2
GTS 64MB
GA-GF2000
32MB
3D Prophet II
GTS 32MB
3D Prophet II
GTS 64MB
Millennium
G400 Max
MS-Starforce
815
£215.02 (£183)
£216.20 (£184)
Not supplied
£239 (£203.40)
£246.74 (£209.99)
£311.38 (£265)
£151.57 (£129)
£245.00 (£208.51)
www.europe.creative.com
www.elsa.co.uk
www.elsa.co.uk
www.gasteiner.com
www.hercules.com
www.hercules.com
www.matrox.com/mga
www.msi.com.tw
_
dabs.com
dabs.com
Not supplied
020 8345 6000
jungle.com
dabs.com
dabs.com
Microteq Innovations
nVidia GeForce2 GTS
nVidia GeForce2 GTS
nVidia GeForce2 GTS
nVIDIA GeForce2 GTS
nVidia GeForce2 GTS
nVidia GeForce2 GTS
Matrox G400
nVidia GeForce2 GTS
199
200
200
200
200
220 (overclocked)
Not supplied
200
350
350
350
350
350
350
360
350
X
✓
✓
✓
✓
✓
X
✓
2x/4x AGP
2x/4x AGP
2x/4x AGP
2x/4x AGP
2x/4x AGP
2x/4x AGP
2x/4x AGP
2x/4x AGP
32MB/DDRSGRAM
32MB/DDRSGRAM
64MB/ DDR SGRAM
32MB/DDR SGRAM
32MB/DDR SGRAM
64MB/ DDR SGRAM
32MB SGRAM
32MB/DDR SGRAM
333 (166x2)
333 (166x2)
333 (166x2)
333 (166x2)
333 (166x2)
365 (183x2 overclocked)
Not supplied
333 (166x2)
✓
✓
✓
✓
✓
✓
✓
✓
X
✓
✓
X
✓
✓
✓
✓
X
✓
X
X
X
X
✓ (with supplied cable)
X
X
X
X
X
✓
✓
✓ (with supplied cable)
X
Rage Rally,
Sonnetech Colorific,
3 Deep, LAVA! Player
ELSA WIN man Suite
ELSA WIN man Suite
Not supplied
TV-out, Composite
converter, Cyberlink
PowerDVD
DVI-out,
Cyberlink PowerDVD
Dual D -SUB,
Micrografix Picture
Publisher, Simply3D,
PointCast
WinDVD 2000
200/200
200/200
200/200
200/200
240/200
240/200
160/160
200/200
170/170
170/170
170/170
200/170
200/170
200/170
140/140
150/150
170/150
170/150
170/150
170/150
170/170
170/170
120/120
120/120
_
120/100
120/100
120/100
150/120
120/100
120/100
100/100
85/85
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
X
X
X
X
X
X
✓
X
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
X
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
X
✓
_
32bit
32bit
32bit
32bit
32bit
32bit
32bit
32bit
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
X
X
X
X
X
X
X
X
Personal Com puter World • October 2000 • \
n
GRAPHICS CARDS
Editor's Choice
Our last look into the rapidly
changing world of graphics
cards was a mere 10 months
ago (PCI/I/ December 1999). Less than a
year has passed, yet you would hardly
even recognise that we were looking at
the same component, such is the
performance of today's cards. The
Editor's Choice last December was
M atrox's G400 M ax, which appears in
this group test as it is still the best 2D
card on the market - and because it acts
as a marker to highlight how much better
current cards perform.
Since the last test 3D performance
has literally skyrocketed through two
generations of GPUs (the GeForce and
nowtheGeForce2), allowing 3D games
to run at incredible resolutions, yet still
look spectacular. In the December tests,
the M atroxM illennium G400 M axcard
was topping someof thetables with
scores of 51.1fps in Quake III at 1,024 x
768 in 32bit. Backthen thiswasquitea
score forthis resolution, and forthose
still running mid-range machines, it is
still a more than acceptableframecount.
Today, similar frame rates can be
achieved at 1,280x1,024 in 32bit, and
even at 1,600x1,200 in 16bit for most
cards, compared to 30fps by the best
cards in the last test. The card
manufacturers have made a lot of
progress since December.
Graphics performance of cards has
reached such a level now that not only is
the frame count relevant, but also how
refined the image is. However, as the
section on full-scene anti-aliasing
highlights, some visual refinement can
T he great features of A T i's R adeon make it
ideal for home-video enthusiasts
comeat too great a cost. Still, ATi has
managed to get hardware environment
bump mapping onto its Radeon chip
(the first card to do so since the M atrox
G400) and it looks absolutely
spectacular. Crowded round a monitor
in the lab when wefirst got this card in,
we ran somedemosof bump mapping,
and what we saw was breathtaking.
Unfortunately, nVidia has still opted
not to includeenvironment bump
mapping on the second-generation
GeForce2 GPU, although this is probably
a spaceconstraintdueto thefour
pipelines. With graphics cards though,
one still has to respect raw polygon-
shifting power. Theabilityto drive the
graphics to such a level that ultra¬
smooth jerk-free gaming occurs no
matter what is on the screen, certainly
demands admiration and that is where
theGeForce2 cards are excellent.
The winners
Thetop runners were grouped tightly
together in terms of performance.
Thankfully it wasn't the one-horse race
we feared, and ATi cut it fine to get its
new Radeon into us in time for testing.
But we got the card and, as king of 32bit
rendering, the ATi Radeon isourfirst
Editor's Choice. This was based on
manythings, although most notablyon
the multitude of features the card
boasts. N ot only does it have hardware
environment bump mapping as well as a
powerful Transform and Lighting engine,
but it also sports video in and out,
making it an ideal card for the home
video enthusiast. The Radeon, like all ATi
H ercules' 3D Prophet II 64MB was the
hottest card in the test - literally
cards, also has great motion
compensation, which gives the highest
quality DVD playbackfrom a card not
solelydedicated to M PEG2 decoding.
Features are one thing in the arena of
graphics cards, raw power is quite
another. On the basis of this, it seemed
only fair to award a second Editor's
Choice award based on raw power
alone. Thewinner is the 3D Prophet II
64M B from H ercules, which was far and
away the fastest (and hottest) card in the
tests. Overclocked by 10 percent in both
its core and memory, the heatsinks
strapped onto the card are both
practical and attractive. With S-Video
(and a composite convertor) and a DVI
socket as standard, it also has some
connectivity variation that other cards do
not. Only one thing concerned us, and
that was the longevity of an overclocked
card. But then if Hercules thinks it'll be
all right, it probably will.
Thefinal award winner was chosen
on valuefor money. Forthegamer, all
that is important is getting the fastest,
cheapest option. Fitting best into this
category is the ELSA GladiacGTS
32M B, the winnerofthis month's
Highly Commended award. Considering
most of the 32M B GeForce2 cards run
at much the same speed, the cheapest
of them will give you almost thesame
performance as the best. Common
sense therefore dictates plumping for
one of the cheapest cards on test. As
well as a reasonable price, the ELSA
also includes video in and out, which will
comeasa welcomeaddition forthe
video enthusiast, too.
ELSA 's G ladiac GTS 32 MB has a
reasonable price and some good features
Personal Computer World • October 2000 • HE
GRAPHICS CARDS
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1 «* 1
Getting great graphics onto a web page is a totally different ball-game
to conventional image editing, but werve checked out a selection of
software packages tnat can help you produce great results
When you look at a web
page what do you see?
Unless you've had the
misfortune to lose your
way in some dried-up
backwater last updated before the war, chances
are you'll be looking at lots of graphics.
Yes, there will be text, but even some of
this will be created and displayed in a graphic
format. We get around the web thanks to
graphics - nav bars, image maps, buttons and
banners provide the links we use to navigate
our way around the planet.
Web graphics are a breed apart from their
paper-bound relatives. Regardless of their
physical size on the page, file size needs to be
kept to a minimum so download times are no
more than a few seconds.
Waiting for a slow graphic-burdened site to
appear on a screen is as much fun as standing
in the queue at the supermarket checkout.
Slow sites don't attract or keep visitors.
Although the situation is changing, many
displays do not support 24bit colour, so web
graphics must be carefully formatted to
appear at their best on these screens.
Animation has brought the web alive.
Animated gifs and new formats like swf and
svg are pushing the boundaries of what's
possible on the web.
The web graphics authoring applications
reviewed in this group test do all these things
and more. At their simplest they provide a
means of reducing the file size of web graphics
by removing colour information and by file
compression. Some of them also provide tools
for assembling graphics created in other
applications into an animated sequence.
M ore sophisticated applications provide a
raft of tools for adding HTML and JavaScript
functionality to web images and offer an
integrated pathway to the web page via
Wysiwyg HTM L authoring applications.
Thanks to these applications creating good
looking, fast moving web graphics has never
been easier.
218 • Personal Computer World • October 2000
ILLUSTRATION TOM GREEN
IMAGE OPTIMISATION > >
Adobe ImageReady
IMAGEREADY WAS initially released
asastandaloneapplication. Adobe
didn't want to burden Photoshop with a
raft of tools and features that wouldn't
be needed by its coreusers - mainly
producing high-quality graphics for
print- but couldn't ignorethegrowing
market for web graphics tools.
But with Adobe's relentless quest for
tighter integration of its products it was
only a question of timebeforethetwo
products were brought together. N ow a
button at the bottom of thetoolbar
allows you to switch between
Photoshop and ImageReady.
Actions, history, layers and almost
everything else makethejourney across
with your image file and the interface is
near identical. So the web features are
there for those who want them
and invisibleto those who don't.
N ot all of the web tools reside
in ImageReady. Photoshop
p ro vi d es a save f o r web feature so
you can compare image size and
quality given particularfiletypes
and compression options, but for
anything else I mageReady is where
the web action is.
When you first jump to
I mageReady from Photoshop,
everything looks pretty much the
same, except fora couple of web-
specific tools and palettes.
The image-editing window is
tabbed, enabling you to easily
toggle between your original image
and a preview of the optimised version.
As with thesavefor web dialog boxin
Photoshop you can displayoptimised
previews two or four-up to make visual
comparisons- filesizesand predicted
download times are displayed below
each thumbnail.
You can select fileformat,
compression settings and palette
options in the optimise palette and these
can be saved and added to a pulldown
menu of commonly used pre-sets. A neat
d ro p I et f eat u re I ets yo u sa ve o p t i m i sed
palette settings to a desktop icon. You
can then drag and drop folders of images
onto thisfor batch optimisation.
Thefinal giveaway that this is
ImageReadyand not Photoshop is the
floating palette at the bottom of the
screen that holdstheanimation, slice
and rollover tabbed palettes.
Image slicing facilities are
comprehensive, flexible and easy to
work with. ImageReady automatically
creates one big slice including the whole
document. You add user slices with the
slicetool to carvethepageup into
rectangular segments. Gaps are
automatically filled in foryou and each
sliceissequentiallynumbered. You can
also create slices automatically from
guides or a rectangular selection.
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0 ptimising animated gifs four-up in ImageR eady
using the optimise palette and colour table
To optimise slicesjust apply settings
from the optimise palette to the selected
sliceand you can applythesamesettings
to a group of slices. ImageReady provides
plenty of scopefor slice editing, allowing
you to combine, divide, duplicate, resize,
arrange and order slices.
In theslice tabbed palette you can
defineslice content as imageand no
image, the latter containing solid
background colours or text. Here's
where you also define the MnkURLand,
if you're using frames, the frame in
which the linked page is displayed.
Rollovers are layer-based; changes you
make using layer palette commands and
options affect only the current rollover
state, and anything that changes the
layer's pixel values affects all states. Layers
can be turned on and off selectivelyfor
any of the rollover states, making the
creation of multi-state rollovers from
layer-based graphics simple. Like
M acromedia's Fireworks, you can also
create rollovers where the action occurs in
a different si ice to the trigger, and you can
display animations in rollover states.
ImageReady has nothing to match
Fireworks' rollover preview facilities,
though, so it's back to the browser to
check that everything works.
Animation is also based on layers -
Slicing the ImageR eady way: T he slice
boundaries snap to each other and
additional slices (5 and 6) are
automatically created to fill gaps
the contents of each animation frame
being determined by layer visibility. Each
frame is displayed as a thumbnail in the
animation palette and you can set inter¬
frame delay rates with a pop-up menu.
Tweening - the automatic creation of
intermediate frames - is also layer-
based. I mageReady can insert frames
displaying a smooth transition of layer
opacity, position or effects.
Foranyone working with Photoshop,
ImageReady is perfect for producing web
graphics as it works in the same way.
If you'realready using another
image-editing application you'd need to
think carefully before investing in a
packagethat duplicates much of what
you already have. You can do most if not
all of this with standaloneapplications
and shareware, it's just not all
conveniently to hand in one place.
DETAILS
★★★★★
PRICE £468.83 with Photoshop 5.5
(£399 ex VAT)
CONTACT Adobe020 8606 4001
www.adobe.com
SYSTEM REQUIREMENTS Pentium
processor, Windows95/98/NT4, 64M B of
RAM , 125M B of disk space, CD-ROM
PROS Greatslicing, animation and rollover
tools
CONS Lack of previews
OVERALL I mageReady has the best
graphicstools, but it'sjust pipped into the
runner-up position when it comes to the web
sideofthings
Personal Computer World • October 2000
A nark Emotion 3D
ANARK'S EMOTION 3D is unlike
anything else reviewed in this group test
- it takes a totally original approach to
developing web graphics. Thesoftware
istheweb equivalent of the Playdoh Fun
Factory- the children's sausage
machinetoy where you shove brightly
coloured plasticine in oneend and,
depending on thetemplate, starfish,
flowers or plasticine sausages come out
of the other.
Emotion's brilliance lies in the
combination of a widerangeof superbly
animated graphics, a large degree of
control over their appearance and a
simple linear interfaceto tie it all together.
You don't need
themanual, although
oneissupplied,
because everything
is obvious right from
the start and the
temptation to play
is, in anycase,
irresistible.
There are no
conventional menus,
dialog boxes, or any
oftheother tools
you'd expect to find
in a normal image
editor. Eight buttons
takeyou to anyoneof theediting
processes, or alternativelyyou can
follow through sequentially using
thewizard.
The first step is to select a template.
The sample templates that Anark
provides are divided into classic and
f u n . T h e f o r m er f eat u res b u 1 1 ets, c h eck
marks and symbols, which are more
suited to serious business use, while the
latter offers a collection of cartoon
flowers, birds, fish and other unlikely
looking objects.
This is the first taste you get of
Emotion's stunningly smooth
animation. If you've seen thePixar
Trademark animation featuring an
anglepoiselamp, you will havea good
idea both of the smoothness and realism
of the movement. Of course, these are
running at 24 frames per second (fps),
so when it comes to exporting gif
animations therewill be a considerable
qualityhit.
Before you move on to the next stage
there's actually quite a lot you can do to
customise the template animation. You
can rotate the object around three axes,
scale it and change its position on the
background. This is achieved by clicking
on the appropriate adjuster button
below the display and simply dragging
with the mouse. You can also changethe
light source and rendering style.
Next you can add a background from
a template selection in the same way as
you chosetheanimation object. Given
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editing stage using the blue buttons at the top
the profusion offish it's a shamethere
are no sea backgrounds, but you can
always create your own and there's an
option to create any plain coloured
background you want.
The next bit is where it starts to
become reallyfun. The animesh engine
is where you applya rangeof animation
effects to your object. These range
from simple rotation and looping to
comp lex effects that simulate human
activities like bowing, laughing and
breaking wind!
Even the simplest of these is more
sophisticated than you'd expect.
Applying a 'bend up and down' loop
effect to the dolphin object makes its
fins and tail oscillate, other body parts -
the head and eyes - move in harmony to
give a fairly realistic impression of the
mammal swimming.
Character animations are
categorised as excited, goin' places
and mellow, providing a wide range
of possibilities from walking, skipping,
dancing and sneakingto merely looking,
breathing or snoring. Strength and
speed of effect can be adjusted by
slider controls.
Next in line is the effects
department, which provides a fair
degree of image adjustment, including
brightness and contrast, hue/
saturation, transparencyand
posterisation, in addition to mosaic,
shadow, blur and glow effects.
Emotion has a limited JavaScript
A dding character to animations in E motion 3D
rollover capability. You can select which of
theeffectsisdisplayed on mouseover. You
could, forexample, havetheanimation
activateon mouseover, orchangethe
transparency, or add a glow. The program
exports the two states as gifs and the
JavaScript in an HTM L document.
The penultimate panel provides
comprehensive optimisation and export
options. You can set theframe rate,
check the preview and export an
animated gif, or export individual
frames in a variety of formats and work
on them in another application.
Gif options include bit depth (in
sensible lbit increments), dither, palette
and anti-aliasing. A small status bar
under the preview window can be
configured to display theframe rate,
duration, filesize, or download time.
Emotion 3D isso simpleto use, a
child could produce an animated gif in
minutes that would outshine most of
what you seeon theweb, or anything
you could create in the other
applications reviewed here given all the
time you wanted. Ithasagood rangeof
templates that, in combination with the
animation pre-sets and user controls,
provides diverse output as well as being
a lot of fun.
DETAILS
★★★★★
PRICE $24.95 (freetrial version
also availablefor download)
CONTACT www.anark.com
SYSTEM REQUIREMENTS Pentium 133,
Windows95/98/NT4, 32M B of RAM , 75M B
of disk space, OpenGL
PROS Easy to use, stunning animation
CONS Limited, but great at what it does
OVERALL Emotion 3D issimplequick, cheap,
easy, lotsoffun. All in all, it's just brilliant
Personal Computer World • October 2000 •
IMAGE OPTIMISATION > >
Beatware e-Picture Pro
COMBINING DRAWING, animation
and export tools in a sophisticated
package, e-Picture Pro takes a bit of effort
to get used to, especially if you are not
familiar with timeline-based animation
techniques. The rewards, however, are
impressive3D animations that would be
difficult to produce using conventional
frame-based packages. In terms of what it
does and how it works it's probably
closest to M acromedia Fireworks.
The list of features is impressive. It
can do all the usual stuff such as image
slicing, JavaScript rollovers and
optimisation, but it also provides
powerful image-editing tools and
supports a wide variety of object
types. These can be created in situ
using an array of drawing tools,
including text on a path, 3D text
and a Bezier pen. A wide range of
image types can be imported
including Photoshop and
Illustrator files, as well as 3D
models in 3dsand dxf format.
The interface is pretty scary to
start with, but once you find your
way around it's less intimidating.
Thedocument window is
surrounded byan overscan area
that makes it possibleto animate
objects outside the image boundaries,
or you can just use it as a pasteboard.
Thedocument window is hemmed in
by a plethora of palettes, although you
don't need all of theseopen all thetime.
The most important are the Inspector -
where you change object attributes; the
0 bject palette, which lists all the objects
in the document and can be used to
select them; and the Animation Palette.
This displays objects down the left-hand
sideand frame numbers along thetop in
a timeline-type format familiar to anyone
who's used Flash or a home video¬
editing package. Most oftheediting
action takes place within these palettes.
The 0 bjects Palette is tabbed into
several context-sensitive sections. If you
select a 3D object thefront tab displays
model info and provides rotation
through three axes, as well as rendering
and lighting options. The next one
provides layer opacity and blend options,
followed byonefor applying filters.
Lastly, you can applyoneof five shadow
and glow effects, these are fully editable
and can be removed at anytime.
It is easy to produce complicated
animation effects using tweening. Short
for in-betweening, tweening refers to the
process of creating the intermediate
frames of an animation between the
start and end points.
To create tweened animation you
first select the start frame in the
animation palette, draw or import the
object you want to animate and position
it where you want it to start. Then you
clickon theend frameand drag the
objectto its finishing position. As you
drag, a motion line appears between the
start and end positions with a square
dot representing thetweened object
position in each intermediateframe.
Pressing the Play button confirms
that your object moves from start to end
position in a straight line at a constant
speed. That's all there is to it. To add
keyframes you go to the relevant frame
and drag the object to a new position.
For more complex tweening, the
tweening wizard provides a high degree
of control over every aspect of an
animated object's appearance.
Attributes, which are displayed in nested
Explorer-style format in theAnimation
window, includeVisibility, 3D
Properties, Text Properties, and
Transformation. So, as an object
progresses along its path you can make
it change colour, fade in and out, rotate,
speed up and slow down.
Tweening wizard path pre-sets
provide a quick method of setting up
curved, circular and wave-shaped paths,
as well as applying simple formulae to
vary the object's speed. Complicated
animation effects, such as a bouncing
ball or falling leaves can beproduced
fairly effortlessly this way.
Inevitably, these sophisticated
effects work best at high frame rates
that, dueto bandwidth considerations,
are impossible, or at least unwise to
maintain when exporting for web use.
Animation export formats include
A bove: Using the tweening wizard to
create a bouncing bail animation
L eft: e-Picture's export wizard provides
two and four-up file format comparisons
RealVideo, Q uicktime, svg and
M acromedia Flash, making it an ideal
tool for all kinds of animated content
creation in addition to animated gifs.
The Export wizard provides no
means of reducing the frame rate,
though, so you need to think about the
intended destination before you start.
Having said that, a 19-frame animated
banner camedown to just over 3KB with
a 128-colour websafe palette, which is
small enough for even the most
demanding users.
The export wizard dialog box has a
big preview window that can display two
or four-up comparison previews. So it's
possible, forexample, to comparegif
and Flash versions of the same banner.
Macromedia has some serious
competition on its hands. Put simply,
e-Picture Pro provides the means to
create and generate good-quality
animated graphics with a fraction of the
learning effort required to master more
complexauthoring applications.
DETAILS
★★★★★
PRICE $179 (orderonline)
CONTACT Beatware www.beatware.com
SYSTEM REQUIREMENTS Pentium 200,
Win95/98/2000/NT, 32M B of RAM ,
20M B of disk space
PROS Easytweened animation; lotsof export
formats; good documentation and tutorials
CONS No frames setting in export wizard
OVERALL A feature-rich package that is a
serious alternative to Flash and Fireworks
Personal Computer World • October 2000
Compression andfileformats
UTI.K CLAtaOl [h
though they cover thesame
rangethescales aren't uniform
anda50settinginone
application may not render the
sameresults as another.
Settings arealso fairly
arbitrary and don't giveany
indication of compression
ratio - using the50 setting
won't necessarily compress
yourfilesbyafactorof 2:1.
Using a setting of 70 to 80
usually produces resultsthat
areindistinguishablefromthe
original; anything lessthan
that and you'll start to noticea
degradation in imagequality.
Thejpeg format has most
difficultydealingwith
contrasting boundaries and
thisiswhereyou start to get
problemsatthelower quality
settings. To compensate, some
apps provide a softness setti ng
- basically a blurfilter.
Another thingto watch for
Compression and file
formats areso closely
bound together that it's hardly
possible, or even desirableto
talk about onewithout
ref eren cetotheother.The
most important thing to be
aware of with compression is
whether it is lossy or lossless,
or to put it another way,
whether thereduction in file
sizeisachieved through
removal of imagedataor by a
moreefficient method of
representi ng and stori ng it.
Themost widespread lossy
compression algorithm isjpeg,
which isalsothenameofthe
fileformat which uses it. Jpeg
standsforjoint Photographic
Experts G roup, thecommittee
that established theformat.
Thejpeg format stores
i m ages as ei t h er greyscal e o r
24bit (sometimes called true)
colour. It's well suited to
photographic subjects because
of this and also becausethe
compression algorithm works
on thebasisthatthecolour
data removed is largely
unnoticed bythehuman eye.
Oneofthegreat things
about thejpeg format isthat
you can dictate by how much
theimages should be
compressed. It iscapableof
compression rates up to 20:1,
but thegreater thecompres-
sion,thelowerthequalityof
theresultingfile.
M ost applications providea
slidingscalefromOto 100,
with thebest quality and
lowest compression settings at
thetopofthescale,but
To dither or not to dither. Clockwise from top left: original,
websafe dithered gif, websafe undithered gif, jpg
W hat jpeg does to text. N otice
the halo effect at the dome edges
216 websafe colours as
displayed in ImageR eady's
colour table palette
isrecompression.lfyou
continually open, edit and
resaveafilewith jpeg
compression thequalityof the
image will cumulatively
degrade. If you need to do this,
savethefilein a lossless
intermediateformat and only
savethefinal version asajpeg.
Itsinabilityto cope with
edgedetail makesjpeg
unsuitablefor lineart,
il lustrations using flat colour,
(logos, typographic art). For
non-photographic subjects gif
isa better choice, not just
becauseof its compression, a
lossless algorithm called LZW
(though there'sa lossy gif
option available), butforthe
control over thecolour palette
it provides.
Jpeg isa 24bit colourfile
format. Whether your image
hasonecolourorseveral
million all 24 bits are used to
display thecolour information
for each pixel. With gif you can
alter thecolour palette, or bit
depth, to suittheimage. If
thereareonlyfour colours in
theimageyou need useonlya
four-colour palette- two bits
per pixel to display them.
Reducingthecolour bit
depth has drastic
consequencesforfilesize.A
468x60 pixel banner contains
a total of 28,080 pixels. A 24bit
uncompressed filewould be
around 82KB. Gifs usean 8bit
256-colour pal ette(216 if you
a r e u si n g websafe co I o u rs) so ,
uncompressed and usingthe
full palette, thefilewould
comeout at 27KB. But if you
reduced thepaletteto eight
colours (3 bits) that would
comedown to 10KB. The
LZW compression would
further reducethis.
Oneway to represent more
coloursin agifthan are
availablein thepaletteis
dithering.Thisdoesn'tmean
t ak i n g f o rever to d eci d e wh i ch
ofthelimited coloursisthe
best option, but combining
two coloursusingapixel
pattern block to create a third.
Dithering can give poor
resultswhenviewedina
browser, though some
applications providesafe
colour combinationsfortwo-
colour dithers. On thewhole
it's best to stick to the websafe
palette, reducethebit depth as
faraspossiblewithout
compromising imagequality
too much and don't dither.
A newfileformat called png
(PortableNetworksGraphics,
pronounced ping) has recently
been developed to replacegif.
Likegif, png offers (slightly
moreefficient) lossless
compression. Unlikegif, it
supports up to 48bit colour,
multi-level transparency,
gamma correction and faster
interlacing. Another advantage
of png for softwarevendors is
that they don't haveto paya
licencefeeto Unisys, which
ownsthepatent on theLZW
compression algorithm used
bygif.Onedisadvantageisthat
browsers haveonlyjust begun
to support thepngformat.
All thisfiddling with bit
depth andoptimisingto
websafepalettesisonly
necessary becausethereare
still manypeopleintheworld
u si n g graph i cs cards i n capabl e
of displaying morethan 256
colours. As24bit-capable
displays becomethenorm, gif
and websafe palettes will be
rendered obsolete.
Personal Computer World • October 2000 • WX:
IMAGE OPTIMISATION
IMAGE OPTIMISATION > >
Equilibrium DeBabelizer Pro 4.5.1
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A bove: C reating a Superpalette for an
animated gif from the batchlist
L eft: A pplying the superpalette to the
open images in the batchlist
DEBABELIZER PRO is an industrial-
strength application for editing and
optimising images fortheweb and
multimedia applications. DeBabelizer's
powerful and flexible scripting and
automation features make it ideal for
busy studios or people who have many
hundreds or thousands of images to
knock into shapeon a daily basis.
DeBabelizer's interface is a little
intimidating to begin with and can
quickly become cluttered. This is
possibly the price you payto beableto
do so much to so many images.
The program was last updated in
1998 and then onlyminorfeatures were
added, such as support for Quicktime3,
improved handling of other video
formats, scripting enhancements and
better plug-in support. H owever, it was
well ahead of thegameto begin with
and DeBabelizer remains the best
way to optimise images in quantity.
Although best known for its
optimisation and batch processing,
the software provides a set of
image-editing tools, including
competent selection tools, cloning,
transparency, compositing, text and
resampling. These are, however,
beginning to look extremely dated
by comparison with what's available
in even the most limited of home
digital darkroom applications.
DeBabelizer gives as much
precedenceto palettes as to images.
Other editors provide a single palette that
displays the colour tablefor the current
image, but DeBabelizer shows each
image with its associated palette below.
Superpalettes - custom palettes that
work across groups of images - are
central to the optimisation process.
When you create a superpalette, equal
weight is given to all the images that
contribute to it. You can, however, skew
thepalettein favourof a particular
image or group of images.
The action arrow isa handywayof
applying attributes from one window to
another. To add an image to the
superpalette you just drag its action
arrow onto the superpalette window.
Themoretimesyou do this, the more
the palette is skewed to favour colours in
that particular image. You can likewise
apply the superpalette to individual
images by dragging the action arrow in
theoppositedirection.
Although you can optimise small
groups of images like this, sayfor an
animated banner, website, or CD-ROM ,
DeBabelizer's real strength lies in its
scripting and batch-processing features.
T he W atch M e feature reco rd s act i o ns to
an open script as you executethem in
the workspace, or you can drag and
drop operations from the log window.
In thescript window you can edit,
delete and re-order actions, add special
operations such as pauses and loops
and changeoperation parameters.
Scripts can beapplied to individual
images or animations, but when
combined with a batchlist,
DeBabelizer's real power becomes
apparent. Batchlists let you create and
organise groups of images, animation
frames, palettes and superpalettes for
automatic processing, either directly in
the workspace, or by scripts.
Batchlists are reference pointers to
files so you can usefilesfrom any source
and organisethem as you pleasewithout
affecting the location of the source files.
Batchlists are easy to create and edit.
You can drag images into a batch
window using the action arrow, right-
click on the batchlist window to add
files, or drag them in from Windows
Explorer. When adding an animation file
to a batchlist, DeBabelizer creates a new
file for each frame and adds thefile-
name to the batchlist. You can also
easily extract files from an HTM L page
into a batchlist, run a script, then
re-save them. You can even drag in the
entire website folder and DeBabelizer
will create a group for each page. This
makes it possibleto quicklyoptimiseall
the graphics in an existing website.
Applying scripts to batchlists
provides a convenient way to automate
all kinds of processes, from simplefile-
format conversion to image editing and
optimisation. DeBabelizer also provides
off-the-peg batch-automation processes
- essentially script templates.
Automation process commands
include C reate Superpalette and Remap,
SaveWith Superpalette, Compareand
Composite. Compare workson two files
and generates an alpha channel with
differing pixels, whileCompositeoverlays
pixelsfrom oneimageonto another.
ProScripts wizards take batch
automation a stage further, providing an
easy way to create scri pts fo r generati ng
common graphic types.
M uch of what DeBabelizer pioneered
has been adopted by more mainstream
web-editing applications over the past
few years. All the same, if you want
complete control over optimisation and
need the sheer muscle of an application
designed with bulk processing in mind,
then there's no better way to do it.
DETAILS
★★★★
PRICE £328.88 (£279.99 exVAT)
CONTACT Computers Unlimited
020 8358 5857 www.equilibrium.com
SYSTEM REQUIREMENTS 486 processor,
Windows 95/NT4, 16M B of RAM , 20M B of
disk space, CD-ROM
PROS Powerful scripting and batch processing
CONS Too much on-screen clutter; steep
learning curve
OVERALL With all thecontrol DeBabelizer
offers, it's a real image-processing workhorse
| • Personal Computer World • October 2000
Fluffy Clouds Ignite 2.0
IGNITE CAN BE USED either as a
standaloneapplication orasa
Photoshop-compatible plug-in. It's
produced bya British company, Fluffy
Clouds, and a 30-day trial version is
available at www.ignite-it.co.uk. The
install file is onlyjust over a megabyte,
so it doesn't take long to download.
W hen we downloaded the installer it
recognised several compatible image
editors on thetest PC including Corel
PhotoPaint and PaintShop Pro, as well
as Photoshop, and installed a plug-in for
all of them. With theplug-in installed
you can export files directly to Ignite
from your image-editing application.
Ignitedoes not claim to bea
graphic-design application. Like
most of the products in this group
test it provides a range of tools you
can useto make your images better
suited to web display. Thosetools
includeoptimisation, animation
and image slicing.
The Ignite wayof working isa
littleunorthodox. Ratherthan
working on an imagefile, then
exporting theedited/optimised file,
you set up and save output files at
the outset, which you can then view
alongsidetheoriginal sourcefile.
To experiment with different
formats or palette settings you
simply create several output files. The
original SourceView, along with any
output files you have created, are then
displayed in a tabbed viewing area. You
can togglethrough them simply by
clicking on theappropriatetab.
There's no limit to the number of
viewing windows you can have open at
onetime so it'spossibleto makesideby
sidecomparisons between theoriginal
and numerous output files with different
palette settings.
With animated gifs, theframesare
displayed in filmstrip fashion, with
rulers in the source view and trim marks
intheoutputview.
In practice, with something likea
banner, usemorethan four windows
and things start to get a little cluttered .
This is especially true if you havea
number of floating palettes open as well
as the excellent cue card window. You
can quickly set things up to emulate
something like ImageReady's more
ordered layout, but the window layout
can't besaved with thefile, so you'll
need to do this every time you open
theapplication.
Editing changes madeto thesource
file are automatically updated in the
output file. The inspector panel provides
access to all the editing tools other than
those you select from menus or the five
toolbars docked atthetop of thescreen.
The inspector is context-sensitive,
displaying editing tools and feedback
IQfjarSI !
D isplaying the HTML for a sliced navbar - the cell
download times are only displayed for gifs
when a source window is active and
palette information for output windows.
Clicking on thesplit imagedivides it
into four and you can further subdivide
and join cells using a floating toolbar.
TheHTM Lcodecan be viewed in a
separatewindow and copied to the
clipboard for insertion into an existing
page. Alt text, hyperlinks and the image
slice nameareall inputto fieldson
the inspector.
In output mode, the inspector allows
you to set the gif file parameters -
transparency, interlacing, looping and
so on, and choosethe palette. Three
options are available, websafe, adaptive
and specified and you can choosethe bit
depth via another pulldown menu.
Using the inspector in combination
with the output views in this way you can
quicklyfind theoptimal palette settings
for an animation. You can preview the
animation using the cassette-style
buttonson thetoolbar, or open it in a
browser. The built-in preview is more
useful, offering 256-colour and Apple
simulation. There's also a handy
animation sequencer which you can use
to rearrange frame order and set delay
timings. This has a linear change feature
which sets delays of decreasing or
increasing length for each frame,
allowing you to produceanimationsthat
get progressively faster or slower.
Ignite hasn't quite got to the stage of
having a really hot product, but it's
C hanging the bit depth for one of the
output files- download times are
displayed bottom right
smouldering nicely. The interface is
flexible enough to be organised to suit
your personal preferences, but needs to
be moretightly ordered to prevent
confusion. Fartoo much information is
presented textually and with several
output windowsopen atonceitcan be
difficult to know to which filethe
inspector information applies. More use
could be made of drag and drop. Being
ableto dragthetabbed output panels to
create a new window would bean
improvement, as would some kind of
docking system for the multitude of
floating palettes.
It could also use a little more
automation, some palette pre-sets
would bea good start, and basic batch
processing should bea priority for the
next release.
Despitethose shortcomings it's
basically a well put together piece of
software with everything you need to
create animated gifs from individual
source files.
DETAILS
★★★★
PRICE £99.88 (£85 exVAT)
CONTACT FluffyClouds01865 318103
www.ignite-it.co.uk
SYSTEM REQUIREMENTS Pentium 100,
Windows95/ 98/2000/NT, 16M B of RAM ,
20MB of disk space
PROS Sound features; good guidance
CONS Needs work on interface and
automation
OVERALL Well crafted basic gif animator
held back slightly by its cluttered interface
Personal Computer World • October 2000 •
IMAGE OPTIMISATION > >
Shareware and pi ug-i ns
Creatingweb graphicson a
budget couldn't be easier.
There'sverylittleworth having
that'sabsolutelyfree;but
there'san abundanceof cheap
plug-ins, sh areware an d d em o
software to tryout.
If you haveafull copyof
Photoshop 5.5 you probably
won't want to bother with
them as most of what they
offer is included inthelatest
version of Photoshop, or
ImageReady 2.0.
lf,ontheother
hand,you'reworking
with an older version
of Photoshop, or
another image-editing
application that is
plug-in-compatible,
such as Paint Shop Pro
or Corel PhotoPaint,
these shareware plug-
inscan providemany
ofthefunctionsof
our group test
applications at a
fraction ofthecost.
Oneplacethatisa
goldmineof applicationsfor
optimising and compressing
web graphics is
im. It's not
strictly speaking shareware,
rather commercial
applicationsthatyou can
download in demo format.
Someof these aresave
disabled, others havelimited
functionality, for example
Supergif cannot batch
process.
All theBoxtopsoft products
areavailablefor Windows
and M ac, they featu resimple
elegant interfaces which enable
you to do optimisation quickly
and without fuss. ProJ peg has
a d u al -i m age p ra/i ew wi n d o w
with livefilesize, compression
rati o and down I oad ti me i nfo
and supports progressive(the
imagedisplaysat progressively
higher resolution asit
down I oads i n the browser
window) and baseline
encoding.
PhotoG IF also provides
comparativepreviews, good
paletteediting and control
features and an edgetool for
cleaning up anti-aliased edges
on transparent gifs.
Colorsafeisa Photoshop
plug-in that allows you to
create hybrid browser-safe
\9- Lp -r- Mfl « — mm- l»
colours from a combination of
two existing colours in the
browser palette, thus
expandingtherangeof
websafe col ours. A program
called Ditherboxmadesuch
an excellent job of this
techniquethat it was bought
by Adobe and incorporated
into ImageReady.
At www.spinwave.co
you'll find HVSColorGIF 2.0,
a Photoshop plug-in gif
optimiser.lt includes
programmablepre-sdts, live
previ ews and agif animator.
Other spinwaveproducts
includeJPEG Cruncher, GIF
C ru ncher and 0 pti Verter - a
scriptablecommand-linebatch
converter andoptimiserfor
morethan 50fileformats
including eps, tiff, gif, jpeg and
hvs animator. All areavailable
asfreetrial downloads, or you
can crunch online.
At www.mi
com/alchemy/gifcon.html,
you'll find Alchemy'sGif
Construction Set Pro 2, afully
featured sharewareapplication
for producing animated gifs
and optimisingfiles. It'sa
4MB download and the
registration feeis$20. It has an
animation wizard and banner
generator, transition effects,
1/1/ ebgraphics 0 ptimizer 4.2
Bannershop G if A nimator4.0
and a SuperCompressor Gif
optimiseraswell as integrated
scri pti n g capabi I i ti es. You can
convert gif animationstoavi
format and it also supports the
new so-called animated png
format mng.
Gif Master 1.4 (
nev.hyp ermart.net/GM aster/
) isasuiteof
applicationscomprising Gif
Viewer, G if 0 pti mizer, G if
Explorer, G if Comment and
Gif Convert. TheO ptimizer
can work on an entirefolder of
single-frameor animated gifs.
As well as gif, jpg, and pngfile
formats aresupported. G I F-
Expl orer i s a gif fi le browser
that supports animations,
returns paletteand header
information, and provides
somebasic editing techniques.
Version 1.4 is a beta with a
registration fee
of $35.
WebgraphicsO ptimizer
4.2softwareautomatically
optimisesimagesforyou using
its intellioptimizefeature,
which analyses your images
and decidesoptimal settings
for you (www. web ).
So even if you haven't read the
pageon compression there's
no excuse not to producesmall
perfectlyformed gifs.
I f you want to takea more
hands-on approach, up to five
variations can becompared
whileyou changethefile
format, compression ratio,
colour depth, ditheri ng and
colour palettein real time.
Optimizer reads24file
formats and writes 16,
includinggif, jpeg, png,
Photoshop 3 and tiff. It also
h as a wi d e ran ge of effects
filters, colour manipulation
functionsand TWAIN
support for scanner input,
all presented in a slick
professional interface.The
professional version also
provides batch optimisation
features.
Newly released Bannershop
Gif Animator 4.0 hasa built-
in imageeditorwith drawing,
retouching and text tools
for creating single-frame
and animated gifs
3c0.com/.
It has an optimisation
wizard and uses plug-in
extensionsto providea range
of animation and effects tools.
Fly, fade, motion blur, zoom,
stretch and peek extensions are
included. You can download a
limited timedemo, or own it
forever, astheysayonthe
D isney video commercials,
for $39.
Best of the rest
http :// www.agentu r-si mon .
d^pedit/
PEdit 0.8: Simon Bertram's
PEdit isasimple, but powerful
manual paletteeditor plug-in.
www.jpg.com
Pegasus i magi ng: J peg Wizard
and PicPress.
http://www.ri softsystems.
com/ pal exp. asp
Rl Soft Systems: Palette
Express Paletteeditor.
http :// www.crayo n sof t .co m/
Crayon Software: M agic
Vi ewer vl.2 sh areware batch
converter and optimiser.
http://www.coffeecup.com/
Coffeecup Software
Shareware G if Animator, I mage
M apper and Button Factory.
http://studl.tuwien.ac.at/
~e8925005/
www G if An i mator vl.l (that's
not a URL bytheway)
SharewareG if ani mator with
I o ts of effects andtransitions.
http://www.spg-net.com/
productl.html
SPG Webtools4.0pro
Expansivesuiteof plug-ins
• Personal Computer World • October 2000
)asc Animation Shop 2.0
THIS ISA COMPONENT of Paint
Shop Pro 6.0 and you can download a
30-day trail from www.jasc.com.
Version 1.02, which accompanied Paint
Shop Pro up to version 5.01, was a basic
application for stitching together gif
animations. It had a clean filmstrip
interface and a few transition effects,
but little else. Version 2.0 adds new
banner and optimisation wizards,
editing tools, support for opening and
saving Autodesk flc and fli plus avi file
formats, more and better transitions
and effects as well as enhanced
integration with Paint Shop Pro.
That said, working from scratch in
Animation Shop is not recommended.
Its level of functionality would have been
considered primitive a decade ago.
There is a limited range of drawing
toolsfor producing simpleshapes
and lines, a paintbrush, fill bucket,
and eraser text tool.
All of these work in the
conventional destructive pixel
modeof old - anything you
produce with them is instant bits
and can't be moved or otherwise
edited (other than filled with a
different co lour from the bucket).
If your text ends up not quite in the
right place, orthewrong sizeor
colour (there's no preview to help
you judgethis) you hit undo and start
over. In the absence of layers, or any
kind of selection tools, this is a big
obstacleto anykind of productive work.
Were Animation Shop a standalone
application, that's all you'd need to
know, but tightened integration with
PaintShop Pro makes it less of an issue.
You can drag layered images from Paint
Shop Pro into Animation Shop where
each layer will appear in its own frame.
You can also create new frames in
Paint Shop Pro and drag to replace, or
insert in an open Animation Shop file.
Working in the opposite direction,
animations can be exported to Paint
Shop Pro, edited, then updated back to
Animation Shop.
Transitions have a new preview
dialog boxthat displays the start and
end frames with a big preview in the
middle. Thereare24 available
transitions including all the usual
suspects - blinds, chequer wipe, dissolve,
fade- and a few more interesting
candidates such as spin and twist.
All thetransitions are customisable
to a degree and you can set the length
and frame rate with sliders. Image
effects work in a similarfashion and
include motion blur, shakycam, spiral,
underwater and wave. These can be run
in reverse direction, which means you
can usethem to bring text or images into
sharp focus from a blurry, shaky, or
waterybeginning.
Text effects combine a text input
dialog boxwith an effects engineso you
can generate woozy text in one step. As
with all of these things, somearemore
useful than others, depending on your
personal preferences. M arquee provides
quick-scrolling bannertext, whilewheel,
flag and backlight are also worth a look.
Theanimation wizard has changed
little, if at all from version 1.0 and is
basically little more than a sequenceof
steps for importing several files into an
animated file. Given that you can now
do this moreeasilyfrom a layered Paint
Shop Pro file, it's hard to imagine
anyoneusing itotherthan to import
files from another source and
standardise framesize. You can set an
arbitrary frame size or opt to
standardised thefirst imageand the
wizard scales each image as required.
Other than selecting the frame rate and
a couple of other gif parameters and
ordering the images, that's about it.
The banner wizard has little more to
offer. You can select a background colour
or image, choose from a selection of
standard template sizes, set frame rate
and looping options, enter text and
specify a transition. The big drawback
here isthat you don't get a really good
look at the text until you get to thefinal
panel, inevitably it's the wrong size so you
have to backtrack, amend it then take
another look, but this isa minorquibble.
Theoptimisation wizard can beused
A bove: A dding transition effects is easy
and A nimation Shop has a good selection
L eft: T he wizard has no visual feedback
so it's pot luck with settings sliders
on two levels. Thesimplewayisto drag
thesliderthat appearson thefirst panel
to oneof four positions that rangefrom
low quality at the bottom to best quality
at the top. A status panel to the right
tells you what settings will beapplied.
The second option is to press the
customise button that gives you control
over the individual settings via three
tabbed panelsforcolour depth,
optimisation parameters and
transparency settings.
You can specify the bit depth from a
pulldown menu, but at anything less
than 256 colours it isn't possibleto
choose a browser palette, although you
can select custom palette and then
select a saved browser palette.
Animation Shop isa basic gif
animation application with good
transitions and effects. In combination
with Paint Shop Pro you havea more
powerful and versatile solution that, for
the price, offers good value at this level.
DETAILS
★★★★
PRICE £93.94 (£79.95 exVAT)
CONTACT Digital Workshop 01295 258335
www.jasc.com
SYSTEM REQUIREMENTS Pentium
processor, Windows 95/98/ NT4, 32M B of
RAM, 12M B of disk space
PROS Transitions and effects; integration
with PaintShop Pro
CONS Limited toolset; lacklustre wizards
OVERALL Whilenotstunning, Animation
Shop 2 isa good value basic animation package
Personal Computer World • October 2000 •
IMAGE OPTIMISATION > >
Macromedia Fireworks 3
LIKE ADOBE, MACROMEDIA wants
to integrate its products so that you can
get everything you need without having
to venture outside its product suite. You
can buy Fireworks 3 with Macromedia's
web authoring application Dream¬
weaver, or as a standalone product.
Because M acromedia has no
mainstream image-editing product with
which to integrate Fireworks (unless you
count Freehand) it needs to provide
everything you might require to produce
stunning web graphics. Although it lacks
manyof thetoolsyou'd expect to find in
an image editor, it is nonetheless a very
self-contained application.
It provides all you need to
produce optimised graphics,
buttons, navbars, rollovers,
animated gifs and other web
graphics. It offers tighter
integration with Dreamweaver,
greatly improved previewing, and a
history panel that can be used as a
sort of mini script player.
M acromedia has hedged its
bets, or as it would see it,
broadened Fireworks' appeal, by
making it Photoshop-friendly. You
can import psd files with layers
intact and text layers editable.
Photoshop plug-ins, which appearon
theXtrasmenu, can beapplied aslive
effects, so the object to which they apply
remains editable in the Fireworks file.
The Fireworks interface is clearly
designed to appeal to Photoshop users.
Thecentral editing window istabbed to
provide original, preview, two and four-
up optimised views. A profusion of
complicated looking palettes down the
right-hand side of the screen looksa
little intimidating, but once you get to
grips with Fireworks' object-based
approach they provide the most direct
means of defining object attributes.
Like Flash, Fireworks makes use of
symbols to short-circuit the production
process for repeating objects.
Eventually, everything is rendered into
bitmaps, HTML and JavaScript, so this
doesn't help to reduce file sizes, but it
does cut out a lot of the repetitive work.
The new button editor is where you
create simple two-state buttons and
morecomplexnavbars, including down
and over while down states. For more
advanced rollovers, including what
Fireworks calls disjoint rollovers - where
the pointer over one graphic causes
another graphic to change- you need to
attach JavaScript 'behaviours' to objects
using the Behaviours inspector.
Animation in Fireworks is frame-
based, so if you want to create a two-
state button frameone would contain
the up state and frame two the
mouseover state. To attach a behaviour
to an image slice you select the event
: »- -■-* r ■ ■ -;i 1 ■ ■
i ; EE 2 " ■
..J- ta-l- -
and choose from the available
JavaScripts. Swap image, for example,
changes the contents of a specified slice
with another frame under the same slice
and Swap Image Restore brings you
back to the default frame. Thetwo
behaviours are combined to providea
simple rollover behaviour that uses
frames one and two of the selected slice.
Gif animation uses the same frame-
based approach. Thecombination of
frames and layers makes deciding what
will appearand when less complicated.
You can share a layer so that its contents
appear in every frame and distribute
multiple selections to separate frames
for sequential display.
Rolloversand gif animations can be
previewed from within Fireworks, so you
don't have to fire up a browser every five
minutes to check the results. Asa means
of checking everything isfunctioning,
this is convenient, but when combined
with Fireworks' optimisation controls
it'san absolutegodsend.
Again, it's impossible not to draw
comparisons with Photoshop, which
Fireworks' 0 ptimize palette resembles
very much. The palette provides the kind
of pre-sets you would expect - jpeg at
various compression settings and gif
using a variety of palette and dither
options- there's even a lossy gif option,
just like Photoshop.
Byselecting an individual slice you
can specifyoptimisation settings for it
alone, regardless of the general setting
for the rest of the image and in this way
you can go through the image, piece
A bove: C reating disjoint rollovers -
mouseover on the gifts button changes the
panel to its right
L eft: A nd you can preview the rollovers in
situ- no need to fire up the browser
by piece, selecting the optimal settings.
Likewise with animated gifs you can
mess about with theoptimisation
settings while previewing the animation.
An export wizard automates the
optimisation process to a degree, and
providesan option to specifythefilesize,
useful now so manysiteshavefilesize
restrictions on banner ads, though you
may prefer to do your own tweaking.
Fireworks' combination of bitmap
and vector features, JavaScript routines,
animation and optimisation tools makes
a compelling combination for designers
who want to pack graphics with HTML
action whileatthesametimesqueezing
files until they squeek. It's not as simple
to use as ImageReady, so not ideal for
quickfire bits and pieces, but well suited
to more demanding projects that
require lots of graphics with ready to run
JavaScript and HTM Lfunctions built in.
DETAILS
★★★★★
PRICE £163 (£139 exVAT) £299
Fireworks/ Dreamweaver 3 Studio
CONTACT Computers Unlimited
020 8358 5857 www.macromedia.com
SYSTEM REQUIREMENTS Pentium
120 (III recommended) Windows95/98/NT4,
64M B of RAM , 60M B of disk space, CD-ROM
PROS Creative tools and web functionality
perfectly integrated
CONS Steep learning curve
OVERALL Fireworks is the only choice for
dedicated web designers
Personal Computer World • October 2000
IMAGE OPTIMISATION > >
Ulead Gif Animator 4
THERE'S SOMETHING about U lead's
Gif Animator 4 that makes your heart
sink. The grey interface has no life and
certainly doesn't entice you to delve into
the software further to produce moving
graphics for websites.
Likemanyanimation programs, Gif
Animator works on the assumption that
you will create the frames of an animation
in an image-editing application. The
grandlytitled 'animation wizard' isa
dialog boxthatyou use to browse for and
arrange in order individual frames. You
can also opt for dithering and set the
frame rate.
Ourtest animation, consisting of five
sequentially numbered tif files came in
order 5, 2, 3, 4,1. Although you can drag
and drop to changethe order, the
wizard dialog boxisn't wide
enough to view thefilename, only
the first section of the path so,
unfortunately, you can't tell which
file is which.
Thetabbed editing window
provides fourfunctions: compose,
edit, optimise and preview. It's
surrounded byan attributetoolbar
atthetop, a palette toolbar at the
bottom, a layer pane on the left
and a toolbar that appears on the
right when you select the editing
tab on the workspace window.
Other options are compose,
optimise and preview.
Thecompose section doesn't
appear to serve any function, so you
may as well click on the Edit tab. This
provides access to the editing toolbar
that has a few basic image-editing tools
likecrop, rotate, fill and erase. In
addition, therearezoom buttons, an
onion skin button that displays the
previous frame underneath the current
one, and a magic wand.
Additional image-editing functions
can be accessed from the menu bar,
available in anyof theediting modes.
If you buy Gif Animator as part of
theWebRazor 2.0 suite you get a
bonus set of video transition and
filter effects.
The layer pane displays each frame
either in list, thumbnail, or filmstrip
format. W hichever format you're in you
can't drag and drop the layers to
rearrange them, you have to go to the
layer menu and select move layer up, or
down (there is, though, a keyboard
shortcut and a toolbar button).
U nfortunatelyyou will be doing a lot of
this because Animator is unableto import
files in thecorrect order.
The layer menu is also the route to
a whole bunch of effects, including
video transitions, a rotating cube
animation, a banner text applet,
scrolling, and something called moving
sprites. There's an abundance of these
-n - *m\ — a
- r d ■ i —
it
T he optimise panel - but where the preview
thumbnail should be - a big grey area
effects and features, but the question is
do you want them? M ostly, they exist
because they are easy to program,
rather than for any aesthetic or
productive reason.
M oving sprites is a sort of poor
man's tweening that applies an offset to
a series of duplicated frames to produce
movement. Colour animation creates
new frames with all pixels of a particular
colour changing to another colour. Have
you seen those delightful banners where
the background, text and anything else
visible cycles through every luminous
colour perceptible to the human eye?
0 ne effect that is worth having and
produces quicker results than by hand is
add scrolling. Thisallowsyou to scroll
theframes of your animation (most
likelya banner) into and out of the
framefrom anyside. As well asthescroll
direction you can set the number of
frames used to achieve the effect, delay
timeand background colour and a small
preview window shows you how it looks.
Sadly, there doesn't appear to be a way
to scroll aframeout while the
subsequent framescrolls in.
Therearetwo optionsfor optimising
animated gifs. A three-step wizard takes
you through palette selection, dithering
and removal of redundant pixels,
comments etc, then gives you a report
Q uickly add scrolling to your banners with
C if A nimator's one good feature
and you can view a preview, but you
can't compare it with the original.
Alternatively, you can choose from a
n u m b er o f p re-sets. T h ere a re t wo
pulldown menus, onefor bit depth and
another that gives three palette options:
optimise, browser safe, and user defined.
You don't get the report until you've
pressed the Optimise Now button and if
you don't likethe results you have to undo
and start again with different settings.
To see the results of the optimisation
you go to the preview pane and try to
guess how your latest effort compares
with the previous effort, ortheoriginal.
Web graphics packages have
reached a stage of sophistication where,
to have something to offer, they need to
be easy to use, provide powerful editing
features, or have an original approach.
Gif Animator 4 is none of these
things. It provides the kind of features
that shareware applications have been
offering for years, bound up with a
miscellaneous collection of effects and
filters of little practical use.
DETAILS
★★
PRICE £29.95 (£25.50 exVAT)
CONTACT Bit 01420 83811
www.ulead.com
SYSTEM REQUIREMENTS Pentium
processor, Windows95/98/NT4, 32M B of
RAM, 16MB of disk space
PROS Inexpensive; an abundanceof moving
sprites...
CONS ...but do you need them? Poor
interface
OVERALL There are better options available
Personal Computer World • October 2000
IMAGE OPTIMISATION > >
Ulead SmartSaver Pro 3.0
ULEAD SMARTSAVER PRO 3 neatly
covers the four core areas of web
graphics production - image slicing,
JavaScript rollovers, image maps and
optimisation. It can be run asa
standalone application or Photoshop-
compatible plug-in from your image
editor. You can download a free 15-day
trial version from www.ulead.com,
alternatively SmartSaver 2.0 is available
as part of U lead's WebRazor Pro 2.0
suite, which also includes Gif Animator4
(see previous review), Cool 3D 2.5 and
Photo Explorer 5.0, but you'll need to
upgrade to version 3.0 of SmartSaver Pro.
Utilitarian, but functional,
SmartSaver's tabbed palette approach
lets you get straight down to business.
Clicking on the Function
tab abovetheEdit window
displays the properties
panel, colour paletteand
floating panelsforthetask
in hand and activates the
tools in thetoolbar.
Three tools are
provided for slicing, a 'slice
evenly' grid - enter the
number of rows and
columns in a dialog box-
an 'add sliced line' tool,
and a slice line eraser. The
last of these is crucial as
the first two tools provide
a less than ideal wayof
dividing up theimage.
The slice line creates a _
horizontal orvertical line
at theexact spot on which you click, you
can't drag to place the line more
accurately, though you can edit it
afterwards. Once you get the hang of it
it's easy enough, but not nearly as
intuitive as Photoshop's sheer and it
lacks the editing features.
M oving on to the 0 ptimizer, the
properties panel houses three tabbed
palettes, the first of which provides all
the settings and pre-sets for file format
and compression settings. First you pick
yourfileformat by clicking on the gif, jpg
or png button, then you can select from
a list of pre-set options on a pulldown
menu. If you choosegif oroneofthepng
pre-sets the colour palette is displayed.
You can optimise individual slices,
either by clicking to select or highlighting
the relevant cell intheframesand cells
panels, but there doesn't seem to be a way
to applythese settings to multipleslices.
H aving selected your pre-set you can
then tweak the palette to try and skim
bits without sacrificing quality. The gif
settings give you the choice of an
optimised palette based on image pixels,
a websafe palette, or a user-defined one.
The degree of dither, number of colours
in the palette, and adherence to the
websafe palette can all beset by sliders.
TheO ptimization tab - plenty of control, but no way to
optimise multiple cells
In practice dither will beset either on or
off, and the same goes for the websafe
colours - you either use them or you
don't, there's no halfway, so the
provision of sliders is a bit daft.
As for number of colours, some
indication of the boundary at which you
losebits would be helpful. Reducing the
number of colours from 256 down to
anything above 128 isn't going to make
any difference to filesize, but will have
an impact on imagequality.
You can give portions of unsliced
images a quality boost using the
emphasize area tab. For jpegs you use a
slider to set a higher quality/ lower
compression setting, with gifs you can
give precedence in the palette to colours
that fall within the selected area.
On thefaceof it, facilities for
creating JavaScript rollovers are good,
but let down by the need to reference
external files for additional states. In
Fireworks and ImageReadyyou make
use of layers to create alternate button
states, it's easy to see what you're doing,
keep elements in register and judge the
impact of changing elements.
SmartSaver provides all the right
controls and even lets you assign audio
to a rollover, but when it comes to
Tags on JavaScript for rollovers, but the
real work needs to be done elsewhere
displaying the rollover graphic you have
to specify an existing file. This means
you really create the rollover in an
image-editing application, all
SmartSaver does is provide a convenient
front end for adding theJavaScript.
Thetoolbar at thetop of thescreen
adds some nice convenience features.
Show project info displays a dialog box
with details of each cell's size and type
together with total download timeon a
specified bandwidth link. Full-screen
preview mode shows your graphic
against a specified colour background
and a buttonbar provides 256-colour
preview, and a M ac preview (graphics
display lighter on M acs). Furthermore,
you can drag and drop your graphic for
absolute positioning on theHTM L page.
If your primary requirement isfor
imageoptimisation and you don't want
to spend a fortnight reading manuals,
SmartSaver will get you there quickly
and with minimal effort, while providing
plenty of control if it's in your nature to
tweak. If you want to createJavaScript
rollovers there are many better options.
DETAILS
★★★
PRICE £29.95 (£25.50 exVAT)
CONTACT Bit 01420 83811
www.ulead.com
SYSTEM REQUIREMENTS Pentium
processor, Windows95/98/NT4, 32M B of
RAM, 16MB of disk space
PROS Easy to pick up and get going
CONS Not a good choice for rollovers
OVERALL Not much to shout about beyond
theoptimisation
Personal Computer World • October 2000
Table of
features
1
SP*
■'''C
A '+
% i\ ,4
Manufacturer
Adobe
Anark
Beatware
Equilibrium
Fluffy Clouds
Product
Image Ready
Emotion 3D
e-Picture Pro
DeBabelizer 4.5
Ignite 2.0
Price inc VAT (ex VAT)
P'shop £468.83 (£399)
$24.95
$179
£328.88 (£279.99)
£99.88 (£85)
Features
Image slicing
✓
X
✓
X
✓
Image maps
✓
X
X
X
X
JavaScript rollovers
✓
✓
✓
X
X
Gif animation
✓
✓
✓
✓
✓
Tweening
✓
X
✓
X
X
Colour table editing
✓
X
X
✓
✓
Hex colour values
✓
X
X
X
✓
Comparison preview
✓
X
✓
X
✓
256 colour preview
✓
X
X
✓
✓
Size/ download time display
✓
X
✓
X
✓
Batch processing
✓ (in Photoshop)
X
X
✓
X
Scripting
✓
X
X
✓
X
Auto banner creation
X
X
X
X
X
Gif optimisation
✓
✓
✓
✓
✓
Jpeg export
✓
✓
✓
✓
✓
Png export
✓
✓
✓
✓
✓
HTML export
✓
✓
✓
X
✓
Notes
15-day full version trial
30-day full version trial
Table of
features
_ _ ^
*
Manufacturer
Jasc
Macromedia
Ulead
Ulead
Product
Animation Shop 2.0
Fireworks
Gif Animator 4
SmartSaver Pro 3
Price inc VAT (ex VAT)
£93.94 (£79.95)
£163 (£139) (£299 Fireworks
£29.95
£29.95
/Dreamweaver 3 Studio)
Features
Image slicing
X
✓
x/x
✓
Imagemaps
X
✓
X
✓
JavaScript rollovers
X
✓
X
✓
Gif animation
✓
✓
✓
✓
Tweening
X
✓
X
X
Colour table editing
X
✓
✓
✓
Hex colour values
✓
✓
✓
✓
Comparison preview
X
✓
X
✓
256-colour preview
X
✓
X
✓
Size/ download time display
✓
✓
✓
✓
Batch processing
X
✓
✓
✓
Scripting
X
✓
X
X
Auto banner creation
✓
X
✓
X
Gif optimisation
✓
✓
✓
✓
Jpeg export
X
✓
X
✓
Png export
X
✓
X
✓
HTML export
✓
✓
✓
✓
Personal Com puter World • October 2000 •
IMAGE OPTIMISATION
IMAGE OPTIMISATION > >
Editor's Choice
There's a lot of talk about how
rapidlytheweb is developing,
how increased bandwidth and
convergence is pushing the drive for new
kinds of rich visual content.
Despite this, many web graphic tools
are focused on producing content in a
format that owes more to the last century
than thisoneand will soon, hopefully, be
obsolete, namely the gif, both in its
single-frame and animated format.
U lead's SmartSaver Pro and Gif
Animator, Jasc Animation Shop 2, and to
a lesser extent Ignite and DeBabelizer, all
offer little in addition to file optimisation
and basic frame animation tools.
So what should you be looking for in
a web graphics application that will still
be in the running when everyone has a
truecolour display and an ADSL
connection, and when web banners rival
TV commercials in terms of sophistica¬
tion of content and leave them standing
where interactivity is concerned?
First, it must integrate seamlessly
with the application being used for
Wysiwyg production of web pages and
sites. Integration with other graphics
applications providing both vector and
raster-based images and the ability to
import common vector and raster file
types also matters. Web graphics
production isonlyonepart of the
workflow and it has to fit as seamlessly
as possible with all the others.
It must beableto exporta wide
range of formats and, of course, it
must provide support for the web
technologies that improve performance
and enhance interactivity.
M acromedia's Fireworks is streets ahead
of other web animation software
The winners
The application that fully meets all these
criteria is M acromedia Fireworks 3, which
wi ns o u r Editor's C hoice a wa rd . Fi rewo rks
is about much more than optimisation
and animation. Its drawing tools combine
vector and bitmap approaches in an
object-based environment that provides a
high level of editing control.
It happilyopens Photoshop,
Freehand, Illustrator and CorelD raw files
with layers intact and with drag-and-drop
support for all of these plus M icrosoft
Office97 onwards, IE and Netscape3
onwards and Flash 3 onwards. Fireworks'
nativefileformatispng.
It hasa broad rangeof colour
options including accessible palette
optimisation and editing as well as
transparency, anti-aliasing and halo
removal tools and has the kind of
compositing and masking tools usually
onlyfound in high-end image editors.
Fireworks' JavaScript and HTM L
features may take a little more effort to
get used to than some of the other
packages featured, but time spent here
will be amply repaid later. There is an
unprecedented degree of control over the
appearance and behaviour of graphic
elements plus many export options.
It takes a while to get your head
around Fireworks' method for creating
rollovers, which requires juggling frames,
layers, objects and behaviours, but once
you get the hang of it you wonder if there
could be any better way to do it anyway.
The new Set N av Bar Image and button
editor further simplifies the creation of
common page components.
e-Picture's tweening features and
compression performance impressed us
It's not too difficult to imagine a
future where Fireworks, Flash and
Dreamweaver playthesamedominant
role in web production that Q uark
Xpress has established in the print world.
Certainlyon the basis of what it currently
has to offer, there's nothing to touch it.
The f i rst of o u r H ighly C ommended
awards goes to Beatware's e-Picture Pro. It
deserves this on the basis of its tweened
animation features alone. Add to this a
well-organised interface (albeit one with
scopefor improvement), excellent
compression performance and a raft of
export formats including gif, png and
Flash and you have what adds up to oneof
the best ways to produce web animations
that doesn't involve pyrotechnics.
While e-Picture falls some way short
of Fireworks in terms of features, tools
and overall scope, it does, however,
offer unsurpassed animation controls
that are relatively easy to use. It is also
particularly strong in its support for 3D
graphics and text handling.
Anark's Emotion 3D takes our second
Highly Commended award on the
groundsthat, byanydefinition it'sjusta
great piece of software. Download it,
play with for 10 minutes and if you don't
think it's for you, at least it will have given
you something to smileabout.
You just can't help but warm to the
sight of stupid looking cartoon
characters bouncing about the place in a
very human sort of a way. Emotion is one
of those products that quickly attracts a
crowd around your monitor, so, if for no
other reason than it enhances your
popularity it'swell worth a look.
H ave a play with E motion 3D's cartoon
characters and you'll be hooked
fi • Personal Computer World • October 2000
IMAGE OPTIMISATION > >
Shareware and pi ug-i ns
Creatingweb graphicson a
budget couldn't be easier.
There'sverylittleworth having
that'sabsolutelyfree;but
there'san abundanceof cheap
plug-ins, sh areware an d d em o
software to tryout.
If you haveafull copyof
Photoshop 5.5 you probably
won't want to bother with
them as most of what they
offer is included inthelatest
version of Photoshop, or
ImageReady 2.0.
lf,ontheother
hand,you'reworking
with an older version
of Photoshop, or
another image-editing
application that is
plug-in-compatible,
such as Paint Shop Pro
or Corel PhotoPaint,
these shareware plug-
inscan providemany
ofthefunctionsof
our group test
applications at a
fraction ofthecost.
Oneplacethatisa
goldmineof applicationsfor
optimising and compressing
web graphics is
im. It's not
strictly speaking shareware,
rather commercial
applicationsthatyou can
download in demo format.
Someof these aresave
disabled, others havelimited
functionality, for example
Supergif cannot batch
process.
All theBoxtopsoft products
areavailablefor Windows
and M ac, they featu resimple
elegant interfaces which enable
you to do optimisation quickly
and without fuss. ProJ peg has
a d u al -i m age p ra/i ew wi n d o w
with livefilesize, compression
rati o and down I oad ti me i nfo
and supports progressive(the
imagedisplaysat progressively
higher resolution asit
down I oads i n the browser
window) and baseline
encoding.
PhotoG IF also provides
comparativepreviews, good
paletteediting and control
features and an edgetool for
cleaning up anti-aliased edges
on transparent gifs.
Colorsafeisa Photoshop
plug-in that allows you to
create hybrid browser-safe
\9- Lp -r- Mfl « — mm- l»
colours from a combination of
two existing colours in the
browser palette, thus
expandingtherangeof
websafe col ours. A program
called Ditherboxmadesuch
an excellent job of this
techniquethat it was bought
by Adobe and incorporated
into ImageReady.
At www.spinwave.co
you'll find HVSColorGIF 2.0,
a Photoshop plug-in gif
optimiser.lt includes
programmablepre-sdts, live
previ ews and agif animator.
Other spinwaveproducts
includeJPEG Cruncher, GIF
C ru ncher and 0 pti Verter - a
scriptablecommand-linebatch
converter andoptimiserfor
morethan 50fileformats
including eps, tiff, gif, jpeg and
hvs animator. All areavailable
asfreetrial downloads, or you
can crunch online.
At www.mi
com/alchemy/gifcon.html,
you'll find Alchemy'sGif
Construction Set Pro 2, afully
featured sharewareapplication
for producing animated gifs
and optimisingfiles. It'sa
4MB download and the
registration feeis$20. It has an
animation wizard and banner
generator, transition effects,
1/1/ ebgraphics 0 ptimizer 4.2
Bannershop G if A nimator4.0
and a SuperCompressor Gif
optimiseraswell as integrated
scri pti n g capabi I i ti es. You can
convert gif animationstoavi
format and it also supports the
new so-called animated png
format mng.
Gif Master 1.4 (
nev.hyp ermart.net/GM aster/
) isasuiteof
applicationscomprising Gif
Viewer, G if 0 pti mizer, G if
Explorer, G if Comment and
Gif Convert. TheO ptimizer
can work on an entirefolder of
single-frameor animated gifs.
As well as gif, jpg, and pngfile
formats aresupported. G I F-
Expl orer i s a gif fi le browser
that supports animations,
returns paletteand header
information, and provides
somebasic editing techniques.
Version 1.4 is a beta with a
registration fee
of $35.
WebgraphicsO ptimizer
4.2softwareautomatically
optimisesimagesforyou using
its intellioptimizefeature,
which analyses your images
and decidesoptimal settings
for you (www. web ).
So even if you haven't read the
pageon compression there's
no excuse not to producesmall
perfectlyformed gifs.
I f you want to takea more
hands-on approach, up to five
variations can becompared
whileyou changethefile
format, compression ratio,
colour depth, ditheri ng and
colour palettein real time.
Optimizer reads24file
formats and writes 16,
includinggif, jpeg, png,
Photoshop 3 and tiff. It also
h as a wi d e ran ge of effects
filters, colour manipulation
functionsand TWAIN
support for scanner input,
all presented in a slick
professional interface.The
professional version also
provides batch optimisation
features.
Newly released Bannershop
Gif Animator 4.0 hasa built-
in imageeditorwith drawing,
retouching and text tools
for creating single-frame
and animated gifs
3c0.com/.
It has an optimisation
wizard and uses plug-in
extensionsto providea range
of animation and effects tools.
Fly, fade, motion blur, zoom,
stretch and peek extensions are
included. You can download a
limited timedemo, or own it
forever, astheysayonthe
D isney video commercials,
for $39.
Best of the rest
http :// www.agentu r-si mon .
d^pedit/
PEdit 0.8: Simon Bertram's
PEdit isasimple, but powerful
manual paletteeditor plug-in.
www.jpg.com
Pegasus i magi ng: J peg Wizard
and PicPress.
http://www.ri softsystems.
com/ pal exp. asp
Rl Soft Systems: Palette
Express Paletteeditor.
http :// www.crayo n sof t .co m/
Crayon Software: M agic
Vi ewer vl.2 sh areware batch
converter and optimiser.
http://www.coffeecup.com/
Coffeecup Software
Shareware G if Animator, I mage
M apper and Button Factory.
http://studl.tuwien.ac.at/
~e8925005/
www G if An i mator vl.l (that's
not a URL bytheway)
SharewareG if ani mator with
I o ts of effects andtransitions.
http://www.spg-net.com/
productl.html
SPG Webtools4.0pro
Expansivesuiteof plug-ins
• Personal Computer World • October 2000
Become an expert with our essential, in-depth guide to all things PC
.SsTwi^i
r
Welcome to this
month’s pcwexpert.
Over the next 16
pages we take an
in-depth look at both
CRT and LCD
monitors.
We start at their
origins and go on to
their inner workings
and explain how you
can get the best
results. Read on to
find out more and
become a PCW
expert on monitors.
Written by David Fearon
Personal Computer World • October 2000 •
pcwexpert
HISTORY
Bringing monitors into focus
Despite being around since the 19th Century the CRT faces stiff competition from a technology based on frozen carrot juice
□ fthe300 million orso PCs
inusearound the world
today, the vast majority are
connected to a display
technology that predates the
digital computer by about 50
years. The basic technology on
which these displays are based,
the cathode ray tube (C RT) , was
invented in the 19th Century,
when the closest thing to a d igital
computer was Charles Babbage's
notional Analytical Engine.
The man credited with
developing the basic technology
that would, in a modified form,
make its way into practically every
household in the western world
within the next 60 years, was a
German physicist named Karl
Ferdinand Braun.
Cathode ray tubes had been
around fora while, but in 1897
Braun invented the cathode ray
oscilloscope, a device with all the
basic elements of a modern
picture tube: a focused, steerable
electron beam with a fluorescent
screen that could be used to
prod uce patterns. The cathode
ray oscilloscope was invented to
enable plotting of time- variable
voltage and currents on the
screen, and oscilloscopes are still
used today in the same way by
electronic engineers. But people
started to realise very earlyon
that the device could be used for
more than plotting single lines
and producing pretty patterns.
Just a decade or so later, over in
Russia, Boris Rosin and Vladimir
Zworykin used what was then still
called a Braun tube to
demonstrate one of thefirst ever
television systems.
Butin 1889, even before
Braun had developed the
cathode ray tube, an Austrian
botanist by the name of Reinitzer
was doing what botanists
apparentlydid inthosedays,
namely freezing carrot juice.
Looking at the structure of the
material as it thawed, Reinitzer
noticed that at a certain
temperature, rather than making
thetransition from liquid to solid
directly, it appeared to hover
between the two. The juice would
flowlikea liquid, but retain some
of its crystal structure. H e and
German physicist Otto Lehmann
called this fourth state of matter
the liquid-crystal state.
As the properties of liquid
crystals continued to be
investigated, it was discovered
that the semi-crystalline structure
of some liquid crystal
compounds could be influenced
by an electric field. This fact,
combined with thefact that the
orientation of the crystals, called
the director, affected the
transmission of light, meant it
was only a matter of time before
someone put liquid crystal
to useasadisplaydevice.
In the event, it was rather a
longtime. Because liquid crystal
is less suited to displaying analog
quantities and is more 'digital' in
nature, the world had to wait for
theinvention of the silicon
transistor and digital electronics
beforethefirst viable LCD
(liquid-crystal display) was
developed. Thefirst one was the
offspring of the scientists at the
Radio Corporation of America
(RCA) laboratories in 1963. This
didn't usetheprincipleof
polarising light that modern
displays use, but was based on a
principle known asthedynamic
scattering mode(DSM ). Applying
a small voltageto thedisplay
pcwexpert timeline
1889
1897
1910
1963
1963
1968
Austrian botanist
Friedrich Reinitzer is
mucking about with a
carrot and discovers
that certain types of
organic matter have a
fourth state between
liquid and solid -the
liquid-crystal state.
German physicist Karl
Ferdinand Braun
develops the first
cathode ray
oscilloscope, the basis
of modern CRT
displays.
Russians Boris Rosing
and Vladimir Zworykin
show a crude television
system at the Imperial
Institute of Technology
in Moscow. The system
uses a Braun cathode
ray tube as its display.
Ivan Sutherland’s
Sketchpad is the first
interactive computer
graphics system, but
because of the vast cost
of memory it is a vector
rather than raster-
based system.
The Radio Corporation
of America (RCA)
demonstrates the first
crude liquid-crystal
display (LCD), based on
the dynamic scattering
mode of operation.
Sony invents the
Trinitron aperture-grille
picture tube, a
breakthrough design
that’s flat in the vertical
direction and gives very
high brightness, but at
this point it makes its
appearance in
televisions only.
• Personal Computer World • October 2000
pcwexpert
HISTORY
made the display elements turn
cloudy. Unfortunately, this
displayproved to havea limited
lifetime and wasn't especially
clear.
Thefirst LCD to use liquid
crystals in the same manner in
which they are used today
appeared a few years later in
1971. This was thefamiliar
displaythat has been used in
digital watches and calculators
ever since. It used the mode of
operation wherebythetwisting of
the liquid crystal under a voltage
causes light to deblocked by a
polarising filter. This is called the
twisted-nematic effect and all
modern LCDs, whether in
watches or high-end flat-panel
displays, work on this principle.
Themajorfactorthat
influenced the development of
the computer monitor was, of
course, the development of
computers themselves. After all,
there was no point in developing
a display capableof high-
resolution graphics when no
computer existed to use it.
Computers migrated from
punch cards and tape in the
1960s, and that's when thefirst
graphical displays were
developed specificallyfor
computer use. Ivan Sutherland's
Sketchpad, designed in 1963, is
regarded asoneofthefirst
interactive graphics systems, but
like most computer systems up
until the Seventies, its display was
vector-based. TheCRT display's
electron beam was steered
directly around the screen to
create wireframe objects, rather
than using the modern raster
method where the image is built
up linebyline, inthemannerof a
television image. The reason for
this was simple: raster-based
computer displays require a
memory buffer that stores the
colour of each pixel in the image.
When memory was a million
dollars a kilobyte, even very low-
resolution raster displays were
completely unfeasible.
It's difficult to pin down the
first computerto use the modern
system of raster-based graphics,
but once memory became cheap
enough to produce them, the
modern monitor market began.
I n the U K, the home computer
boom of the late Seventies and
early Eighties had hundreds of
thousands of people hooking up
their new ZX81s to their
televisions. But image
quality suffered as a
result of the
computer
having to
convert
the RGB
image buffer
into a UHF
television signal. Various
companies began to
produce
monitors with
dedicated RGB
inputs to take advantage of home
micros with the appropriate RG B
outputs, such as the BBC M icro.
One of the best-known and most
populardedicated monitor
ranges of the 1980s in the U K
was M icro vitec's Cub, made
famous by its useon the BBC's
health implications cameto the
fore, and it wasn't long before
'flicker-free' monitors with refresh
rates of 72Hz and above became
available. Flickering screens
weren ' 1 1 h e p ri ma ry so u rce o f
concern, however: the idea that
low-frequency EM R (electro¬
magnetic radiation) could affect
vulnerable groups
such as pregnant
women gave rise
to the M PRII and
latterly TCO 92
standards.
After that, and
for most of the
Nineties, monitor
technology remained
fairly static, as did
prices. In 1994 a 17in
unit was a luxury and a
high-end model would
set you back £1,500. It
wasonlyin late 1996
and early 1997 that the
new threat from ever-
decreasing LCD flat panel
prices began to prod the
conventional CRT
manufacturers into action.
In 1996, an liyama Vision
M aster 17 shadow-mask display
cost around £550, but now, just
a few years later, the latest 19in
flat-screen aperture-grille
models, with vastly better image
quality, cost close to half that.
Thethreatfrom LCD displays
hasyetto makean impact: CRT-
based displays continue to give
the best price-performance ratio,
with a high-end 21in flat-screen
CRT costing around thesameas
a decent 15in LCD flat panel.
Computer Programme and its
ubiquity in schools.
Driven by the drops in
memory prices, the resolution of
home computers, and latterly
PCs, steadily increased. In the
early 1990s, Windows3.1 and
PCs with VGA graphics resulted
Laptops feature LCD displays as standard
in display resolutions of 640 x
480, then 800x600.
With the advent of the
Swedish TCO trade union's
interest and the computer's entry
into offices around the world, the
1971
1980s
1990s
1994
1996/7
1999
Hoffman-La Roche
develops the first
commercial twisted-
nematic LCD of the type
later used for
calculators and digital
watches. The basic
principle is the same as
that now used in flat-
panel PC displays.
The advent of mass-
market home
computers in the UK
means dedicated
computer monitors like
Microvitec’s classic
Cub range start to
replace televisions for
home computer use.
Windows 3.1 demands a
resolution of 640 x
480, setting the
baseline for new
monitors. The TCO is
formed to set standards
for ergonomics and
emissions. The first
‘flicker-free’ monitors
begin to appear.
Prices for decent
monitors are still high: a
good quality 17in unit
costs over £1,000 and
14in displays are still
the norm for home user
and office systems.
LCD flat panels become
viable for home users,
albeit those with very
deep pockets. This
gives CRT
manufacturers a kick
up their behinds and
CRT prices rapidly start
to drop while quality
improves.
Sony produces the FD
Trinitron tube and
Mitsubishi releases the
rival Diamondtron NF,
the first CRT-based
displays with perfectly
flat screens, initially in
19in sizes. A flat-screen
17in monitor now costs
as little as £200.
Personal Computer World • October 2000 •
pcwexpert
TECHNOLOGY
Shots in the dark
Here we take a detailed look at the inner workings and refinements that have kept the cathode-ray tube in line with progress
□ he vast majorityof the
world's monitors are still
based on thefundamental
principle that physicists like
Braun were using back in the
19th Century: the cathode ray
tube. But there's a world of
difference between that basic
device and the phenomenally
complex piece of engineering
that's resulted from the CRT's
100-odd years of development.
Principles of the CRT
To makea basic CRT you need
four major parts: an evacuated
glass tube into which you put an
electron gun, a deflection yoke
and a phosphor coating (see
diagram top right). The gun
produces a stream of electrons
that arefired toward the screen.
Electrons can be influenced
by electromagnetic fields, so the
deflection yoke, which is
essentially an electromagnet, can
steer the beam of electrons to a
particular point on the screen as
they shoot past. Theelectron
beam itself is invisible, hence the
phosphor coating on the rear of
the screen. When theelectron
beam hits the phosphor, energy is
released and a point of light
appears where the beam
is directed.
In a monitor or television, the
picture is built up by splitting an
image into rows of lines, known
as a raster, and painting the
image on the screen by using the
deflection yoke to start at thetop
of thetube, scan the beam from
left to right and vary its intensity
to produce thefirstlineof pixels,
then zipping the beam back to
the start of the next row a little
further down, painting that line,
and so on.
The combined effects of
human persistence of vision and
thefact that the phosphor
continues to glow after the beam
has moved a way from a
particular spot means that if this
process is donefast enough (at
least 25 times a second, but
preferably much faster) the
red gun
green
p
# k
green
phosphor
Vr red
\ phosphor
shadow mask
red
phosphor
blue phosphor
phosphor dots
A shadow-mask CRT
illusion of a complete,
continuous picture is achieved.
CRTs in close-up
The gun, which produces the
stream of electrons, has a heater,
which literally heats up a
negatively charged metal plate
called the cathode. M etals have a
supply of free electrons that are
not permanently bonded to any
of the metal atoms - this is why
metals conduct electricity.
Applying heat to the metal gives
the electrons enough energy to
free themselves from the cathode,
resulting in an electron cloud. An
electrical terminal called the
anode, which is usually placed at
thetop of thetubenearthe
screen, is given a very high voltage
relative to the cathode (tens of
thousands of volts), which has
the effect of accelerating the
electrons very strongly towards
the screen at somewhere around
one-tenth the speed of light.
On the way, they pass
through plates called thefocus
plates that are at a negative
voltage relative to the cathode,
which has the effect of
compressing thestream into a
fine beam. A metal grid in the
gun assembly, between the
cathodeand anode, controlsthe
intensity of the beam. Applying a
voltage to thegrid counters the
attraction of the anode and
reduces the speed of the
electrons, producing less intense
light on the phosphor.
Colour displays
In a simple, monochromeCRT
like the kind you would find in an
A-Level physics text book, there's
just a uniform coating of
phosphor on theback of the
screen. But to produce a sharp,
colour imageof 1,600 xl, 200
pixels that refreshes 85 times a
second, things need to be a tad
morecomplex
Fora start, one beam isn't
enough. To make a colour picture
you need to combine red, green
and blue elements for every pixel
JJlJ • Personal Computer World • October 2000
pcwexpert
TECHNOLOGY
to produce thefull colourgamut.
Three individual colours means
three individual electron beams.
And remember that the beams
themselves have no colour - it's
theglowing phosphorthat
produces the colour, so three
colours means three different
types of phosphor with different
chemical compositionsto glow
red, green or blue when
bombarded byelectrons.
In a traditional CRT, the
different colours of phosphor are
arranged in groups of three dots,
known as triads, across the
screen -thesetriads are small
enough that their individual
colours seem to mixtogether
when viewed from a distance,
producing anycolour of the
spectrum.
An electron beam can't,
however, be perfectly focused, so
something is needed to prevent
the individual red, green and blue
beams from spilling over and
illuminating the wrong dots. The
oldest method of doing this is
with a shadow mask. This is
simply a sheet of metal with
minute holes drilled in it, each
one coinciding with the position
of a phosphor triad. This mask
cleans up the electron beam,
making it sharper and preventing
the beams from straying into the
wrong territory.
Masks and apertures
U nfortunately, the shadow mask
has a disadvantage. In doing its
job, the mask prevents a
significant percentage of the
energy from the electron beam
reaching the phosphor, so the
intensity of the image is reduced.
This problem was first solved
when Sonyintroduced the
Trinitron tube in the Sixties,
which was thef irst example of an
aperture-grilletube. An aperture
grille still uses a mask to clean up
the electron beams, except that
it's formed not by a sheet of
metal but by extremely fine wires,
strung vertically behind the
screen. Also, rather than groups
ofcircularphosphordotsin
clusters, aperture-grilletubes
have continuous vertical stripes
of red, green and blue phosphor.
The vertical-only masking is
sufficient to give the required
Graphics cards: The other half of the equation
Over the past couple of years, LCD flat panels
have started to become more popular, mainly
because of the slow but steady reductions in
price. But, as we all know, analog CRT-based
monitors remain massively prevalent. For this
reason, graphics cards contain a rather
anachronistic bit of circuitry - the RAMDAC.
Computers are digital, CRT monitors are analog,
so the RAMDAC (random access memory digital
to analog converter) sits between the graphics
card’s frame buffer and the monitor’s input, and
converts the digital frame store into an analog
video signal.
This has a couple of ramifications. First, it
means that a significant part of the image
quality of a system is independent of the
monitor: if the RAMDAC is poorly designed and produce an analog signal is also rather daft from
has insufficient bandwidth, it’ll feed a poor the point of view of LCD flat panels: most still
signal to the monitor. And a poor signal, fed to have analog inputs to cater for the fact that the
the best monitor in the world, will result in a majority of graphics cards only have analog
bad picture. So, if you’re disappointed by the outputs. So, the digital frame buffer gets
image quality of your brand spanking new flat- converted to an analog signal, passed to the
screen CRT monitor, check your graphics card. monitor, and then converted back to a digital
The best for 2D image quality as far as signal, introducing two entirely unnecessary
consumer boards go is still Matrox - if you’re not stages of D/A and A/D conversion. Up until now,
interested in the best 3D performance, the solution to the problem has been to get
Millennium G400s are now a good deal, but if yourself a panel with a digital input and a
you’re intending to run at resolutions over 1,280 graphics card with dual analog/digital outputs,
x 1,024 the slightly enhanced RAMDAC sported But now the industry is starting to look at the
by the G400MAX is a better bet, and it’s also problem from the other direction. ViewSonic and
pretty cheap relative to the likes of the newest Sony both have CRT monitors with digital inputs
nVidia GeForce 2 cards. in the pipeline, and you can expect the trend to
The fact that the majority of graphics cards become industry-wide in the coming year.
masking effect, and has the
bonusthatmuch moreofthe
energy from the electrons makes
it through to the phosphor. This
means that aperture-grilletubes
can have a much darker tint of
glass and still get a brighter
picture than would be possible
with shadow-mask displays. The
result is far better contrast and a
more vivid display.
However, there's a slight
downside. By itself the row of
aperture-grille wires is too
susceptible to vibration to be
practical -the picture would
shimmer and distort whenever
someone walked past your desk.
To stop the vibration, damper
wires are strung horizontally
across the grille, making contact
with the vertical wires and
damping out the movement.
There are usually two of these
wires, at one-third and two-thirds
of the way up the screen. Because
they're in the path of the
oncoming electrons, they cast a
shadow on the screen that is
usuallyjust visible as a coupleof
faint black lines if you're
displaying a pure white
background. This is one of those
things that most peopledon't
mind, butsomefind unbelievably
irritating. So, try before you buy,
but bear in mind that it's getting
increasingly difficult to buy
higher-end monitors that aren't
aperture grille-based, particularly
flat-screen CRTs, although
Samsung's IF (infiniteflat) tubes
are shadow-mask units.
It's not just Trinitron displays
that have aperture grilles these
days - Mitsubishi is the second
most prominent aperture-grille
manufacturer with its
Diamondtron tubes. NEC makes
its own aperture-grilletubes too,
as well as being the inventor
some years back of CromaClear
tubes, which area slot-mask
design - a shadow mask with
vertical slots rather than holes to
give some of the benefits of an
aperture grille.
Sticky problems
A monitor's electron beams
originatefrom a singlefixed point
and haveto besweptfrom sideto
side by the deflection yoke. This
Personal Com puter World • October 2000 • ftj
31
pcwexpert
TECHNOLOGY
It’s a fuzzy old world
The world of computing is fundamentally a
digital one. One of the things that makes digital
systems great is that they’re consistent and
repeatable, so if we benchmark a 1GHz Pentium
III system and it gets a certain score, you can be
sure that if you buy the same system it’ll be just
as fast.
Unfortunately, monitors based on
conventional CRT technology are fundamentally
analog devices. And analog devices vary. This
can happen from moment to moment, as you’ll
see if you adjust your monitor’s picture just after
switching it on. Come back half an hour later
and it’ll likely need adjusting again having
warmed up.
But analog devices also vary from device to
device, and monitors are no exception. Picture
tubes are particularly susceptible to this, and
manufacturers are well aware of the fact.
Consequently, their picture tubes are tested and
graded as they come off the production line.
The variations in almost any system in the
real world will form a bell-shaped graph known
as a Gaussian normal distribution curve. This
applies to analog monitor manufacture too.
Most of the samples manufactured will be pretty
good and are represented by the hump in the
middle of the curve. But a few will be poor -
A quality
quantity
these are the ones to the left of the hump, while
those better than average, or even very good
indeed, produce the right-hand side of the
hump, which tapers off. In general,
manufacturers will take the large middle sample
of tubes and use them in their medium-range
monitors and save the smaller bunch of better
quality units for use in their higher-end units.
This is why, when you’re comparing
manufacturers or models, you shouldn’t just rely
on the published numbers such as dot pitch,
video bandwidth and so on. If you really want
quality, go for the highest-end range at your
chosen screen size, even if the paper
specifications appear broadly similar to a
cheaper model.
means the edges of the screen are
further away from the gun than
the centre, which creates three
problems when it comes to
keeping the image sharp right
into the corners: beam focus,
beam shape and colour
convergence. In practice, the
electron beam coming from a
gun isn't perfectly straight like a
laser. The electrons tend to
spread out like normal light, so
they need to be focused into a
spot on the phosphor mask. In
the past, when the focusing
plates in thegun werefixed, the
need to maintain focus dictated
that screens had to be curved to
maintain a constant distance
from thegun to the screen
regardless of deflection angle-
the screen was essentially a
section of a sphere.
The screen had to be curved
for two more reasons as well:
first, because at the extreme
edges the shape of the beam
would appear elliptical as it cut
through the shadow maskand
met the phosphor, reducing
resolution; and second, thethree
individual red, green and blue
beams need to be focussed
together so that they converge at
thesame point. These three
factors are the reasons that
traditionally it's been very hard to
find monitors whose focus,
sharpness and colour
convergence are as good at the
edges as they are in the middle of
thescreen, and whyold and
cheap monitors have goldfish
bowl screens.
Modern beam trickery
The aperture-grilletube was one
of thefirst technologies to start
flattening out monitors - it
allowed the screen to beflat in
thevertical direction, another
reason aperture grilles have often
been preferred over shadow-
mask displays. But to flatten out
thescreen in the other direction -
and generally improve corner-to-
corner performance over the past
decade- dynamic beam shaping
and focusing methods were
introduced, and have been
getting cleverer.
As the name suggests, rather
than relying on fixed magnets or
plates to focus and shape the
electron beam, dynamic focusing
techniques use electromagnetic
coils in a similar wayto the
deflection yoke to constantly
influencethefocal point of the
beam, as well as its shape, as it
gets scanned across the screen.
Asthetechniqueshave
progressed, monitors have got
flatter and flatter, and last year
thefirst completely
flat-screen CRT monitors started
to appear, manufactured
by M itsubishi with its
Personal Computer World • October 2000
Diamondtron NF (natural flat)
tubes and Sony with the FD (flat
display) Trinitron.
Drive electronics
H aving the world 's best tube in
your monitor is all very well, but
the design of its supporting
electronics can be just as
important. In thesedigital times,
analog electronic expertise is fast
disappearing, and consequently
this is where a smaller
manufacturer can fall foul of the
major players' expertise.
Combining high-power, high-
tension power supplies with the
design accuracy and finesse
required to place an electron
beam to within fractions of a
millimetrein two million-odd
separate places, 80 times a
second, is a pretty tall order. The
electronics of a monitor, in
particular the bandwidth of its
video amplifier, are what limits its
maximum practical resolution.
The video amplifier, which is
the system that turns the
extremely low power signal from
your graphics card into
something powerful enough to
sweep the electron beam across
the display, has to work harder
and harder as the resolution and
refresh rate increase. At
Windows' default Safe M ode
resolution of 640 x480 at 60Hz,
the monitor must paint around
18 million pixels on the screen
every second - the video amplifier
isworkingatl8MHz.
Put a modern high-end 21in
CRT onyourdesk, set the
resolution to 1,800 x 1,440 at
85Hzand its video amplifiermust
run at 220MHz. These
frequencies are harder to achieve
than they are in, for instance,
your graphics card, because of
the much higher power required.
You can see when your monitor is
reaching the limits of its video
bandwidth, whether through
increases in resolution, refresh
rate or both, because the picture
will lose its sharpness. Thefact
that higher refresh rates need
more bandwidth means that if
you're happy with your display
and can't see any flicker at 85H z,
there's no need to increase the
rate, even if the monitor can
theoretically achieve it.
pcwexpert
TECHNOLOGY
Two dimensions with a twist
High costs and manufacturing hitches have held LCDs back, but by overcoming these hurdles they threaten to usurp CRTs
s we saw when tracing the
historyof displays, the
principles of liquid crystal
technology were known in the
19th Century and were actually
around before the invention of
the cathode ray tube. Despite
this, viablecolour LCD displays
for computers have only been
around for the last few years, for
several good economic and
technological reasons.
The basics
All modern liquid crystal displays
workon the twisted-nematic
principle. Fundamentally, a
twisted-nematic display consists
of five layers. The liquid crystal
layer is sandwiched between two
substrates, which have been
rubbed at 90 degrees to each
other, so that the direction of
the liquid crystals is twisted by
90 degrees when no voltage
is applied.
At thetop and bottom of this
sandwich are polarising filters,
also arranged at 90 degrees to
each other. Because the twisted
liquid crystal has the effect of
twisting the polarisation of light,
when no voltage is applied, the
light can passthrough the
display. But applying a voltage
untwists the crystal. Now,
because the po larising filters are
at 90 degrees to each other, the
light is blocked and that segment
of the display goes dark. Varying
the voltage varies the amount of
Viable colour
LCD displays
for computers
have only been
around for the
last few years
twist in the liquid crystal,
allowing shades of grey.
LCDs to PC displays
Turning a simple, segmented LCD
you might find in a pocket
calculator into a high-resolution
colour display introduces a whole
lot of complications.
First, nobody these days
wants a monochromedisplay. So
for each pixel you need three
closely-grouped liquid crystal
elements, each fitted with a red,
green or blue filter, in the same
way as the phosphor triads of
a CRT.
With all those separate
liquid crystal elements to worry
about, the main problem is
addressability. Each of the nearly
2.3 million red, green and blue
elements in a 1,024 x768 display
needs to be able to be activated
individually. When you have that
many pixels, the normal method
of switching individual elements,
known as passive matrix
addressing, becomes tricky. With
passive addressing, each element
is connected via transparent
conductors to theedgeof the
display in columns and rows. The
on-screen image is built up line by
line. Thedisplaycircuitryapplies
a voltage to a column electrode,
proportional to the colours
required for the current line of
pixels. Then the row electrode for
the current line is pulsed on, and
that line of pixels is set. This
happens for every row. But
because each pixel is only briefly
pulsed on, ratherthan being held
onforthedurationoftheframe,
passive matrixscreens must use
liquid crystal that untwists slowly,
so that each pixel holds its twist
until the next time the screen is
refreshed. This leads to fast, or
even moderatelyfast-moving
objects being smeared severely.
Active matrix displays
Active matrixTFT (thin-film
transistor) displays massively
improve pixel response times to
get around the screen smearing
problem. Theyalso have far
better colour and clarity than
passive screens. TFT displaysare
basically one large silicon chip,
etched onto a glass substrate.
Thetwistof each pixel is
controlled bya separate
transistor etched onto the glass.
Each transistor can hold the
voltage applied to its associated
pixel until the next time the screen
is refreshed. So TFT screens can
use very fast-twist liquid crystal,
and the lag and smearing are
avoided.
The big problem
The traditional trouble with TFT
displays is thefact that the whole
unit is a big integrated circuit that
has to be etched in a tabbing
plant in thesame wayas normal
chips, forexampleCPUs. The
tabbing plants are phenomenally
expensive, and it's very hard to
make silicon wafers large enough
and with few enough defects.
M ore than threeorfourdefects in
a wafer means more than the
acceptable handful of dead pixels
onthefinished display. Initially,
theyields on TFT manufacturing
were extremely low, and
consequently the prices were
phenomenallyhigh.
Things have improved of late,
but TFT manufacture is still
fundamentally trickier and
more expensive than CRT
manufacture, hence the price of
flat-panel displays.
Viewing angles
UnlikeCRTs, LCDsaren'tan
emissive display technology. In
other words, they don't produce
their own light. The liquid crystal
elements simply control the
degreeof transmission of light
from behind the display through
to thefront. So, to beableto see
anything, LCDs need a pure-
white, fluorescent light behind
them. This fact gives rise to
problems with viewing angle. The
light from the backlight doesn't
only go where it's supposed to - it
can leak across to adjacent pixels,
and if you're looking at the
display from a point of view
that's not head-on, you start
seeing this stray light, and the
display tends to become illegible.
This situation is improving
rapidly though, as manufacturers
get to grips with filtering
methods. The best panels now
give a viewing angle of up to 80
degrees to either side as well as
up and down.
Personal Com puter World • October 2000 • PE fc
pcwexpert
TECHNOLOGY
Survival of the flattest
As LCD screens become the latest objects of desire does the cathode-ray tube still have something to offer?
□ s we've seen, the world of
monitors is now split
broadlyinto two camps: LCD flat
panels and monitors based on
moreconventional CRT
technology.
Because
LCD flat panels
are the more
modern
technology
people have a
tendencyto
assumethat
they're inherently
superior in every
respect. However,
while it'struethat
LCDs do have big
advantages with
certain aspects of
their performance, the
good old CRT can still hold its
own in a few key areas.
You only need to glance at an
LCD flat panel to see that they
take up very I ittle space on the
desk. WhilesomenewerCRTsare
fitted with short-neck picture
tubes, they're still much larger
and heavier than an LCD panel
with equivalent screen area. They
also consume far more power. A
CRT monitor typically needs 100-
150win use, whilean LCD panel
may need onlyl5-20w. So LCD
panels are at once
environmentallyfriendlier,
cheaper to run and farcooler
than CRTs. It'sthis cool-running
nature and compact size that
makes LCDs a big plusfor
financial centres where hundreds
of displays can be needed in a
relatively confined space.
People often refer to the
'perfect' imagequalityof LCD
displays, but that's a claim that
unfortunately simply isn't true.
You can liken the performance
and lookof an LCD'simageto
the euphoria that greeted the
advent of compact discs. Fora
while, everyone simply assumed,
with the help of some heavy-
handed marketing, that CDs were
perfect. But then a few heretics
realised that they weren't, that
they could sound cold and hard,
and that they preferred the
warmth of vinyl. The same is true
of LCD panels when compared to
CRT displays. Only one aspect of
an LCD's
image can truly
be said to be perfect:
image geometry. The individual
pixels of an LCD panel are fixed in
place when the panel is
manufactured, and the shape of
theimagecan never drift out of
alignment in the waythat a CRT's
can. But as you'll find out if you
turn to the back of this section
and use DisplayM ateto setup
your monitor correctly, there's a
lot more to imagequalitythan
simply geometry.
The idea that LCDs are
perfectly sharp is not correct.
While it /struethat LCDs have
very, very good sharpness that
will never drift out of sync, the
next time you see an LCD panel
take a close-up look. You'll see
two things: first, a black border
surrounds each and every pixel.
This is the silicon electrically
connecting each trio of
transistors to the drive
electronics. So a line or character
of text that should becontinuous
is always visibly broken up into its
constituent parts. This makes flat
panelsa poorchoiceformany
graphics applications. Second,
the red, green and blue elements
of each pixel are not perfectly
aligned: they never can be,
because the intensity of the three
colours for each pixel is
controlled byseparatetransistors
that have to be placed next to
each other on the glass substrate.
So, the colour convergence of
an LCD, while it will always be
good, can never be perfect and
can beoutstripped bya CRT. In
many panels you'll also see a
handful of dead pixels that are
always black, although the silicon
fabrication methods used for
panels are getting better all the
time and are starting to eliminate
this problem.
An LCD panel has a fixed
number of pixels. This means that
it has a fixed,
native
resolution
above
which it's
impossibleto
go. It also
means that
switching
down to lower
resolutions
produces
aliasing distortions as
the position of the
pixels in the
computer's
image buffer don't
match the actual,
physical positions of the
panel's pixels. Most panels
these days can compensate for
this with anti-aliasing circuitry
that effectively blurs the image to
maketheeffect less pronounced,
but you'rethen left looking at a
display reminiscent of the image
your BBC M icro produced when
you hooked it up to your telly
in 1982.
In contrast, a CRT can cope
with a much wider range of
resolutions. A top-end 21in CRT,
forinstance Sony'sG500, which
won our last 21in monitor group
test, can reach 1,800 x 1,440 and
still remain usable. But there's
still no commercially available
panel that can manage more
than 1,280x1,024. If you'rea
resolution junkie and need the
biggest desktop possible, a CRT
istheonly choice.
Viewing angle is also a boneof
contention with panels. Although
several manufacturers, notably
ADI, arenow producing panels
that can be viewed from the sides
with almost no apparent changes
in hue, many cheaper panels still
have a very limited range of
positions in which they can
comfortably be used. And when
you'recloseuptooneof
these panels, the
slight difference in
the image seen by
your right and left
eyes can eventually
lead to an
uncomfortable
cross-eyed feeling,
which cancels out
the advantages
oftheflicker-
free nature of
LCDs.
Colour
reproduction and
vibrancy is a second
aspect that most CRTs
can claim to do
better than
most panels. No
LCD monitor
can yet match
the warmth
and richness
of a good
aperture grille-
based CRT.
There are plenty of people
who, seeing a flat panel for the
first time, will fall in love with
them and never want to look at
another CRT. But there are also
plenty of peoplethat, like the
vinyl lovers, will always prefer the
warmth and laid-back look of a
CRT against the cold edgeof a
flat panel. It's not an open and
shut case and don't let anyone
convince you otherwise. Use your
own eyes to decide.
HWl • Personal Computer World • October 2000
pcwexpert
TECHNOLOGY
Ergonomics and emissions
For anyone regularly using a PC monitor we have some essential advice for reducing its effects on you and your environment
he majority of people in the
western world are spending
an increasing percentage of their
working lives sitting in front of
their computers and staring at
their monitors. And once they
leave work, do they head out for
a brisk walk? Er, no. They go
home, sit back down in front of
another computer and spend the
next five hours lost in the web.
Little wonder then, that lots
of different agencies and
organisations have been getting
worried about our health and the
ways that all this exposure to
computers might hurt us and the
planet. Users should give serious
thought to ergonomics and
emissions, while recyclability and
energy efficiency are key to
preserving the environment.
In every computer hardware
manual these days, warnings of
dire consequences abound if you
fail to follow the instructions on
preventing computer-related
injuries like RSI. And while many
of us at PCI/1/ regularlyfailto take
any notice of these, there's no
denying that you should, at the
very least, take note of your
posture and display position (see
box). You should also take care
not to go for mo re than a few
hours in front of your monitor
without taking a break to let your
eyes, back and brain recover.
Beyond these basic common
sense ergonomics, however, there
are still the issues of emissions
and the environment to consider.
The problem with emissions
wasthefirstto cause concern
and set the standards ball rolling.
Back in the Eighties, when
mo n ito rs were sta rt i n g to
become widespread in offices,
the cocktail of electromagnetic
radiation emitted by displays at
the time wasa prime causeof
worry, particularlyfor pregnant
women. So, in safety-conscious
Sweden, the M PRII standard for
electromagnetic radiation was
developed. This was a standard
designed to reduceemissionsto
very low levels, while keeping a
close eye on the economic
implicationsforthe
manufacturers. However, the
Swedish trade union TCO wasn't
satisfied, and came up with the
far more rigorousTC092
standard. TC095 followed,
addressing environmental and
ergonomic issues, such as the use
of toxic heavy metals in CRT
manufacture, the degree of
screen reflectivity and so on. It
also covered energy-efficiency, as
does the U S Government's
Energy Star programme.
Under both Energy Star and
TCO 95, office electrical devices
must now beableto put
themselves into low-power
standby mode after a preset
period of inactivity.
W ith the release of TCO 99
last year, the stringency and
scopeoftheTCO label reached
new levels. If a monitor has that
TCO 99 sticker, it mustn't just be
recyclable: the company that
produced it must have a recycling
policyin place, and should be
ableto preparethedisplayfor
recycling at the end of its useful
life. TCO 99 also covers a massive
array of ergonomic and
environmental factors like
acoustic noise, image quality
performance; including
geometric distortion and light
levels, and even the operation
of tilt and swivel mechanisms.
There was initially some
industry cynicism over the
TC099 standard. Someclaimed
it wouldn't really havean
environmental impact over what
TC095 had achieved, while many
argued that it was simply too
expensive to implement. But
every major display manufacturer
has taken it up and we've seen
veryfew new monitors in recent
months that haven't been
certified. It may be a little over-
zealous in its reach, but there's
no denying that a monitor with
TCO 99 certification should give
you confidence that it's
completely safe to use.
How low can you go?
Traditionally, users were advised that the centre
of their screen be positioned more or less at eye
height, so their head was straight and level -
having your head tilted forward was believed to
lead to neck strain.
Viewing angles are different between the
top and bottom
i %
The thinking is now based on consideration
of how vision has evolved in humans. In
everyday life, if your head is level, you’re likely to
be focusing into the distance, not at an object a
foot or two away. It’s far more natural to be
focusing closely on an object that’s below you,
either on the ground or in your hands.
A neat way of exaggerating this effect for
illustration is by trying to read a book held above
your head: your physiology is used to focusing
into infinity when you’re looking up,
consequently your eyes will start feeling
strained, even though it’s only your neck
position that has changed.
So, the best compromise between what your
_ body and brain is used to and
minimising the risk of neck ache is by
positioning your screen so that the top
of the viewable area is level with your
eyes. This means you’re looking
slightly downward, but not so much
that the weight of your head will start
straining your neck.
Common sense dictates where you
should and shouldn’t place a monitor in
a room. Avoid positions that result in
reflections from lighting - if you have
uplighting, where the light reflects off
the ceiling and is diffused into the
room, you’re less likely to be bothered
by glare than with the clear reflections
you tend to get from offices that have exposed
fluorescent tubes.
You also need to avoid having the monitor
directly in front of a window, where the light
from outside could be brighter than the display
itself, resulting in your squinting. If you have to
be close to a window, having the monitor side-
on to it is your best bet.
Personal Com puter World • October 2000 •
pcwexpert
FUTURE
The persistence of vision
As display technology gets bigger, better and cheaper, researchers are setting their sights on a ‘digital paper’ display
iketherestofthecompu-
ting world, it's pretty easy
to predict thetrends in display
technology in the short to
medium term - bigger, better and
cheaper. With conventional
CRTs, this means the
replacement of old shadow-mask
tubes with flat-screen aperture-
grille versions, across the board
from 15in displays upwards.
Companies likeSonyand ADI
havealreadydonethis, and
others are sure to follow their
lead . And within a year or so, the
normal analog inputs on CRT
monitors will start to be replaced
with digital connectors as digital-
to-analog conversion circuitry
migrates from graphics card to
monitor. This makes economic
sense, since it should mean
graphics cards get cheaper, and
most people upgrade graphics
cards far more often than they do
their monitors. In addition, the
ability of monitor manufacturers
to tailor the D/A convertor to
their particular monitor will
mean quality gains as well.
Asforflat panels, you can
expect thefirst widely available
panel with a native resolution of
1,600x1,200 very soon. It won't
be cheap, of course, but it should
have the knock-on effect of a
price drop for lower resolution
panels. An increase in the number
of graphics cards with digital
outputs will mean that panel
makers can drop the analog to
Everyone knows
the world is
going mobile, and
that’s where the
major research
is going on
digital conversion circuitryand
flat panels will beableto liveup
to their full, pixel-perfect
capabilities.
So far, so predictable. In the
long term, display technology
gets exciting but weird. There are
dozens of companies and
university research groups
working on the displays of the
future. With modern monitors
managing resolutions of 1,800 x
1,440, the desktop display
market is pretty much covered.
But everyone knows the world is
going mobile, and that's where
the major research is going on.
Conventional colourTFT
displays are very expensive and
need a lot of powerfortheir
fluorescent backlight - no good
for cheap phones with small
batteries. The most promising
technologyon thisfront is light-
emitting polymers (LEPs). LEPs
work in the same way as the
ubiquitous LED (light-emitting
diode), but the/ re flexible and
can beproduced asa liquid, and
literally printed onto a substrate.
British-based Cambridge Display
Technology (www.cdtltd.co.uk),
the main developer of LEPs, has
alreadyjoined forces with Seiko-
Epson and produced a prototype
colour mobilephonedisplay. The
really interesting part is that the
displayisactuallymadeby
printing it with a modified inkjet
printer. A conducting polymer
layer is printed onto a substrate,
to form the electrical pathways
needed to power the LEPs, then
the pixelsfor the display are
printed using liquid red, blue and
green LEP 'ink'.
The reason many people are
getting excited by LEPs is the
possibilitythat in thefuturethe
H oly Grail of display technology
could be realised: digital paper. A
medium that feels like the normal
paper everyone knows and loves,
but that can display anything at
all, anytime. But obviously, LEPs
differ from normal paper in one
crucial respect: LEP displays are
emissive rather than reflective;
they emit light, whereas normal
paper doesn't. So, although
they're low power, LEP displays
still need a fairly significant
battery.
Over at that hotbed of
whacky digital media research,
the M assachusetts I nstitute of
Technology, they' re working on a
system of reusable electronic
paper that really does look and
feel like normal paper, but that
can display anything you like, any
time, with near-zero power
required (www.media.mit.
edu/micromedia). Thecurrent
system works by printing a layer
of microcapsules onto a
substrate. The capsules contain
black ink and a white titanium
powder. Applying a tiny voltage
to the capsu les fo rces the white
powderto thetop, making that
pixel appear white, or forces it to
the bottom where it's covered by
the black ink, turning the pixel
black. This still needs current
applied all the time, but the lab's
aim is for a system whereby the
capsules contain tiny freely
rotating balls, whiteon one side
and black on the other. This
wouldn't need any power at all
once the display had been set.
It all soundsfar-fetched, but
researchers at Xerox's famous
Palo Alto Research Center have
also got a similar system that
they've demonstrated. The
technology already exists and it
really works, albeit fairly crudely.
It seems that the notion of the
ebook, which is currently no
more than a PDA showing text
files, could become a reality
sooner than manywould think.
• Personal Computer World • October 2000
ILLUSTRATION TOM GREEN
pcwexpert
GLOSSARY
Monitor terminology
This month’s pew cuts through the confusing jargon and acronyms that comprise the modern monitor’s glossary
Active matrix: A type of liquid-
crystal display with improved
pixel response time over passive
matrixversions.
Aperture grille: Performs the
same job as a shadow mask, but
uses vertical wires instead of a
perforated sheet. The aperture
grille allows a darker tint of glass
for better contrast.
Bandwidth: Thefrequency
range that a system can reliably
transmit or amplify. In CRT
monitors, the video bandwidth
determines the monitor's
maximum practical resolutions
and refresh rates.
CRT (cathode ray tube):
Theevacuated glass picturetube
that conventional monitors are
based on.
Diamondtron: Proprietary
namefor M itsubishi's aperture-
grilletubes.
Degaussing: M ethod of
demagnetising a monitor to get
rid of unwanted colour blooms.
M ost monitors have a degauss
option that sends a large burst of
current through a coil around the
outsideofthetube.
DSTN (dual-scan twisted
nematic): Type of passive
matrix LCD that splits the screen
in two, enabling faster twist
liquid crystal to be used for faster
pixel response times.
Dynamic range: The maximum
and minimum levels of signal a
monitor is capable of displaying.
Monitors with a limited dynamic
range will have poor contrast.
Emissive: Display types where
the light is produced and the
image formed by the same part of
thedisplay. CRT displays
are emissive.
Gamut: The range of colours a
graphics system is capable of
displaying.
High-tension power supply:
Alternate namefor high-voltage
power supply. High-tension
supplies generating tens of
thousands of volts are used in
monitors, primarilyto accelerate
the gun's electron beam toward
the screen.
Hz: Hertz Cycles per second.
Named after theGerman
physicist Heinrich Hertz.
LCD (liquid-crystal display):
A display technology that uses
the unique properties of
liquid crystals to control
transmitted light.
Moire: An undesirable
patterning effect that occurs with
CRT monitors dueto the
frequency difference between the
displayed image and the
incidence of phosphor dots and
holes in the shadow mask or
aperture grille.
Native resolution: The fixed
pixel resolution of an LCD flat
panel, in other words the number
of liquid crystal triads in the
display. Because of the inflexible
nature of a flat panel's
resolution, image quality suffers
dramatically at anything other
than its native resolution.
OSD (on-screen display):
The digital menu system that
most modern monitors sport,
giving a control menu overlaid on
the screen itself.
Passive matrix: 0 Id er and
less effective type of liquid crystal
display that suffers from poor
pixel response times, leading
to excessive smearing of
moving images.
Persistence of vision: The
phenomenon in humans that
allows us to perceive movement
from a quick succession of still
images. CRTs relyto some extent
on persistence of vision in
tandem with the chemical
persistenceof phosphor to
give the illusion that the image
is stable.
Pixel: Short for picture element,
thesmallest part of an image.
Colour pixels in CRT monitors
are composed of red, green and
blue phosphor dots, whereas in
LCD panels are composed of the
light from the fluorescent
backlight passing through red,
green and bluefilters.
Phosphor: Chemical used to
turn the energy from a CRT's
electron beam into visible light.
Different additives to the
phosphor are used to produce
red, green and blue light for a
full-colour display.
Resolution: In this context, the
number of pixels an image is
composed of. Typical minimum
recommended resolution fora
Windowssystemona 17in
monitor is 1,024 x768. The best
CRT monitors will manage 1,800
xl,440 and still beusable. Also
refers to the sharpness of a
monitor's image.
Refresh rate: Expressed in Hz,
thenumberoftimes per second a
display is repainted or updated.
M inimum refresh rate to avoid
noticeableflicker with CRTs is
accepted to be72Hz. LCDs don't
suffer from flicker.
Shadow mask: The earliest
method of sharpening the profile
of a monitor's electron beam to
improvedefinition and avoid
colour purity problems. Consists
of a perforated metal sheet
placed behind the screen. Largely
superseded by aperture-grille
technology.
Short/medium persistence:
Types of phosphor used in CRT
monitors. Theterm refers to the
length of time the phosphor
glows after the electron beam has
moved away. H igher refresh rates
in modern monitors means
shorter persistence phosphors
can be used.
Slot mask: A variation on the
shadow mask that uses vertical
slots rather than round holes,
giving some of the advantages of
an aperture grille.
TFT (thin-film transistor):
The most common type of active
matrixliquid crystal display.
Transistors areformed by etching
a thin coating of silicon that's
bonded to the glass of the
display. This is done in exactly
the same waythat normal
integrated circuits, such as CPUs,
are made.
Transmissive: Display types
where the light is produced by a
separate section of thedisplayto
the part that forms the image.
LCDs are transmissive, relying
on a backlight or reflected
ambient light.
Trinitron: Proprietary namefor
thefirst aperture-grille tube,
produced by Sony in the
late Sixties.
Twisted nematic: M ode of
operation of liquid crystal
displays. Refers to the fact that
the direction of the crystals is
twisted between thetop and
bottom substrate. Applying a
voltage untwists the crystals and
allows light to passthrough
thedisplay.
Personal Com puter World • October 2000 • HE
pcwexpert
WORKSHOP
Setting up your monitor
In order to get the best from a monitor you need to take the time to fine tune it and get the right set up
a Before you touch the monitor controls, make sure your graphics
card's vertical refresh rate is set to its best advantage. Remember
that, occasionally, going abovea display's rated refresh ratecan damage
it. From the Display Properties dialog, click Advanced, then select the
Adapter tab. With most cards, if you've got a monitor profile selected,
you can click on the drop-down boxand select a refresh rate. Set it to at
least 72Hzto avoid flicker, but if you can't see a difference between 75Hz
and, say, 85Hz, use the lower setting - imagequality will be sharper.
Aswe'vealreadyseen, CRT monitors, being analog devices,
aren't as plug 'n' playassomeof us would like. So, unless you've
taken thetimeto set it up properly, your monitor probably isn't at its
best. You don't have to have setup software, but it makes thejob easier.
So, before you start, install thedemo copyof DisplayM atefrom this
month's cover disc. Second, switch your monitor on, then go away and
have a cup of tea. Leave the monitor to warm up for at least half an hour
before you adjust it. If you don't you'll just have to do it again.
n Few monitors have perfect geometry straight off the bat, even
using VESA standard display modes. So, find the geometry
controls in your monitor's OSD (on-screen display) menu. The most
important are pincushion, which sets the inward and outward bowing of
the screen, trapezoid (also called keystone), which equalises the width of
thetopand bottom of the image, and rotation. The picture should beas
square as you can get it, which may mean going back and forth between
adjustment categories - only being off by a millimetre or two isn't bad.
Now set the screen size - you'll generally find that focus and
LS^Bperformancedropsoff attheedgesand particularlythecorners,
so you need to find the best compromise between sharpness and screen
size for your unit. Use something I ike the test screen from the CSF's free
CheckScreen utility, availablefrom www.csf.org.uk. Use the height and
width adjustments to adjust the display so that there's a border of about
5mm around the edge of the tube. If things look too fuzzy, pull the image
in a bit or, if it looks OK, try expanding it slightly.
• Personal Computer World • October 2000
pcwexpert
WORKSHOP
QD QD
Brightness Contrast
This line is written in Dark Gray and should be
To adjust the intensity of this line use the Brigl
This line is written in Gray and should appear i
in intensity between Dark Gray and White.
This line is written in White but should not app
Use the Contrast Control to adjust the intensity
The setting that almost no-one gets right is the contrast and
brightness controls. When you set these controls, you're setting
the monitor's overall dynamic range - the brightness sets the lower black
level, and the contrast sets the upper white level. Set the brightness first.
Turn thecontrast right down, then increase the brightness to the top
whilelooking at the corner of the screen. When thebackground of the
tube's viewablearea turns grey with respect to theblack non-phosphor
area, turn the brightness down again until the greyjust turns black.
M Use the DisplayM atedemo and click on the 'sample demo
screens' button. Left click until you reach the brightness and
contrast adjustment screen. This lets you set the contrast. You need to
increase the contrast until the 100 per cent white text is pure white,
without going too bright. In general, you'll probablyfind thecontrast will
be near its maximum setting - usually around 90 percent. If you overdo
it, you'll see that an effect called blooming starts to occur and the text
will look slightly less sharp.
HAn important aspect of image quality that affects the perceived
sharpness of the display is a monitor's colour convergence
performance. To set this, you need thefull version of DisplayM ate to use
its convergence test screens. Do the horizontal convergence first.
DisplayM ate cal Is the test screen Horizontal Colour Registration.
Concentrateonthemiddleof the screen and adjust your convergence
controls until the three coloursare as closely lined up as possible. Now
do thesamewith the Vertical Colour Registration screen.
Finally, try experimenting with thecontrast setting using
11^1 DisplayM ate'sDefocusing, Blooming and Haloes test screen,
located under M iscellaneous Effects. Again, you'll need thefull version
for this. Adjust thecontrast setting, while paying particular attention to
the third pattern from the top - thefour solid bars. If you increase the
contrast to maximum, you mayseethat the white bar appears thicker
than the grey bars. This blooming effect is what you want to avoid when
setting thecontrast control.
Personal Computer World • October 2000 •
pcwexpert
WORKSHOP
Comparing and assessing monitors
If you’re able to try before you buy, follow these tips to make sure you get the best monitor to suit your requirements
a It's an unfortunate fact of life that image quality is a subjective
thing so, if at all possible, before spending a lot of cash on a new
monitor you need to compare a few. However, you must ensure that
each display is given afaircrackofthewhip. In many circumstances it's
impossibleto achieve the ideal setup that we can manage when testing
monitors in the labs, but you should at least beawareof some of the
factors that can affect a monitor's performance.
First, you must make sure that every display is allowed to warm
up for at least half an hour before looking at it. Also make sure
that every display you look at is running at thesame resolution and
refresh rate. Obviously, the best way to compare displays is to have them
running sidebyside, but there are points to consider here too. If they're
running from one graphics card via a cable splitter, the quality of either
unitwill not be at its best. If they're running on separate cards, you need
to make sure the cards are identical makes and models.
First of all, set up the displays as we described in the workshop on
CM the previous pages. Try and adjust the geometry of both displays
so it's as good as you can get it. Slight flaws in geometry are worth
noting, but for most users aspects such as sharpness and colour
performancearemoreimportant, so unless you do a lot of high-
precision CAD work, don't mark a unit down too badly for less than
perfect geometry. Linearity problems, in particular, are very hard to
notice in everyday use and don't affect productivity.
Clickthrough DisplayM ate's Geometry and Distortion tests until
LM you reach the Screen Regulation category. This presents you with
a large white flashing rectangle, with a white line border around the
screen. Screen regulation often gives a good general idea as to the quality
of a monitor's electronics. A poor monitor will struggle to regulate itself
as the rectangle flashes on and off, with the result that the white border
will distort and wobble noticeably. Any more than a coupleof
millimetres distortion and you should watch out.
• Personal Computer World • October 2000
pcwexpert
WORKSHOP
There should be a minimum distance of half a metre between the
C^ltwo displays, preferably more, since the magnetic fields of one
can affect the display quality of the other. Have a look round to check
that there aren't any other monitors or likely sources of electrical
interference nearby- monitors are very sensitive to external magnetic and
electrical fields. Any shimmering or oscillating movement on a monitor's
display, oreven corner discolouration, is almost certain to bedown to
external interference rather than being thefault of the monitor itself.
M Positioning of the monitor is important for other reasons too. If
comparing two side by side, make sure they're both in even
lighting and facing the same direction. If you really want to be pernickety,
set them both facing east - believe it or not, that's the way all monitors
are set to face when they're calibrated atthefactory! Finally, once that's
all done, you're ready to sit down and look critically at each unit in turn.
D isplayM ate is the best tool for this, but its raft of different tests need
pruning, since some of them arefairly redundant for most purposes.
HGoto the Sharpness and Resolution category and clickthrough
to the Horizontal Line Resolution screen. Look at the Full Res
vertical linepattern. You should beableto clearly makeout the individual
lines, with definite black space between them. If the lines merge into one,
the monitor's resolution isn't up to much. In general, you can ignore the
vertical resolution test - most modern monitors will be pretty flawless on
that score. Now clickthrough to the Focus M atrix pattern. This is great
for seeing how well the monitor focuses into the corners.
Finally, select the Colour and Greyscale category and move to the
Lfl Streaking and Ghosting section. Look for faint streaks to the right
ofthe solid bars, which indicate the monitor doesn't quite have the grip
on its guns that it should. Using theColour Scales pattern (above), look
atthequalityand richness of thecolour. Then lookcloselyto ensure the
scales fade uniformly- check that the last visible blocks of each colour
are vertically aligned. However, colour fading performance probably isn't
as important as the resolution, sharpness and power regulation tests.
Personal Computer World • October 2000 • EE*
pcwexpert
WORKSHOP
Dual monitors under Windows 98/2000
If you’ve just upgraded your monitor, don’t consign the old one to the dustbin. Instead, hook them both up to your system
a All versionsof Windows si nee the first release of Windows 98 can
now support two monitors, each attached to a separate graphics
card. So, thefirst thing you'll need is a second PCI graphics card in
addition to your primary AGP card. Any PCI card will do - Windows isn't
fussy about chipsets. Don't worry if your new monitor is a 21in beast and
your old one is a 14in goldfish bowl - give it a try anyway. You can
independently set the resolution of each, and even a low-quality monitor
isfine, since it's a secondary unit that you won't be staring at all day.
n You don't need any special setup procedures to install the second
I _ I card - just whack it in your PC, connect the second monitor up to
it and switch it back on. During the reboot, you should get a DOS-type
text message on the second monitor, telling you that Windows has
detected and initialised thecard. It then goes blankand Windows will
continue to boot in your primary monitor, prompting new drivers in the
normal way. You should then right-click on the desktop, choose
Properties and the Settings tab will give you a dialog with two monitors.
I The second monitor will be greyed out, because you haven't
explicitly activated it yet. Clickon the secondary monitor and
you'll geta politewarning that someapplications won't work with dual
monitors. Few apps have ever given us any problems, so just click Yes,
apply thechanges and thesecond monitor should spring into life. If
Windows rebooted thinking the 14in monitor was the primary monitor,
your PC's BIO Sis probably set to initialise PCI graphics first. Go into the
BIOS setup program and see if there's an option to change it.
MWith both monitors on, you need to dragthetwo monitor icons
into their correct places with respect to how they're physically
positioned - this ensures that the mouse pointer will know which
direction it needs to wrap across from the primary monitor. Clicking the
drop-down box lets you select which adaptor you want to alter. You can
then alter resolution, colour depth and refresh completely independently,
so there's no need to crippleyour high-end monitor by running it atthe
same resolution as your secondary unit.
• Personal Computer World • October 2000
In this month's HandsOn we're
turning up the power. We'vegot
the usual dose of overclocking
madness, the low-down on howto
switch NT to dual-processor support,
and howto power up your website
with ecommerce abilities.
N ot content with frying his C PU
and chipsets, Gordon Laing is now
terrorising the humblegraphical
processor. Checkout this month's
Hardware(p276) column to find out
how you can turn up the heat on your
GeForce2card.
In NT, RogerGann stuffs another
processor in his aging Compaq 5000
and turns Windows NT (p270) onto
thejoys of processor cohabitation.
Boo.com may have gone belly up,
but it doesn't mean you can't bethe
next ecommerce winner. Nigel
Whitfield shows you howto
commerce-enableyour website using
thefreeM iniVend software in the
Ecommercecolumn (p297).
Ofcoursethere'sloadsmore. Ben
Woolley shows you howto get lost
between dimensions in 3D Graphics
(p288) and Ken M cM ahon makes
light work of labour-intensive tables in
Graphics and DTP (p286).
NIALL MAGENNIS, FEATURES EDITOR
NIALL_MAGENNIS@VNU.CO.UK
contents
258 Question Time 282 Databases
W e h a ve t h e a n swers to yo u r
questions
M arkWhitehorn investigates the
case of the dirty data
261 Workshop
Tim Nott shows you how
templates in Word will give your
letters a professional look
265 Windows
Times they are achangin' with
TouchPro, saysTim Nott
268 Windows 2000
TerenceGreen isstill awaiting IR
supportforPalmsand mobiles
270 WindowsNT
Adding a second CPU to your NT
workstation could be beneficial
272 Unix
MaytheXFcebewithyou and
with Linuxdesktop environments
276 Hardware
Gordon Laing overclocks his
graphics card
280 Office Applications
Tim Nott prefers unformatted
snacks and text; and Stephen
Wells looks at scrolling x-axes
284 Sound
W hen W indows sounds are
getting you down, Ian Waugh can
sing another tune
286 Graphics & DTP
Tables in QuarkXPress can befar
from easy, but Ken M cM ahon
shows you howto keep it simple
288 3D Graphics
There's more than one way to
skin a 3D object
291 Visual Programming
Tim Anderson enters the world of
M icrosoft's .N ET Framework,
and sets a clock ticking
294 Web Development
Tim Anderson takes a sneak peek
at ASP+
297 Ecommerce
N igel W hitf ield despairs of 'pro'
webshops and checks out thefull-
featured M iniVend
299 PDA
A helping handheld isextended to
refugees, says M ark W hitehorn
303 Networks
Theprosand consof installing
SAN -ity to your network
Personal Com puter World • October 2000
[|
question time
Advice from our experts
Got a problem? 0 ur Hands On columnists answer questions and solve your problems
Windows
H ow can I use my right mouse button
and the ' Send to' menu option to send
the file to more than one destination at a
single stroke? I 've tried putting the two
destinations ( one is the floppy drive A and the
other is a folder elsewhere) one after the
other , separated by a space , a comma and
combinations thereof as the target , but it
doesn't work.
Steve Yentis via email
y How about a good old DOSbatch
file? Use Notepad to create the
following:
copy %1 c : \myf o L de r
copy %1 a : \
Then save it anywhere (except the Send
To fo Id er) as N E W M U LTI FI LE . BAT. Now
right clickon N EWM ULTIFILE.BAT and
select Properties. In the Program tab, tick
the 'Close on exit' box Click OK to exit
the Properties window and you'll see a
new file created in the same location as
N EWM ULTIFILE.BAT - this file has no
visible extension, but is of the 'Shortcut
to MSDOS program' type. Drag this
latter into the 'Send to' folder - you can
rename the shortcut if you want, as it
will probably have a truncated filename,
eg, NEWM UL~1. Now you can right-click
on a file and send it to your new
shortcut, and a copy will be made at
each destination.
_
r LI _ J _J
•K. “ "■
I*
HP:-'
Shut that window after creating multiple
file copies
Extracting the H ardware Info tool from the
Windows 98 CD
You mention in Windows, Hands
0 n, p238, A ugust issue of PC W,
running HWINFO/UI in order to obtain
Windows 9 8 hardware setup. I tried running
this file in the way you describe but got a
'C annot find file. . . ' message. Is it possible my
(original) copyofWindows98 does not
contain this file? If so, can I obtain it from
somewhere else?
Alan Pywell via email
y If you look in the Win98 folder on
theWindows98 CD-ROM , you'll
see a file named precopyl.cab. This is a
cabinet file that, rather like a ZIP, serves
as a container for a number of other
files. Double-click on it to view the
contents. You'll find hwinfo.exe in there.
Double-click on the latter and you'll be
prompted to browse to a folder in which
to extract thefile: this should beyour
Windows folder.
T he 'Stand by' item has mysteriously
disappeared from my Shut D own
W indows dialog, taking with it the 'System
Stand by' options in Control Panel , Power
M anagement. H ow has this happened and
how can I get it back?
Stewart H alfteck via email
^ m The answer to the first question is
that if Windows encounters
problems restoring from 'Stand by', it
will either warn you of this, offering you
theoption to disable'Stand by', or if the
PC fails to restore twice in a row, will
disable'Stand by7 on its own initiative.
If you want to restore 'Stand by\ then
you need to reinstall Advanced Power
M anagement (APM ). In Control Panel,
System, Device M anager, expand the
System Devices branch, highlight
Advanced Power M anagement Support
and remove it. Restart, then go to
Control Panel, Add New Hardware.
Followthepromptsto let Windows
find and install support for APM . You
should then find 'Stand by' is back on
the menu. If this is not the case then
theproblem maybewith hardwareora
BIOS setting.
Spreadsheets
Can I enter a number representing
hours and minutes in one cell in Excel
and have another cell show the total number
of minutes?
Sara Smith via email
^ If you want to enter three hours,
27 mins in cell Al. Enter 3, then a
space, then 27/60. In the other cell enter
=C0NVERT(A1, "hr/’mn")
This will give the correct answer, 207. Just
ignore whatever displays in cell Al. It can
be 3.45 if formatted as a Number with
two decimals; 3 9/20 if formatted as a
fraction; and even 10:48 if formatted for
Time. The CO N VERT function is part of
theAnalysisToolPak. ChooseTools, Add-
Ins and check the AnalysisToolPak box
Is there a keyboard shortcut for
jumping from a cell on one worksheet
to the same cell on other worksheets in an
Excel workbook?
Ron Bigden via email
□ Group the sheets by right-clicking
on a tab and choosing Select All
Sheets. Or hold down Ctrl & Page Up or
Page Down to choose other sheets.
Using Lotus 1 -2-3, how can I convert
percentages of an hour into minutes?
In other words, I want to enter 2.5 ( hours) in
one cell and have it display as two hrs 3 0 mins
in another; or enter 3.33 (hours) and display
three hrs 20 mins?
Nat Fox via email
• Personal Computer World • October 2000
ylftheoriginal number of hours is
in cell Al, in another cell enter the
following code:
3STRING(3INT(A1 ) ,0)&" hrs ✓
"&aSTRING(aM0D(A1,1 )*✓
60,0)&" mins"
(Key: s code string continues)
This formula changes the number to text;
converts the decimal fraction of hours to
the equivalent number of minutes; and
adds the labels hrs and mins.
C hanging decimals to hours and minutes
Word Processing
1/1/ hen doing mail merges in 1/1/ ord
20001 pull certain values from a
database . Unfortunately, the database needs
to hold the relevant values as negative
numbers in order that the accounts are
balanced correctly T his means that when we
send the letters out to customers they are told
that they owe -£315 ( for example) . A I though
the meaning is still conveyed, I feel it would
look more professional to get the formatting
correct. I've tried using the formula function
in Word but with no joy.
A ndrew C ordon via email
y This isfar simpler than the
interface would have you believe.
Create an empty field (Control &F9) and
type an equals sign in it. Then insert your
merge field. Then type*-l after the
merge field, but still within the braces of
theoriginal field. Hit F9 to updatethe
field and you'll get a positive result.
A ccentuate the positive: C hanging signs in
merge fields to get the right figure
0 ne of my colleagues ( all right, me! )
created a Word 97 document many
moons ago, password protected and then
forgot the password. I Ve tried everything that
seemed remotely likely to bypass the password
without success. Is it possible, and if so, how?
G et me out of this one and I 'll force the
company to buy a subscription!
C omputer systems trainer
( N a me and email address supplied)
ylt isn't possibleto bypass the
password protection of an
unopened Word 97 document.
Otherwise there wouldn't bea lot of
point to protecting it in thefirst place,
would there? There are, however, various
services and utilities available that use a
'brute force' method of password
cracking - at a price. Trywww.lost
passwo rd .co m/ msof pass97. htm .
HI'm considering a motherboard with
two U ItraD M A 66 channels and two
U ItraD MA33 channels. D oes this mean it
can run a total of eight devices or only four
like a normal ID E system?
R obert M orriss via email
Some motherboards have two ID E
controllers ( the black and white sockets in
the middle of the left-hand side)
Hardware
I have an A sus P2BS motherboard,
rev 1.02. T he manual says it can be
run at speeds ofuptoll2MHz, but there's
no 13 3 M Hz option for overclocking, as
suggested in earlier H ard ware columns. W ill
a Slocket convertor somehow control the
front-side bus (FSB)?
Steve via email
□ Although most Slocketshavean
FSB setting, this doesn't control
the actual FSB used in your system.
Several motherboard manuals don't
reveal the whole truth of various over¬
clocking capabilities. OurAsusP2B has
four jumpers controlling the FSB up to
150M Hz, although some earlier revisions
mayonlyhavethreejumpers, with a limit
of 112M H z. Don't rely on your manual
though - open your case and see if there
are in fact four jumpers!
How do I upgrade my BIOS? I know
that an upgrade is available for my
motherboard, but fear making an installation
error. A re they automatically installed?
A Ian G reenwood via email
yM ost motherboard BIO S upgrades
involve downloading the required
binary file from the manufacturer's
website, along with a 'flashing' utility.
Normally these are copied onto a floppy
disk that has been pre-formatted as a
system disk. After restarting your PC with
thisfloppy, run the utility, which 'flashes'
your BIOS with the new data.
□ Sounds like it can support four
devices on each IDE controller,
hence eight devices in total. Intel's BX
chipset features a single U ItraDM A33
IDE controller, but modern BX
motherboards frequently boast an extra
third-party UltraDM A66 IDE controller,
to match the performance of newer
chipsets. However, since the built-in
UltraDM A33 controller is operational,
these new BX motherboards uniquely
support a total of eight IDE devices.
I have overclocked a 600M Hz Flip
C hip-P in G rid A rray (FC-PGA) Pill
to run at 798MHz using an A sus P2B, by
using the 13 3M Hz FSB option. However, I
cannot achieve the same result by leaving the
FSB at 1 00 M Hz and changing the clock
multiplier from six-times to eight-times.
Sajid Raza via email
□ Intel locks the clock multiplier on
all its recent chips to prevent
overclocking. Therefore, the only way
to overclock is to increase the FSB.
When runningtheFSB at 133M Hz,
ensure thePCI bus is running at 33M Hz
and theAGP at 66M Hz, oryou could run
into trouble.
M odern chipsets allow you to do
thisand whiletheold BX chipset can
normallyberun at 133M HzFSB and
33M Hz PCI, theAGP divider remains
at 2/3 - hence driving theAGP bus at
89M H z, instead of 66M H z. H owever,
many graphics cards don't like this,
although some only show the strain
when playing games.
Personal Computer World • October 2000 •
1/1/ hat does the Scroll Lock button on
the keyboard actually do? I can 't sleep
without knowing the answer!
H ussein Jodiya walla via email
y The Scroll Lock key is used in
certain (usually older) applica¬
tions to move the screen and not the
cursor position when the arrow keys are
pressed. Sweet dreams!
Unix
/ Ve read in many places about how
L inux is very efficient, making it a
natural choice for older hardware. OK, sol
installed SuSE 6.1 on a retired 100 M Hz
Pentium machine. I suppose / was expecting
some sort of miracle. Unfortunately, L inux -
well, SuSE anyway- turns out to run even
slower than Windows 98. Really horribly
slow, in fact. Is there something especially
slow about the SuSE distribution, or has
everybody been just a wee bit mendacious
about Linux in general?
A ndrew M clntosh via email
0 livier Fourdan'sXFce is a great
replacement for heavy-duty desktops , such
as G nome and KD E, if you think your
machine's a little too sluggish
y The IT industry's full of marketing
hype. Commercial software
vendors can beeconomical with thetruth
and are likely to be, er, optimistic about
their product's capabilities.
N ow that we've got that out of the
way, let's get down to the facts. Yes,
we've said in the L/n/x column that Linux
is efficient, and it is. We've also said that
distributors such as SuSE generally
package for current machines and want
to show off their product in the best
light. Thistendsto mean that the
distribution by default comes with a ton
of goodies that eat up memory, disk
space and processor cycles. An out-of-
the-box installation of SuSE Linuxisof an
order of magnitude far greater than any
Windows 9xdistribution, but because it's
modular, if you know what you'redoing,
you can strip it down.
For example, your SuSE Linux
installation is probably running the
mighty Apache web server. Remove it:
( rpm -e apache)
If you must have a web server, install a
nouvelle cuisine equivalent such asjef
Poskanzer's 95KB of code (www.acme.
com/software/micro_httpd), and excise
the KDE Desktop. It's great, but it's a
resource hog. Lightweight substitutes are
BlackBoxfhttp:// blackbox.alug.org) or
XFce (see this month's HandsOn, Unix
column for more).
Graphics and DTP
is there any way to put crop marks on
a PDF file?
Mike Peer via email
yl assumeyou mean oncethefile
has been created. You can include
crop marks on a PDF by specifying them
in theoutput dialog boxof your
application when you createthe
PostScript file for distillation.
The Enfocus Pitstop 4 plug-in will
allow you to add crop marks to an
existing PDF document. It also lets you
makeglobal changes to PDFsand adds
new tools to thetoolboxthat provide
enhanced editing of text and graphics in
a PDF. Get a demo at www.enfocus.com.
E nfocus' Pitstop plug-in allows you to make
changes to your PD F files
1/1/ e recently produced a brochure with
a small selection of product photos. To
keep the cost down it was decided to print in
two colours. 1/1/ e thought it would make a big
improvement to print the pictures as
duotones, rather than black and white. W e
used Q uark Xpress 3.32 for the layout and
the duotones were done in Photoshop 4.
When the job was printed, though, we
were very disappointed in the quality of the
pictures. 0 n screen we had produced gentle
sepia-coloured images, but the printed result
was dark and heavy and you could hardly see
the sepia colour. Is it just bad printing or did
we do something wrong in Photoshop?
M iles E merson via email
□ The problem is more likely to lie in
the separation setup in Xpress,
than with your printer or Photoshop.
When you specifyaspot colour in Quark
Xpress 3.32, the default screen anglefor
printing is black. If your other colour is
also black this means the halftone dots in
duotone pictures will print on top of one
another. This is what is causing the dark,
muddy effect - the sepia-coloured dots
are printing on top of the black ones. Set
the screen values in the Edit Colour dialog
boxto one of the other process colours
and you should see a big improvement in
the quality of your duotones.
Sound
I have recently installed D irectX 6
over D irectX 5 . H owever, I now need to
record sound using a microphone but cannot do
this due to D irectX. A fter pressing R estore
A udio D rivers at the A dd/R emove Programs
panel for D irectX 6, 1 still cannot record. I then
tried removing dsound. vxd and some other
drivers in the W indows system, dsound. dll will
not budge, however, because it is being used by
W indows. C an you tell me how to remove all
traces of Direct Sound from my system and
restore normal recording?
FC via email
□ First, check that the microphone
level is set correctly in your sound
card's mixer applet and that the M ute
button is disabled. If everything is OK, go
to Control Panel, double-click on M ulti-
media and select the Audio tab. M ake
sure that your sound card is selected in
the Recording, Preferred Device window.
You should install the latest version of
DirectX, version 7, as there may have
been a compatibility problem between
version 6 and your sound card's drivers.
It's generally not a good idea to manually
tryto removecomplexinstallssuch as
D i rectX fro m yo u r system a s t h i s m ay
make your computer unstable.
CONTACTS
All of our experts welcome your queries,
simply respond to the appropriate address at
the end of their Hands On columns.
I] • Personal Computer World • October 2000
Letters of distinction
Tim Nott shows you how to project a professional image by making use of templates in Word
Despite the steady march
of electronic mail,
running any kind of
business still involves
writing a lot of letters.
Word templates provide an ideal way of
making this process painless and quick.
Theyalso add a professional uniformity
to your corporate identity, even if you're
a sole trader rather than a large
organisation. M icrosoft provides letter
templates - and a rather erratic Wizard -
with Word, butthesearedrearyand not
suitablefor personal or small-business
use. Also, theTimes N ew Roman and
Arial fonts used in Word's built-in styles
are designed primarily for legibility on
screen, rather than paper. Other fonts
can bring a more subtle and personalised
appearance to your correspondence.
This workshop is aimed at the small-
business user,
although the
techniques apply
equallyto private
correspondence. If
you write a lot of
letters, it's worth
taking time to get
the template right,
asthetimeinvested
will be repaid many
times over.
- - ^ * .
u^ira^ 1
• *» » *■
1“ * r i1.
HATBURY DELACROIX
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. M |
'vmm
-.wr |a t-
"fSJ
..u .~i
Well-planned
templates will give
your business
letters a consistent
and professional
look and feel as
well as saving you
time by formatting
the elements
automatically
We'll show you howto
create styles that automate the
formatting of the elements of a
letter; manipulate text to create
a professional-looking
letterhead; include graphic
elements without using up all
your disk space; lineup address
blocks for window envelopes
and how to add the current
date automatically. We've
included a short VBA macro
that saves you having to trudge
down through nested folders
when you first save a letter and
means you'll never have to
endure the Office Assistant
remarking that 'It looks like
you're writing a letter...'
Although this workshop
was written using Word 2000,
nearly everything in it applies to
Word 97, except that some
dialogs are different and the VBA codeto
remove the Office Assistant has not been
tested in that version. The majority of the
steps will also work in Word 6 and 7, as
the basic principles of templates and
styles have remained unchanged.
Fun with templates
Word's Autotext feature saves you having
to type the same thing over and over
Graphicstroubleshootingtips
fyourgraphicsdon't
appear in theright placeor
at all, check thefollowing:
• You arein Print Layout view
• I n Tools, 0 ptions, View you
haveDrawingsticked
• Ditto Pictureplaceholders
areunticked
• Ditto Field codes unticked
• Check the link (Edit, Links)
- click theChange Source
button and go tothefileagain
• Therecan bea problem if
thegraphic resides in thesame
folder asthetemplate- Word
will onlyinsertthefilename,
not thepath, into thefile. This
can berectified byeditingthe
field asdescri bed below.
If your graphics aresaved in
each document, a one-page
letter may behundredsof
kilobytes and theEdit, Links
menu item will be grayed out.
Trythefollowing:
• Deletethepictureand insert
it agai n, taki ng carethat the
'Link to File'option ischosen
(Word 2000) or the'Link to
File' box isticked and the'Save
with document' box is
unticked (Word 97)
• M akesureyou haven't
changed the'ln linewith text'
option (step eight in the
workshop)- this can make
Word spontaneouslyembed,
rather than link, thefile
• Check thelinked picture's
field codeappearswhen you
pre5sAlt& F9.Thisshould be
oftheform
{INCLUDEPICTURE ✓
"E : Wmy f o Ider W
subfolderWpicture.^
tif" \d \* ✓
MERGEF0RMAT}
(Key: s code string continues)
The\d switch links, rather
than includes, thepicture-
notethereshould bequotes
round thefilepath and the
latter should contain double
backslashes
• T ry inserting thelink
directly asafield (Insert, Field,
Links and References,
IncludePicture)
• Dotheresizingand image
processing in the program
that created thegraphic
• Check that the'Savepreview
picture' option is unticked in
File, Properties, Summary.
Personal Computer World • October 2000 •
workshop: word
Step-by-step guide to creating Word templates
1 Thefirst step isto createa new
template based on the 'Blank
2
The next stage is to create the styles.
From the Format, Styles menu,
3
Document' template. Although this will be
blank, it will have available all the styles,
macros, autotext and toolbars that have been
saved in theglobal template Normal. dot.
Save this with an appropriate name in the
folder where N ormal.dot and other templates
are stored. Note that if your N ormal.dot is in
a mess, you can rename it and Word will
create a mint-condition replacement.
choose 'User-defined styles' from the list box.
As you haven't yet defined any, this will
produce an empty list of styles above. Click on
the New button and type in a nameforthe
style. 'Bod/ will betheprimarystyleinthe
letter; it should be a paragraph style, based
on normal, followed by itself. You don't need
to 'Add to template' and should not
'Automatically update'.
N ow comes the creative bit. We chose
Garamond asthefontand kept the
rest simple. The 'keep lines together' option
ensures that a paragraph doesn't breakover a
page and the Space after gives a blank line
between paragraphs. To change a style you go
to Format, Style, select the Style, then M odify,
Format - this last gives a menu of options you
can change. M akesurethat the language is
set correctly for your location.
N ow to add a graphic. What you
don'twantto do is store the graphic
8
Having used the 'handles' to size the
picture, right-click on the picture, then
9
in every single letter you save, which would be
a waste of disk space. Instead, insert a link to
the graphic. Word 97 has checkboxes on the
Insert, Picture, From File... dialog, but Word
2000 keeps the option tucked away in a
hidden menu within the 'Insert' button.
Format. On the Layout tab, make sure 'In line
with text' is selected. You can position the
graphic by left, centre or right-aligning it, and
'pushing' it around with carriage returns and
tabs. Fora more sophisticated solution, insert
the picture link into a Text Boxfsee next step),
which can then be manipulated directly or via
a dialog.
Createatextboxto hold the address.
Fora normal DL window envelope this
starts 5cm from the top and 3cm from the left
of the page - the easiest way is to d raw it
roughly in position, then right-click, Format.
From the Layout tab, choose Square, then
go to the Advanced options to set the
position absolutely from the Page or M argin.
Then go to the Colours and Lines tab to set
the LineColour to 'No Line' -this gets rid
of the border.
again, such as 'Yours sincerely,' or 'Our
terms of payment are blah blah'. The
beautyofthisisthatyou can add
Autotext items whenever you are editing
a document based on thetemplate- you
don't have to be editing the template
itself. Just select the text, go to Insert,
Autotext, Autotext... then type a suitable
abbreviation into the 'Autotext Entries
box', making sure that your template is
selected in the 'Look in' box Another
good feature of Autotext is that, unlike
Autocorrect, it doesn't take you by
surprise- you have to press F3 after
typing the abbreviation, or if you have
Autocomplete turned on, press Enter
when the text appears in a Tooltip box
We've not covered automating the
entryoftheaddress, asthat would take
a lot of space. There are various
methods, depending whether you use
the Windows Personal Address Book,
0 utlook, Schedule or a third-party
contact manager.
Some methods, especially those
involving 0 utlook, can take more effort
than typing the address in manuallyand
• Personal Computer World • October 2000
Since styles can include a variety of
options, you may well want to create
5
Now you can start on the actual
layout, so switch to page layout view.
6
more - such as indented paragraphs, bulleted
or numbered lists, text with a border,
emphasised paragraphs and so on. It really
depends on your own requirements, but if you
set up these styles now, rather than apply
piecemeal formatting to each letter, you'll
savea lot of timeand achievea professionally
consistent lookto your correspondence.
We've left the page margins at the defaults, as
a 3.17cm (1.25in) sidemargin with 2.54cm
(lin) top and bottom gives good proportions,
although it's easy enough to change thisfrom
File, Page Setup. Check that the paper size is
correct, usually A4 in Europe, and that it is set
to portrait orientation.
Thecompanynameisset in 24point
Copperplate, then thecharacter
spacing adjusted so it fills theavailable width
exactly. The address line below is condensed -
both area matter of trial and error. Word's
treatment of borders using thetoolbar is, to
say the least, idiosyncratic, so the address line
-which is a paragraph in itself - had its top
and bottom borders set from the Format,
Borders and Shading dialog.
1 Next you want the date automatically
1 inserted for each letter you write.
11
Add whatever else you want, and
make sure the address boxand the
12
There are several ways to do this - and also
several ways to get it wrong. The simplest way
is to Insert, Field, Date and Time, CreateDate
- hit the Options button to get a choice of
formats. When you createa new document
using the template, this will insert the
document's, not the template's, creation
dateand this (unlikea plain Datefield) will
stay fixed.
end of the template (where you'll start typing
the letter itself) are formatted with the correct
styles. Save the template and try it out. If all
goes well, you'll see something liketheabove.
You'll probably have some tidying up to do,
such as adding unknown wordsfrom your
letterhead to the spelling dictionary and will
doubtless want to stop the Off ice Assistant
stating the obvious.
A very simple macro banishes Clippit.
Go to Tools, M aero, M acros. M ake
sureyourtemplate is selected in the'M acros
in' box, type 'Auto new' in the Macro Name
box, then click Create button. The VBA editor
will appear with an Autonew macro prepared
- all you have to do is add these lines:
Assi stant . On = False
ChangeFi LeOpenDi rectory ✓
"C:/My Documen t s/ l e 1 1 e r s "
there's a lotto be said for keeping names
and addresses in a simple flatfile
database, such astheold Windows3.x
Cardfile, and then cutting and pasting.
Cardfile, believe it or not, still ships with
Windows98 and can befound in
Win98\WIN98_40.CAB.
Once you've created your initial
letterhead template, you don't have to
stop there - you can re-use it by basing
further templates on the first. This way
you can create purpose-made invoices,
statements, quotations and so on, all in
the house style. You can also have special
templates for regular correspondents,
such as regular clients, your bank, the
Inland Revenueand so on. And if you
remember to alter step 12 to suit, all
these documents will present themselves
for saving in the correct folder.
CONTACTS
Tim Nott welcomes your comments. Contact
him via thePCl/1/ editorial officeoremail
wp@pcw.co.uk.
Personal Computer World • October 2000 •
Touched by your presence
Tim Nott goes application crazy, changing the time with TouchPro and wasting it with IrfanView
Every file and folder on a
system has three dates and
times associated with it: the
creation date, the date it
was last modified, and the
date it was last accessed. The last of
these isfairly ephemeral, as in order to
check this you have to access the file
(right-click, Properties), so it always
returns the current date - as all atomic
physicists know, wecan change things
just by observing them. Theother two
dates are also confusing, as the
modification date often precedes the
creation date.
This apparent lunacy is explained by
the latter referring to the file's existence
on its current storage medium, while
the former refers to the file's contents.
Hence you can create a text file, say, on
M onday, modify it on Tuesday, and the
creation and
modification dates
will reflect this
accordingly. If you
then makeacopyof
thefileon Wednes¬
day, thecopy will have
Wednesday's creation
date, butTuesda/s
modification date.
Similarly, if you install
an application, the
creation date of the
program files will be
thedateon which you
installed, but the
modification date will
be when thedeveloper
last saved them.
It's the
modification date
that we see in
Explorer and DOS directory listings and
there are occasions when you might want
to change this without opening and
saving thefile. Several times I've had the
eerie experience of the PC clock taking a
100-year leap into thefuture. I didn't
notice this until I found that WinZip
wasn't working: not unreasonably, it
refused to process files created 100 years
hence. This problem can befixed using
theadvanced optionsof Scandiskto
Ht-MtaiZ.llfl h ■ I I j i : i i; i L- j
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momentous Monday
evening with their
mouse pointers
hovering over the Save
button as Bill Gates
counts them down to
one minute past eight,
but sadly that isn't the
way it's done. There are
utilities that can
directly change- or
'touch' -a file
modification date, and
onesuch isTouchPro
(screenshot 1). This
adds a further page to
file or folder properties,
enabling you to change
any of the three dates.
It's shareware, costs
£7 to register and
can befound at
www.jddesign.co.uk.
Top: TouchPro - a date with destiny
B ottom: H uddled masses of DLLs, yearning to breathe free
checkfor invalid times and dates, but
there are other reasons to change
modification dates.
Developers do it as a handy method
of version control. If you lookatthe
Windows 98 system files, theyall havea
modification timeand dateof 22:22 on
23 April 1999 for the second edition and
20:01 on 11 May 1998 for the first. It's
awe-inspiring to thinkof all those
programmers gathered on that
The curse of Seethru
I don't know why, but the utility Seethru,
which lets your wallpaper show through
the icon text background, has given me
more grief than anything else over the
past three years - not, I might add,
because of any intrinsic defect, but
because of its lack of availability.
Seethru first appeared in this column
(and on the PCI/I/ coverdisc) in
November 1997. Over thefollowing two
years, I had a steady stream of enquiries
from peoplewho, onewayoranother,
had read the article but didn't have that
CD. Oddly enough, it didn't seem to be
available on the web. So, last November
it got another mention in the column and
was supposed to make it to theVNU
website, but didn't get there in time.
When it did appear it was at an
address different from that given in the
column. Then it disappeared again, but
much to myjoy, its author M ike Strong
emailed me with another URL, which I
passed on in June's column -
www. o ne2 1 h ree.f reeserve. co. u k /
utilz.htm, to recap. This version,
however, doesn't include the necessary
Visual Basic files, so if you don't have
comdlg32.ocxand msvbvm50.dll in the
Personal Computer World • October 2000 •
W indows\ System folder, it won't work.
Several readers have now pointed this
out and, in reply, I can only say
AAAAAAAAAAAAAAARG H !
Bya happycoincidence, however,
while I was rolling on thefloor biting the
carpet, I found a scrap of paper with
http://solo.abac.com/dllarchive/
index.html scrawled on it. This is a
repository for DLLs and if you've lost one
you may well beableto find and
download it here. Ithasmsvbvm50.dll,
but nottheocxfile- however, if you
search thesite (screenshot 2 on previous
page), this will point you at several other
sources for the latter.
Tales from the script
In August's column, written in the wake of
thelLOVEYOU virus, I mentioned some
precautionary measures, including
uninstalling the Windows
Scripting H ost, so potentially
dangerous VB and Java
Scripts wouldn't run.
However, doing this
means that potentially
useful VB and Java Scripts
won't run either, so if you've
been using either of these to
automateWindows, you'll
be stranded. There is,
however, a compromise,
which lets you useyourown
scripts without having
others thrust upon you. Go
to Explorer's View M enu,
and select Folder Options,
FileTypes. Scroll down to VBScript Script
File, and click the Edit button. In the list
of Actions, highlight Edit and click the
Default button: the Edit action will turn
to bold type (screenshot 3). Repeat the
process forthejscript Script File type.
This will makethedefault action for
these files be to open in Notepad, so you
can immediately see what is in them.
You'll still beableto run trusted scripts by
right-click, 0 pen, but you won't run the
risk of launching a malicious script by
double-clicking it, or, worse still, having it
automatically run from the Startup
folder. Indeed, the sudden appearance of
a Notepad full of script code when you
start W indows will provide a warning that
someone is trying to infiltrate your PC.
A versatile viewer
Anyone who hasanydealingswith
graphics files is always on the lookout for
a better viewer. I've long been a big fan of
ll dii Fde- 1 1 pe
Screenshot 3
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Screenshot 4
Paint Shop Pro, which I use a lot for
viewing bitmaps, converting between file
formats and generally managing the
thousands of screenshots and other
images I use in my work. Even eight years
ago, it could deal with more formats
than image-processing applications
costing over £500. Since then, it has
L eft: Putting the safety
catch on VB scripts
B eiow: T he all-singing ,
all-dancing file viewer
and simplefile viewing/
converting tool that
first won me over. The
native Windows Quick-
View is so fragile and its
name comes so close to
contravening theTrade
Descriptions Act, that I've
never been tempted to try
the 'Pro' version.
So, let's welcome
IrfanView, created by Irfan
Skiljan of Austria
(screenshot 4). It can
displayall thecommon
image formats, such as gif
jpg, tif and bmp, as well as
manyless common, such
as Iwf (LuRaTech Wavelet)
and sfw (Seattle Film Works), and
convert between manyof these.
It will perform basic image-processing
functions, such as cropping, resizing or
rotating; changing contrast, brightness
or colour levels; and blurring, sharpening
or pixellating. It can change colour
depth, making, in myopinion, a much
better job than Paint Shop Pro, and
comes with a thumbnail viewer, scanner
support and batch file conversion.
0 h, and it's impressively fast and only
takes 750KB of disk space, half of which
is the Help file. Does it dance? Does it
sing? Well, actually, yes. Let's start with
playing animated gifs and icons, then
move on to wav sound files, or with a
suitable (downloadable) plug-in, mp3s.
Or in mycase, not, astheplug-in crashed
IrfanView. I also had difficulty getting it
to playaudio CDs, but I was in a
forgiving mood as it had no trouble
Does it dance? Does it sing?
Well, actually, yes. Let's start
with playing animated GIFs
grown, adding moreand more features
with each release and gradually creeping
up in price, so that it's now comparable
with performers such as Adobe Photo¬
shop or Corel PhotoPaint in terms of
high-end features.
All of which is doubtlessly laudable,
but it does rather lose sight of the fast
reading avis or mpg movies and I spent a
large and satisfying part of the afternoon
watching an episode of Inspector Morse
with IrfanView.
No, I'm notjoking, honestly, IrfanView
not only does all this (and more), but is
free for ho me users: commercial
registration costs £6.25. Go to
• Personal Computer World • October 2000
P I mK
ft
http://studl.tuwien.ac.at/~e9227474/
to download the latest version.
Another mystery solved
Whatever thefinal outcomeof the
M icrosoft trial and appeal, the
'integration' of Internet Explorer into the
operating system has a lotto answer for,
especially when it all goes wrong.
What's especially annoying is that
even if you want to use a different
browser - N etscape or 0 pera, say, you
still need Internet Explorer installed to
enjoy the benefits of goodies such as the
Quick Launch toolbar, graphicfile
thumbnails, 'View as Web page' and the
like. A common complaint is that these
luxuries tend to collectively
disappear, leaving, for
example, two of the three
Folder Options/General
choices greyed out. This
can be cured with Tweak
Ul (Windows 98 version).
Goto the IE4 tab, and
makesurethatthe'IE4
enabled' checkboxis
ticked - yes, even if you're
using IE5 (screenshot 4).
If, however, you haven't
got Tweak Ul, which, as
I've said before, doesn't
ship with the second
edition ofWindows98, all
is not lost. Run Regedit,
and go to: HKEY_USERS
\.DEFAULT\Software\
M icrosoft\Windows\
CurrentVersion\
Policies\ Explorer.
Double-click on the
entry 'ClassicShell' and change its value
from 01 00 00 00 to 00 00 00 00. Restart
Windows and the lost interface features
will be restored.
Feedback
Colin O 'Brien sent in a quick tip that may
beobviousto some- but others may
have never tried it. It addresses the
awkward issue of moving or copying files
in an Explorer Window. Received wisdom
is that you open an instance of Explorer
for both the source and destination
folders - or just open both folders in
single-paneview.
H owever, if you drag a file from the
right-hand pane of Explorer into the left-
hand pane, you can expand anyfolderto
reveal its sub-folders by holding the file
over that folder and waiting a little while.
Tweak Ul
Mouse |
General |
Explorer
IE4 Desktop |
My Computer |
Settings
0 Allow Logoff
Clear document, run, typed-URL history on e>:it
0 Detect accidental double-clicks
0HHHB
0 Show Documents on Start Menu
Show Favorites on Start Menu
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Henceyou can drag-and-drop files to any
destination, without leaving the original
instance of Explorer. To which I'd add
that if thefolder or drive you want isn't
visible, you can scroll it into view by
'pushing' thefileagainst thetop or
bottom of the left-hand paneto scroll
the contents. You should also be aware
that this is another of the IE4-dependent
goodies referred to above.
Richard Stutely noticed the
juxtaposition, in July's column, ofthe
piece on Windows Accessibility options
and the perils of hitting the Caps Lock
key by mistake. Richard astutely points
out that the former can be used to solve
the latter. 'In Accessibility Options check
''UseToggleKeysto heartoneswhen you
press Caps Lock, N urn Lock and Scroll
Lock'' (screenshot 5) - then you'll hear a
Top: Keep this ticked - even if you have IE 5
L eft: H ear those lock keys toggle
squeak when you hit the caps lock.' I
should mention that this feature doesn't
workon all PCs, including theonel'm
using to WRITE THIS.
Tim Goldingham gets the award for
email signatureof the month. It reads
'This email should arrive without
attachments. If there is an attachment, it
may have been put there by a virus -
DON'T open it.' Boobyprizeof the
month goes to Ron Hopeful, who
attached an executable that 'shows what
is REALLY running on your computer'. If
he does it again I'll tell you his real name.
Thecampaign for plain,
unadulterated, text email is making slow
but steady progress - apologies to those
who are sick of reading this, but if you are
using O utlook Express as your mail
program, can you please format
messages to this column as plain text,
not HTM L. You can do this on a per-
message basis with Format, Plaintext, in
the New M essage window; on a per-
contact basis on the N ame tab of the
address book entry or globally (Yes! Save
the Planet from Unnecessary Verbose
Packaging!) from Tools, Options, Send.
CONTACTS
Tim N ott welcomes your comments on the
Windows column. You can contact him via
thePCI/l/ editorial officeoremail:
win@pcw.co.uk. Please do not send
unsolicited file attachments or queries
concerning thePCI/l/ CD-ROM or website
Personal Computer World • October 2000 •
Seeing infra-red
Six months after its launch, there is still no IR support for Palms and mobiles, says Terence Green
Infra-red support for Palm PDA s and mobile phones with modems is still on hold
One of the aspects of
Windows 2000 that is
really beginning to
niggle is the absence of
infra-red (IR) wireless
support for a whole range of devices.
Sure, Windows 2000 with ActiveSync 3.1
(a free download from microsoft.com)
installed can talkvia IR to WindowsCE
clients, but this only works for Windows
CE, which happensto bethetiniest niche
in the I R-enabled market.
Compared to the number of Palms
with IRand mobilephoneswith IRand
inbuilt modems, CE hasa minuscule
market share, barely into double digits;
yet M icrosoft, of course, has IR for CE
working under Windows 2000. As I write,
it is sixmonths since Windows 2000 was
released and still there is no IR support
for Palms and mobile phones.
Having recently acquired a M otorola
TimePort L7089, 1 know only too well
about this problem as neither the IR
software supplied by Motorola, nor any
of the alternatives I 've since tried are able
to supportWindows2000. This is really
annoying. The L7089 can be used as a
modem via an I R wireless link with a
laptop running Windows 98, but this
wire-free solution simply is not supported
on Windows2000.
When I called the customer support
line they offered to put me on the list
('it's becoming quite a long list...') of
Readers' lives
Nick Tucker, or rather hisson, has
comeup with a nifty tip for those
of uswho liketo useCD-R recordable
drivesfor backup. N ick installed
W i n d o ws 2000 o n h i s d eskto p as an
upgradefrom Windows 98. All worked
wel I except for backu p. Wi ndows 2000
Backup refused to acknowledgethe
presenceoftheCD-R. Nick'sson
managed to comeup with a
workaround which N ick deems 'utterly
ludicrous'. HesettheCD-R upasa
shared network driveand voila! Backup
totheCD-R works.
users seeking Windows 2000 support.
Better than a poke in the eye with a
pointed stick, but not a lot. If I
understood the support response
correctly, M otorola has had working
software available for yonks, but has not
yet been able to release it.
I was told that Motorola's delay in
releasing software to support Windows
2000 is down to licensing issues, but I
wonder whether it's more to do with a
backlog in M icrosoft's Hardware Quality
Lab that tests drivers and issues digital
certificates for those that pass the tests.
The situation over at Palm is no better. For
months now, virtually since the release of
W indows 2000, the Palm website has
featured a note on Windows 2000
support that says (among other things)
'you will be unable to carryout HotSync
operations through your infra-red port on
Windows 2000. M icrosoft has changed
the way infra- red ports operate under
Windows 2000. Palm and Microsoft are
working to resolve this issue'.
M icrosoft has also posted an
explanatory note on theIR situation that
you can read by searching for article
Q 252795 in the M icrosoft
KnowledgeBase at www.microsoft.com.
Basically it says: 'Windows 2000 does
not expose virtual serial ports and does
not provide a general implementation of
IrCOM M '. What this means isthat the
Windows98 wayin which an IrCOM M
driver maps theIR port to a standard
serial port is not reliable enough for
Windows2000. The 'virtual port' thus
created can only be used by a single IR-
equipped device at a time and it doesn't
allow for any error checking.
M aking W indows 2000 more reliable
than Windows 98 isa laudableaim, but
where's the harm in enabling this basic
connectivity allowing those of us who
only want to use the I R for a single device
and are prepared to accept the
limitations to do so? What's most
annoying about this is that nobody is
prepared to say when this blockage will
be cleared . 0 wners of these devices can
do nothing other than register on a wish
^1] • Personal Computer World • October 2000
list for Windows 2000 support with the
relevant hardware vendor.
ATi Rage Fury Pro
Palm organisers and mobile phones
aren't the only peripherals lacking
certified device drivers but the situation is
at least marginally better with graphics
cards. SixmonthsafterWindows2000
was released to manufacturing there are
as yet no certified drivers for the popular
ATi Rage Fury Pro. It's also about the
only ATi graphics card that doesn't have
basic driver support at least on the
Windows 2000 CD. ATi has a Windows
2000 FAQ page which ascribes the
absence of drivers to 'technical
difficulties', but since April thecompany
has at least released what it calls 'special-
purpose' drivers and everyone else calls
'beta drivers'.
The drivers and
a detailed
explanation of the
status quo can be
found byfollowing
the 'Drivers' link
from the main
support website
(support,
atitech.ca),
selecting 'Drivers
by Operating
System', choosing
'Windows 2000' and clicking on the
'Windows 2000 FAQ' link.
I was particularly interested in the new
beta DVD player uploaded at the end of
May, as I had unhappy experiences with
earlier beta versions. I've tried other
software DVD players - both WinDVD
and PowerDVD work with Windows 2000
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newsgroupsforitstardydeliveryof
drivers - and rightly so because six
months after W indows 2000's release a
top-selling card should not still be
waiting for driver support. That said, at
least ATi has managed to deliver
reasonable support, albeit beta, for all
the card's features, which is some way
M icrosoft may not be entirely
free of blame for the absence
of pukka certified drivers
- buttheCineM aster engine that ATi
licenses is clearly the best (when it's
working properly!). With the new DVD
player beta and the latest special-purpose
drivers I can at last play DVD full-screen
and output the image to myTV, which
gives me hope for further improvement.
But it's still very obviously a beta. The
picture is generally good but too many
artefacts spoil the view and there's an
unpleasant crackle on the audio.
ATi takes a lot of stick in the U senet
beyond what users with IR devicescan
expect. Somewhere behind all this I
suspect that M icrosoft may not be
entirely free of blame for the absence of
pukka certified drivers for popular and
widely-used peripherals.
0 nefurther issue came up when I
started using the beta ATi DVD player. In
addition to region locks in the DVD drive
and the player software, we now have a
region lockin Windows2000 as well.
Region locks are a stupid idea dreamed
-j
A bove: A T i's special-purpose drivers are
full-featured but 'beta' releases
Left: TheW indows 2000 Region Pageat
inmatrix.com has workarounds for
W indows 2 000 region encoding
up by movie companies looking
backwards to protect a film distribution
system that obviously won't survive the
digital transformation. Region locks try
to prevent DVDs from North America
(Region 1) playing on UK (Region 2)
systems, both hardware and software.
The good news is that there is an easy
way around this with DVD Genie, which
you can download from www.inmatrix.
com. The bad news is that DVD Genie
doesn't (yet) touch the new W indows
2000 region lock. But a workaround has
been found. It involves deleting an
unknown Registry key so saving a copy of
the key to a file before deleting it is a good
move. The information can befound at
www.inmatrix. com/ win2000.html, the
Windows 2000 Region Page. If you can
find (with Regedit) an odd key with
strange characters as the very first key in
H KEY_LOCAL_M ACH IN E/ Software/
M icrosoft, delete it and reboot to play
DVDs from other regions with DVD Genie.
CONTACTS
Terence Green welcomes your comments on
theWindows 2000 column. Contact him via
thePCl/1/ editorial officeoremail:
win2000@pcw.co.uk
Personal Computer World • October 2000 • HE
_
windows nt
M ore chips, please
Roger Gann looks at the benefits of adding a second CPU to your NT workstation
Although Windows NT4
has supported multiple
processors for many
years, for most users it
was simply too expensive
to implement - processor and
motherboard costs were exorbitant and
simply not economicallyjustifiable. I can
clearly remember reviewing a state-of-
the-art, dual-Pentium Pro Compaq
Professional Workstation 8000 a couple
of years ago - 1 can guess why Compaq
called it the 8000, because that was
pretty much its price in pounds.
Today the hardware scene has
changed dramatically- not only
are processors more powerful and
cheaper (you can pick up a
500M H z Celeron for about £100),
but motherboards such as the old,
£90 Abit BP6 and the newer, low-
cost, dual-Flip Chip-Pin Grid Array
(FC-PGA) models on their way
mean dual-processing power is
affordable at last.
Whydo it? Well, whileyou
don't get a straight doubling in
processor power with a second
CPU, you do get a major boost.
But a lot depends on the software
you're running- whileNT4 may
be multi-threaded, mostapps
that run on it aren't and to get the
most from symmetric multiprocessing
(SM P), multi-threading is a must.
Database servers, such SQ L Server,
are perhaps the biggest beneficiaries of
multiple processors. By adding a second
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Top: Tucked away in the NT Resource Kit is Perf
M eter. T his makes it easy to track activity on both
processors , plus there's a range of other elements
A bove: T heAbitBP6 motherboard has given many
hand-ons experience of multiprocessor systems
processor to a uniprocessor database
server that's suffering a bit from being
under-endowed in the processing power
stakes, you may almost doubleyour
throughput. Adding more processors will
FIG 1
List of available HALs
halast.dll
AST M anhattan SM P
halsp.dll
Compaq SystemPro M ultiprocessoror 100 percent compatible
halcbus.dll
Corollary C-bus Architecture
halmca.dll
IBM PS/2 or other M icro Channel-based PC
halmpsm.dll
M icro Channel M ultiprocessor PC
halapic.dll
M PS Uniprocessor PC
halmps.dll
M PS M ultiprocessor PC
halncr.dll
NCR System 3000 M odel 3360/3450/3550
haloli.dll
Olivetti LSX5030/40
hal.dll
Standard PC (single-processor HAL)
hal486c.dll
Standard PC with C-Step i486
halwyse7.dll
Wyse Series 7000i M odel 740M P/760M P
continueto boost
performance, but the
single biggest gain will
comefrom adding the
second one. I
understand Quake III
Arena might also
benefit, too!
I recently picked up
an old Compaq
Professional
Workstation 5000-
prices have come down
a bit since 1997 as it
only cost me£100. It
was a dual-processor design, but
Compaq shipped loads of these
workstations with just a single CPU fitted
- a 200M FI z Pentium Pro. As I had a
second, matching, Pentium Pro kicking
about, I decided to install it and upgrade
NT4 to recognise it.
M y first problem, however, was
physical rather than logical -theCPU
required its own private plug-in Voltage
Regulator M odule (VRM ) but a quick call
to Flypertec, UK purveyors of memory
and CPU upgrades, solved myproblem.
With theVRM and theCPU plugged in,
the BIOS cheerfullyannounced that it
could detect two processors. My next job
was to get NT4 to do the same.
When you perform a clean install, NT,
by default, initially installs the multi¬
processor kernel until it determines how
many processors you've got: it then
typically reverts to the single-processor
kernel. Myproblem was getting it to
switch back to the multiprocessor kernel
now that a second CPU was present -
remember, NT ain't Plug and Play!
The good news is that a complete
reinstall isn't required - you can upgrade
from single to multiprocessor simply and
quickly. There's a lengthy manual way
and there's a semi-automatic way.
Before I started, I naturally updated
my Emergency Repair Disk (ERD). To do
this, run rdisk.exe from a command
prompt, poptheERD diskinto thedrive
and then select Update Repair Info.
First, I installed a second version of
NT to a separate folder on my hard disk
and then restarted the computer to boot
|] • Personal Computer World • October 2000
■ ■
to the new installation of NT. In the
%SystemRoot%\system32 folder of my
original NT installation, I renamed the
following files to alternate names:
ntoskrnl.exe; hal.dll; kernel32.dll;
ntdll.dll; winsrv.dll; win32k.sys.
I then needed to use the correct
multiprocessor H ardware Abstraction
Layer (HAL) that my Compaq required.
The available H ALs are listed in figure 1.
I opted for the M PS M uniprocessor
PC DLL, which seems to work fine. If I get
time I'll visit Compaq's excellent tech-
support website and download the SSD
patch that has its own HAL.
It's important to ensure that the
ntkrnlmp.exe and appropriate HAL file
are the same version as that of the N T
installation. Failure to match them
results in system instabilityand the
dreaded Blue Screen Of Death. This also
applies to those files that need to be
obtained from the service pack CD-RO M
or directory location and then expanded
manually with the Expand.exe tool.
Normallyyou would then copythe
ntkrnlmp.exe file and the appropriate HAL
filefrom the NT CD-ROM to the
%SystemRoot%\system32 folder of your
original NT installation. But as I'd
installed a service pack I copied them from
the current service pack instead . 0 nee the
files were in place, I renamed them to
ntoskrnl.exe and hal.dll, respectively.
Next, I copied the Ntdll.dll filefrom
the service pack to the %SystemRoot%\
system32 folder of the original NT
installation. From a command prompt, I
expanded thekernel32.dll and winsrv.dll
files from the service pack to the same
folder, like this:
expand kerne 132 . d l_ ✓
%systemroot%\system32V
kerne L32.dll
expand wi nsrv . d L_ ✓
%systemroot%\system32V
winsrv.dll
(Key: ✓ code string continues)
In NT4, the W in32k.sys file is also
required. Again, I expanded thisfilefrom
the installed service pack. I then rebooted
the PC and noticed that it now displayed
'M ultiprocessor kernel' during startup.
Automatic SM P upgrade
If all this seems like a lot of hassle to you,
there is a slightly simpler way. The NT
Server 4.0 Resource Kit includes a utility
called uptomp.exe, that allows you to
perform theSM P upgrade without
reinstalling the base NT operating
Instead of displaying one graph that tracks CPU
utilisation , in a dual CPU PC you get a pair. H ere,
1/1/ indows U pdate is revealed as a CPU -hungry task
system. You can download the NT4
Resource Kit Support Toolsfrom:
www.microsoft.com/ ntserver/ nts /
downloads/ recommended/ ntkit/
default. asp.
Download the Sp4rk_i386.exefilefor
x86-based computers or the
Sp4rk_axp.exe for Alpha-based
computers. Each of these self-extracting
files contains a setup program and all the
files necessary to install the NT4
Resource Kit Support Tools and
documentation on your computer.
Although uptomp.exe does copythe
correct files, it doesn't copy them all.
Win32k.sys isn't, but you can copy it
manually, expanding it, as above, to the
System32 folder. If you do this, modify
the %systemroot%\repair\setup.log file in
order to modify the CRC value of
win32k.systo equal 13e42a- this value is
for the multiprocessor version and is
used when installing future service packs
or repairing the system files.
You can, however, get hold of an
updated . inf file (uptomp. inf) for
u pto m p. exe f ro m M i cro soft's FTP site at :
ftp://ftp.microsoft.com/bussys/winnt/
winnt-public/ reskit/ nt40/ uptomp.
Thisupdated fileneedsto replace the
one that ships with the Resource Kit, so
copythe updated uptomp. inf filefrom
t h e FT P server tothesamedirectoryas
the uptomp.exe program. You'll also
need to find and copythe txtsetup.sif file
to the same directory.
The txtsetup.sif file is
needed to display the names
and descriptions of the
different HALs available under
NT Server. This file is accessed
when uptomp.exe searches for
a list of HALs prior to
upgrading the computer.
The txtsetup.sif file is
located under the 1386 folder
ortheAlpha folder on theNT
installation media. Copy it to
where uptomp.exe is located.
When you run uptomp.exe,
a dialog boxwill tell you to:
'Verify the path to the new
M ultiprocessor HAL DLL files
and select the correct HAL for
this machine.' Point the
uptomp. exe application to the
installation folder of the latest
service pack you are running.
After this is done, uptomp.exe
will copythe necessary files
and prompt the user to restart
and then run Rdiskto update the saved
ERD configuration.
Temporary reversion
It's easy to verify the performance gain of
adding a second CPU, as there's a boot¬
time switch that you can use to
temporarilydisablethesecond CPU.
You'll need to modify your boot.ini file.
This file is found in the root of the system
disk (usually C:). In it you'll find your
bootup options. M ine looks like this:
[boot loader]
t i meout=30
default=multi(0)disk(0)rdisk^
( 1 ) pa r t i t i on ( 1 )\WINNT
[operating systems]
multi (0)disk(0)rdisk(1 )✓
parti t i o n ( 1 )\WINNT=^
"Microsoft Windows NT 4.0" ✓
/f astdetect
C : \="Mi crosof t Windows"
To modify the number of processors
used, after your Windows NT lineadd
oneofthefollowing switches:
/ ONECPU - this specifies that only one
CPU should beenabled.
/ N U M PRO C=n - this specifies that only
'n' processors should beenabled.
CONTACTS
Roger Gann welcomes your comments on the
WindowsNT column. Contact him via the
PCI/I/ editorial officeoremail nt@pcw.co.uk
Personal Computer World
October 2000
^pr urnx _
■ ■ m ■■ h h ■ «
Think of the environment
Getting to grips with the power of Linux desktop environments, Chris Bidmead lifts the lid on XFce
Is your Linux workstation not
performing as lithely as you
hoped? Chances are you're
running it on your 'second
machine', which might otherwise
be up in theattic. And you probably have
the Gnome Desktop, or KDE installed.
No question, theGnomeand KDE
teams havedonea brilliant job of turning
Linuxinto a serious challenge to
Windowson thedesktop. Well,
'challenge' understates it - in my humble
opinion Windows isn't even in thesame
race when it comes to desktop
functionality But someold hands
(and manyolder machines) don't need
all that singing and dancing on the
desktop. One of them is Olivier Fourdan
(fourdan@xfce.org).
A Linux user since 1994, Olivier began
working on a simpleapplication launcher
at the end of 1996. 'At that time,' says
Olivier, 'KDE was
still in alpha stage
and M iguel [de
Icaza] had not even
started Gnome.' It
wasthefirst
application Olivier
had ever written
and he initially
based it around the
XForms toolkit
fromTC Zhao and
Mark Overmars.
'That's what XFce
originally camefrom: XF was for XForms
and "ce" for "cool environment". I
wanted a name that reminds you of CDE,
but not too close to avoid anylaw suits.'
TheXForms toolkit is somewhat old-
fashioned, not least because it isn't free
software and it's only available in binary
form. 'In March 1999,' says Olivier 'I
tookthedecision to move to GTK+,
which is a very good library, fully GPL.'
0 livier had to rewrite nearly all the code,
and was left to find a new meaning for
the 'XF' in the name. 'Some people have
suggested "Xtra Fast",' says Olivier. 'Xtra
Fast Cool Environment' seems a pretty
fair description to me. Download it from
0 livier's page at www.xfce.org.
Linuxusers can get their hands on
j
Wfllromc: Tci nrliil efc rt nr.art barm art si
■rtA vi
Screenshot 2
A hove: T his is what CDE looks like on
IBM 'sU nix variant, A IX. T he key
piece of furniture is the L aunchPad along
the bottom of the screen - you'll notice
that X Fee's M ain Panel is very similar.
T hanks to D ave W illiams of IBM 's
RS/6000 division for supplying
this screenshot
L eft: H ere's the gdm G reeter, set up by
default in the M andrake 7.0 distro to offer
a large choice of different desktops
RPM binary packages from the usual
places, but XFce will also compileand
run on FreeBSD, Solaris, H P-UX, Irix, AIX,
Digital Unixand what have you. Someof
these operating systems - see screenshot
1 - already come with CDE. But, notes
0 livier: 'XFce is much faster, uses about
half the memory of CDE and is 10 times
easier to configure. That's why XFce is
also used on systems that are shipped
with genuineCDE.'
XFce below decks
As regular readers will know, this column
is interested not just in what stuff looks
like on the screen, or what it does - we
also like to know how it does it. I'm not
necessarily talking about the deep nitty
gritty, although it's instructive to take a
look at 0 livier's underlying source code
for XFce. What is well worth knowing is
the way XFce powers up and what
configuration files it consults and where.
The details are going to be different
for different operating systems, but the
principles of exploration will besimilar,
so you don't need to run M andrake 7.0
Linuxto keep up with what follows.
Mycopyof M andrake 7.0 (happily
not from M acmillan, see below) offers an
amazing choice of desktops when you log
in, including Gnome, KDE, BlackBox,
Enlightenment, AnotherLevel,
WindowM akerand AfterStep (see
screenshot 2). This login window, known
as the 'Greeter', is started up by gdm, the
• Personal Computer World • October 2000
Gnome variant of xdm, which istheX
Display M anager (see Unix, HandsOn,
September and 0 ctober 1999) .
Whenever the system hits runlevel 5, gdm
is started. Well, strictly speaking a utility
called prefdm is run, as you'll see from
thefinal entry in /etc/inittab, theconfig
filethat controls runlevels.
x : 5 : respawn : /etc/X1 1 /prefdm ✓
-nodaemon
(Key: ✓ code string continues)
/ etc/ XI 1/ p refd m tu rn s o ut to be a scri pt
that greps through the config file
/ etc/ sysco nfi g/ d eskto p to decide
whether to run plain xdm, gdm, orkdm,
the KDE xdm variant.
SuSE 6.2 does this
rather differently, using
a SysVinit script called
/etc/ rc.d/init.d/xdm to
checkforthevalueof
$DISPLAYM ANAGER
(setup in /etc/
rc.config) and run the
corresponding X
Display manager. Other
Linuxdistros may well
do something else
again, but the bottom
lineisthatxdm ora
variant gets kicked into
action at whatever
runlevel has been
chosen to bring up X.
Thexdm variant then
runs the Greeter where
you logon.
Traditional UnixGreetersletyou log
into the standard desktop or, as a
fallback, into a 'failsafe' environment
consisting of an xterm with or without a
minimal window manager, gdm,
controlled by another config file called
/ etc/ XI 1/ gdm/ gdm. co nf, pulls up its
own much smarter Greeter. This one
looks through a directory
(/etc/ XI 1/ gdm/ Sessions) and
automatically offers all the scripts it sees
there as items on its pulldown menu
ca 1 1 ed Sessi o n s. T h e sc ri p ts a re of co u rse
just ASCII text. So as long as you have
root access you're in total control of
what happens next.
Typically, these scripts will be very
simple. For example, the BlackBoxscript,
as distributed, just says:
#!/ bin/sh
exec /usr/X1 1 R6/bi n/bbdrake
H owever, BlackBoxis capable of running
Window M aker applets. If you want a
selection of these to appear by default,
Screenshot 3
A hove: A close-up on the intelligent pager, which you can use to
switch between desktops, or for moving individual windows
from one desktop to another
you can add something likethisto the
/ etc/ XI 1/ gd m/ Sessi o n s/ B I ac kB o x sc ri p t :
# modded chb 2 Jut 00 so we ✓
can
# set up some Window Maker ✓
goodi es first
wmrack -w &
wmc L oc k &
wmbad &
wmnet se Lect &
wmxmms &
# now return to the distro ✓
script invocation
exec /usr/X1 1 R 6 / b i n/bbdrake
But as we're focusing on XFcethis
month, let's follow what happensto the
.. /Sessions/ Xfcescript. It looks like this:
# ! / bin/sh
[ "x$X FCE_DATA" = "x" ] && ✓
XFCE_DATA=/usr/share/xf ce
exec /usr/ Loca L/bi n/xf wm
Ifyou'renewto shell scripts, this may
seem a little daunting, but in fact it's
pretty simple. Thefirst line is the
standard 'hash-bang' pseudo comment
Left: My tailored
version of Olivier
Fourdan'sXFce.
Configuration of the
floating M ain Panel's
pop-up drawers is
easy thanks to drag
'n' drop between the
XFTree file manager
and the Panel. You
can have up to 10
desktops and switch
between them using
the Main Panel, the
mouse, the keyboard
or the Pager
that says: 'I'm a shell script and the shell I
need to run under isfound at /bin/sh.'
The next line is a game of two halves,
separated bythe&& Boolean operator.
At first glance you might think the line
says: 'Do this AND then do that', but
what actually happens is a little more
interesting and useful. It says: 'Return a
truth valuefor the results of performing
this action AN D that action.' A subtle
distinction, but one that allows &&to be
used as a shorthand flow control
statement. If the first action delivers the
value FALSE the && needn't bother to
investigate further, so it's really behaving
like an IF-THEN structure.
The square brackets stand for 'test
this', and the 'this' inside them is an
equation, actually a standard klugefor'is
this variable empty' ([ "$XFCE_DATA" =
"" ] falls over because the shell doesn't
understand the empty string "").
Incidentally, trythisout interactively in
bash with a command line like:
[ x$EMPTY = x ] && echo Yes
Then do:
Let EMPTY = f u L L
Now try the test statement again.
So this linesimply checks to see if the
environmental variableXFCE_DATA is
already set and if not, sets it to the
standard location of/usr/share/xfce.
This is evidently the directory from which
XFce's window manager, xfwm, draws
its inspiration. Next month I'll tell you
how I used this discovery to create my
own look and feel forXFce(see
screenshots 3 and 4).
Macmillan and Mandrake
So Mandrake Linuxis now going to be
badged exclusively by M acmillan in the
retail channel. Thisappliesto anyboxed
set of M andrake Linuxanywhere in the
Personal Computer World • October 2000 •
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Screenshots
A hove: T he output from the find command, with date, size and full filename, set out in
columns as a step towards our C D ■ archiving solution
Inset: Further along towards the CD -archiving solution: the script that's designed to winkle
out a $ limit-sized chunk of the oldest files for archiving. B ut you probably have better ideas
on how to do this
English-speaking world. When I heard
the news from M ichael Breeze of
Interactive Ideas, the company that
distributes M andrake here in the U K, I
was a bit concerned.
M andrake is probably myfavourite
Linuxdistribution. On the other hand,
M acmillian, the book publisher which is
now what the press release describes as
'a unit of the Pearson Technology
Group', has managed since it began
distributing M andrake in June of last year
to develop a not-so-hot reputation as a
Linux reseller. Typical of emails from
readers last year, was the complaint from
James Winklessabout his 'M acmillan
DeLuxe' edition of M andrake Linux6.0.
There was no StarOfficeCD [as
promised on the box] and perhaps the
strangest thing was that the package
included a bundled CD-ROM called (and
this is no joke) “Macmillan Plus Pack for
Microsoft Office 2000“.'
James never got a reply to his
complaint to M acmillan about this, but
he told me philosophically: This doesn't
matter as I do not intend to buy any
moreof their products.'
M ichael Breeze says he's sending me a
review copy of M acmillan M andrake 7.1.
I'll report on it next month.
More on the Command Line
Ges Cook (gcook@tempatron.co.uk)
writes: 'Congratulations on a great
column, always thefirst thing I read each
month and always something useful or
interesting.
'I manage the computer systems at
work and over the years I have
accumulated over a gigabyte of utilities,
drivers and shareware which is cluttering
up thehard drive of the server. What I
want to do is to listthefilesin reverse
date order (oldest first) in a format that
would allow meto grab theoldest
650M B offilesforarchivingto a CD.
Either thiscan go into an ISO imagefile
or just be moved to another directory
before later moving to the CD burner.
'I can get “ls“ to list in date order and
list recursively, but so far only in date
order per directory, "find" can list all files
and I can sort the output, but I haven't
found an easy way to sort on the date.'
Interesting question, Ges. Isis
certainlytempting,
but as I learned
from the 'newest
file' contest we had
in this column
earlier this year,
the immensely
powerful Unixfind
command is
probablya better
starting point. My
first stab at it
would besomething likethis:
find . -pr i nt f ✓
“%Ca\t%6k\t%h/%f\n" | sort
...which gives output like screenshot 5.
The numerical column on the left is the
result of the %C@ part of the printf
format string. It's the last change date of
each file, measured in 'U nix time', the
number of seconds since ljanuaryl970.
Not exactly a user-friendly format, but it
makes for a surefire sort, using the
default that puts the oldest file (smallest
Unix date) first.
The\t drops a tab into the printf
format string, followed bythesizeof the
filein kilobytes (%6k). The6 hereisthe
width of the numeric field in which the
number isto be right justified. The%f
that follows gives thefull path of the
filename. The\n that terminates the
format string is necessary because the
printf operation doesn't automatically
finish with a lineending.
I appreciate that this is only halfway
to a solution, Ges, because it ducks your
question about peeling off theoldest
650M B for archiving onto CD. I'm
currently toying with the script in
screenshot 6. It works, but as noted
under Bugs: has somethings I'd liketo
improve, if readers would care to pile in
with their suggestions. There's also the
problem that the 'while' loop exits when
the accumulated size of thefiles exceeds
the limit, and this excess could be big if
the last file in the loop is big. A properly
designed script would assess the size of
each file before including it in the loop.
CONTACTS
Chris Bidmead welcomes your comments on
theUnixcolumn. Contact him via thePCl/l/
editorial office or email: unix@pcw.co.uk
M • Personal Computer World • October 2000
1
ff
hardware
Tweak or unique?
Overclocking graphics cards is possible, but getting the best drivers is the key, says Gordon Laing
I have to say it's somewhat
reassuring to discover you're not
theonlyonewho spends hours
tweaking your PC and risking
silicon life and limb for often
miniscule performance enhancements.
After the past few overclocking articles,
I've received an enormous response from
fellow enthusiasts writing for advice,
confirmations, or just to say they've
got their system running comfortably
beyond spec without smoke
billowing out of it!
Jokes aside, it ^
is important to
remember that almost
any tweaking or
overclocking will take your
system components beyond
what they were designed and
guaranteed to do - it may not
work properly and you'
probably invalidateyour
warranty, so customise with
caution! That said, it's great to
hear so many satisfied
overclocking customers, not to
mention how useful it is to hear what's
working and what's not.
So for this reason, I thought it might
befun to debut a new section: This
month's top overclocker!' Here we'll
briefly celebrate the success of the most
worthy readers' overclocks or tweaks that
we've received at the H andsOn, H ardware
email address that month (see below).
Whileundeniablysomethingto look
forward to later, let's get down to
the real business this
month, which
consists of,
nVidia's
GeForce 2
GTS is the latest graphics chipset
to top the performance charts
you guessed it, some more overclocking!
This isn't just anyold CPU overclocking
though - this month I've been seeing
how far you can push an nVidia GeForce
2 GTS graphics chipset.
Thismonth'stopowerdocker!
A ugust'sH andsOn,
Hardware inspired
meto see what could be
donewith my old Asus
P2B (rev 1.10) Slot-1
motherboard, so I bought
an AsusS370-133 Slocket
and a Flip Chip-Pin Grid
Array (FC-PG A) Celeron
566.1 tried overclocking it
by usi ng a 100M H z front-
sidebus(FSB), but it
wouldn't boot. Then I
recal I ed yo u r co m m en ts
about increasing voltages
and upped thevoltageto
1.6von theSlocket.lt
booted at 850MHzand
thetemperatu re (after
replacingthethermal pad
with heat transfer
compound) wasfine.
Interestingly, despite
theAsusP2B's maximum
clock multiplier of only
eight-times, the566
Celeron is clearly
employing its standard
8.5-times setting. Nothing
mo re to say really, except
thanksforyourarticle,
andthanksforan
850MHz PC!
BARRY CARPUS
G or don replies: T he566M H z
Celeron indeed employsan
8.5-timesclock multiplier and ,
likeother recent Intel CPUs,
thissettingislocked. So saying,
sometimesyou must match
this multiplier with a setting
on your motherboard or your
system may not boot
Fortunately for Barry, it
worked on hisP2B with a
great result! Costingonly£90
incVAT (injuly),thenew
Celeron 566 is proving a
popular choice with upgraders
andoverclockersthe
world over.
Overclocked graphics
We've long said in PCW that if you want
faster games performance, then a new
graphics card is almost always the
answer. In fact, in manycases, a quicker
main CPU might not even make that
much difference in games, particularly
if your graphics card is showing its
age - if you haven't changed it for a
couple of years, then it will
certainly be out of date!
Remarkable as it sounds,
graphics cards are the fastest
developing components in
the industry. If you thought
the pace at which Intel and
AM D release new CPUs
was quick, then that's
peanuts compared to
graphics cards. It seems like
everyfew months, a new graphics
card arrives that offers gains of as much
as 50 per cent or even higher still.
The latest and greatest graphics
chipset (circa mid-Julyanyway) is
nVidia's GeForce 2 GTS (although
forthcoming solutions from 3dfxand ATi
to name but two, may surpass it by the
time you read this - check our late-
breaking A/eivs and Reviews sections).
The GeForce 2 GTS chipset is
designed by nVidia and sold to a variety
of graphics board manufacturers - there
are of course reference nVidia board
designs, but many innovative
manufacturers incorporate their own
ideas, either in terms of slightly different
h a rd wa re o r so f twa re d rivers.
Board manufacturers that have
released GeForce 2 GTS cards include
Guillemot/ Hercules, AO pen, Asus, Elsa,
Leadtek, Gainward and Creative Labs. I
got hold of Creative's 3D Blaster GeForce
2 GTS card and put it through its paces.
The main test I used was, of course,
Q uake III Arena (v 1.11), using the
standard PCW benchmarking settings:
1,024x768 pixels, 16bit colour depth,
16bit texture quality and highest texture
detail. Note that my tests were also run
with basic stereo sound support on an
Aureal Sonic Vortex2 sound card, which
typically knocks around 10 per cent off a
silent Quake benchmark.
• Personal Computer World • October 2000
T he rather stylish control panels that come supplied with C reative
Labs' 3D Blaster GeForce 2 GTS let you overclock the memory, but
not the chipset core
Windows 98 scores
Under Windows98 SE, using Creative
Labs' own supplied drivers, the GeForce
2 GTS scored an impressive 101. 4fps.
Compare this with 62.1fps using a
GeForce 256 SDR, 55.3fpson an ATi
Rage Fury MAXX and 25.4fpson an ATi
Rage 128 under thesameconditions.
These results came from my trusted Asus
P2B BX-chipset motherboard with
512M B of PC133 SDRAM , a Seagate
18XLUItral60 SCSI hard disk and an
Intel Pentium III running at 866M Hz.
Note that I performed the same tests
with all but the new GeForce 2 GTS card
a few months back on the same system,
except using a Pill 550M Hzand,
interestingly, got exactly the same scores.
The interesting thing, for me anyway,
was that Creative's GeForce 2 GTS driver
actually featured an overclocking section.
That's right, no undercover stealth
tweaking, but an actual above-board
graphical slider you can easilydragto
overclock the card ! (see screenshot 1) .
Creative's drivers don't let you change
the reference core chip clockspeed of
200M Hz, but the tweak section lets you
increase the memory clock from the
reference 332M Hz to 366M Hz. A quick
slide later and Quake scored 103.6fps.
0 K, only two frames per second more,
but beggars can't be choosers!
I had, however, heard about the
increased overclocking capabilities of
nVidia'sown Detonator 2 reference
drivers on Anandtech's website (www.
anandtech.com). Thedrivers failed to
work with Windows98 on mysystem, so
I gave the new nVidia Detonator 2 driver
for Windows 2000 a shot.
Windows 2000
M uch has been written about games
performance under Windows 2000 and
how it doesn't compare with Windows
98 SE. Personally speaking, I haven't
been ableto give Windows 2000 much of
a gaming chance, since thedrivers for
graphics cards I've owned haven't
supported OpenGL. This is a pity, since I
dual boot Windows 98 and Windows
2000 on my main PC, which gives a great
opportunityto directly compare
performance with the same components
undereach OS. Sadly, with limited driver
support under Windows 2000 I've been
limited to using certain modest
peripherals for compatibility.
Up until the arrival of Creative's
GeForce 2 GTS card, I'd been using an
aging ATi Rage 128 card, since it at least
offered the resolutions and colour depths
I wanted for both Windows98 and
2000. While unforgivably still not
supporting the Rage Fury M AXX under
W indows 2000, ATi has at least recently
posted new Windows 2000 drivers with
OpenGL support
for its Rage 128
chipset. I dutifully
downloaded them
and ran Quake III
Arena under
precisely the same
conditions as my
Windows98
partition. Where
98 scored 25.4fps,
2000 mustered a
mere22.1fps-
admittedlyaround
10 per cent slower,
but still sufficiently
close not to
discount Windows
2000 for games.
Creative
supplies its
GeForce 2 GTS
card with Windows
2000 drivers and
on my system it turned out an impressive
94.1fps, compared to 101.4fps (non-
overclocked) underWindows98 -
remember that, like the ATi 128 scores
above, these are directly comparable
results as they're using identical hardware
and settings. Sure, W indows 98 was still
faster, but not by much.
Detonator 2
The interesting part came when I tried
nVidia's latest Detonator 2 drivers for
Windows 2000 that, unlike the Windows
98 version, worked fine on mysystem.
Without changing anysettings, I ran
Quake and scored a remarkable 103. 2fps
under Windows 2000! That's almost
1 Of p s faster t h a n C reat i ve' s su p p I i ed
W indows 2000 drivers and faster than
my overclocked Windows 98 results.
This really proves that using the latest
drivers can maketheworld of difference.
Personal Computer World • October 2000 •
Occasionally, a
new set of drivers
introduces its own
set of problems, so
always check the
reports on the
various enthusiast
hardware websites,
but in general you'll
reap benefits.
Shame theWindows 98 Detonator2
drivers didn't work on my 98 partition,
as I'm sure I'd see an increase in
performance there, too.
But, best of all, I was using nVidia's
ref eren cedriversunderWindows2000,
which meant I could tryAnandtech's
overclocking tricks. As standard, the
nVidia drivers offer only memory
overclocking, albeit further than
Creative's cautious 366M H z limit.
Anandtech, however, discovered
an additional, hidden, coreCPU
overclocking facility, which reveals
itself after a brief Registry edit.
If you'rea GeForce2 GTSowner
using nVidia's latest drivers and are
feeling brave, start the Registry Editor by
typing Regedit from Run in your Start
Menu. Open HKEY_LOCAL_M ACHINE,
then scroll down through Software until
you reach NVIDIA Corporation, then
open the Global section.
To access theadditional controls,
you'll need to modifya new RegistryKey
called NVTweak. If this doesn't exist in
the Global key, go to the Edit menu and
Add a new Key, naming it NVTweak. M y
system already had the NVTweak key
with a couple of entries, (see screenshot
2). If you're creating it from scratch, it
may not have the same entries as mine.
With NVTweak selected in the left-
hand paneof the Registry Editor, you
must go to the Edit menu and Add a new
DWORD value, with the name
'CoolBits'. Once added, double-click on
the CoolBits in theright-hand paneand
set the Value to 3, with a hexadecimal
base (see screenshot 3). After rebooting
your system, you'll notice that when you
go to the Additional Properties of your
GeForce advanced display properties,
you'll find an additional tab labelled
FI ardware 0 ptions (see screenshot 4) .
Check out those sliders! The core
clockfrequencycan be pushed to
250M H z, whilethememoryclock
frequency can betaken to 420M H z.
Remember, this is in theoryand the
reference card design (as employed by
L eft: nVidia's new D etonator drivers have
hidden overdocking features that require a
little R egistry editing. D ownload the new
drivers from nVidia's website at
www.nvidia.com , then run R egedit and find
or create the N VTweak key
B elow left: N ow add a new DWORD value
with the name 'C oolB its' and a value of
three with a hex
base. 0 ne system
restart later and
you're in business!
Creative) is meant to run at
200/333M FI z for core/ memory
respectively. Like any kind of
overclocking, it's a case of taking
things one small step at a time,
and retreating when your system
freezes, crashes or fails to start.
Anandtech claimed it got a
Creative card running at
250/395M FH z, which sounded
impressive. I tried the same
settings, but crashed horribly.
After much experimentation, I
had my card running at
215/375M FH z and a Quakescore
under Windows 2000 of
105.6fps, just over 2fps faster than at the
standard 200/ 333M FI z settings.
Without sound and using a Pill
750M FI z, Anandtech scored 107fps at
200/333M Flzand 110.2fps at
250/395M H z. This was at 1,024x768,
but greater differences of up to lOfps
were measured at resolutions of 1,280 x
1,024 and 1,600x1,200.
It's also worth mentioning GeForce 2
GTS boards that aren't based on the
32 M B reference design. We've seen a
64M B version from FI ercules and heard
of another 64M B card from Gainward
that uniquely employs extra-fast five
nano-second memory, compared to
thesixnano-second memoryof the
reference design. According to Tom's
FI ardware website, Gainward claims this
memoryrunshappilyat400M FH z, while
the good doctor himself has had it
running at 233/472M FH z.
The moral of this story? While I enjoy
the opportunity to overclock anything,
pushing cards based on the reference
GeForce 2 GTS design isn't worth it at
1,024 x768 resolutions. If you'rea Quake
h.i. wm hp+.n p wi fc ■**■?** h*t«iiv«
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].
Screenshot 4
A bove: A fter editing the R egistry the
A dditional G eForce Properties will reveal a
new tab labelled ‘H ardware O ptions', with
overclocking adjustments for the memory
clock and core clock frequency- we got ours
running at a 2 15M Hz core and375MHz
memory compared to the default 2 00 M H z
and 332MHz settings respectively
fanatic who runs at higher resolutions or
32bit colour, then cautious overclocking
may get you a worthwhile result.
O ne thing everyone must do, though,
is ensure they're running the latest
graphics drivers. Just by updating my
supplied GeForce 2 GTS driver to
nVidia's Detonator 2, 1 gained a 10 per
cent improvement in Quake- more than
I got by overclocking my card.
CONTACTS
Gordon Laing welcomes your comments on
the H ardware column. Contact him via the
PCI/I/ editorial officeoremail:
hardware@pcw.co.uk
• Personal Computer World • October 2000
office applications
Paste sandwiches
Tim Nott does his best to ensure that both his snacks and text remain plain and unformatted
A recent gift of a toasted-
sandwich maker has
changed my life. It's
named Daisy, it's
amusingly cow-shaped
and it provides a total solution to
keyboard-based snacking. Gonearethe
days of crisps, biscuits and those bags of
weird thingsapparentlymadefrom
tomato-flavoured polystyrene. In just
three minutes, I can be in possession of a
delicious hot, sealed confection of bread,
cheese and the bolognese sauce left over
from last night.
This is true geek
chic, as well as
being an excellent
wayof finishing up
all those leftovers
in little bowls that
one traditionally
keeps in thefridge
fora week before
throwing out.
However, once
these scraps were
exhausted and I'd
tried all the recipes
in Daisy's
instruction leaflet
(except the one
involving tinned
rice pudding and jam) I needed
inspiration. Despite thefact that Daisy
was made by a company with a French-
sounding name, Breville is actually based
in Oldham and has a truly British co.uk
website, which, joy of joys, features pages
and pages of recipes.
So, getting to the point, I decided to
collate some of these into a little booklet
that could be kept conveniently close to
Daisy in a kitchen drawer, using that well-
known techniqueof copying and pasting
the text into Word. And, as always, I fell
into the usual trap.
Control &Ato select the page in the
web browser, Control & C to copy, switch
to Word and Control & V to watch the
hourglass for ages as Word works out
what to do with all this HTM L stuff it's
just been fed.
Three things immediately sprang to
mind. First, was that I probablynow had
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enough time to go and make another
sandwich before Word would let me
continue. Second was - all right, I know I
should have gone Edit, Paste Special,
Unformatted Text, but why can't you
press the Esc key (for example) to abort
lengthy and unintended actions? Third
waswhycan't I change thedefault paste
action to be 'Unformatted Text' while
retaining the menu trip for more
ambitious pasting feats?
This last proved to be more difficult
than expected, as assigning a keyboard
shortcut, ora button, can only take you
as far as 'Paste Special...' - you still have
to make two more keystrokes or mouse
clicks to paste unformatted text.
The only answer seems to be via a
macro. This is such a simple matter to
record, (and is also only one line), that
I'm not going to bother you with the
code. Tools, Customize, Keyboard,
H*n* T-
Top: Plain text pasting from the keyboard
Bottom: A utomating parallel page numbering
uc
I L" ~1
h«pa j
Screenshot 1
Feedback
In July's column, we covered the problem
of running two systems of page
numbering in parallel: onethat restarts
with each chapter (or section) and
another that keeps a running total.
M y observation that 'had we but
world enough and time there is probably
some wayof automating that further'
inspired Nicola Bennett-Jonesto do just
that. H er solution is to put a bookmark
at the start of each section, then in the
footer use a PAGEREF field to return the
(absolute) pagenumberofthat
bookmark.
This means the arithmetic is carried
out automatically, rather than my pretty
cumbersome- and accident-prone -
method of typing in the last page number
of the last chapter. As with most things
fieldy, it's easier to show than to explain,
so cast your eyes over screenshot 2.
Alan Hitchin mailed me with a little-
known WordPro M illennium tip that in
fact dates back to AmiPro 3 days. If you
hold down the Control key, you can drag
buttons around your Smartlcon bars
without going through the editor. You
can also delete them by dragging them
off the bar.
Macros got it
assigned to a
keyboard shortcut
(see screenshot 1).
This isn't just
useful when pasting
from web pages - it
also gives me the
choiceof retaining
the source
formatting or using
the current style
when pasting text
generally.
CONTACTS
Tim N ott welcomes your comments on the
Word Processing column. Contact him via the
PCI/I/ editorial officeoremail:
wp@pcw.co.uk. Please do not send
unsolicited file attachments.
;T|] • Personal Computer World • October 2000
Sliding axis
Should your x-axis labels become so numerous as to be illegible, Stephen Wells knows what to do
Many people often
come up against the
problem of having a
chart with so many
labels on thex-axis
(the bottom, horizontal one) that it
becomes illegible. Onesimplesolution is
to make a smaller chart and slidethe
points left or right, as though moving a
window along a line.
H ere's a simple example, using Excel,
to show how it's done. All data cells are
formatted as numbers because the
Forms' Scroll Bartool doesn't
understand dates. Enter 1994 in cells B2
and B8. Right-clickon B8 and drag it to
T8. On the shortcut menu choose Series,
Linear, Step value 1. This gives you the
years 1994 to 2012. In the range B9 to
T9, enter numbers randomly between
431 and 850. Enter =B2+1 in C2 and
drag that toT2 which will have=S2+l.
In cell B3 enter theformula:
=H LOOKUP (B2,$B$8:$T$9, 2)
Drag this along row 3 to column T. Cell
T3 will have
=H LOOKUP (T2,$B$8:$T$9, 2)
Theyears shown in row 2 will change
when the slider is moved. But because of
this formula, the cell underneath each
year will show the correct data. In other
words, the range B8 to T9 is static and
the range B2 to T3 is dynamic.
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and click the Fill
Colourtool on
the main
formatting
toolbar.
To add the
slider, on the
main View
menu, choose
Toolbars, Forms. Drag this miniature
toolbarout ofyourway. Clickon the
Scroll Bar control. This offers a cross,
indicating a graphic object you can draw.
Drag it to create a horizontal box under
your chart. W ith the left mouse button
ll,
Screenshot 2
Excel will not only change the
date line but automatically
adjust the y-axis labels as well
UsingtheChartWizard, makethe
chart display start at about cell B14. The
data range for thechart is $B$2 to $F$3,
with the Series in Rows. In the Source
Data dialog box, ensure that the Values
are shown as taken from the range
$B$3:$F$3 and theX-axis Labels from
$B$2:$F$2.
To colourthechart background,
right-click within the perimeter line and
choose Format Chart Area. Then under
Patterns Area, choose a colour from the
palette. To colour the worksheet,
highlight the appropriate range of cells
down, movethelittlesquareson the
edges of the object to adjust the size of
your new slider.
Right-click on the object and choose
Format Control. The point to remember
here is that the following entries refer to
the left end of the data range. In the Cell
link box(see screenshot 1) enter
$B2:$P$2 (notT2 as you might expect).
The Current value and theM inimum
value are both 1994. The M aximum value
is 2008 (not 2012). The Incremental
change is 1, and the Page change is 0.
The 3D shading for the slider is optional.
L eft: Setting up the control of
the slider for this example
B elow: T he x-axis of this
chart can be shifted left or
right by using the slider
underneath
Click O K and yourslider
is now ready. It will shift the
x-axis from a range of 1994
to 1998 up to a range of
theyears 2008 to 2012.
Rather cleverly,
Excel will not
onlychangethe
date line but
will also
automatically
adjust the
y-axis labels to
an appropriate
range. In order
to add thetitle
'Change years',
click on a cell
on the actual
worksheet and
then enter the text there.
Finally, on the main Tools menu,
choose Options under the View tab; you
may wish to eliminate the usual
worksheet gridlines, row and column
headers and scroll bars. The result is
shown in screenshot 2.
Equation Editor
I've previously mentioned the useful
M S Office Equation Editor, which you
can access from Excel by choosing
Insert, Object, M icrosoft Equation. It
was contributed to Office by Design
Science, which is now offering Tips &
T ricks free for it on its website at
www.mathtype.com, as well as for
M athType, the professional version.
CONTACTS
Stephen Wells welcomes your comments on
the Spreadsheets column. Contact him via the
PCW editorial officeoremail
spreadsheets@pcw.co.uk. Please do not
send unsolicited file attachments.
Personal Computer World • October 2000 • Hi
databases
U nmasking the culprit
When a worried DBA finds dirty data in his input table, Mark Whitehorn steps in to investigate
I received an email from a database
administrator (DBA) who wishes
to remain anonymous. H e (or
she) feels that colleagues would
mock iftheyfound out that a
qualified DBA didn't know the answer to
this problem.
Before answering the question, I'll tell
you a story. Prior to the launch of Access,
I was invited to Seattle to meet the
people who were building the database.
Bill M arklyn was then the development
manager for Access- a title that, in
M icrosoft, equates to 'top guy in charge
of the project'. At one stage I asked him
about some aspect of the product and he
said: 'Hmmm...
interesting. I don't know.
SayBob...'and proceeded
to ask one of his team. At
thetimel tookcomfort
from this and, thinking
about it, I still do! If the
guyin chargeof a major
database development
project doesn't know all
the answers and is relaxed
about the fact, we mere
mortals are allowed to be
equally relaxed about
having holes in our
knowledge too.
Anyway, the anonymous DBA has set
an input mask on a table and given users
forms with which to enter data. The DBA
was horrified to discover both dirtydata
in the table (data that doesn't conform
to the input mask) and that the input
maskwas still on thetable! Thequestion
was - how can this possibly happen? The
input mask was still stopping the D BA
from entering dirtydata, so how were the
users getting it in there?
Some background information may
be helpful before we get to the answer.
All database systems provide some way
in which database designers can
implement the so-called 'business rules'.
These are constraints upon data placed
by the business needs of the company -
an example might be a rule within a
given company that all order numbers
are composed of one character and
six numbers.
You can place such a constraint on
thefield within a tableand/oryou can
place it on the text boxon theform that
is used to enter data into that field. So, in
a back-end database (SQL Server, DB2,
Oracle etc) such a business rule could be
implemented as a so-called 'check
constraint' on thetable (within the
database itself) or as, for example, a
piece of Java on a data entry page.
So far, so good. But knowing that the
constraint can be placed in more than
onelocation begs the question: 'What is
the best place to implement such a
business rule?'
The answer, unsurprisingly, is: 'It
depends' (of course). Consider the
following business rulefrom head office.
'All order numbers are to be constructed
as follows - one character and six
numbers. The character "A” signifies that
the order originated in theUK, "B"
A bove: D irty data can be entered into the
table, despite the input mask
L eft: Setting a check constraint from A ccess
signifies the US and "C" means Canada.
'We currently operate in those three
countries, further letters will be added
to the list by head office as and when
weexpand.'
Assume that each country has a
different order-entry form. Theform used
in the branch office in the U K should
generate an appropriate number and
prefixitwith A. It should checkforA plus
sixdigitsand then send the order to head
office. Theform used in the US prefixes
with B and so on.
Back at the ranch (or head office) a
check constraint on the table checks that
the incoming data hasA, B orC and six
digits. At first sight this is overkill - why
does head office need to check at all?
However, look at this from head
office's point of view. It is responsible for
the overall allocation of prefixnumbers,
so, despite trusting the regional offices
implicitly, with this rule in place it knows
that no-onecan commit theheinous
crime of using an unauthorised prefix
letter. When a new country is opened up,
the people there get a new form and the
check constraint is updated. It's as
simpleasthat.
• Personal Computer World • October 2000
And, crucially, the constraint on the
table can never be subverted, no matter
howtheformsaredesigned, modified
or tweaked.
Now, back to Access. An input mask
can be placed on a field and it controls
the data that can be entered. In an input
mask, L means obligatory letter and 0
means obligatory digit. So:
>L000000
allows you to enter, say, D546540 but
not 12-32FG.
All versions of Access since 1.0 allow
you to put input masks on both the table
and on a text boxon a form. The
anonymous DBA has, quite reasonably,
assumed that putting the input mask on
the table means that it functions as a
constraint on that table, enforcing
whatever business rule was required on
the table itself.
But, surprisingly, it doesn't work like
that in Access. You can try this for
yourself. Createasimpletable, add an
input mask, savethetable, and then
open it for data entry and try to defeat
the input mask. You can't. Generate an
auto form from the table and try to enter
data that violates the mask. You can't.
Now swap to design mode for the
form, remove the input mask from the
textboxand try again. Now, suddenly,
you can enter data that subverts the
business rule and yet, if you go back to
theoriginal table, theinput
mask is still there (see
screenshot 1, opposite).
jm
Screenshot 3
■ iP
N ow it is impossible to subvert the constraint
In other words, in Access, the input
mask that you add to afield in a table is
notthefinal arbitratorof which data
mayor may not enter the field. In fact, it
has no direct power over the data at all.
Instead it simply sits there as a resource
that is used when forms are generated.
And, since those forms can later be
edited to remove the input mask, the
ultimate control is not there.
'Ah', you are thinking, 'but the input
mask does work on the table itself,
because when I open thetablefordata
entry, the mask prevents the entry of dirty
ORACLE
IFSandbuts
A coupleof months
ago, I discussed
thefact that theRegistry
in Windows should be
implemented asa
relational database,
completewith a proper
enginethat supported
transaction control,
rollback etc.Oraclehas
beaten us all to (at least
part of) thesolution with
its I FS (I nternet File
System). Takea look
atwww.oracle.com/
database/options/ifs.
I FS is an extension to
theO racle8i database
that allows you to store
ammn Lkufc kwai I* £wi
files in a relational
database.Totoolssuch
as Microsoft Explorer,
thefilesystem looks
normal, but, becausethe
files arestored as records
in an RDBMS, all sortsof
extra facilities, such as
incrediblyrapid content
searching, versioning
and event notification,
arepossible.Thereally
excellent news, however,
for Oracle users at I east,
is that 0 raclel FS is
availableforfreeto
any customer with a
databaselicence.
data.' True, but
remember that
a table is simply
an abstract set
of magnetic
marks on a disk.
It doesn't
actually have
any on-screen
appearance
at all.
So, when
you double-
clickon a table
name in Access
and thetable
seems to appear
on screen, what
is actually
happening is
that Access is generating, on thefly, a
Datasheet-form view of thedata in the
table. Thefact that you can't edit the
properties of this table doesn't prevent it
from inheriting the input mask from the
tabledefinition in which theinput
mask sits.
The lack of absolute control worries
me, just as it worries the anonymous
D BA, but there is now an answer.
Straight out of the box, Access 2000 runs
against theJET database engine, but if
you elect to use a Project file, then Access
runs against the MSDE (M icrosoft
Database Engine). And since
M SDE is compatible with SQL
Server, when you use Access 2000
in this way, you acquire theability
to create a check constraint on
the table (see screenshot 2) .
Formsdo NOT inherit this
constraint as an input mask and
cannot be used to subvert the
control that the check constraint
imposes. So, if you elect to use
Project, you get the full control
that is normally the prerogative of
a back-end database engine
(screenshot 3).
So, to finally answer the
question, one of the users must
have removed the input mask from
theform.
CONTACTS
M ark Whitehorn welcomes your feedback on
the Databases column. Contact him via the
PCW editorial office, or email:
database@pcw.co.uk
Personal Computer World • October 2000 •
sounc
i
Lumley's theme
Ian Waugh is sick of Windows sounds and gets his PC to sing another tune - but Joanna stays!
What sound does
your PC play when
you switch it on? It
maybea clap of
thunder, a long
sweeping chord or a short arpeggio-type
riff. If your PC was set up and configured
by a third-party PC manufacturer it may
well play another sound or even a little
ditty. You've probably noticed that your
PC makes other noises, too - when you
log off, to announce incoming email,
when you empty the Recycle Bin or when
you scroll to the top or bottom of a
document. In fact, Windows can make
all sort of sounds in response to various
events; an audiblewayof alertingyou to
situations when you maynot belooking
at the screen.
But they can get a bit wearing. There's
a sound called Chord that makes a sharp
pling/ding sort of noise and grates like
hell. It's like a teacher rapping your
knuckles for doing something wrong. But
the good news is, you can change it all.
Theplaceto start is the Sounds
Control Panel (Start M enu, Settings,
Control Panel, Sounds). This lists the
events to which you can attach sounds
and shows those that have been
attached. Sounds
are Wave files and
they can reside
anywhere on your
hard disk but most
will probablybein
theWindows/
Media directory.
Programs can
install sounds and
if you scroll down
the list you may see
such programs and
thesoundsthey
use. These include
AOL, M icrosoft
NetMeetingand
Norton Utilities.
Soundsfor
programs such as
these are usually stored in the programs'
own directories. If you select an event
and a sound, the latter's name and
filepath appear in the N ame box
Right: Perk up your
morning with the
sound of a coffee
maker from the
M icrosoft website
M iddle: Sounds
installed by other
programs are likely
to be in that
program's directory
Bottom: Most folks
will already have a
range of Sound
Schemes in their PC
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Changing
sounds is easy,
but before you
start you might
want to save the
set you have,
just in case you
devise a worse
collection than
alreadyexists.
Collections of
sounds are
called Sound
Schemes and
you can see if
any additional schemes exist on your PC
by clicking on the Schemes' drop-down
menu. You mayalreadybeusingthe
W indows Default Scheme but, just in
case, click on the Save As button,
enter an imaginative name such as
MySoundsl and clickOK.
Thefirst thing you might want to
do is to try any other schemes that
maybe installed. You might have
Jungle, M usica, Utopia and Robotz
Schemes already availablefrom the
Schemes menu.
Also, take a look in the Program
Files/ Plusl/Themes directory and
you may well see a lot more (this
depends on which version of
Windows you're running and what
was installed at the time). If you have
Themes there, click back to the Plus!
folder and open theapp called
themes.exe (this should also be available
as Desktop Themes in Control Panels).
This lets you change not only the sounds
but also the desktop wallpaper, the
icons, colours, screensaver and so on.
Select a Theme from the menu at the
top and check out the new goodies.
We're primarily interested with the
sounds and you can preview the sound
collection in a Theme by clicking on the
'Pointers, Sounds, etc' button. You can
select anyaspect of theThemeand
transfer it to your current Desktop
settings simply by checking the boxes on
the right and clicking Apply. If you're
happy with the other aspects of your
j • Personal Computer World • October 2000
Desktop you can
simplyusethe
sounds in another
Theme by
unchecking every
other box except
Sound events and
then clicking Apply
And some of
these Theme
sounds might suit
you fine. Fora
while. But that cute
chimp screech or
lion roarthat
engenders riotous
laughter and looks
of admiration from
friends and colleagues may
start to wear thin, too.
No problem. You can
assign any sound at all to any
event. Back in the Sounds
Control Panel, simply select
the event, click on the Browse
button and navi gate your way
to a Wave file. You can
audition thefile before
selecting it which saves much
time. Beware of selecting
soundsthat last more than a
second or two other than for
startup, shutdown and other
'long' events; they will really grate.
There's an alternative to using
thethemes.exe program if you only
wantto change thesoundsand that's
M iSounds, a shareware program you can
find at Themes 'n' Schemes (http://
desktopthemes.com/sound.htm). This
lists the events and theWave files
associated with them, which you can
change, of course.
It can also pickup thesounds
from a Theme without going through
t h e en t i re sc reen saver/ d eskto p/ icons
thing. And it can wrap up your sound
files in a ZIP file which you can email
to your friends - or enemies. While
you're browsing, checkout
www.plusthemes.com, too.
If you're of an adventurous bent you
can record your own sounds. Actually,
even before you do that you can mess
with the existing sounds. Even the
dreaded Chord Wave can betarted up.
Open the Sound Recorder (Start
M enu, Accessories, Entertainment,
Sound Recorder) and open a Wave file of
your choice. Start by changing its speed
from the Effects menu. Applying
m
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1 M
^1
—
. —
...Vi
I r w 1 MM:.
Top: You can assign any Wave file to an
event, wherever it resides on your hard disk
M iddle: TheD esktop T hemes C ontrol
Panel lets you change any aspect of your
D esktop, including the sounds
Bottom: M iSounds makes it easy to change
the sounds assigned to system events
Decrease Speed a couple of times turns
Chord into a gong. Apply Reverse and it's
a backwards gong! See if you can beg,
borrow, steal or record a cymbal sound
and then play that backwards. Great fun!
Adding Echo can beef up a sound,
too. The more times you select Add Echo
from the menu, the more echo is applied.
Applying Echo several times even to the
raw Chord wave is an improvement.
But let's say you want to record
yourself saying 'Good Morning, Brian'
(assuming you want your PC to talk to
you and that your name is Brian). You
need to connect a microphoneto your
sound card, click on the Record button,
say your piece and click on Stop.
Unless you havethetimingof Bob
M onkhouse there will inevitably be some
silence or shuffling noises at the start and
end of the recording. No problem. Move
thesliderto a position just before the
start of the section of recording you want
to keep and select 'Delete BeforeCurrent
Position' from the Edit menu. M ove it
to the end of the section and
select 'Delete After Current
Position'. Savethefileand
then you can assign it to
an event.
Ifyou don't fancytheDIY
approach, therearezillionsof
Wavefiles out there on the
web. You could do worse than
to surf over to http://msdn.
microsoft.com/downloads,
clickon the Downloads menu
and select Sounds.
There you'll find a rangeof
short sounds, well suited for
use as system sounds, plus
several music files, too. Ifyou
want to engage your listeners with the
sound of a toilet flush each timeyou
empty the Recycle Bin, there are files here
to do it (but be warned, this is the most
common useof thetoilet flush sound
that exists in computer land). You can
doubtless think of more original and
uniquesounds with which to pepper
your working environment and spice
up your PC.
I know a guy who uses the voice of
Hal from 2001: A SpaceOdyssey, which is
kinda neat, if a little dated now. But you
could use more up-to-date recordings,
say from a favourite movie or a line from
a song. Whatever you use, it's got to be
more interesting than the Chord wave.
Theonly sounds I won't changeare the
delicioustonesofjoanna Lumley
welcoming me to AO L and telling me I
have email. Send mea message someone...
CONTACTS
Ian Waugh welcomes your comments on the
Sound column. Contact him via the PCI/I/
editorial office or email: sound@pcw.co.uk
Personal Computer World • October 2000 • mi
graphics and dtp
Quick Quark tables
Most of us find tables tedious, so Ken McMahon shows you howto make it easier on yourself
If you've read thetitleand you're
still with us, you've either got a
monster tablejob to finish by
tomorrow, or you're trying to avoid
eye contact with the mad-looking
person oppositeyou on the8.45am.
Let's face it, tables aren't what we live
for, yet, like many of life's chores, they
seem to come around all too frequently.
Well, I'm going to show you how you can
spend less time producing tables in
QuarkXPress and design them so that
importing and editing data is easier.
As ever, the same principles apply in
pretty much any
DTP layout
application,
although you may
need to modify
specific steps to
achieve thesame
result. PageM aker
has a dedicated
table-making
application, Adobe
Table (see
screenshot 1), but
you have to export
thefinished table
in text format,
which defeats the
object, or as an
EPS. So, if there are changes to be made
you edit in AdobeTableand re-export.
If you use Ventura you can skip
forward to one of the other HandsOn
pages, smug in the knowledge that
Ventura's table features are on a par with
many spreadsheets, allowing you to
import data from spreadsheets and
Screenshot 2
page with an automatically generated
text box. Decidehow manycolumnsyou
are going to need and leave some space if
you need an extra-wide column on the
left. You can make use of Quark's maths
functions in the M easurements palette to
workout yourcolumn width. In the
Width window delete everything that
As ever, the same principles
apply in pretty much any
DTP layout application
databases, include pictures as well as
text, insert new rows and columns and
even sort data.
For the rest of us, though, the first
thing to do is create a text boxthat's big
enough to accommodate theentire
table. I've started with an A4 landscape
comes after the width and enter the slash
symbol followed by the number of
columns, for instance for 10 columns
enter/ 10.
Now modifythetext box. M akethe
Text Inset 0, turn off Runaround and set
thefirst baseline offset to 5mm to give
Left: Adobe
PageM aker has a
dedicated table
builder, Adobe Table
Below: Use Step
and Repeat to
create additional
columns
enough clearance
fromthetopofthe
table. If you want
lines between your
columns now isthe
timeto add them,
on onesideonly
using the Line tool. Create the additional
column boxes using Step And Repeat
with the horizontal distance set to the
exact column text boxwidth and the
repeat count to the total number of
columns minus one (screenshot 2).
If yo u 've I eft space fo r a wi d e f i rst
column you can now stretch it out to the
left margin. Alt-click on the Link tool to
keep it selected and clickthrough all the
column text boxes to linkthem.
Copyyourdata onecolumn ata
timefrom Excel; attheend of each
column press Enter (not Return) to go to
the next column.
Definea StyleSheet forthetabletext.
In the Formats tab set the left and right
indents to 1mm or 2mm -to leave a gap
between the text and the column edges.
Seta Rule Below, based on indents and
enter a negativefigurein the From Left
and From Right boxes that corresponds to
the text indent you set in the Formats tab.
In otherwords, if you setthetext
indent to 1mm set the rule indents to
-1mm. Maketheoffset about 75 per
cent. This ensures that the rules go right
to the edge of the text boxand butt up
with those in the adjacent column.
You can probably get a better idea of
what'sgoingon byturningon invisibles
(Ctrl & I) and toggling the guides with F7.
If everything has gone according to plan
you should have something that looks
like screenshot 3. It's looking reasonably
tidy, but there's still a certain amount of
cleaning up to do.
For one thing, the rule below each
• Personal Computer World • October 2000
entry is offset so far that it's touching the
line of text below. Also, there are some
'cells' where the text has wrapped to two
lines, causing misalignment of column
data across the table. Theonly wayto
sort this problem isto manuallyinsert
soft Returns (Shift & Return). Soft
Returns retain paragraph Style Sheet
formatting and won't generate a rule.
I've inserted soft Returns in the single-
line column headings to makethem all
two linesand donethesameforall the
columns in the last entry where the name
has wrapped onto two lines. I've edited
the table-text StyleSheet, putting 0.5mm
space after
paragraphs
and changing
the Rule Below
offset to 30
per cent.
Bynow
yourtable
should be
looking fairly
presentable, if
alittledull.To
liven it up and
make it more
readable make
thecolumns
alternate
colours. Press
F12 to bring up
thecolours
palette and
Shift-click every
other column
starting with
thefirstone. Check thefill colour boxand
applya 30 per cent tint of your chosen
colour. Then select the remaining columns
and fill with a contrasting tint.
0 nee you've sorted out the leading,
rules and spaces before and after, you
can adjust the depth of the table by drag
selecting all ofthecolumnsand entering
a new value in the height window of the
measurement palette. To add a border
rule to the table, draw a picture boxover
thetop with no runaround and a
background colourof noneand seta
border width and colour. If you want a
thickframe, change theframing default
of insideto outsidein thegeneral
preferences tab so the frame doesn't
encroach on the text (screenshot 4).
There are several advantages to
adopting this column-based approach.
It's a simple matter to change thedepth
of the table to fit your page layout by
-
— a -
> ■ il
A dding some colour and a thick frame is simple and livens up your table
adjusting the leading and space before
and after paragraphs; all of the rules
move with the type so no further
adjustment is necessary. If thetable
spreads across two pages you can easily
open it up to make space for the gutter,
or for that matter add new columns.
If you want to add a new row you will
have to cut and paste the data for each
column, but if you take care, that's all
you'll have to do - the rows beneath the
new entry will all still align. Compared
with the messing about that's involved if
you arrange the text in onetab-
delineated box, or in linked row-based
boxes, you're looking at an early lunch as
opposed to a late night.
Best of all, you can usethistableasa
template for new data from an Excel
spreadsheet and, if you want to be really
clever, you can make use of Xpress Tags
to minimise, who knows, even eliminate
Left: There's still
some way to go,
but the table is
taking shape
the need for post¬
import editing.
Your Excel chart
will need the same
number of rows
and columnsasthe
Quark one. First,
you will need to
transpose the rows
and columns. You
can do this by
copying the relevant
cells, creating a new
workbook, selecting Paste
Special and clicking the
Transpose radio button.
You will need to create
newcolumnsfortheXpress
formatting and StyleSheet
tags. There's not room to
go into it in depth, but tags
are explained in the
appendixoftheXpress
manual. You'll need a
column attheend ofthe
data with the new boxtag
<b>and a column before
any Style Sheet changes
with the@stylesheet:
definition. Savethetext
as a tab-delimited file,
giving it an .xtg extension,
_ so that it's recognised as a
tags file by Quark.
Import the text into Quark, making
sure to check the 'include Style Sheets'
button in the Get Text dialog. You'll have
somecleaning up to do - primarilyusing
Search and Replace to remove all the
tabs and replace them with returns.
0 K, it doesn't make producing
tables exciting, that's asking too much.
But it will mean that you spend less
time formatting tabulated data, your
tables will look better because you'll
have more time to spend on the design
and corrections won't keep you up
until midnight.
CONTACTS
Ken M cM ahon welcomes your comments on
theGraphics& DTP column. Contact him via
the PCI/I/ editorial office, oremail:
graphics@pcw.co.uk
Screenshot 4
Personal Computer World • October 2000 •
Between dimensions
There's more than one way to skin a 3D object, with Texture Weapons, says Benjamin Woolley
Weall know about
3D graphics, of
course, and 2D
graphics, but
2. 5D? How can
you havea two-and-a-half dimension? It
sounds like an idea from a surreal
fantasy, liketheseven-and-a-half floor in
thefilm Being JohnMalkovich.
Theterm is used (not uniquely) in a
texturing product called 'DeepPaint 3D
with Texture Weapons' by Right
Hemisphere and it is being used in all
seriousness. It describes that dimension
of graphics authoring that is essential to
producing good work, but falls neither
entirelyinto thetwo orthree-dimensional
realms: texture mapping. When you
applyor 'map' a material, which is flat,
around an object, you are
momentarily suspended in
this strange intermediary
domain.
This is where toolssuch
as DeepPaint, MeshPaint
3D and Painter 3D
(formerly M etacreations'
but now owned byCorel)
can be so useful, offering
toolsthat, hopefully, will
soon be integrated with
mainstream 3D-authoring
packages.
DeepPaint 3D with
Texture Weapons costs over £625 and is
squarely aimed at the professional
market, but it is worth a look at, if only
because it takes you so effectively into
this 2.5D world and helps make sense of
it. You can download a 19. 9M B time-
limited demo of DeepPaint 3D (but not,
at the time of writing, Texture Weapons)
from www.us.righthemisphere.com/
dpaint3d/download.htm.
Basically, 3D paint packages such as
DeepPaint 3D allow you to draw, spray
or cover a 3D object with a 2D texture.
The texture could bea colour, oreven an
image. If it is an image, it could beone
that is repeated across the surface (you
might use a tiled pattern for fish scales,
for example), or is applied just once (for
example, the iris on an eyeball). The key
to applying these textures successfully is
%
W
Screenshot 1
A hove: TheD eepPaint 3D interface,
showing a goblin's head covered with a
'hide' texture
L eft: The 2. 5 th dimension. T he mesh of
pink lines are the U V map for the goblin's
head, the face is visible in the lower centre
portion of the image. T he background is the
hide texture flattened out
Screenshot 2
'mapping' and this is where tools such as
DeepPaint 3D can really help.
In order to accept a texture, an object
needs mapping co-ordinates. These
specify how the 2D texture or material is
applied to the 3D surface. The mapping
co-ordinates for a particular object are
usually called (for reasons too obscure to
go into here) 'UV' co-ordinates.
When you create an object using a
3D-authoring package, a set of
appropriate UV co-ordinates will often
be automatically generated. For example,
a sphere will have UV-mapping co¬
ordinates so that you can apply a flat
map of the world to it and turn it into a
model of theearth (s ee3D, HandsOn,
April 1997). The problems arise when the
object is more complex(a head, for
example) and has been heavily edited.
When you delete or add faces to an
object or perform Boolean operations,
you will seriously compromiseor lose the
UV-mapping co-ordinates for the entire
object. When that happens, theonly
texture you can applyisa simple colour;
you cannot even add colours with texture
in them, such as a grain.
The new, aggressively-named Texture
Weapons, an add-on to DeepPaint 3D,
illustrates the problem nicely. Texture
Weapons (like Paint 3D) allows you to
see the UV co-ordinates fora model -
the 2.5 dimensional view. In screenshot
1, for example, we have DeepPaint
displaying a model of a goblin's head,
textured using a 'hide' (as in rawhide)
material. Screenshot 2 shows the UV
map for the head.
The U V map takes a bit of
explanation. You can think of it as what
you get if you pull theskin off thegoblin's
• Personal Computer World • October 2000
Screenshots
skull (just as the U V map of a bear is a
bear-skin rug). The mesh shows the
individual faces of the map and, as is
obvious, it has a considerable number of
irregularities, particularly towards the
edges. Applying a chequered material to
the head reveals some of these
irregularities (screenshot 3).
In contrast, the UV map of the
goblin's eyeballs (screenshot 4) is much
simpler and therefore easier to handle: a
sphere that flattens out into a circle. This
is easy to align with the texture, which
shows the iris and the speckled whites
(or, in this instance, yellows) of the eyes
(screenshot 5).
Theonlywayof getting similarly
smooth results with the irregularities on
the crown of the head is to edit the
existing UV map, or add a
new one. Using software
such as DeepPaint 3D, you
have endless options for
altering the U V map. 0 ne of
them is to 'project' paint,
which applies the texture to
the current view of the
object as a projector would
apply an image (technically,
this involves creating a new
planar U V map parallel with
the current view of the
object). This is useful for
covering up seams.
In a 3D package, your
best option is usually to play
around with the geometry
itself. For example, you
co u I d sel ect t h e f aces t h a t m a ke u p t h e
goblin's crown, detach them, and create
a replacement using simpler geometry (a
section from a sphere, moulded into the
appropriate shape, which will be easier to
map using spherical projection). Theonly
problem you will now have is hiding the
join between the new crown and the rest
ofthehead. This would probablyhaveto
be done by aligning the vertices as neatly
as possible at the seam.
Even with tools such as DeepPaint
3D, these operations are not easy and the
results are not always predictable. We
still await the invention ofthetrue2.5D
tool which allows you to take your 3D
scenes into that strange world and
emerge with their textures intact.
3D cards
Dr Leask asked a question a couple of
months ago about converting statistical
data into 3D objects. Evidentlya satisfied
Screenshot 4: TheUV map of the
goblin's eyes
ScreenshotS: The goblin's two eyes, with
surrounding face temporarily hidden
customer, he has come back with
another query and one that deserves an
airing because it echoes one I get on a
regular basis. H e asks: 'Can you advise
me on how to choose a graphics card
that will give me a significant
performance hike when viewing and
rotating my3D models?'
Weareconstantlybombarded with
ads and reviews announcing the arrival of
Screenshot 3: The back
of the goblin's head
textured with a chequer
pattern to highlight
artefacts in the U V map
yet faster 3D
accelerators. Recently,
there has been
excitement at the new
generation of 'GPUs'
(graphics processing
units) which
accelerate 'T&L'
(transform and
lighting), ie speed up
not just the rendering
of scenes, but the
calculation of the
geometryand light
sources they contain.
However, many of these fancy¬
sounding advances are aimed at
accelerating games. For example,
nVidia's new GeForce2 graphics chip
includes a powerful T&L engine that will
work with DirectX (now moreorless
established as the standard for realtime
rendering of 3D on a PC screen, the main
alternative being OpenGL). But you can
only benefit from this acceleration if the
software knows about the way the
GeForceT&L engine works, which your
3D-authoring package is unlikely to do.
Hence, you should not be too swayed
by the claims of the graphics cards
manufacturers. What really
counts is a card with a solid
driver that offers good support
for DirectX and OpenGL and
your chosen operating system
(which, these days, I would say
should beWindows2000
Professional or Linux; Windows
98 is not up to thejob). Forthis
reason, I would recommend
cards with a good track record for
keeping their drivers updated, such as
those produced byMatroxorElsa.
TrueSpace users might want to check
out Caligari's list of recommended 3D
cards at www.caligari.com/ help/
rec_hardware/index.html.
CONTACTS
Benjamin Woolley welcomes your comments
onthe3D Graphics column. Contact him via
the PCI/I/ editorial officeoremail:
3d@pcw.co.uk
Personal Computer World • October 2000 •
Caught in the .NET
Tim Anderson delves into M icrosoft's .NET Framework and gets a clock ticking in PowerPoint
The NET Framework
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Something old, something
new: but with M icrosoft's
hype machinery in overdrive,
probing the reality behind its
next-generation develop¬
ment strategy, the .N ET platform, takes a
great deal of care. The starting point is
thecommon language runtime. It sounds
new, but in fact has a lot in common with
the old Visual Basic runtime, which
M icrosoft started to call the Visual Basic
Virtual M achinewhen Java got popular.
Just as VB compiles to pseudo-code
that requires the VB runtime, the
common language runtime operates on
intermediate code - M SIL (M icrosoft
Intermediate Language). M icrosoft also
calls this managed code, meaning that
the runtime libraries do housekeeping
such as allocating and releasing memory
and catching errors. The new piece is that
in Visual Studio. N ET, the next version of
M icrosoft's suite of development tools,
all the languages can compile to M SIL.
N ot long ago this would have been
seen as a massive step backwards. Faster
performance and easier deployment
made native code more desirable. Today,
advances in hardware have made
performance less of an issue, and
developers are likely to rate other factors
such as productivity, scalability, object
orientation and web support as more
important. In addition, intermediate
code performs better than it did. The
common runtime library does just-in-
time compilation to native codeand
performance should be nearly as good as
a true native executable.
The big advantage of the common
language runtime is interoperability. It
has enabled M icrosoft to create a shared
class library that all the languages can
use. There is also a shared data type
system. This class library is the heart of
the.NET Framework. It should replace
M FC (M icrosoft Foundation Classes) as
well as VB's black-boxobjects. The
Windows API may become irrelevant for
business applications. A key feature is
WinForms, which are similarto VB forms
today. The difference is that all the
languages can now use them, giving
Visual C-H-a RAD (Rapid Application
Development) form designer for the first
time. WebForms provide an alternative
web-based user interface, based on
Active Server Pages. There is also a data
access class library called ADO +.
Sounding out C#
The.NET Framework is written in
M icrosoft's new language, C#(C sharp).
This is based on C-H-and could probably
have been Java if M icrosoft and Sun got
on better. It is a safer and more
productive language, thanks to
automatic memory management, full
object orientation and simplification of
so me C++ features. For example,
multiple inheritance is not supported
and header files are not required. You
can drop down to low-level codeand do
such things as pointer arithmetic and
manual memory management when
needed, through the unsafe keyword.
To know why C# is necessary, you
need only look at the other languages in
Visual Studio. In a nutshell, VB is too
ugly, Visual C++istoo difficult and
obscure and Visual FoxPro is a dedicated
database language used by a minority. C
orC++compiled to native code (rather
than thecommon language runtime) will
remain the best choice if you need the
fastest possible performance, or to write
a device driver. For general Windows
development, though, C# looks likely to
be the preferred language and at last
rivals Borland's Delphi and C++Builder.
C# is not a true competitor to Java. It has
no cross- platform capability or built-in
The.NET Framework
promises more
productive W indows
development
security features.
Rather, it is an
important
enhancement to
M icrosoft's arsenal of
development tools.
Clock watching
Steve Small asks: 'Is it
possibleto displaya
running clockon an
active PowerPoint presentation, so the
audience can synchronise their watches?
I can't find a method using PowerPoint
features or any Visual Basic objects.'
There are several possible solutions.
You could digout theold Windows clock
application and run it set 'always on top'.
If that will not do, you could createan
ActiveX control in Visual Basic, with a
label, a timer and a few lines of code, and
add it to a PowerPoint slide or to the
slide master. This is easy for developers,
but is a heavyweight solution that
requires the control to be installed on
every machine where the presentation is
run. Finally, you can use VBA. Although it
is unlikely that many will want to add a
clock to PowerPoint slides, the general
use of a timer could have many uses and
thefollowing is a simple example.
The general approach is to put a label
on each slide and have a timer update it
with the current time at the interval of
your choice. Using a timer from VBA
requires Office 2000. This is because
VBA has no timer control and the API
function SetTimer takes a function
pointer as one of its parameters. This
requires the AddressOf operator, not
supported in earlier VBA versions.
0 pen or start a PowerPoint
presentation and displaytheVB toolbar.
0 pen the VBA editor and add both a
moduleand a class moduleto theproject
(see figure 1 overleaf). You need a
standard module because AddressOf
does not work with functions in class
modules. In the class module are three
Personal Computer World • October 2000 • m
FIG 1
Code for ClockUpdater class module
Private WithEvents app As application
Private Declare Function SetTimer Lib ✓
"user32" (ByVal hwnd As Long, ByVal ✓
nIDEvent As Long, ByVal uElapse As Long, ✓
ByVal IpTimerFunc As Long) As Long
Private Declare Function KillTimer Lib ✓
"user32" (ByVal hwnd As Long, ByVal ✓
nIDEvent As Long) As Long
Private Declare Function FindWindow Lib ✓
"user32" Alias " Fi ndWi ndowA" (ByVal ✓
IpClassName As String, ByVal IpWindowName ✓
As Long) As Long
Private apphandle As Long
Pub l i c Sub StopC lock( )
Dim i As Long
i = Ki l ITi mer (apphand le, 1)
End Sub
Public Sub StartClockO
Dim i As Long
apphandle = Fi ndWi ndow( "PP9FrameC lass", 0&)
i = SetTi mer ( apphand l e, 1 , 500, AddressOf ✓
Upda teC lock)
End Sub
Private Sub app_S l i deShowBeg i n ( ByVa l Wn As ✓
S l i deShowWi ndow)
Sta rtC lock
End Sub
Private Sub app_S l i deShowEnd (ByVa l Pres As ✓
Presentation)
StopC lock
End Sub
Private Sub C lass_Ini ti a l i ze( )
Set app = application
End Sub
Code for ClockUpdater standard module
Dim cu As ClockUpdater
Public Sub UpdateC lock( )
Dim s As Slide
Dim sh As Shape
On Error GoTo errhand
Set s = S l i deShowWi ndows ( 1 ) . Vi ew . S l i de
For Each sh In s. Shapes
If sh.Name = "Labell" Then
sh . OLE Forma t . Ob j ec t . Capt i on = "Time: " + ✓
Format$(Now, "Long Time")
Exit For
You can
manipulatea
VBA control in
code when a
slideshow is
running
End If
Next
Exit Sub
errhand:
cu . StopC lock
MsgBox "Error: " + Err . Descr i pt i on
End Sub
Sub Ini t i a l i zeApp( )
Set cu = New ClockUpdater
End Sub
(Key: ✓ code string continues)
API declarations for SetTimer, KillTimer,
and FindWindow. The Class lnitialize
method gets a reference to the
PowerPoint application object and puts
it in a variable declared WithEvents. This
enables the class to handletwo applica¬
tion events, SlideShowBegin and
SlideShowEnd.
When a slideshow opens, the
StartClock method is called. This gets the
handle of PowerPoint's main window
using FindWindow. You will need extra
code if more than one instance is
running. Next, SetTimer is called. The
third argument sets the interval in
milliseconds and thefourth provides a
pointer to theUpdateClockfunction.
U pdateClock is where the business is
done. Objects on a PowerPoint slide are
held in the Shapes collection. Thecode
looks for a shape with the name 'Labell'
and, if found, sets its caption to the
current time. Finally, the standard
moduleincludesa one-linefunction to
create an object of the ClockU pdater
class. To use thecode, placea label on
each slidewhereyou require a clock.
N ext, run the InitializeApp function. Then
run theslideshow. If you use this for real,
you will probably want to add further
error checking. Disable the timer if things
go wrong and bear in mind that API calls
make VBA code less safe.
There are several pieces of classic
VBA obscurity in this example. Who
would guess that to set the caption
of a label, you need to write to
Shape.O LEFormat.O bject.Caption? 0 r
that PowerPoint's window is called
'PP9FrameClass'? Facts like these can be
uncovered using the M SDN library. The
wholething would betidier if you could
use one of PowerPoint's native shapes
instead of a VBA label control, but while
this is possible, it is harder to identify the
control you want in code, since a shape's
name property is not editable. Another
irritation is that InitializeApp has to be
run manually when the presentation is
opened. You could overcomethis by
moving the code into an add-in with an
auto_open function.
CONTACTS
Tim Anderson welcomes your comments on
the Visual Programming column. Contact
him via thePCI/l/ editorial officeoremail:
visual@pcw.co.uk
For more information on Visual Studio. N ET
visit http://msdn.microsoft.coi
vstudio/nextgen
• Personal Computer World • October 2000
web development
Improving the script
Tim Anderson explains how to get the best out of ASPs and uses a menu for web navigation
Active Server Pages (ASPs)
are one of the bright spots
in M icrosoft's struggle to
come to terms with the
Internet. In principlethey
are similar to alternatives such as server-
side includes and PH P (Hypertext pre¬
processor) . An ASP page is parsed by the
web server before being returned to the
browser, so that the content can be
modified byscripts, or byreplacing
placeholders with dynamic data.
Through ASP, M icrosoft has been able to
provide dynamic websites using pre¬
existing Windows technology, such as
Visual Basic, COM automation, and
data access via ODBC and ADO.
You do not need anything more
elaborate than Notepad to author ASP
pages. The only real requirement is
Internet Information Server (IIS) or, if you
are sufficiently determined, you can use
ASP on Unix web servers via third-party
extensions. This ease of use combined
with familiarity for Windows developers
has made ASP a success. That said, the
majority of ASP pages out on the web are
probably not working as M icrosoft
designed them to work. What you are
meantto do isto encapsulatethebulkof
your code into COM objects, typically
created with thefull version of Visual
Basic or with the ActiveTemplate Library
(ATL) in Visual C++. Then you can use
minimal ASP script and get native-code
performance from the components that
are doing the real work. M icrosoft also
provides server-side component
management, using M icrosoft
Transaction Server or, more recently,
Component Services. This can optimise
performance by sharing component
instances between multiple client
sessions, making websites more scalable.
Unfortunately, developers often take
the opposite approach, sticking most of
the server-side logic into JavaScript or
VBScript embedded into HTM L. It is
interesting to see that M acromedia's
Dreamweaver UltraDev, a RAD tool for
ASP, generates exactly this kind of code.
A lot can be achieved in this way, but
the results are also hard to maintain, do
not scale well and cause problems when
designers need to work on the same
pages as developers. Part of the reason
developers stick with script is the large
leap in complexity between simpleASP
work and development using server-side
components. M icrosoft's ASP develop¬
ment tool, Visual InterDev, does little to
simplify the process.
There is a useful paper in M icrosoft's
onlineWeb Workshop (http:// msdn.
microsoft.com/workshop/server/asp/
server0124000.asp) that illustrates the
point. Entitled ASP Component Guidelines,
it suggests not using ASP sessions,
keeping components to page scope only,
not using Request or Response objects in
business components, avoiding single-
threaded components, using
Server. CreateO bject rather than
CreateO bject in script and not using
0 nStartPage or 0 nEndPage handlers.
These are good tips, but they also
WebFormsin
VisualStudio.NET
are available to
all M icrosoft's
languages
demonstrate the
many pitfalls
inherent in scalable
web development.
M icrosoft's
forthcoming Visual
Studio.NET will
address some, but
not all, of these
problems. Visual
InterDev itself will
disappear, to be
replaced by a new form designer called
WebForms, available to all theVisual
Studio languages including C#.
WebForms are essentially ASPs, but
instead of generating script, the designer
links the web pages to server-side
components. For example, you can add a
WebForm to a Visual Basic project,
double-click a button to open its event
handler and add someVB code. At
runtime, the VB code runs in a compiled
VB component, not as VBScript
embedded in HTM L. As with ASP today,
the browser clients can be running on any
platform and need only understand
simpleHTM L, unless you choose to use
ActiveX, Dynamic HTM L, or other client-
side technologies.
Another factor is that the
forthcoming .N ET Framework, a class
library written in C#, has built-in support
for ASP and ASP components. This does
not mean you have to write components
in C#, as all theVisual Studio languages
can use the framework. If M icrosoft has
donea good job, it should mean that
properly scalable components are easier
to create. There are some practical
improvements as well. The new version of
ASP, called ASP+, will also be easier to
debug and deploy. A current problem is
persuading IIS to unload a library so that
you can install a new version. ASP+
supports dynamic dll updates, so you
can simply copy a new version over the
old and have IIS recognise thechange.
ASP+ supports dynamic DLL
updates, so you can copy a
new version over the old
• Personal Computer World • October 2000
Application isolation means that each
web application can use its own
components and component versions
without interfering with others. You will
also beableto deployCOM components
without running regsvr32 to install them.
There are other interesting features in
ASP+. Server-side controls, such as
listboxes and grids, can be intelligent
about the client. W hat the client sees is
pureHTM L, so a server-side control is
reallya pieceofcodethat generates
different HTML according to what it
knows about the client. You can do the
same in ASP today, but only by manual
coding. This will be useful, assuming that
users will increasingly want to access the
web using devices such as mobile phones
and PDAs. More web developers will find
themselves needing to support tiny
browsers that present a few lines at a time.
Finally, both ASP+and the .N ET
Framework support web services. This is
a techniquefor accessing remote
components using XM L over HTTP as the
protocol. The significance of web services
is that they work well across the loosely
coupled network that is the Internet and
that using XM Las the transport enables
you to use components running on
different platforms and using different
object technologies.
To some extent you can already do
this using CGI scripts. You can have a
Visual Basic application make an HTTP
connection to a remote website, call a
CGI script and make use of the results.
You can do so without needing to know
whether the script is running on
Windows, Macintosh or Unix, or whether
the script is written in Perl, C, or
something different. What web services
using the SOAP (Simple 0 bject Access
Protocol) do is to enrich this process,
adding strong typing, the ability to
discover what objects, properties and
methodsareavailablein published
services and the ability to write code for
them using thesame kind of techniques
that you would for local, native objects.
While not yet a released product,
ASP+is not entirely vapourwareand
preview versions are already being
distributed to developers. The point in
writing about this now isto give direction
to current ASP development. For
websites with modest traffic and
straightforward dynamic content, simple
ASP scripts work well, as do alternative
technologies, such as PH P. 0 n the other
hand, forweb applications that will scale
well and migrate smoothly to the next
generation, it is important to design
using components from the beginning.
Clearly M icrosoft also believes that web
development isthefutureand that, aside
from some specialist tasks such as games
programming or creating device drivers,
most applications will be web
applications. I am inclined to agree,
although how many will use M icrosoft's
technologies is another question.
Using a menu for navigation
Philip Benson asks: 'I am trying to create
a pull-down menu system - as opposed
to a hyperlinks bar - for navigation to the
various pages of a website I am
developing. Could you please tell me how
to do this? I am using Frontpage 2000.'
To obtain a pull-down menu on a
form, use a select object. This does not
require any server-side scripting, as it can
all be done on the client. You can see an
example in figure 1 below. The select
object has option elements, each of
which appears in the menu. Define the
onChange attribute to handle the menu's
Change event and write code to navigate
to the requested destination. In
Frontpage, you can make the necessary
edits in the HTM L tab of the document.
The Change event onlyfires when
the selection actually changes. This
creates a problem, sincethereisno way
to select the default option without first
changing it to something else. The
FIG1 Code for a navigation menu
<htm L>
<head>
<title>Menu examp L e</ t i t L e>
<script Language=" JavaScri pt ">
< ! —
function GoThere ( navmenu ) {
swi t ch (navmenu . se Lectedlndex) {
case 0 :
break;
case 1 :
parent, frames. targetframe. Location. replaces
("http://www.itwriting.com/index.htmL")
break;
case 2 :
parent. frames. targetframe. location. replaces
("http://www.pcw.co.uk")
break;
def au L t :
parent. frames. targetframe. Location. replaces
("http://www.itwriting.com/index.html");
>
>
//— >
</scri pt>
</head>
<body>
<h1>Where do you want to go?</h1>
<form name="navf orm">
<p><select size="1" name="GoWhere" ✓
onChange="GoThere(this)">
<opt i on>Choose a des t i na t i on</opt i on>
<option>PCW home page</opt i on>
<opt i on>ITWr i t i ng home page</opt i on>
</se L ect></p>
<p> </p>
</f orm>
<p> </p>
</body>
< / h t m L > (Key: ✓ code string continues)
Personal Computer World • October 2000 • mi
web development
workaround isto make the default
option a dummy, such as 'Choose where
to go'. Another possibility is to have a
separate 'Go' button and handle its Click
event instead.
The easiest way to inspect the user's
choice is to pass the select object to the
script function using 'this'. Then you can
obtain the index number of the selection
with theselectedlndexpropertyand the
text value from the options array. U nless
you are happy to list U RLs in the menu,
use a switch statement to navigate to the
required page. Early versions of JavaScript
do not support switch, so use if
statements instead when the
broadest reach is needed.
M any websites like to keep
hold of users. If you want to keep
the menu on screen, you can
either have the new page appear
in a separate window, or else use
a frameset and have the page
show in a separate fra me. For
example:
wi ndow . locat i on . ✓
replace ( "http : //✓
www . pew . co . uk" )
(Key: ✓ code string continues)
browses to the new location. The
menu disappears and the Back
button istheonlywayback.
window. open(" http:///
www . pew . co . uk" )
creates a new window and points it at the
new location. TheopenO method has
some handy options. A fuller syntaxis:
windowvar = window. open-'
(URL, name, features)
Thenameoption lets you assign a
name that you can use with the target
attribute in a hyperlink. The features
option gives extensive control over the
new window's appearance. For example:
window. open(("http://www.^
pew. co.uk ","newwin",^
" left=200,top=200,^
height=300,width=200,^
location=no,toolbar=no,^
scroll ba r s = yes " )
This opens a new window without
any toolbar or navigation bar, at a set
position and with scrollbars. The user is
unlikelyto continuesurfingtheweb from
thenew window, so will probably return
to your menu instead. Alternatively, here
is theframeset approach:
parent. frames. targetframe.^
location. replaceC" http://-'
www . pew .co.uk")
In this code, 'targetframe' is the value of
□ - tf -Q %
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Wheiv ilo you
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the name attribute defined in the
frameset page. In Frontpage 2000, you
can edit this in the 'Frames Page FI TM L'
tab. Examples of all these options are
given at http://www.itwriting.com/pcw/
menu.html.
Special characters in ASP
Bara M ustafa asks: 'I have got to the
stage with ASP scripting of writing files, ie
writing HTM L files via a script. But when
I am trying to write ASP files from scratch
via ASP I don't seem to be able to use the
'< '%', '>' and other characters that are
needed. An example:
Sub CreateFi le( )
Dim f so, t f
Set fso = Crea teOb j ect-'
("Scripting. Fi leSystem^
Object")
Set tf = f so.CreateTextFi le^
("c:\testfile.txt". True)
tf. Write ("This is a test.")
t f . C lose
End Sub
'My problem comes when I wish to
write a line such as:
tf.WriteLine ("<% blah blah ✓
blah %>")
A bove: In Frontpage, you can use a dialog
to create a select menu. It is just as easy to
do so in code
L eft: T his approach involves opening each
link in a new window, with control over its
size and position
'As the %> instantly cuts off the script
and the server thinks that is the end of
the script and closes it.'
The general solution to this kind of
problem isto usethechrQ function. For
example, instead of '%>' you could write
'%' +chr(62). This will be written to the
file as '%>'. The counterpart of chr() is
asc() which gives you the numeric value
of a character. Further, ASP will only
recognise the script delimiters if they
literally occur together. Therefore, you
can also use:
tf.WriteLine ("<" + "% blah ✓
blah blah %" + ">")
CONTACTS
Tim Anderson welcomes your comments on
the Web Development column. Contact him
viathePCW editorial officeor email:
webdev@pcw.co.uk
For further information on Web Forms see
http://msdn.microsoft.com/vstudio/nextgen
For information on the .N ET Framework see
http// msdn.microsoft.com/NET/default.asp
Theguideto using components in ASP isat
http://msdn.microsoft.com/workshop/
server/ asp/ ser verO 124000. asp
The menu examples can befound onlineat
www.itwriting.com/pcw/menu.html
• Personal Computer World • October 2000
0 pening ours
N igel W hitfield is dismayed at 'pro' webshops and gets down to the nitty gritty with M iniVend
Cl
■ Mr 1 1
jmtvm
| T-HK ■ P J
E commerce is, we're told, all
about making things easier.
It'sabout making it simple
to compare prices and get
the best deal for the
consumer. And one of the areas that's
apparently most popular when people
want to buy things online is insurance.
It's almost the perfect product for
ecommerce- you can fill in forms online,
send your payment details and just wait
forthepolicydocumentsto drop
through the door.
Well, that's how it should work, but
when mycar
insurance renewal
was due, I tried the
Internet approach
and found it a
thoroughly
frustrating
experience. Bad
luck, perhaps.
Certainly some bad
programming and
shoddy sites.
One site
insisted that there
was no Flat 1 at my
postcode, while
another had an
applet that doesn't
work properly with
Internet Explorer on
the Mac, meaning I
had to switch over to
Netscape. And then sometimes it
couldn'tfind thedetailsof thecar
registration I entered. The end result? I
gaveup on onlineinsuranceand phoned
my old broker - and got a better deal
out of it.
If even peoplewho writeabout
ecommerce find sites frustrating to use,
what hopeistherefortheordinary
punter? M y advice: learn your lessons
from bad websites and do things
d ifferen t ly. M a ke su re yo u r site wo rks o n
all major browsers and platforms. Don't
overwhelm peoplewith theamountof
information you request and if you're
providing shortcuts, like using postcode
information to speed address input,
makedamn sure they work properly.
2
O- g £ ji O a * _■ 1 HI
rm> h™ mtm ■-« i ■ mrm i n r ■ — n nun " v rmi ■
directlme.com
JL SL ,J5_ A *,
-J-,- 3-»- - J—
MM/snd
15^!"
I
J 4 ■ 1
M iniVend is free, but has plenty of features. It can also take quite a
while to get to grips with
Building your own site
A month ago, I'd have said that advice
comes in the 'teaching granny to suck
eggs' category, but after my recent
experiences, I'm not so sure.
So, without further ado, let's carry on
where we left off last time, with a promise
to lookat howto start building your
website using a couple of ecommerce
applications: Shop@ssistant and
M iniVend.
Thetwo are very different in concept.
M iniVend is a much more technical
solution - although you could, as the
FAQ pages suggest, simplytakethe
sample catalogue that comes with it and
change the text and images to make
yourown.
Left: Direct Line's
applet doesn't work
properly with
Internet Explorer
on the Mac. Make
sure you test your
site on multiple
platforms
Shop (Assistant
is probably easier
to get to grips with
and if you design
your pages with
NetO bjects Fusion,
you can also
download objects
that can be
inserted directly in Fusion, for tasks such
as 'add to basket' and 'go to checkout'.
The systems do have some things in
common - they work on the basis of
catalogue pages, featuring items with an
accompanying button or linkto add to a
shopping basket. That'sthesimplepart.
The hard part of the shopping system
is tracking a user from one page to
another within thesite- maintaining a
session. You may, for example, have
multiple simultaneous requests coming
to your website from the same IP address
- but that doesn't mean that they're
necessarily the same person. It could be a
firewall or proxy server. Oneofthemain
tasks of the shopping system is to keep
track of information from one page
request to the next.
Browser-based baskets
The approach used by Shop@ssisant is
to keep much of the intelligence in the
web browser. When you enter a site,
you'll actually be visiting a frameset, with
hidden frames containing JavaScript
which sets up the necessary functions
in your web browser to control
theshopping.
This means that you also need
scripts on all the other pages to ensure
that if someone comes directly to one of
them - perhaps via a bookmark- all
the necessary scripts are loaded
automatically.
Sinceall of the processing- up until
Personal Computer World • October 2000 •
thefinal submission of the transaction -
is handled in the web browser, session
management is fairly simple. But you will
be restricting your site to browsers that
support frames and JavaScript. While
that's most of the major desktop ones,
the same isn't true of the cut-down web
browsers used on some handheld devices
and may not be true on some set-top
boxes, either.
Server sessions
M iniVend handles sessions itself in a way
that most people will befamiliarwith. By
appending unique identifiers on U RLs
and in the links within pages, the server
can besurethata request fora
particular page has been generated by a
certain visitor.
This allows information to be stored
on the server and updated dynamically if
necessary. If they're available, cookies are
used instead, so that the displayed URLs
aren't quiteas complicated.
To do this, however, M iniVend can't
rely on static pages. Instead, it runs as a
CGI program on your web server and
filters all your pages, looking for its own
tags and substituting them with
appropriate information. To distinguish
them from HTML tags, they're in
square brackets.
You can use M iniVend with a simple
link added to existing static pages - but
you'll lose most of the benefits of the
system if you do.
If you use an HTML editor, you'll need to mark M iniVend tags so
that they're not altered. In some, that means you might not see
all the text on your page in preview mode
M akefile.PL to build the makefile, and
then follow the instructions to install and
configure the software.
The compile link program in the
M iniVend bin directory creates the vlink
CGI program that's used to extract pages
from the catalogue. You'll need to install
this program in your web server's CGI
directory. There's not space hereto detail
all the steps, but they are covered in the
M iniVend documentation.
To start making your site, you need to
separate the pages of your site into static
pages and catalogue pages; M iniVend
puts all the catalogue pages in a separate
My advice: learn your lessons
from bad websites and
do things differently
M iniVend will require much more
work to set up, tagging pages by hand
and configuring the server to run the
CGI program that filters your catalogue -
but it will mean that your site should
becompatiblewith a broader range
of web browsers.
Get started with M iniVend
The current version of M iniVend can be
downloaded from www.minivend.com; if
you want to test a site using Perl on
Windows, you'll need the previous
version. A new release with more features
is due later in 2000.
You can download the package from
the M iniVend site and then run the
installer script - on Unix, just type perl
location, so that they can befound by
the server application.
You mightwonderaboutthewisdom
of this- but it'sprobablya good idea to
split up your site like this anyway. It'll be
easier for different people to work on the
static and dynamic parts of the site.
Not everyone who visits will want to
buy, after all. There are other things, such
as support, or information, that can
easily be kept away from the sales side,
and should beeasilyaccessibleto
all visitors.
Your first catalogue
When a page is requested from
M iniVend, it's read from the pages
subdirectory of the catalogue and tags
are replaced. This is
one of the areas
where it's easiest to
get into most trouble
with M iniVend if you
don't read the
documentation
carefully.
First, if you're
using a web editor to
design your pages,
you'll need to
check whether or not
you can tell it to
ignoreHTM Lcode-
in some pages,
there's a special
'NOEDIT' tag.
Next, if you're
_ using drag and drop,
you'll almost certainly
need to manually edit U RLs after links
have been created in the package. That's
because, to ensure the session tracking
works, a reference to a URL has to pass
through the M iniVend server.
You might design a page for a
SuperWidget, with a linkto the
accessories page, like this:
<P>Do you want to order any
<A HRE F="wi dg_acc . htm L">
accessories </A> for your
SuperWi dget ?</P>
Assuming your web editor respects
<N 0 EDIT >and </NOEDIT>tags, you'll
then need to edit the HTM L to look like
this, instead:
<N0E D I T>
<P>Do you want to order any
[page widg_acc] accessories
[/page] for your
SuperWi dget ?</P>
</N0EDIT>
You can replace the [/page] with a
standard HTM L </A>tag. Note that the
.html extension is missed off in the
M iniVend tag. Onequickwayto do some
of thisworkmaybebycareful useof a
search/ replacefunction in a text editor to
swap HTM L for M iniVend tags.
We'll comebackto moreon
M iniVend next month, and take a look at
getting started with Shop@ssitant.
CONTACTS
Nigel Whitfield welcomes your comments on
the Ecommerce column. Contact him via the
PCW editorial office or email
ecommerce@pcw.co.uk
• Personal Computer World • October 2000
Developing areas
M icrosoft offers free CE tools and gives a helping handheld to refugees, says Mark Whitehorn
There's an ongoing power
struggle between Palm,
Psion and, inthethird
corner, M icrosoft with a
bunch of hardware
manufacturers, such as Casio and
Hewlett-Packard. The victorious
platform will betheoneon which it is
quickest and easiest to develop
applications. This is because, as
corporates start buying PDAs in bulk, it
will become much more important for
them to beableto easilydevelop
commercial applications involving the
collection and distribution of data.
To do thisyou need someform of
database engine, rapid and accurate
communication with centralised
PC/server hardware and decent visual
programming tools. Pocket PC still
undersells the other players bya wide
margin, but M icrosoft has put together a
really workable package to give
corporates what they want and need.
A spontaneous illustration of this
occurred at M icrosoft'sTechEd
conference, from which I havejust
returned. The keynote presentation
described M icrosoft's Europe-based
work with UNHCR (United Nations High
Commissioner for Refugees). In a close
partnership with hardware suppliers,
M icrosoft has developed a PC-based
system for tracking refugees, with the
goal of reuniting families.
Refugees are registered and issued
with a photo/barcode identity card to
be shown at food and equipment
distribution points. Information
gathered about a refugee's location is
then used to reunite them with friends
and family. This whole project sprung
not from M icrosoft H Q in Seattle, but
from people within M icrosoft Europe
who started asking what they, personally,
could do to help.
Attending the presentation was a
Pocket PC team who, again as individuals,
wanted to contribute. During the four-day
conference, in addition to its already full
remit, the team put together a complete
Pocket PC application to enhance the
refugee-tracking abilities of the existing,
highly successful, PC-based system.
today
g Wo taste
hrid-ay, July thrrZL!Oii
f
%
%
Ji
A?
Screenshot 2
This Pocket PC application, which helps track refugees, was developed at high speed
In conflict-torn areas with non¬
existent infrastructures, it is often
impossibleto keep data at the PC
stations up to date, as there are not
enough PCsto equip everydistribution
point. Given a satellite phone link, the
Pocket PCs can send data almost
instantaneously to the PCs and thus
present a much more accurate picture to
those endeavouring to reunite families.
An extra presentation, slipped in as
the conference closed, outlined what had
been achieved. Impressively, (given the
company's track record!) Microsoft
stressed the plight of refugees of conflicts
the world over without pointing out its
own cleverness. In fact, it took some
digging to get the people involved to
talkaboutthetoolstheyhad used.
Nevertheless, the results show that rapid
application development is now a reality
on the Pocket PC (screenshots 1 and 2).
Tools of the trade
The catchy name of M icrosoft eM bedded
Visual Tools 3.0 is applied to M icrosoft's
development tools for its Pocket PC and
other sub-W indows platforms. These
tools are available free (except for
postage and packaging) from M icrosoft.
Thetwo-CD set contains all kinds of
stuff, including:
• eM bedded Visual C++3.0
• eM bedded Visual Basic 3.0
• Software Development Kits (SDKs) for
Handheld PC Professional Edition 3.0,
Palm-size PC 1.2 and Pocket PC
• ActiveTemplate Library (ATL) for
WindowsCE
• Driver Development Kit (DDK)
• M icrosoft Foundation Classes (M FC)
forWindowsCE.
So, something for everyone (except
for Palm and Psion users) there. The
latest product and technical information
is to be found at www.microsoft.com/
windowsce/ embedded.
Looking at the above list, which
appears to mention four different
platforms, it is apparent that M icrosoft's
naming conventions for sub-Windows
operating systems is as clear as mud. I
asked Adam Anger, M icrosoft's business
managerforWindowsCE, to siftthesilt.
Confusion arose, he said, because
W indows CE was running as the
operating system on mobile devices and
was also the operating system aimed at
developers of customised devices.
'People were getting confused when we
released a new version of the operating
system, thinking that it meant you
needed a new version of the Handheld
PC software or that the Handheld PC
software had changed to some degree.'
H e explained that M icrosoft
introduced the 'W indows CE-Powered'
brand for handheld PCs (devices with a
keyboard) and for palm-sized PCs
(keyboard less, PDA-type devices). It was
Personal Computer World • October 2000 •
felt the time had come to differentiate
between consumer-oriented or
corporate-oriented devices - Handheld
and Pocket PCs - and the developers who
will develop custom devices with the
embedded operating system.
The naming convention is now based
upon the categories of hardware that use
the M icrosoft M obile Devices software.
These are the W indows-Powered Pocket
PC, which is the PDA-sized device, and
theWindows-Powered Handheld PC
which is the H andheld PC that's available
now and that M icrosoft says it will
continueto develop in thefuture.
Both platforms make use of the
Windows CE 3.0 operating system:
M icrosoft decided
that keeping the
Windows name
was important
because users were
aware that
synchronisation of
data between
mobileand desk¬
bound devices was
an important
feature. So, using
thefamiliar
Windows nameon
both machines
signalled this
feature clearly. Yep,
clear as mud.
Your IlFe.
ur style.
HP jOTiodd. 540 Series
Color FCi
fjOtiWTiria
«*
jA
m
B Ltfcfete
C±ri:
Chao c
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Screenshot 4
Stylus horribilus
I've recently been playing with a Hewlett-
Packard Jornada 540 Pocket PC and I
could be showing the early symptoms of
another love affair. It's a neat and stylish
handful of an appealing size and weight,
a great colour screen and handwriting-
recognition
software of
impressive
accuracy, making
more sense of my
spideryhand than
most humans do.
Furthermore,
the 540 plays
M P3sand has a
diverting range of
games. The only
niggleisthe
amazinglyhorrible
stylus, which is far
too short and far
too light. But that
doesn't worry the
people in screenshot 3, who are clearly as
pleased as I am with the product.
Games galore
There's a pleasing upsurge in the number
of games availablefor the Pocket PC. I'm
not reticent in the least about playing
games: waiting for a mode of transport
to materialise is much more pleasant in
■ * r . i
I&iiiiiIv I
-JH iZi.iZ.'ir . .
-hH J It-HIi'-bui
Screenshot 6
You can drive your television from your Psion !
L eft: W ell, I like the Jornada
as well, but these people...
B elow: T here's a great range
of games available
thecompanyof colourful
Bubblets or manic Pac-M an
- yes, the chomping smiley
face has staged a welcome
come-back.
Thejornada mentioned
above was borrowed finery,
on loan from Microsoft,
and it had a fine range of
games installed (screenshot
4). There's a golf game that
you can get at www.ziosoft.
com (screenshot 5) and
several shoot-'em-upssuch as Cubicle
Chaos and Killer Commute. These last
three can be found on the M icrosoft
M obile Games Pack. M y favourite is
Fire Drill: to the sound effect of
crackling flames you scurry round an
office extinguishing colleagues' desks
that spontaneously ignite.
TV control
An issue or so ago I said that, at
present, it doesn't appear possible to
use your Psion to control your
television. However, once more the
PDA community has raced ahead of
meand 'been there, donethat'.
Several peoplesentemailonthe
subject, including Dipen Lad
(dlad@iname.com), who pointed meto
a program called S5TV on John Pollock's
site (screenshot 6) at www.geocities.
com/jpollock_2000/ infrared.htm.
Thanks to everyone who wrote in.
Crumbs!
If you read thejuly column you'll
probably recall M rToastand his
wondrous periodic table of elements for
thePsion 5. Ifyou'rean Osarisowner
and have been feeling disadvantaged by
your inability to benefit from this
scientific breakthrough, M rToast asks
you to contact him. If there is sufficient
interest, a version for the 0 saris might be
forthcoming. The address you need is
mrtoast@dialstart.net.
CONTACTS
M ark Whitehorn welcomes your comments
on the PDA column. Contact him via the PCl/l/
editorial office or email pda@pcw.co.uk
|T|] • Personal Computer World • October 2000
Doing the SAN thing
Roger Gann looks into the pros and cons of installing a bit of SAN-ity into your network
As companies rely moreand
moreonecommerce,
online-transaction
processing and databases,
the amount of information
that needs to be managed and stored on a
network can intimidate even the most
experienced of network managers.
While servers do a good job of storing
data, their capacity is limited and they
can become a bottleneck if too many
users try to access the same information.
Instead, most companies rely on
peripheral storage devices, such as tape
libraries, RAID disks and even optical
storage systems. These devices are
effective for backing up data onlineand
storing large amounts of information.
But as server farms increase in size
and companies relymoreheavilyon
data-intensive applications, such as
multimedia, thetraditional storage
model isn't quite as useful. This is
because access to these peripheral
devices can be slow, and it might
not always be possible for every
userto easilyand transparently
access each storage
device. One way out
of this seeming cul-
de-sac is the
Storage Area
Network (SAN).
The most basic way of
expanding storage capacity on
the network is to hang disk arrays
or other storage devices off servers,
using the SCSI interface or bus. SCSI
has gone through a number of changes
over the years, especially the speed the
interface supports. Initially designed to
handle speeds of 5M bytes/ sec, it
supports a throughput rate of
160M bytes/ sec in its current iteration,
Ultra3 SCSI. Within the U Itra3
specification is a subset implementation,
Ultral60 SCSI, that'sgaining popularity
among SCSI vendors, as well as server
and workstation manufacturers.
While SCSI has been a workhorse
over the years for connecting peripherals
at a relativelyfast speed, distance
limitations have kept this particular bus
interface from evolving rapidly. The SCSI
standards put a bus length limit of about
6m on devices. Whilethisdistance
limitation doesn't reallyaffect
connecting storage devices directly to a
server, it does severely restrict placing
RAID and tape libraries at other points
on the network.
Enter the NAS
This is where the concept of Network
Attached Storage (NAS)
comesin. NASissimplein
concept and execution:
disk arrays and other
storage devices
connect to the
network
through a
RAID is
commonly
used in SAN
installations
traditional LAN interface,
such as Ethernet. Storage devices
would thus attach to network hubs,
^ much the same as servers and
other network devices. However,
NAS does have a few drawbacks.
First, network bandwidth places
throughput limitations on the storage
devices. Most NAS servers are placed on
10M bits/ sec or 100M bits/ sec Ethernet
LANs, but even if a network is running at
Gigabit speeds, most NAS vendors today
only offer interfaces up to Fast Ethernet.
Another downside to NAS is the lack
of cohesion among storage devices.
While disk arrays and tape drives are on
the LAN, managing the devices can prove
challenging, since they are separate
entities and are not logically tied
together. NAS has its placeas a viable
storage architecture, but large
companies need something more.
Mr SAN man
Large enterprises that want the ability to
store and manage large amounts of
information in a high-performance
environment now have another option:
theSAN. In a SAN, storage devices such
as Digital LinearTapes(DLTs) and RAID
arrays are connected to many kinds of
servers via a high-speed interconnection,
such asFibreChannel.
This high-speed link creates a
separate, external network that's
connected to the LAN , but acts
as an independent entity.
This setup allows for any-to-
anycommunication among
all devices on the SAN . It also
provides alternative paths from
server to storage device.
In other words, if a particular server is
slow orcompletelyunavailable, another
server on theSAN can provide access to
the storage device. A SAN also makes it
possible to mirror data, making multiple
copies available.
SAN softer several advantages. First,
they allow for the addition of bandwidth
without burdening the main LAN. SANs
also make it easier to conduct online
backups without users feeling the
bandwidth pinch. When more storage is
needed, additional drives do not need to
be connected to a specific server; rather,
they can simplybeadded to thestorage
network and accessed from any point.
Another reason for the interest in
SAN s is that all the devices can be
centrally managed. Instead of managing
the network on a per-device basis,
storage can be managed as a single
entity, making it easier to deal with
storage networks that could potentially
consist of dozens or even hundreds of
servers and devices.
Planning a SAN
M ercifully, installing a SAN doesn't entail
scrapping your current storage infra¬
structure. A good SAN strategy is to add
SAN functionality to your existing
Personal Computer World • October 2000 •
systems, which you can do byadding
SAN adaptors to servers and using
bridge-like devices to move older storage
systems onto your SAN . N ew storage
subsystems can usually be upgraded to
include SAN functionality.
Implementing a SAN is, of course,
very different from implementing
traditional storage. Any individual server
is much less important than the
physical SAN network, thestorage
devices that attach to it and the
management tools that
provide access to data.
Thefirst building
blocks of your SAN are
storage units, which can
be the existing SCSI
devices in your servers,
such as disks, RAID or
tape libraries. The next
pieces are servers. Existing
servers can probably be
integrated into a SAN and
plans should includeSAN
compatibility. You can
connect almost any
modern server to a SAN,
because SAN -support hardware
and software spans most PC midrange
and mainframe platforms. Ideally, a SAN
will lighten your server's workload by
offloading manystorage-related server
tasks to the SAN and by better allocating
storage resources to servers.
Plenty of fibre
The most important piece of any SAN
architecture is the underlying network
technology that drives it. You can use
ordinary Fast Ethernet, but Fibre Channel
is emerging as the technology of choice
for SAN implementations. Fibre Channel
was developed by AN SI in the early 1990s
as a means to transfer large amounts of
data very quickly. Fibre Channel is
compatiblewith SCSI, IP, IEEE 802.2,
ATM Adaptation Layer for computer
data, and Link Encapsulation, and it can
be used over copper cabling or fibre-
optic cable.
Fibre Channel supports several
configurations, including point-to-point
and switched topologies. SANs based on
Fibre Channel may start out as a group
of server systems and storage devices
connected by Fibre Channel adaptors to
a network. As the storage network grows,
hubs can be added and as SANs grow
further in size, Fibre Channel switches
can be incorporated.
Thestandard will probablybethe
Fibre Channel Arbitrated Loop (FC-AL),
which can connect as many as 126
devices and moves data at
100M bytes/ sec (soon to be
400M bytes/ sec). Cable lengths are
impressive under FC-AL - 30m over
D igital L inear Tape drives can
be connected to servers via
high-speed Fibre C hannel
copper and 10km over fibre.
Now that's what I call a WideArea
Network!
At the moment that's all theory- the
current lack of standard SAN-
management tools forces you to keep
your SAN as compact as possible,
although you could use the extra
distance to attach theodd client
machine that could benefit from a direct
connection to the SAN.
Planning is key and the network has
to be correctly specified and installed.
Don't forget that 'Loop' is an important
word here - break the circle and you
break the SAN. To makeyourSAN
circuit, you will need to use Fibre Channel
hubs or switches. These devices instantly
patch any breaks in the loop and prevent
a failure from bringing down the entire
circuit. In addition, you can build fault
tolerance into your SAN by creating
multiple loops.
As you begin to implement a SAN, it
p ays to i n terf a ce your existing sto rage.
You can do this with bridges that connect
SCSI devices directly to Fibre Channel
networks and gateways that connect
Ethernet networks to Fibre Channel
networks. It's also possible to upgrade
some devices, such as tape libraries, from
SCSI to Fibre Channel interfaces. On the
server hardware, most vendors offer the
host bus adaptors (H BAs) needed to
bring a system onto a Fibre Channel
SAN . You also need to give workstations
on your normal LAN network access to
the SAN as well.
You might want to investigate storage
management software at this point, such
as hierarchical storage management.
This lets you shift data from faster to
slower media as its frequency of use
decreases - there's little point in having
rarely used archive material available
over the SAN. Other software allows
you to map large storage devices, such
as disk arrays and tape libraries, to
virtual file systems on servers, eliminating
many of the server hardware limits
imposed on storage.
Many backup
software vendors,
including Legato
and Veritas, now
support SAN
architectures in
their products and
typically connect
with other storage
management software
to make backups
as flexible as possible. After all, you
wantyourSAN system to have enough
intelligence to beableto backup a
storage device directly to a tape library
without having to go through
intermediary servers.
As you go through what may be a
slow process of moving towards a SAN ,
you will almost certainly experience the
hiccups associated with any new
technology. But keep in mind that most
ofthecomponentsof a SAN, including
RAID, storage libraries and storage
management software, are mature
technologies which areonlynow coming
into their prime.
Roger Gann welcomes your comments on the
N etworks column. Contact him via thePCl/1/
editorial office or email:
networks@pcw.co.uk
For more information on building a SAN , visit
www.fibrechannel.com and www.snia.org
|J| • Personal Computer World • October 2000
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Personal Computer World • October 2000 •
GAMES > >
«
rn nf enf <;
Crimson skies
contents
PREVIEWS
452 Crimson skies
Rune
GAMES
453 Deus Ex
454 Grand Prix 3
455 M otocross M ad ness 2
456 Dino Crisis
CROSSWORD
457 Stimulate your grey
matter with our word
and logic puzzles
COMPETITION
458 Win a PanrixPC!
FLASHBACK
459 Those Octobers of years
gone by
RETRO
460 The Acorn Atom
Rune
Everything you've heard about the
Vikings is true if Rune is anything
to go by. This third-person
adventure game puts you in the boots of
a warrior called Ragnar, who is intent on
finding the mysterious force responsible
for the destruction of a number of
villages. H is adventures pit him against a
selection of mean humans and even
meaner monsters, plundered from Norse
legend and the H uman H ead designers'
feverish imaginations.
Based on the Unreal 3D engine, the
game creates a deeply textured
environment for players to explore,
which, in turn, involves combat and
puzzle solving. Although its camera
angles resembleTomb Raider you needn't
worryabout your view being obscured.
Thegolden ageofthe
swashbuckling hero is
about to make a
comeback, if M icrosoft and
FASA Interactive have their way.
Crimson Skies is set in an
alternate 1937 where the
Depression and Prohibition
have rocked the US. The
country has fragmented into
warring nation states and,
without any established means
of interstate travel, real power
is wielded by ruling the skies.
You play Nathan Zachary, flying ace,
and an array of strange and fantastic
aircraft take you through 24 missions
over locations as exotic as H ollywood,
M anhattan and H awaii. Each mission
centres on a primaryobjectivebuta
number of secondary objectives can divert
your attention. So you could go head-to-
head with a heavily-defended Zeppelin or
simply blast the H ollywood sign.
Although your character is part of a
team, the game unfolds in a single-player
mode, with your mission goals frequently
requiring you to help your teammates.
But don't befooled into thinking this
Jm
> a
ft
-M
m r _
\ '
Should Ragnar be cornered, he becomes
transparent so you don't miss a thing.
H owever, it is the hand-to-hand
combat element that will playa key role
in the game. Human Head's designers
claim it's easy to grasp but hard to
master, focusing as it does on a
combination of offensive or defensive
is just another flying sim. Its 'intuitive
flying system' allows players to concen-
trateon theart of dogfighting. Although
the planes' manoeuvrability is impressive,
this is at a cost: namely the in-game
graphics that depict each location within
a sparse, sprawling landscape with the
minimum of detailed structures.
Crimson Skies will appeal to people
who have a penchant for aerobatics
when it's released later this year. Look
out for a full review in the near future.
www.microsoft.com/ games/
crimsonskies/
ANDY STEWART
stances with either weapon or shield.
As Ragnar's travels progress he
acquires bigger and better weaponry
along with runic powers, which help him
as he hacks away at h is foes. After a
number of kills his bloodlust reaches a
critical point and sends him berserk,
laying waste to anyone who stands in his
way, before returning to normal.
The game's graphics come into their
own during thefight sequences, as the
localised damage feature lets you hack
off parts of your opponent's body. To
add insult to injuryyou can pickup your
foe's severed arm and soundly beat him
with it. Promised for release later this
year, it's not for the faint-hearted.
www.humanhead.com/ rune.htm
ANDY STEWART
• Personal Computer World • October 2000
Deus Ex
A game that combines the best elements role-playing, adventure and first-person shoot- 'em-ups
Based at Ion Storm, Warren Spector,
veteran designer of the U Itima and
System Shock series, now brings us the
critically acclaimed Deus Ex At first
glancethisgameappearsto bethe
typical first-person shooter, but after a
little gameplay you realise it doesn't
conform to onegenre. DeusExmanages
to combine the best elements of role-
playing, action adventure and first-
person shoot-'em-ups.
Set some 50 years in the future, you
take on the role of JC
Denton, a bionically
augmented agent
working for UNATCO
(the United Nations
Anti-Terrorist
Coalition). A virulent
plague with
supposedly no known
cure has spread
throughout the world,
and governments are
frantically trying to
maintain order.
However, a cure does
exist, known as the
'Ambrosia Vaccine',
and a terrorist group
called the North¬
western Succession
Forces, or NSF, has recently
hijacked a shipment. This is
where you come in, tasked
with the recovery of the
vaccine. As you dig deeper the
plot thickens and you begin to
question motives and the trust
you had in friends. Ifyou'rea
conspiracy theorist orX-F/7es
fan then you should feel right
at home. It also borrows
heavily from The Matrix right down to
your long black trench coat.
On installing the game, you must
completetraining exerc i ses to get a feel
for the weapons and manoeuvres you
will need. You start off untrained in a
variety of skills, such as computers,
electronics, lock picking, medicine,
swimming and weapons (comprising
demolition, heavy, low tech, pistol and
rifle) . You need to collect a number of
points before you will beableto use
these skills well. For example, if you begin
using the sniper rifle, you'll find youraim
interface is similar to the one in System
Shock2. You can choose yourown
appearance and selecting your gear from
an unobtrusive inventory. Your health
status, in the upper-left corner, can be
accessed to reveal a graphical
representation of your body's bio¬
condition as well as the state of your
bionic augmentation implants.
What makes Deus Ex so addictive is
that there isn't only one way of solving a
problem. The first level, set in Liberty
Island, New York, has around five
solutions. Your environment is also
DETAILS
★★★★★
PRICE £39.99 inc VAT
CONTACT Eidos020 8636 3000
www.deusex.com
SYSTEM REQUIREMENTS Pentium II 300
(Pentium lll/AM D Athlon recommended);
64MB of RAM (128M B recommended); 8M B
(16M B recommended) 3D -accelerated DirectX
v7.0a-compatiblegraphicscard; DirectX-
compatiblesound card; 250M B of hard disk
space; four-speed CD-ROM ; Windows 95/98
is shaky. Gain more experience points
and you will soon beableto pick off
enemies from hundreds of metres away
handy when you're clearing a route
through a heavily
guarded area.
You control
your character
through a
combination of
mouseand
keyboard. The
interactive, with the possibility of picking
up and throwing trash bags, to practise
your aim on the rats and pigeons.
EnemyAI (artificial intelligence) is
also responsive,
with NSF guards
spotting any rash
movements and
being prepared to
hunt you down or
raise thealarm.
Previous meetings
with some of the
characters are
also remembered
if you return to
see them. If you wantto up
the stakes there a re four
difficulty levels.
Graphics-wise, Deus Ex
wasstableat 1,024x768 on
a GeForce256 and 566MHz
Celeron, but we met with the
odd dropped frame. This is
probably because the game
is based on the Unreal
engine that is optimised for
Glide rather than Direct3D.
The only real issue we had is
the darkness, even with the
gamma on max The music is
clear and complemented the
mood of thegame, whilethesound
effects and voices are realistic.
DeusExgetsthethumbsup because
it is difficult to leave alone - the sign of a
quality game. The bonus of playing the
game in yourown way also adds to its
appeal and longevity. If you really want
to get immersed and don't mind missing
out on sleep then you can't go far wrong.
JALAL WERFALLI
Personal Computer World • October 2000 • U
GAMES >
GAMES > >
Grand Prix3
You won't have time to watch the accurately modelled tracks fly past on the king of FI sims
Th ere a re f ew ra c i n g si m u I a t o rs t h a t
have gained the kudos of Geoff
Crammond's Grand Prix series. In fact,
when ex-world champion Jacques
Villeneuvemoved from ChampCar racing
in the US to Formula 1 he is said to have
learned the FI tracks by playing the first
of Crammond's Grand Prixtitles. And up
until now, GP2 has been considered the
best FI simulator on the PC, despite its
age and relatively crude graphics.
Crammond
has been
working on this
updateforfour
years and the
attention to
detail really
shows. FI is team
of programmers
have even
worked with the
Arrows FI team
to make sure
that every
aspect of the
cars and tracks
are modelled as
closely as
possible to real
FI racing.
Thegameis
based on the 1998 season and
every team and driver is
included except - rather
bizarrely- M rVilleneuve, who
had to be replaced byfictional
driverjohn Newhousedueto
licensing disagreements. Also,
Verstappen has been chosen as
the second driver for Stewart,
rather than Jan Magnussen
who started the season with
theteam.
But the strength of the G P series has
always been in the way you can tweak
every aspect ofyourcar, including
brakes, gear ratios and aerodynamics.
This is where G P3 really sets itself apart
from the rest of the FI pretenders. It's
truly hardcore in itsapproach, allowing
you to perfect car setup.
The tracks in the game are also
amazingly accurate- the buildings are
expertly modelled, as are other details
such as trees and advertising hoardings.
The circuits even contain the correct
camber, and if you outbrake yourself and
end up in the gravel traps, your car will
throw up bits of gravel from the wheels.
One of the most important additions
in GP3 isthe
inclusion of
dynamic weather
conditions, which
can range from
blazing sunshine
to monsoons and
GP3 is not going to appeal to the casual
racing fan who likes arcade thrills rather
than simulation. You can, of course, turn
on all the driving aids and race arcade
style, but this
proves less than
satisfactory, as the
computer assist
tends to make you
feel like a passenger
with little control
over the action.
Also, you'll
need a PC with a
fair amount of
grunt to get
smooth frame rates from
the game. It suffered on a
450M H z Pll with a 32M B
TNT2 graphics card, but
really started to shine on a
733M Hz Pill with a 32MB
GeForce DDR card.
It's a shame that after
fouryears, Crammond's
team hasn't come up with
added gameplay elements,
such as a career mode
where you could start out
as a test driver and work
yourwayup into thetop
seat at a team such as
McLaren or Ferrari.
Flowever, if you area big FI fan then
this is simply the best FI game ever
produced. It certainly dumps on what
has gone before it this year, such asEA's
FI 2000, and from a great height.
Crammond has come up with a cracking
title, but next time it'd be good to
include some extra gameplay elements.
NIALLMAGENNIS
the weather even causes adjustments to
be made to ideal driving line.
It's often said that FI fans only watch
the races for a chance to see multiple car
pile-ups. If you're one of these people,
you won't be disappointed with GP3. It's
extremely entertaining - if a little
annoying when you're doing particularly
well - to clip another car and watch your
own go through a full roll with wings and
wheels flying off everywhere, especially
into the path of oncoming cars.
Despite such frivolous entertainment,
DETAILS
★★★★★
PRICE £34.99 inc VAT
CONTACT Hasbro Interactive 020 8569 1234
www.hasbro-interactive.com
SYSTEM REQUIREMENTS Intel Pentium II
266M HzorAM D K6-2 (450M HzPentium III
or Athlon recommended); 32M B of RAM
(64M B recommended); 2M B video card
(16M B 3D DirectX 7.0-compatible video card
recommended); DirectX 7.0-compatiblesound
card; Windows95/98
• Personal Computer World • October 2000
M otocross M adness 2
The thrills and spills of motocross will have you glued to your PC as you test your riding skills
When a game has a disclaimer on
the loading screen that states
'the bike riding depicted herein may not
be realistic, and is potentially extremely
dangerous in real life' you have
to wonder what other games
thinktheyaredepicting. Is
0 uake III Arena suggesting the
gunmanship and stamina of
the characters in the game is
real and accurate? Somehow
we don't think so. Regardless
of this rather odd disclaimer,
Motocross Madness 2 (MM2)
builds on the surprise success
of its predecessor and
is a wickedly addictive
game that will have
you glued to your PC
for quitea while.
Oneofthemost
favourable aspects of
MM2 is the ease with
which you learn to play
the game. The controls
are easy to pickup,
comprising little more
than accelerate, brake,
left, right, forward and
backward leaning -
which if used
incorrectly
results in a
back-breaking
crash. Stunts
are performed
bymovingthe
joystick in a
specific
direction while
holding down
oneofthestunt
keys. The
controls maybe simpleto master, but the
game is not.
MM2 has various gameoptions
including Baja racing, Supercross,
Enduro and National racing and theold
favourite Stunt option, where you watch
your rider perform ludicrous stunts, for
which he scores points if he doesn't
crash on landing. 0 ne major addition to
complement its predecessor's race
options is the campaign-style Pro-Circuit
mode. This involves working your way up
from local races on cheap bikes to bigger
bikes and more challenging races, with
tougher opponents. Along the wayyou
earn money to upgradeyour bike, as well
as to payyour medical billsfromyour
inevitable crashes.
Baja Racing is a
checkpoint race
across varied
terrain. The
drivablearea is
absolutely huge
and is rendered in immaculate detail.
The object of Baja is simple: go through
the gates while staying ahead of your
opponents. This is a lot easier than it
sounds, as you frequently tend to be
leading a race for all but the last lap,
when suddenlyyou see your victory
hopesdashed as you clip thetop of a hill
and find yourself sliding and scrabbling
to try to get back to the gate. With a little
bit of careful navigation you can ride
your way to victory by taking the route
that keeps your wheels on the ground as
much as possible. Of course, this isn't as
much fun or as spectacular as taking the
route with the most jumps, but it does
see you installed on thewinners' truck at
the end of the race.
The Enduro Mode is similar to Baja,
although the courses are situated in
quarries, complete with mechanical
diggers and helicopters, or with their
course-crossing traintracks, busy roads
or flight paths. The Supercross races, by
comparison, are all held in stadiums,
and are accompanied bytheroarofthe
crowd as they respond to your every
move. In early games this is more likely to
betheunified sharp intake of breath of
thousands of people
as you spectacularly
crash your
motorcycle.
National races also
involve purpose-
built tracks, with
tight corners and
lots of big air jumps.
MM2 is a highly
addictive game, with
spectacular graphics.
The crashes will
make you smile,
whiletheaddictive
pull ofwinning will
keep you playing.
And if you manage
to get up the cliff
face edging each
game's arena and
start too head to far
out, watch outforthehilariouscannon
sound as you are blasted back to the
middleof thearena, completewith a
whistling bomb effect as you plummet
earthwards. MM2 is a quality gamethat
is both fun to play and looks good, too.
SCOTT MONTGOMERY
DETAILS
★★★★★
PRICE £34.99 inc VAT
CONTACT M icrosoft 0345 002 000
www.microsoft.com/games/motocross2
SYSTEM REQUIREMENTS Pentium II 233
(Pentium II 300 recommended); 64M B of
RAM ; 8M B 3D -accelerated graphics card,
DirectX7.0-compatiblesound card (optional);
200M B of hard disk space; Windows95/98
Personal Computer World • October 2000 • U
GAMES >
GAMES > >
Dino Crisis
0 nee you've mastered the unusual viewpoints, this game will keep your pulse racing
trawl back through the level to retrieve it
- and you can only save a game at set
points, which makes writing clues down
doublyimportant.
Graphically, it
was a mixed bag.
Whilethegame
itself was perfectly
passable, we
noted a definite
'blockiness'onthe
menu screens and
other occasions.
Another thing we
didn't like was the
apparent lack of
anymouse control. You can
configure the keys, but the
PlayStation legacy is that
you'll enjoy it a lot more with
a gamepad.
In all, in spite of the fact
that the game often wrests
control from you for the sake
of the narrative, the story is
so enthralling, if violent, and
thegameplayso pulse¬
pounding, that most faults
we can forgive.
Once you've
worked out howto
deal with the weird
viewpoints, you
can start to enjoy
the cinematic
elements.
Suddenly, creeping
down twisting
corridors with your
heart in your
mouth, listening to the sounds of a
dinosaur on the prowl, becomes fun.
MATT WHIPP
Third-person adventures have always
been a staple of the PC gamer's
diet, so now that Dino Crisis has been
ported from the PlayStation to the
desktop, we were keen to find out how
well it had survived the trip. There are
two main modes of play. You can either
go fora timed lizard bash, where you kill
asmanydinosaursasyou can, or, as we
did, set out for the full story.
You play the hot-
pants-clad female
member of a three-
strong crew charged
with investigating the
whereabouts of a
certain Dr Kirk (not
theJamesT kind).
You have good
reason to believe his
recent death was
faked and he's up to
something in his
research labs.
However, it's not
onlythedoctor
who's been putting
in the overtime.
There's good deal of
reptilian activity, too.
In the best tradition of another
PlayStation success, Resident Evil, there's
a very cinematic aspect to this game,
along with a suspenseful soundtrack.
And although there are plenty of cut
scenes around, film-like twists are woven
right into the gameplay. This is a bit of a
double-edged sword. It certainly helps
keep you locked into the gripping, if
linear, narrative with fear in your veins at
every turn. On the downside, it makes
you stick to the path as the scenes tell
you prettymuch exactly where to go.
There are also some odd camera
angles that, whilethey'd lookgood as
part of a film, mean you have no idea
what horrors are waiting around the
corner as you're looking at the top of
your head. It also makes figuring out
which direction you're heading a little
trickyand you mayfind yourself
accidentally going backthrough the
same door you used to enter.
When you do encounter a member of
your own party or a dinosaur, again
usually accompanied bya set piece, it's
tough to tell when the cut scene has
kicked in and when you can begin
completing your next task or start filling
that lizard with lead. So keep yourfinger
on theaim keythroughout.
The monsters
are powerful here-
so make sure you
have plenty of
room to backup
or somewhere to
run, as they'll make mincemeat out of
you in a corner - and they're big and
scary, especially when theycrash their
heads through the window and fill up
thewholeroom orjump down from a
ventilator shaft. If you do get caught, it's
brutal and gory. It can be difficult to tell
when to use the medical kits you pickup
along the way. Theonlyhint wehad that
our health was low wasthetrail of blood
weleft behind usfrom timeto time.
It's not just fighting, there are also
lots of items to pickup, puzzles to solve
and codes to remember - keep a pen and
paper handy, you'll need it. There's
nothing more annoying than forgetting a
vital piece of information and having to
DETAILS
★★★★
PRICE £29.99 inc VAT
CONTACT Virgin Interactive 020 7551 0000
www.vie.com
SYSTEM REQUIREMENTS32M B of RAM
(64M B recommended); P200M H z (P166 with
3D acceleration); Windows 95; four-speed
CD-ROM (eight-speed recommended); 1MB
of hard disk space (650MB recommended);
DirectX-compatible video card
• Personal Computer World • October 2000
Van mail
The drivers of nine vans delivered
nine different parcels to nine
different women. Prior to the
deliveries, thevanswerein a
single line, with van number one
being at the front. Each delivery
was made at a different time from
7.30am to 11.30am inclusive in
increments of 30 minutes. From the
following information, can you
determinethedriverof each van, the
item or items in each driver's parcel,
and to whom and when each parcel
was delivered?
Harry, whose grey van was
immediately behind Jim's van, delivered
theencyclopedia.The white van which
held the chocolates for M rs Redmond
was immediately in front of the van
driven by Bill, who made his delivery at
11am. Thegreyvan holding M rsjones'
parcel was immediately in front of the
van holding M rs Green's parcel; the
former's parcel was delivered one hour
before the latter's. The parcel of CDs,
whose delivery time was not 8.30am or
9.30am, and the parcel holding the
camera were carried by similar-coloured
vans; theformervan was
immediately behind the latter in
the queue. M rs Smith's parcel of
flowers, which was in a black van,
was delivered earlier than any
other parcel.
The driver of a white van, who was
two vans behind the hamper deliverer,
delivered thejewellery one hour before
Arthur- who drovea black van -
delivered M rs Gould's parcel. Dick'svan
was four vans in front of the white van
holding the chair; the latter van's delivery
time was two hours later than the
former's. Pete drove a black van (whose
delivery time was 11.30am) which was
four vans in front of the van holding
the clock.
The van holding M rs Black's parcel
was immediately behind thevan driven
by Fred, whose delivery time was not 9am
or 9.30am.Thevan that held M rs
Brown's parcel, which was not delivered
at 8.30am, was somewhere behind the
van holding M rs White's parcel, which
was delivered earlier than M rs Brown's.
Don's delivery time, which was not
10.30am, was later than Sid's; the
latter driver did notdeliverto M rs Clark,
and his van was somewhere in front
of Don's.
Find the solution to thispuzzlefora
chance to win a copy of M icrosoft
Encarta Reference Suite 2000.
Send the answer, along with your
name and an address where you would
like the prize to be mailed, on a postcard
to: PCI/I/ Prize Puzzle (October 2000),
VNU House, 32-34 Broadwick Street,
London W1A 2HG, or by email to:
letters@pcw.co.uk.
Answers should arrive no later than
20 September 2000. Please note that we
DO NOT open attachments.
July's Prize Puzzle answer
The solution to July's puzzle is below. A
case of mistaken identity crept in last
month with July's winner, C H odgson of
Stockport,
being credited
as the winner
ofjune's
bra in teaser.
G Shepherd
of Chesterfield
wasjune's
winner.
A
B
D
C
D
C
A
B
C
A
D
B
D
B
A
C
C
D
B
A
B
A
C
D
ACROSS
12
Restoration of lost
7
_ screen, multiple display
data (8)
method (5)
13
Snail _ , web reference to
8
_ function, Postscript
postal services (4)
halftone procedure (4)
15
BASIC command returning
9
Tape spool (4)
whole numbers (3)
11
Make small software
16
box, computer based on
changes (6)
DEC chip 21064 (5)
19 Associating a symbol with its
description (7)
20 Variant of a language or
protocol (7)
23 Very small time measures (5)
25 Resistance unit (3)
26 Cutoff part of an image (4)
28 General term for a subroutine
(8)
30 Person highly respected on
WWW (3.3)
32 ET seeki n g sc reen saver ( 4 )
33 Illicitly gain computer
access (4)
34 Lotus _ , organization
software (5)
DOWN
1 Emit (oil) (4)
2 Handicapped (8)
3 Perform surgery (7)
4 Pile (4)
5 Cringe (6)
6 Member of the nobility (4)
10 Delegates (7)
14 Crook'sfalsename(5)
17 MetricprefixforlOO (5)
18 Darkening (7)
21 Film-setting (8)
22 Join up (7)
24 Periodic (6)
27 Easilycarried (5)
29 Manipulates (4)
31 The Young__, TV sitcom (4)
Each month, one lucky PC W
C rossword entrant wins a copy of
the C hambers 21st C entury D ictionary.
The winner of August's crossword
puzzle is: A Holland from
Hertfordshire.
This time, it could be you. Send your
completed crossword to:
‘PC W O ctober - Prize C rossword',
VNU House,
32-34 Broadwick Street,
London W1A2HG,
to arrive no later than
20 September 2000.
• Please state clearly on your entry if you do
not wish to receive promotional material
from other companies.
Solutions to September's
crossword
ACROSS: 7 Split 8 Spot 9 Reel 11
Tweaks 12 Recovery 13 Mail 15 INT
16 Alpha 19 Binding 20 Dialect 23
Psecs 25 Ohm 26 Crop 28 Function
30 Net.god 32 Seti 33 Hack 34 Notes
DOWN: 1 Spew 2 Disabled 3 Operate
4 Stack 5 Grovel 6 Peer 10 Assigns 14
Alias 17Hecto 18 Dimming 21
Location 22 Connect 24 Cyclic 27
Light 29 Uses 31 Ones
Personal Computer World • October 2000 • W
BRAINTEASERS >
COMPETITION > >
a Panrix 700MHz
Athlon PC
This month, we'vejoined forces
with award-winning PC
manufacturer Panrixto offer
one lucky PCl/1/ reader the chance to win
a 700M HzAthlon PC with all the
trimmings
Panrix, a frequent PC 1/1/ award
winner, is offering one fortunate winner
this classic PC based on an Athlon
Thunderbird processor.
As you would expect it's fully
equipped with 64M B of memory, an
AGP Cougar graphics card and a
Creative sound card to producea great
visual and sound effect. Not to mention
a good displayoffered bya 17in
ProNitron monitor and a 10-speed
DVD drive so you can watch all your
favourite movies. There's also an
internal modem for all your Internet
travels.
A set of 200w PM PO speakers adds
to the goodies offered by this PC. You'll
get peace of mind, too, with Panrix's
one-year parts and labour warranty.
Established in 1990, Panrixhas
developed a reputation for delivering
outstanding PC performance at
competitive prices. Panrix's range of
computer systems benefits from the
most advanced technology available to
provide high performance, reliable, user
friendly PCs.
You can find out more about Panrix
by visiting www.panrix.com, or ringing
0113 244 4958.
■ For a chance to win a Panrix 700M H z
A thlon PC, just answer this simple question
and follow the 'H ow to enter' instructions.
W hat speed is the Panrix PC's DVD drive?
1) 8 -speed
2) 10 -speed
3) 12 -speed
Creative Labs DVD winners
The winners of August's competition are
Richard N unn of Bury St Edmunds,
Kenny Sherratt of London, M ike Fisher
of Bath and Caroline Whiteof London.
They each win a Creative Labs DVD
bundle, including a Creative PC-DVD
Encore 8x. Congratulations to all
the winners.
Howto enter
Fill in the coupon on the left and
send it to thefollowing address by
30 September 2000:
October PC competition
P ersonal C omputer 1/1/ or Id
VNU Business Publications,
32-34 Broadwick Street,
London W1A2HG
0 r email your name, address and
daytime telephone number to us at
Please state in your email if
you DO NOT wish to receive
information about other products
and services from VN U Business
Publications Ltd, and if you DO want
your details to be passed to other
carefully selected companies for
marketing purposes.
♦ Competition open to UK residents only
Rules of entry
This competition isopen to UK readers
of Personal Computer W orld, exceptfor
employees (and their families) of VNU
Business Publications and Panrix
PCI/1/ 'sEditor isthesolejudgeof the
competition, and his decision isfinal.
N o cash alternative is available
in lieu of prizes.
PCW October 2000 competition entry form
Name:
Email address:
Daytime telephone number:
Address:
Answer: The DVD drive's speed is: .
•Please tick here if you DO NOT want to receive information about other products and services from
VNU B usiness P ublications Ltd □
•Please tick here if you D 0 want your details to be passed on to other carefully selected companies for marketing purposes □
l] • Personal Computer World • October 2000
Chess for chumps, a PCW machine, and Windows 95 puts M icrosoft's monopoly in question
20 YEARS AGO
October 1980
September 1980's issue
had focused on the
world of chess, with
David Levy quoting the
findings of math¬
ematician Claude
Shannon: that in the
perfect game of chess
there are 10120 possible games to consider,
which means it would takea 1980s
computer some 1090 years to decide its
first move. This month, however, saw a
breakthrough as M r Levy had designed his
own chess-playing micro. The micro was
unique in that it played with itself and
could be tortured into revealing its next
best move and compelled to play it before
you died of old age.
The cover of PC 1/1/ this month
featured those two darlings of home
computing, the Atari 400 and 800. David
Tebbut gained an exclusive look at what
Atari was billing as a new generation of
computers, aimed at home users who
wanted to playgames as well as learn
from the Atari's audio-visual capabilities.
Both machines could be plugged into a
television and programs could be loaded
from a cassette, disk or cartridge.
Powering the machines was the 6502
processor running at a thrilling 1.8M H z.
As for games, the addictive Star
Raiders was included with both
machines. This was similarto manyStar
Trek games available at that time, but
additionally boasted a three-dimensional
view of space and the opportunity to
reach the rank of star commander.
October 1985
We were wondering
whether we had
received the ultimate
accolade- a machine
bearing our name? No
such luck. It was the
latest machine from
Amstrad, known as the
Personal Computer Word Processor, or
PCW8256 for short. With CP/M , a disk
drive, 256K of RAM , a monitor, Basic,
Logo and a printer, this was one bargain
not to be missed at £399 exVAT. As a
CP/M micro, it undercut theOsbourne
machines, theWren (if you could get
one) and the Apricot Fie, leaving our
own Peter Bright to conclude there was
little to criticise about the PC W8256,
even though it used our name.
Have you ever thought of your
computer as a living entity, capable of
thought, movement and reproduction? If
so, then Geoff Simons' New Life? piece,
exploring artificial intelligence, would have
been right up your street. Debating the
nature of intelligence and how computer
systems could be regarded as emerging
life-forms, Geoff analysed the arguments
f o r en ergy intake (electricity), thinking
(processing information), reproduction
(computers used to design other
computers) and human/ computer
symbiosis (try attacking an important
computer and you will probably be
arrested). He concluded that when life is
seen as essentially a systems phenomenon,
then computer-based systems would be
ableto qualify as being alive.
On a lighter note, if you find the
ambiguous definitions derived from
today's dictionaries humorous, you may
like to know that things were similar in
1985. As described in Chip Chat, one
microcomputer dictionary explained that
I'm leaving' signifies that someone is
announcingtheirdeparture- or, if
spoken by a tree, means 'Spring is near'.
October 1990
Two important names
oftheera werefighting
it out on thePCI/l/
cover. A new low-cost
PC, the PS/ 1, from the
world's biggest
computer manu¬
facturer at the time,
IBM , was about to hit the market and
warranted a front-page report from PCW ,
as did Amstrad 's attempt to tackle the
corporate market with its PC3000 range.
Unfortunately for IBM , PCI/l/'sSimon
Rockman was far from impressed,
concluding that the PS/ 1 range aimed at
the home market in the US and the small
business in the U K was a cheap attempt
to broach either market, dueto its fast¬
fading processor and severely limited
expansion. Simon went on to say that
no-one who knows anything about
computers would buya PS/1. Amstrad's
PC3000 fared somewhat better under
the inspection of GuyKewney, who
concluded that the 20M H z machine was
a safe and reliable bet for corporate users.
Graphics cards were also on test this
month, with no sign of any current
manufacturers under trial. Instead,
PCI/l/'sChrisCain was left to deliberate
the power of the Video Seven V-RAM and
Paradise's 8514/a plus, among others.
The Paradise 8514/a plus came up tops,
dueto its superb blitting (a graphics
rendering test) and reliability, with NEC's
M ultisync Graphics Enginecoming in a
close second.
Finally, PCW interviewed everyone's
favourite 'boffin' Sir Clive Sinclair, who
revealed his plans to build a super-bike.
The wafer-like bike, designed to
revolutionise city commuting was still on
the drawing board at this stage, but
sadly ended up travelling down a road
to nowhere.
October 1995
Computing on the
move gave PC W the
cover story five years
ago, when we put 15
notebooks equipped
with a docking station
to the test. With 20 per
cent of corporate
business users favouring the dockable
notebook, PCW decided itwastimeto
debate the best notebook on the market
combining portableand desktop usability.
A number of established names took
part in the group test, with Gateway and
IBM receiving Highly Commended
awards and Toshiba stealing the
limelight with the Editor's Choice for
its Satellite Pro 400CDT. Theonly
notebook ableto boast the inclusion
of a Pentium processor and a CD-RO M
as standard, theToshiba was priced
at £4,440, which was expensive,
especially by today's standards.
Like today, the 1995 PCW team was
attempting to discover the best way onto
the Internet, with Wendy Grossman
providing a guideto the worst and best
ISPs. A number of big names appeared in
the review, including Demon but,
unfortunately, many never sustained
themselves and have since shut up shop.
As the reliability of ISPs remains a
controversial issue, it was no wonder
that Wendy refrained from awarding a
single Editor's Choice and instead
provided the pros and cons for each
service under review.
Finally, at a time when M icrosoft's
monopoly was still firmlyin placeClive
Akass reported on the success of M icro¬
soft's Windows 95 in resisting an anti-
monopoly suit, when the US Department
of Justice deferred its investigation to a
later date - has it taken five years?
CLAIRE MORLEYAND JALAL WERFALLI
Personal Computer World • October 2000 • U
FLASHBACK >
RETRO > >
The Atom that started it all
It's the micro that time forgot, thanks to that pesky Sinclair chap and a rather steep price point
Everyone remembers the BBC
M icro. Some people nod in
recognition when you mention
you had an Acorn Electron. But the
Acorn Atom is one of the lost treasures
of home-computing history: even retro
geeks who slaver over ZX80s will cock
their heads and make a funny face
when you mention the name.
Acorn Computers was set
up by an ex-Science of
Cambridge employee called
Chris Curry. If the name
Science of Cambridge
doesn't ring any bells,
it was headed by one
Clive Sinclair.
TheAtom
wasAcorn's
first real stab
at a proper
home micro.
It was released in
themiddleof 1980, at
around thesametimeas
Sinclair's own ZX80 appeared on
the scene. As with theZX80, the Atom
was available ready-assembled, but also
came in the cheaper kit form, which was
the more popular option for your typical
computer geek of the time.
In many ways, theAtom wasthedry
run for Acorn's BBC Micro (which was
originally named the Proton) and the
later machine owes a great deal to this
one. Insidethecasetherelurked a 6502
microprocessor, just like the BBC's,
except it ran at 1M H z, half the speed
of the later model. Externally, the
appearance was very similar, although
the Atom's case was considerably more
compact at 245mm deep, compared to
theBBC's345mm.
The classic typewriter-style keyboard
with its instantly familiar echoing key-
click is present and correct on theAtom,
soldered directly onto the main circuit
board rather than being a separate unit,
which was the case with the BBC.
TheAtom'ssound system was the
most basic arrangement possible: a
singleoutput linefrom the 8255PIA
(peripheral interface adaptor)
connected directly to the internal
speaker. Tones had to be generated in
software by switching the PIA output on
and off at the desired frequency.
The computer did have a design
feature that wasn't carried over to the
Beeb, but was about 20 years ahead of
its time: separate video memory. The
unexpanded model had just 2KB of
RAM : 512bytes for graphics,
512bytes for program
storage and
adaptor) provided two I/O ports, one
fora printer and onefor user projects.
Second, you could add internal
expansion Eurocard boards, produced
by Acorn. These included a network
interface that allowed sharing of disk
drives and printers.
It's strange, looking back, that this
superb machine, with its proper
keyboard and awesome technical
specification for the time,
was so completely
1KB of
execution
workspace.
Adding extra integrated
circuits in the appropriate sockets
gave you up to 12KB: 6KB for graphics,
5KB for program storage and 1KB of
execution space. But that was just the
start of the Atom's expansion
capabilities. The basic model had a
single 4KB ROM containing Acorn's
variant of BASIC and the M OS (machine
operating system). But you could also
add an extra 4KB floating-point
extension ROM , which gave you colour
graphics modes to play with, too.
In full flight, a 12KB Atom fitted with
floating-point ROM could managea
graphics resolution of 128x192, with
four colours excluding blackand white.
It's worth noting that in those days, the
extra 11KB of memory to fully kit out an
Atom cost £175. These days, that'll buy
you 192M B of PC100 SDRAM : nearly
18,000 times as much.
There were two more internal
expansion possibilities. Thefirst was
another feature to find its way into the
Beeb: the 6522VIA (versatile interface
overshadowed
bythetiny,
membrane-
keyboard equipped
ZX80. The big
difference was price.
TheZX80 may have
been totally inferior to theAtom, but it
was far less expensive. A ready-
assembled ZX80 cost £99.95, but a
ready-made 12KB Atom cost £330.
Perhaps the second factor, one that
dogged Acorn right up until its demise
two years ago, was its inability to market
its products effectively. TheZX80 had
full-page ads in the national newspapers,
whilethehumbleAtom, well, didn't.
It does have onefinal claim to fame,
though. David Braben used oneto
produce his first three-dimensional
graphics routines, simulating a spaceship
flying around in a starfield. Those
routines eventually became Elite. So,
th ree ch eers fo r the Aco rn Ato m ,
the micro that geekdom forgot, but
whose soul liveson in theform of its
illustrious progeny.
DAVID FEARON
• Personal Computer World • October 2000